In mythology, art history and religious iconography, the apple has been imbued with every imaginable human desire. It has been a symbol of love and beauty, of temptation, of immortality, peace, death and poison, of sin and redemption. From Adam and Eve to the trials of Heracles, to the art of Cezanne and Magritte, to Newton's theory of gravity, the death of Alan Turing and the growth of Steve Jobs, the apple resonates throughout western culture. It is Snow White, William Tell, it is The Beatles and the Viking gods, it is even the American frontier. Now, Barnaby Barford offers a celebration of this fruit, exploring its impact on the history of humankind. Apples have become a recent feature of Barford's eye-catching installations, whether ripe and healthy or in a state of decay. The Apple is Everything guides the reader through Barford's work and ideology.

Gustav Klimt's ornate art expresses the apocalyptic atmosphere of Vienna's upper middle-class society around the turn of the 20th century - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862-1918) and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death. And death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. His drawings in particular, which have been widely admired for their artistic excellence, are dominated by the sensual portrayal of women.

Straddling the worlds of fine art, street art and hip-hop, name-dropped on many a rap song, and collected by the likes of Jay-Z and LeBron James, Hebru is a painter, sculptor and designer. He first gained attention as a graffiti artist, tagging walls with colourful depictions of Flyboy a child donning aviator goggles all over the Windy City. Fast-forward to 2021 and his creations, profoundly influenced by Disney and Japanese Super-Flat, are now in museums, as well as in branded goods for A Bathing Ape, Billionaire Boys Club, Adidas Originals, KITH, Neighborhood and a host of other sought-after labels. At the heart of Hebru s work is restoring innocence to the depiction of black youth, often forced into adulthood before their time in the eyes of the law and popular media. Upbeat and life-affirming, Brantley s work not only attempts to normalize images of black children at play, but in his creation of black superheroes, even suggests an entirely new mythology in a cultural landscape often devoid of positive examples. This book will feature the breadth of Hebru s work so far, and is the first monograph on his work. Set out in two parts, this work will examine both the fine art and applied art nature of his work, with both his paintings and his streetwear collaborations receiving pride of place in the design of the book by prominent graphic designer Oliver Munday, currently the art director of The Atlantic Monthly.

This book, which accompanies the first major exhibition devoted to David Hockney's drawings inover 20 years,will explore Hockney as a draughtsman from the 1950s to now, with a focus on himself, his family and friends. From Ingres to the iPad -this book demonstrates the artist's ingenuity in portrait drawing with reference to both tradition and technology. David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney's work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close to him: his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and master printer, Maurice Payne. This book will examine not only how drawing is fundamental to Hockney's distinctive way of observing the world around him, but also how it has been a testing ground for ideas and modes of expression later played out in his paintings. From Old Masters to modern masters, from Holbein to Picasso, Hockney's portrait drawings reveal his admiration for his artistic predecessors and his continuous stylistic experimentation throughout his career. Alongside an in-depth essay from the curator, this book will feature an exclusive interview between author and curator, Sarah Howgate, and artist, David Hockney. In addition, an 'In Focus' essay by British Museum curator Isabel Seligman, will explore the relationship between Hockney, Ingres and Picasso drawings.

Arriving in New York City in the first decade of the twentieth century, six painters-Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle-faced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan Art, Whiteness, and the Unspectacular Man maps how Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States.

Often understood as primarily moral works, William Hogarth's oeuvre is in truth made up of innumerable interwoven strands of significance. By focusing on Hogarth's four greatest series, 'A Harlot's Progress', 'A Rake's Progress', 'Marriage-a-la Mode', and 'Industry and Idleness', Soulier-Detis tugs at one of the least-studied of these half-hidden threads - Masonic symbolism. Hogarth's many classical and biblical references, whose ambiguity and apparently paradoxical relation with the eighteenth-century situations depicted have often been underlined, gain coherence and unity when they are analysed in the symbolic framework of freemasonry and alchemy Hogarth was busy both using and concealing in his prints. The coded meaning that emerges is often entirely at odds with that on the surface, a dissonance frequently suspected but never conclusively proved by critics. Beneath the author's incisive eye, a veritable secret language of imagery emerges to form a coherent whole, offering an entirely new perspective on so familiar an artist. An original and titillating book for academic and general audiences alike, "Guess at the Rest" fascinates as it explores Hogarth's intricate mythological, biblical and Masonic symbols and the hidden codes they form. Even as she unearths this particular reading of the great painter and engraver, however, Soulier-Detis ultimately reminds us that though we may wish to think we know Hogarth well, his dictum at the end of the caption to The South Sea Scheme will always hold true - "Guess at the Rest you find out more." About the Author: Elisabeth Soulier-Detis has just retired from chair of British Eighteenth-Century Literature at the Paul-Valery University of Montpellier. She was director for France of a research network on eighteenth-century Europe. Her major academic interests are eighteenth-century British novelists (Defoe, Richardson, Fielding, Sterne), as well as eighteenth-century British art. She also founded 'The European Spectator', a bilingual collection.

Tracey Emin has undergone an extraordinary metamorphosis from a young, unknown artist into the 'bad girl' of the Young British Art (yBA) movement, challenging the complacency of the art establishment in both her work and her life. Today she is arguably the doyenne of the British art scene and attracts more acclaim than controversy. Her work is known by a wide audience, yet rarely receives the critical attention it deserves. In Art Into Life: Essays on Tracey Emin writers from a range of art historical, artistic and curatorial perspectives examine how Emin's art, life and celebrity status have become inextricably intertwined. This innovative collection explores Emin's intersectional identity, including her Turkish-Cypriot heritage, ageing and sexuality, reflects on her early years as an artist, and debates issues of autobiography, self-presentation and performativity alongside the multi-media exchanges of her work and the tensions between art and craft. With its discussions of the central themes of Emin's art, attention to key works such as My Bed, and accessible theorization of her creative practice, Art into Life will interest a broad readership.

A lavish, full-colour hardcover art book taking readers on a visual guide through Stephen Hickman's artwork. The collection focuses on his book covers for famous SFF authors such as Harlan Ellison, Robert Heinlein, Anne McCaffrey, and Larry Niven.

Paula Rego is an artist of astonishing power with a unique and unforgettable aesthetic. Taking its cues from the artist, this fascinating study invites us to reflect on the complexities of storytelling on which Rego's work draws, emphasizing both the stories the pictures tell, and how it is that they are told. Deryn Rees-Jones sets interpretations of the pictures in the context of Rego's personal and artistic development across sixty years. We see how Rego's art intersects with the work of both the literary and the visual, and come to understand her rich and textured layering of reference: her use of the Old Masters; fiction, fairy tales and poems; the folk traditions of Rego's native Portugal; and her wider engagement with politics, feminism and more. The result is a highly original work that addresses urgent and topical questions of gender, subject and object, self and other.

This magnificent volume, featuring more than 750 illustrations, is the first definitive account of the Tonalist movement. Based on original research, it tells the fascinating story of how the progressive Tonalist landscape first dethroned the Hudson River School in the late 1870s and went on to become the dominant school in American art until World War I. More provocatively, it also situates Tonalism at the beginnings of American modernism, revealing how the movement's later exponents laid the groundwork for the artists of the Stieglitz Circle, and subsequently Milton Avery, Mark Rothko, Adolph Gottlieb, Barnett Newman, and Wolf Kahn. A History of American Tonalism places the key figures of the movement - such as George Inness, James McNeill Whistler, and John Henry Twachtman - in their cultural context, which was influenced by such thinkers as Ralph Waldo Emerson, Henry David Thoreau, John Burroughs, and William James. It also examines the lives and careers of more than 60 other Tonalist painters, lesser known but highly talented. This new edition of A History of American Tonalism is augmented with more than 100 new illustrations, as well as a new overview of the stylistic principles of Tonalism. It will continue to be essential in understanding not only the Tonalist movement but American art as a whole.

"Revelatory and sublime...Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds." -The New York Times One of the most inventive artists of the twentieth century, Hilma af Klint was a pioneer of abstraction. Her first forays into her imaginative non-objective painting long preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in Tree of Knowledge. This rarely seen series of watercolors renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter. Published on the occasion of the exhibition Hilma af Klint: Tree of Knowledge at David Zwirner New York in 2021 and David Zwirner London in 2022, this catalogue features a text by the art historian Susan Aberth examining af Klint's spiritual and anthroposophical influences. With a conversation between the curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between Tree of Knowledge and native theories about plant knowledge, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint's work was not recognized in its time.

Illustrator and concept artist Devin Elle Kurtz shares her journey, from childhood ambitions to be an artist and finding the best educational fit, to working in the industry as she continues to develop her craft. The Art of Devin Elle Kurtz bursts with the stunning color, light, and storytelling that Devin has mastered, using traditional and digital methods. This is a unique opportunity to learn from a young industry professional. Devin recalls navigating educational opportunities, looking for the combination of formal classes and personal study that suited her needs. Color and light play a huge part - whether she uses traditional or digital techniques - and specially commissioned tutorials give aspiring artists the chance to sample her methods while evolving their skills. Readers will also enjoy the intriguing subject of storytelling, as Devin explores the themes that feature the most in her own work, including where they originated from. These insights and reflections are not only fascinating, but also help readers unlock their own authentic storytelling potential. Devin has been handpicked to join the ranks of superstar artists who have produced their Art of... books with 3dtotal Publishing, creating the unique blend of advice, tutorials, inspiration, and galleries that we love to see.

The bestselling visual biography of one of the twentieth century's most innovative, influential artists Andy Warhol "Giant" Size is the definitive document of this remarkable creative force, and a telling look at late twentieth-century pop culture. A must-have for Warhol fans and pop culture enthusiasts, this in-depth and comprehensive overview of Warhol's extraordinary career is packed with more than 2,000 illustrations culled from rarely seen archival material, documentary photography, and artwork. Dave Hickey's compelling essay on Warhol's geek-to-guru evolution combines with chapter openers by Warhol friends and insiders to give special insight into the way the enigmatic artist led his life and made his art. It also provides a rare, behind-the-scenes look at the New York art world of the 1950s to the 1980s. From the publisher of The Andy Warhol Catalogue Raisonne, Volumes 1 - 5.

The bold, distinctive style of Paula Rego's paintings has acquired for her not only an ever-increasing critical reputation but also an unusually large and enthusiastic following. Her be-ribboned little-girl heroines and fairy-tale characters seem firmly rooted in childhood, yet the innocence of this art is darkened by the underlying themes of power, domination and rebellion, sexuality and gender, that run through her work. Here Rego has turned to the nursery rhyme as a source for her imagery. It is a genre that perfectly complements her art; full of double meanings, rhymes are written from a child's perspective but are open to adult interpretation. Twenty-six well-known nursery rhymes are accompanied by a series of etchings which she has executed spontaneously as a child might, drawing directly on the plate without preparatory planning. Following the traditions of earlier artists such as Beatrix Potter, she treats the fantastic realistically, dressing animals in human costume and using dream-like dislocations of scale. These are wonderfully comic and rich illustrations with a hint of the sinister, that turn classic nursery rhymes into colourful stories about folly and delusion, cruelty, convention and sex.

This special issue of the Bulletin of the John Rylands Library is devoted to William Blake. It explores the British and European reception of Blake's work from the late nineteenth century to the present day, with a particular focus on the counterculture. Opening with two articles by the late Michael Horovitz, an important figure in the 'Blake Renaissance' of the 1960s, the issue goes on to investigate the ideological struggle over Blake in the early part of the twentieth century, with particular reference to W. B. Yeats. This is followed by articles on the artistic avant-garde and underground of the 1960s and on Blake's significance for science fiction authors of the 1970s. The issue closes with an article on the contemporary Belgian art collective maelstrOEm reEvolution. -- .

George Barbier (1882-1932) is one of the great French illustrators of the early twentieth century. He is famous for his elegant art deco works that were heavily influenced by orientalism and Parisian couture. Born in Nantes, France in 1882, he skyrocketed to fame and notoriety after his first exhibition in 1911. Known as one of "the knights of the bracelet" for his luxurious and glamorous lifestyle and work, George Barbier also received renown for costumes and set designs he did for theater, film, and ballet. Even today, his modern and stylish illustrations are popular all over the world.
With critical essays on such topics as coloration and composition, this volume is a complete compendium of Barbier's work. This valuable reference book is categorized by Barbier's major projects in fashion, book illustration, theater art, and editorial design and is perfect for illustrators and graphic designers as well as a beautiful gift for someone very special.

Big art for little hands - this new "Salvador Dali Colouring Book" in Prestel's new "Colouring Book" range is a beautifully produced colouring-in book. With plenty of space to colour outside the lines, the book is also designed to give children an early interest in some of the great masters. Sections of Dali's masterpieces are there to inspire children's creativity, whatever their age.

C. Behind the Black is the story of an artist's struggle with addiction and the beautiful journey to understand a world lost inside the throes of creative passion. The author wrote it to gain a better understanding of just what magic lies behind the creation of a work of art, what struggles it takes to live the life of a professional artist, and a few surprises along the way that are destined to lift and inspire the hearts of a wide array of readers. This is a journey through the darkness in a struggle to find balance in the beautiful lights and shadows of truth.

Peter Paul Rubens was one of the most productive and exciting painters of his time, noted for his expressive, emotive and sensual paintings which are now instantly recognizable. Indeed, his voluptuous female figures have given rise to the word 'Rubenesque'. This book explores the life and times of Rubens, from his early studies in Italy through to his apprenticeship in Antwerp and his subsequent outstanding accomplishments as 'the prince of painters and the painter of princes'. It also contains a gallery of 300 of his paintings and drawings, revealing his unparalleled position as an artist, diplomat, scholar, linguist, teacher, art collector and devoted family man.

In JENA Dusseldorf, first published in 2011, we follow Sabine Moritz and her artistic development, which began in 1989 at Offenbach University of Art and Design and continued in 1991 at the fine arts academy Kunstakademie Du sseldorf. Following the publication of Lobeda in 2010, a collection of homogenous early drawings, the pictures featured in JENA Dusseldorf have greater diversity in terms of content and form reflecting Moritz steady progression as an artist. Moritz brings scenes to life with vibrant colours and experimental brushstrokes creating a range of textures and atmospheres in a variety of medium including oil, acrylic, charcoal and colour pencil. The repertoire of architectural motifs is expanded to include places of remembrance in the GDR, sculptures in public spaces and the typology of 'empty places'. Some of the motifs from Lobeda reappear and are altered, drawing attention to the dynamic aspect of the process of recollection. The book also features a conversation with Hans Ulrich Obrist in which Moritz talks about her personal life, her memories and makes reference to specific works. The modest and compact book, packed with over 200 colour illustrations, shows by way of example her search for an artistic position on her route from Jena to Dusseldorf.

In a 2019 interview with the webzine DC in the 80s, Jeff Lemire (b. 1976) discusses the comics he read as a child growing up in Essex County, Ontario-his early exposure to reprints of Silver Age DC material, how influential Crisis on Infinite Earths and DC's Who's Who were on him as a developing comics fan, his first reading of Watchmen and The Dark Knight Returns, and his transition to reading the first wave of Vertigo titles when he was sixteen. In other interviews, he describes discovering independent comics when he moved to Toronto, days of browsing comics at the Beguiling, and coming to understand what was possible in the medium of comics, lessons he would take to heart as he began to establish himself as a cartoonist. Many cartoonists deflect from questions about one's history with comics and the influences of other artists, while others indulge the interviewer briefly before attempting to steer the questions in another direction. But Lemire, creator of Essex County Trilogy, Sweet Tooth, The Nobody, and Trillium, seems to bask in these discussions. Before he was ever a comics professional, he was a fan. What can be traced in these interviews is the story of the movement from comics fan to comics professional. In the twenty-nine interviews collected in Jeff Lemire: Conversations, readers see Lemire come to understand the process of collaboration, the balancing act involved in working for different kinds of comics publishers like DC and Marvel, the responsibilities involved in representing characters outside his own culture, and the possibilities that exist in the comics medium. We see him embrace a variety of genres, using each of them to explore the issues and themes most important to him. And we see a cartoonist and writer growing in confidence, a working professional coming into his own.

Best known for his depictions of fierce samurai warriors in battle, Utagawa Kuniyoshi also produced landscapes, portraits of Kabuki actors, and images of mythical animals. His dynamic action scenes and fantastic creatures are recognized today as precursors of manga and anime. This dazzling volume by Matthi Forrer, one of the leading experts on ukiyo-e art, traces Kuniyoshi's entire career. Chapters look at the major aspects of Kuniyoshi's oeuvre; his book illustrations and portraits of fashionable women; his enormously popular series featuring actors, warriors, and landscapes; and the influence of Western art on his career. Meticulous, large-scale reproductions highlight the work's clear outlines, elegantly muted palette, and precise details-from electrifying depictions of a tiger, mid-pounce, and light-hearted interpretations of Chinese folktales, to the terrifying figures of samurai swordsmen and romantic winter landscapes. A Japanese-style binding and box complete this luxurious package that promises an endlessly absorbing journey into the life of Kuniyoshi during the latter days of Japan's Edo period.

Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they travelled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world s true legends through an unfiltered and authentic lens. Basquiat and Jaffe connected over reggae music at a mutual friend s art show. It was the early 1980s in New York, when the art scene was raw, complicated, and thriving, and Jaffe cultivated strong connections with cultural figures such as Basquiat, Bob Marley, and Peter Tosh. For me, watching him [ Jean] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics, Jaffe says. With Jean and Bob, it seemed like they were channelling inspiration coming from an otherworldly place. This beautiful volume presents snapshots of Basquiat: from the artist smiling on a bullet train to Kyoto and behind-the-scenes documentation of Basquiat creating artwork in St. Moritz, to poignant portraits that mirror his undeniable magnetism. These rare depictions of Basquiat come to life with Jaffe s unforgettable experiences of their friendship, collaborations, and travels detailed in private written memories and anecdotes. This insightful and moving illustrated volume captures the soul of the unedited, ambitious, young artist during the height of his short yet unprecedented artistic career.