A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call "jazz" arose in late nineteenth century North America--most likely in New Orleans--based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the "blues," which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US--and Black American--contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era's most virulent economic--and racist--exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.

African Roots of the Jazz Evolution discusses how jazz style evolved from its original source - traditional African music. Reflecting the continental interaction and cultural development that took place over centuries, the book explores how melodic, structural, rhythmic, and other musical elements from Africa are manifested in African-American spirituals, the blues, and various jazz forms. The book moves chronologically from the roots of blues music through the advent of recording technology and into the incorporation of new musical styles and electronic media. Beginning with traditional African music, the text examines the sociocultural context in which African-American music emerged and the ways it was traditionally expressed. It also discusses the jazz innovators who emerged in each decade of the 20th Century and their contributions to jazz genres. Featuring reserve and in-class recording, discussion questions, and listening exams African Roots of the Jazz Evolution is an informed exploration of the African-America jazz evolution within a broad sociopolitical context. It can be used in a variety of courses in music, humanities, and ethnic studies.

25 original jazz guitar licks from the Major scale and its modes in tablature and notation.

• 117 bars of music over 25 licks (average lick length 4.68 bars)
• Video at full speed & Audio at full & half speed (Downloadable)
• Backing tracks at full and slower practise speeds (Downloadable)
• Scale diagrams with theory and technique tips for each lick
• Guitar tablature has picking directions & fretting finger guide numbers

An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines-the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans's jazz street parades. Here music and religion interplay, and Turner's study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.

25 original jazz guitar licks from the Harmonic minor scale and its modes in tablature and notation.

• 120 bars of music over 25 licks (average lick length 4.8 bars)
• Video at full speed & Audio at full & half speed (Downloadable)
• Backing tracks at full and slower practise speeds (Downloadable)
• Scale diagrams with theory and technique tips for each lick
• Guitar tablature has picking directions & fretting finger guide numbers