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Books > Music > Contemporary popular music > Jazz
A great collection of more than 60 classic ragtime solos, including: American Beauty Rag * Bethena * The Easy Winners * The Entertainer * Harlem Rag * Kitten on the Keys * Maple Leaf Rag * Something Doing * Tiger Rag * Twelth Street Rag * Wild Cherries Rag * and more.
Sing 16 of the world's most beloved jazz standards in the style of
legendary vocalists like Ella Fitzgerald, Judy Garland, Etta James,
Eileen Rodgers, Barbra Streisand, Sarah Vaughan, and more This
deluxe package (songbook plus two enhanced CDs) provides everything
you need to arrive at auditions and performances completely
prepared, whether your accompaniment will be live or pre-recorded.
If a pianist is present, hand them the complete piano/vocal sheet
music. (Chord fingering grids are also provided for optional guitar
accompaniment.) If recorded accompaniment is required, the
fully-orchestrated audio tracks will lend a professional touch to
your performance. Vocal demonstration tracks are also included for
each song. Titles: Anything Goes * At Last * Bewitched, Bothered
and Bewildered * Cry Me a River * Don't Rain on My Parade * Dream a
Little Dream of Me * Embraceable You * I Get a Kick out of You *
Misty * My Funny Valentine * Over the Rainbow * Someone to Watch
Over Me * Summertime * They Can't Take That Away From Me * Whatever
Lola Wants * When I Fall in Love.
117 San Francisco Bay Area jazz and blues musicians are represented here through photographs and brief biographies. All were captured in their natural element; namely, the bandstand. While not a complete compendium of the the area's artists, it is nonetheless a significant overview of the Bay Area contributors to the jazz scene in 2013. Small enough to carry to events and collect autographs on each page, the book should be an essential part of any local music lover's collection.
African Roots of the Jazz Evolution discusses how jazz style evolved from its original source - traditional African music. Reflecting the continental interaction and cultural development that took place over centuries, the book explores how melodic, structural, rhythmic, and other musical elements from Africa are manifested in African-American spirituals, the blues, and various jazz forms. The book moves chronologically from the roots of blues music through the advent of recording technology and into the incorporation of new musical styles and electronic media. Beginning with traditional African music, the text examines the sociocultural context in which African-American music emerged and the ways it was traditionally expressed. It also discusses the jazz innovators who emerged in each decade of the 20th Century and their contributions to jazz genres. Featuring reserve and in-class recording, discussion questions, and listening exams African Roots of the Jazz Evolution is an informed exploration of the African-America jazz evolution within a broad sociopolitical context. It can be used in a variety of courses in music, humanities, and ethnic studies.
This book provides a timely analysis of the relationship between jazz and recording and broadcast technologies in the early twentieth century. Jazz histories have traditionally privileged qualities such as authenticity, naturalness and spontaneity, but to do so overlooks jazz's status as a modernist, mechanised art form that evolved alongside the moving image and visual cultures. Jazz as Visual Language shows that the moving image is crucial to our understanding of what the materiality of jazz really is. Focusing on Len Lye's direct animation, Gjon Mili's experimental footage of musicians performing and the BBC's Jazz 625 series, this book places emphasis on film and television that conveys the 'sound of surprise' through formal innovation, rather than narrative structure. Nicolas Pillai seeks to refine a critical vocabulary of jazz and visual culture whilst arguing that jazz was never just a new sound; it was also a new way of seeing the world.
25 original jazz guitar licks from the Harmonic minor scale and its
modes in tablature and notation.
An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines-the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans's jazz street parades. Here music and religion interplay, and Turner's study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
25 original jazz guitar licks from the Major scale and its modes in
tablature and notation.
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