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Music > South Africa > Jazz
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SHM-DJANGO
(CD)
Modern Jazz Quartet
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R830
Discovery Miles 8 300
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Out of stock
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Marcus CD (2008)
(CD)
Marcus Miller; Contributions by Vanessa Parr, Jared Nugent, Dean Sharenow, Dennis Moody, …
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R270
Discovery Miles 2 700
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Out of stock
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Thank You John
(CD)
Various Artists; Recorded by Arkadia Jazz All Stars; Performed by Golson/Liebman/Nova Bossa Nova
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R215
Discovery Miles 2 150
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Out of stock
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The second of the Classics label's Sonny Stitt compilations, The
Chronological Sonny Stitt: 1950-1951 features some of the best work
the tenor saxophone luminary recorded for the Prestige label.
Included are studio cuts Stitt made with fellow saxophonist Gene
Ammons around the time the duo was performing together at the
legendary Birdland club in New York City. ~ Matt Collar
Lenny Bruce was a devoted fan of the Artie Shaw Gramercy Five. He
also went out of his way to make fun of Georgia Gibbs, the vocalist
on Artie Shaw's January 20, 1942 recording of "Absent-Minded Moon."
Lenny was playing up his preference for the hipper side of Shaw, as
demonstrated on "Hindustan" and every track recorded at the session
which took place the following day. These remarkable sides, which
sound better every time they are played back, were the last studio
recordings Shaw would make before joining the navy. Composer and
arranger Paul Jordan crafted a number of transitionally
modern-sounding charts for this band. There are several heavies in
the lineup: Dave Tough and Johnny Guarnieri worked well together
under any circumstances. Georgie Auld, Ray Conniff and Max Kaminsky
were fortunate to be blowing their horns alongside Hot Lips Page, a
seasoned trumpeter who conveyed the lyrical potency of ten ordinary
musicians. The string section provides just the right amount of
lilt without injecting too much fluff. There is a gorgeous
rendition of "Sometimes I Feel Like a Motherless Child," with
Shaw's clarinet in full blue cry and a gutsy vocal by Page. The
Shaw discography, interrupted by a world war, resumes nearly three
years later with Harold Arlen and Johnny Mercer's famous
"Accentuate the Positive." Vocalist Imogene Lynn, dutifully
intoning Mercer's imitation Afro-American revival lyrics, sounds a
bit affected after the soulful gravity of Hot Lips Page. But it is
important to place this popular hit record within historical
context. By November of 1944 America needed a straight shot of
optimism, and this catchy, morale-boosting number did more for the
war against fascism than any number of giddy or poker-faced
exercises in rhetorical patriotism. This is Artie Shaw & His
Orchestra at their finest. Roy Eldridge gave the band extra punch,
and the records he made with Shaw are uniformly solid, melodious
and attractive. Billie Holiday, who had worked with Shaw in 1938,
is invoked in Jimmy Mundy's "Lady Day." Poetically, its chord
progressions seem to reference Billie's difficult life and maybe
even the abusive racism she encountered while touring with Shaw at
a time when black women simply did not appear with white bands.
Buster Harding's "Little Jazz" is the definitive portrait of
Eldridge. "Summertime" is exceptionally fine, with magical
tonalities provided by Dodo Marmarosa and Barney Kessel. This
special chemistry is all the more evident on two sides by the
Gramercy Five. Certainly one of the best Artie Shaw reissues, and
well-worth seeking out. ~ arwulf arwulf
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Scene
(CD)
Stryker, Slagle Band, Stryker-Slagle Band
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R433
Discovery Miles 4 330
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Out of stock
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Sings Ballads CD (2002)
(CD)
Rosemary Clooney; Contributions by Phil Edwards; Produced by Carl E. Jefferson, Carl Jefferson
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R282
Discovery Miles 2 820
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Out of stock
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Romaria
(CD)
John Potter, The Dowland Project
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R108
Discovery Miles 1 080
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Out of stock
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