The Ozarks of the mid-1800s was a land of divisions. The uplands and its people inhabited a geographic and cultural borderland straddling Midwest and west, North and South, frontier and civilization, and secessionist and Unionist. As civil war raged across the region, neighbor turned against neighbor, unleashing a generation of animus and violence that lasted long after 1865. The second volume of Brooks Blevins's history begins with the region's distinctive relationship to slavery. Largely unsuitable for plantation farming, the Ozarks used enslaved persons on a smaller scale or, in some places, not at all. Blevins moves on to the devastating Civil War years where the dehumanizing, personal nature of Ozark conflict was made uglier by the predations of marching armies and criminal gangs. Blending personal stories with a wide narrative scope, he examines how civilians and soldiers alike experienced the war, from brutal partisan warfare to ill-advised refugee policies to women's struggles to safeguard farms and stay alive in an atmosphere of constant danger. The war stunted the region's growth, delaying the development of Ozarks society and the processes of physical, economic, and social reconstruction. More and more, striving uplanders dedicated to modernization fought an image of the Ozarks as a land of mountaineers and hillbillies hostile to the idea of progress. Yet the dawn of the twentieth century saw the uplands emerge as an increasingly uniform culture forged, for better and worse, in the tumult of a conflicted era.

The north Cornwall seaside resort town of Bude has undergone quite a transformation since its humble beginnings as Stratton's unremarkable neighbour. As one local candidly put it, 'Stratton was a market town when Bude was just a furzy down.' Initially known for its beach sand properties, which worked wonders on soil and proved favourable with many Cornish farmers, Bude expanded rapidly following the construction of the sea canal in the early nineteenth century. The Victorians sought it out as the ideal holiday resort. Bude - known in the Cornish tongue as Porthbud - has proven a hit with holidaymakers as an idyllic seaside destination. Whether surfing at Widemouth Bay, exploring cliffs and hidden beach coves, or simply enjoying a spot of fishing, the charming resort has emerged as a tourist hotspot. Author Dawn G. Robinson has compiled a captivating collection of postcards that capture the beauty and charm of this seaside spot.

In the Victorian era, sensational ghost stories were headline news. Spine-chilling reports of two-headed phantoms, murdered knights and spectral locomotives filled the pages of the press. Spirits communicated with the living at dark seances, forced terrified families to flee their homes and caused superstitious workers to down their tools at the haunted mines. This book contains more than fifty hair-raising - and in some cases, comical - real life accounts from Wales, dating from 1837 to 1901. Unearthed from newspaper archives, they include chilling prophecies from beyond the grave, poltergeists terrorising the industrial communities, and more than a few ingenious hoaxes along the way.

Part of the Myths and Mysteries series, Myths and Mysteries of Pennsylvania explores unusual phenomena, strange events, and mysteries in Pennsylvania's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in Pennsylvania's history.

From eyewitness accounts of unexplained sightings to the search for evidence of ghosts, this book features over fifty chilling tales of ghostly encounters from around Wearside. Featuring the ghostly nuns of Franklin Street, a headless horseman in Newcastle Road, and the phantoms who haunt the Royal Infirmary, Haunted Wearside is guaranteed to make your blood run cold. Richly illustrated and drawing on historical and contemporary sources, this collection will delight everyone interested in the paranormal.

In 1994, when the National Air and Space Museum announced plans to display the Enola Gay, the B-29 sent to destroy Hiroshima with an atomic bomb, the ensuing political uproar caught the museum's parent Smithsonian Institution entirely unprepared. As the largest such complex in the world, the Smithsonian cares for millions of objects and has displayed everything from George Washington's sword to moon rocks to Dorothy's ruby slippers from The Wizard of Oz. Why did this particular object arouse such controversy? From an insider's perspective, Robert C. Post's Who Owns America's Past? offers insight into the politics of display and the interpretation of history. Never before has a book about the Smithsonian detailed the recent and dramatic shift from collection-driven shows, with artifacts meant to speak for themselves, to concept-driven exhibitions, in which objects aim to tell a story, displayed like illustrations in a book. Even more recently, the trend is to show artifacts along with props, sound effects, and interactive elements in order to create an immersive environment. Rather than looking at history, visitors are invited to experience it. Who Owns America's Past? examines the different ways that the Smithsonian's exhibitions have been conceived and designed-whether to educate visitors, celebrate an important historical moment, or satisfy donor demands or partisan agendas. Combining information from hitherto-untapped archival sources, extensive interviews, a thorough review of the secondary literature, and considerable personal experience, Post gives the reader a behind-the-scenes view of disputes among curators, academics, and stakeholders that were sometimes private and at other times burst into headline news.

Do you think that legends are all about princes and princesses, knights and heroes, giants and monsters? Well, they aren't always. The stories in this book are about girls like you and girls you might know: clever, strong, brave and resourceful. Here you can read the story of Vasilisa, who wasn't afraid of the deep dark forest; Mollie Whuppie, who knew how to trick a giant; Tipingi, who was able to call on her friends to help her get out of trouble; Seren, who used her love of singing to help others; and many more fearless characters. Storyteller Fiona Collins has chosen the best of the old tales from all around the world and reworked them into new and exciting versions to be enjoyed by everyone, accompanied by magical illustrations by talented artist Ed Fisher.

In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball. Cross Bronx is Peter Quinn’s one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories. Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn’s trilogy of historical detective novels as “generous and agile and profound.” Quinn has now seized the time and inspiration afforded by “the strange interlude of the pandemic” to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms: “In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne’s bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do.” (from the Prologue) From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo’s landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider’s view of high-powered politics and high-stakes corporate intrigue. Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

"I am here. You will never be alone. We are dancing for you." So begins Cutcha Risling Baldy's deeply personal account of the revitalization of the women's coming-of-age ceremony for the Hoopa Valley Tribe. At the end of the twentieth century, the tribe's Flower Dance had not been fully practiced for decades. The women of the tribe, recognizing the critical importance of the tradition, undertook its revitalization using the memories of elders and medicine women and details found in museum archives, anthropological records, and oral histories. Deeply rooted in Indigenous knowledge, Risling Baldy brings us the voices of people transformed by cultural revitalization, including the accounts of young women who have participated in the Flower Dance. Using a framework of Native feminisms, she locates this revival within a broad context of decolonizing praxis and considers how this renaissance of women's coming-of-age ceremonies confounds ethnographic depictions of Native women; challenges anthropological theories about menstruation, gender, and coming-of-age; and addresses gender inequality and gender violence within Native communities.

Norfolk's Deep History Coast is a place of unique archaeological discoveries of international significance. Spectacular finds have transformed our understanding of the first human occupation of northern Europe. Fossilised human footprints show people were here nearly one million years ago. This is the only part of Britain to have evidence for four species of humans. It has also been home to giant prehistoric creatures, including four species of mammoth. This book will take you on a journey through time, looking at the geology, natural landscape and the creatures that have inhabited the area. Here you can explore the fascinating and beautiful sites around the 150km of Deep History Coast and see how you can share in this exciting adventure of discovery.

One of England's most outstanding areas of natural beauty, Cumbria has charmed visitors for centuries, and this collection of intricate illustrations is a celebration of the county's unique appeal. Featuring a range of picturesque vistas, from majestic mountains and picturesque lakes to rugged coastlines and grand architecture, each stunning scene is full of intriguing detail sure to fire the imagination and make you reach for your colouring pencils. There are absolutely no rules - you can choose any combination of colours you like to bring these images to life. Suitable for children. If you love Cumbria, then you will love colouring it in!

Storyteller Sheila Kinninmonth brings together stories from the coastal fishing villages, rushing rivers, magical green farmland and rolling hills of Fife. In this treasure trove of tales you will meet Scottish Kings and Queens, saints and sinners, witches and wizards, ghosts and giants, broonies, fools and tricksters - all as fantastical and powerful as the landscape they inhabit. Retold in an engaging style, and richly illustrated with unique line drawings, these humorous, clever and enchanting folk tales are sure to be enjoyed and shared time and again.

The decapitated Lord: Medieval slaughter at the castle! Yellows vs Blues: Coventry's most violent elections revealed! Kings, rebellions and rioters! Civil war comes to the city! Boiled in beer! Baked in his oven! The most dreadful Christmas calamities in Coventry's history are inside! Coventry has one of the darkest histories on record. With sieges, battles, crimes, riots, disasters, all-out attempts at demolition and some truly dreadful punishments to boot, you'll never see the city in the same way again.

Beginning in the 1970s Chicana and Chicano organizers turned to community radio broadcasting to educate, entertain, and uplift Mexican American listeners across the United States. In rural areas, radio emerged as the most effective medium for reaching relatively isolated communities such as migrant farmworkers. And in Washington's Yakima Valley, where the media landscape was dominated by perspectives favorable to agribusiness, community radio for and about farmworkers became a life-sustaining tool. Feminista Frequencies unearths the remarkable history of one of the United States' first full-time Spanish-language community radio stations, Radio KDNA, which began broadcasting in the Yakima Valley in 1979. Extensive interviews reveal the work of Chicana and Chicano producers, on-air announcers, station managers, technical directors, and listeners who contributed to the station's success. Monica De La Torre weaves these oral histories together with a range of visual and audio artifacts, including radio programs, program guides, and photographs to situate KDNA within the larger network of Chicano community-based broadcasting and social movement activism. Feminista Frequencies highlights the development of a public broadcasting model that centered Chicana radio producers and documents the central role of women in developing this infrastructure in the Yakima Valley. De La Torre shows how KDNA revolutionized community radio programming, adding new depth to the history of the Chicano movement, women's activism, and media histories.

Our images of the big names and places of the Old West often come from the tales of gunfights and violence that were sensationalized by dime novels and yellow journalism in the 19th century and the myths that came from those stories live on today. But in reality many of these fabled characters of the Wild West were gamblers first and gunfighters second- more invested in poker than in the momentary fury of the shootout. Aces and Eights tells story of the role of poker in the lives of these legends, and offers a portrait of the places where they lived and frequently died. This book offers both the "facts" of these lives and the true tales of the game and the gamblers-and the entertaining "tall tales" that have survived to this day.

It Happened in Connecticut tells twenty-seven true tales of famous--and infamous--people and events from the state's past, ranging from witchcraft trials to the Wiffle ball, from mass murder for profit to the modern game of football.

In Freedomland, Annemarie H. Sammartino tells Co-op City's story from the perspectives of those who built it and of the ordinary people who made their homes in this monument to imperfect liberal ideals of economic and social justice. Located on the grounds of the former Freedomland amusement park on the northeastern edge of the Bronx, Co-op City's 35 towers and 236 townhouses have been home to hundreds of thousands of New Yorkers and is an icon visible to all traveling on the east coast corridor. In 1965, Co-op City was planned as the largest middle-class housing development in the United States. It was intended as a solution to the problem of affordable housing in America's largest city. While Co-op City first appeared to be a huge success story for integrated, middle-class housing, tensions would lead its residents to organize the largest rent strike in American history. In 1975, a coalition of shareholders took on New York State and, against all odds, secured resident control. Much to the dismay of many denizens of the complex, even this achievement did not halt either rising costs or white flight. Nevertheless, after the challenges of the 1970s and 1980s, the cooperative achieved a hard-won stability as the twentieth century came to a close. Freedomland chronicles the tumultuous first quarter century of Co-op City's existence. Sammartino's narrative connects planning, economic, and political history and the history of race in America. The result is a new perspective on twentieth-century New York City.

How did a tiny wren manage to be crowned King of the Birds? Why did giant Finn McCool's favourite dogs change into mountains? What happened to turn a friendly cat into a cruel fiend who plotted to destroy mankind? Irish Animal Tales for Children is packed with ghostly goings-on, weird characters and wonderful animals. Irreverently told by award-winning storyteller Doreen McBride, these stories are not for the faint of heart!

The Roots of Educational Inequality chronicles the transformation of one American high school over the course of the twentieth century to explore the larger political, economic, and social factors that have contributed to the escalation of educational inequality in modern America. In 1914, when Germantown High School officially opened, Martin G. Brumbaugh, the superintendent of the School District of Philadelphia, told residents that they had one of the finest high schools in the nation. Located in a suburban neighborhood in Philadelphia's northwest corner, the school provided Germantown youth with a first-rate education and the necessary credentials to secure a prosperous future. In 2013, almost a century later, William Hite, the city's superintendent, announced that Germantown High was one of thirty-seven schools slated for closure due to low academic achievement. How is it that the school, like so many others that serve low-income students of color, transformed in this way? Erika M. Kitzmiller links the saga of a single high school to the history of its local community, its city, and the nation. Through a fresh, longitudinal examination that combines deep archival research and spatial analysis, Kitzmiller challenges conventional declension narratives that suggest American high schools have moved steadily from pillars of success to institutions of failures. Instead, this work demonstrates that educational inequality has been embedded in our nation's urban high schools since their founding. The book argues that urban schools were never funded adequately. Since the beginning of the twentieth century, urban school districts lacked the tax revenues needed to operate their schools. Rather than raising taxes, these school districts relied on private philanthropy from families and communities to subsidize a lack of government aid. Over time, this philanthropy disappeared leaving urban schools with inadequate funds and exacerbating the level of educational inequality.