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Books > Social sciences > Warfare & defence > Military life & institutions
"Unlike cricket, which is a polite game, Australian Rules Football
creates a desire on the part of the crowd to tear someone apart,
usually the referee." This is only one of the entertaining and
astute observations the U.S. military provided in the pocket guides
distributed to the nearly one million American soldiers who landed
on the shores of Australia between 1942 and 1945. Although the Land
Down Under felt more familiar than many of their assignments
abroad, American GIs still needed help navigating the distinctly
different Aussie culture, and coming to their rescue was
"Instruction for American Servicemen in Australia, 1942," The
newest entry in the Bodleian Library's bestselling series of
vintage pocket guides, this pamphlet is filled with pithy notes on
Australian customs, language, and other cultural facts the military
deemed necessary for every American soldier.
From the native wildlife--a land of "funny animals"--to the
nation's colonial history to the general characteristics of
Australians--"an outdoors sort of people, breezy and very
democratic"--"Instructions for American Servicemen in Australia"
gives a concise yet amazingly informative overview of the island
nation. Regarding Aussie slang, it notes that "the Australian has
few equals in the world at swearing. . . . The commonest swear
words are 'bastard' (pronounced 'barstud'), 'bugger, ' and 'bloody,
' and the Australians have a genius for using the latter nearly
every other word." The pamphlet also contains a humorous
explanation of the country's musical traditions--including an
annotated text of "Waltzing Matilda"--as well as amusing passages
on sports, politics, and the Aussies' attitudes toward Yanks and
Brits.
A fascinating look at a neglected Allied front in the Southern
hemisphere, "Instructions for American Servicemen in Australia,
1942" follows its successful predecessors as a captivating
historical document of a pivotal era in history.
Fully illustrated, this is the second volume in a detailed study of
the German auxiliary troops who fought for Britain in the American
Revolutionary War. During the American Revolutionary War
(1775–83), German auxiliary troops provided a vital element of
the British war effort. While the largest body of German troops was
from Hessen-Cassel (see the first volume of this study), the
British also fielded troops from Braunschweig-Wolfenbüttel,
Hessen-Hanau, Waldeck and Pyrmont, Brandenburg Ansbach and
Brandenburg-Bayreuth, and Anhalt-Zerbst. Fighting on a host of
battlefields from Saratoga to Yorktown, these hired soldiers
provided the Crown Forces with much-needed manpower and contributed
crucial combat skills in the form of the Jäger, renowned
specialists in open-order warfare. Featuring eight specially
commissioned artwork plates and an array of carefully chosen
illustrations, many in colour, this lively study examines the
organization, uniforms, weapons and equipment of these troops who
fought for King George in the New World.
The United States Military Academy at WestPoint is one of America's
oldest and most reveredinstitutions. Founded in 1802, its first and
onlymission is to prepare young men-and, since1976, young women-to
be leaders of characterfor service as commissioned officers in the
UnitedStates Army. Carved from Granite is the story of how West
Pointgoes about producing military leaders of character.As scholar
and Academy graduate Lance Betrosshows, West Point's early history
is interestingand colorful, but its history since then is far
morerelevant to the issues-and problems-that face theAcademy today.
Betros describes and assesses how well West Point hasaccomplished
its mission- not hesitating to exposeproblems and challenge
long-held assumptions.Here is the most authoritative history of the
modernUnited States Military Academy written to date.
Contractors are big business and a big part of war, with
businesses taking upon themselves many tasks previously designated
to the armed forces. By 2007, there were over 100,000 individuals
working on U.S. contracts in Iraq and Afghanistan-versus about
160,000 U.S. combat troops. By some estimates, contractors account
for some 40 percent of the costs of running operations.
This important work examines how that came to be, as well as
answering a number of critical questions: How have Congress, public
interest groups, and other parties dealt with the issue? How is the
marketplace affecting the American way of war? What impact will
this have on force structure? How will the growing involvement of
the private sector influence such matters as the all-volunteer
force and the procurement and maintenance of advanced warfighting
systems?
The emergent role of contractors on the battlefield reflects a
deeply significant transition in the nature of armed conflict, a
significant rebalancing between the roles of the private and public
sectors. This change is the most significant upheaval in the nature
of warfare since the rise of the nation-state in the 17th century.
It represents a transformation started long before the invasion of
Iraq and, absent a dramatic change in the evolution of the global
marketplace, it will continue to increase, regardless of the course
of American domestic politics. Government will have to change to
keep up.
Understanding why the private sector has come to play such a
prominent role in public wars requires tracing a story as torturous
and, at times, mysterious as the search for the Holy Grail, a tale
filled with deceit, greed, courage, selflessness, stupidity,
misdirection, and myth. It includes following a winding path from
Medieval Tuscan hills, to England, to colonial America, to the
sands of Iwo Jima and of Iraq, the mountains of Afghanistan, the
corridors of Wall Street, and the halls of the Pentagon. It demands
walking through the cross sections of military, political, social,
cultural, economic, intellectual, and business history. At the end
of the journey lies the unvarnished truth about contractors in
combat. That is the story "Private Sector, Public Wars" means to
tell.
"It is impossible to reproduce the state of mind of the men who
waged war in 1917 and 1918," Edward Coffman wrote in "The War to
End All Wars." In "Doughboys on the Great War" the voices of
thousands of servicemen say otherwise. The majority of soldiers
from the American Expeditionary Forces returned from Europe in
1919. Where many were simply asked for basic data, veterans from
four states--Utah, Minnesota, Connecticut, and Virginia--were given
questionnaires soliciting additional information and "remarks."
Drawing on these questionnaires, completed while memories were
still fresh, this book presents a chorus of soldiers' voices
speaking directly of the expectations, motivations, and experiences
as infantrymen on the Western Front in World War I.
What was it like to kill or maim German soldiers? To see friends
killed or maimed by the enemy? To return home after experiencing
such violence? Again and again, soldiers wrestle with questions
like these, putting into words what only they can tell. They also
reflect on why they volunteered, why they fought, what their
training was, and how ill-prepared they were for what they found
overseas. They describe how they interacted with the civilian
populations in England and France, how they saw the rewards and
frustrations of occupation duty when they desperately wanted to go
home, and--perhaps most significantly--what it all added up to in
the end. Together their responses create a vivid and nuanced group
portrait of the soldiers who fought with the American Expeditionary
Forces on the battlefields of Aisne-Marne, Argonne Forest, Belleau
Wood, Chateau-Thierry, the Marne, Metz, Meuse-Argonne, St. Mihiel,
Sedan, and Verdun during the First World War.
The picture that emerges is often at odds with the popular
notion of the disillusioned doughboy. Though hardened and harrowed
by combat, the veteran heard here is for the most part proud of his
service, service undertaken for duty, honor, and country. In short,
a hundred years later, the doughboy once more speaks in his own
true voice.
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