Celebrating a "golden age" of travel, this new book retraces the steps of a Grand Tour of South East Asia from the turn of the 20th century to the present day. The Romance of the Grand Tour explores the living heritage of 12 exotic port cities: from Rangoon (Yangon), through the Straits Settlements of Penang, Malacca and Singapore and the old Dutch East Indies cities of Batavia (Jakarta) and Surabaya, via Bangkok to former Indochina at Saigon (Ho Chi Minh City), Phnom Penh and Hanoi, through Manila to Hong Kong. Drawing on archival images and accounts as well as present-day photographs and illustrations, the book captures the romance and excitement of these early Grand Tourists, while presenting contemporary scenes and experiences for 21st-century travellers determined to seek out the legacy of a bygone era.

At the end of the 20th century, the traditional forms of tourism transformed; they expanded by the introduction of new postmodern tourist forms, bringing innovative offers to the marketplace. Two of these new fast-growing forms are literary tourism and film-induced tourism, both of which fall under the umbrella of cultural tourism. Both niches of cultural tourism share the need to create products and experiences that meet the tourists' expectations. Handbook of Research on Global Perspectives on Literary Tourism and Film-Induced Tourism discusses literary tourism and film-induced tourism and documents the advances in research on the intersections of literature, film, and the act of traveling. Covering a wide range of topics from film tourism destinations to digital literary tourism, this book is ideal for travel agents, tourism agencies, tour operators, government officials, postgraduate students, researchers, academicians, cultural development councils and associations, and policymakers.

Great Camp Sagamore, located in the Adirondacks in Raquette Lake, was completed in 1897 by William West Durant and bought in 1901 by Alfred G. Vanderbilt. It remained in the Vanderbilt family as a retreat for themselves and their illustrious friends until 1954, when, Aldfred's wife left it to Syracuse University. Join Beverly Bridger as she tracks the history of this historical New York Institute, from privileged family retreat to national landmark.

Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the facade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.

Before there were guidebooks there were just guides--people in the community you could count on to show you around. I'll Take You There is written by and with the people who most intimately know Nashville, foregrounding the struggles and achievements of people's movements towards social justice. The colloquial use of 'I'll take you there' has long been a response to the call of a stranger: for recommendations of safe passage through unfamiliar territory, a decent meal and place to lay one's head, or perhaps a watering hole or juke joint. In the pages that follow, more than 100 Nashvillians 'take us there,' guiding us to places we might not otherwise encounter. Their collective entries bear witness to the ways that power has been used by social, political, and economic elites to tell or omit certain stories, while celebrating the power of counter-narratives as a tool to resist injustice. Indeed, each entry is simultaneously a story about place, power, and the historic and ongoing struggle toward a more just city for all. We hope the result is akin to the experience of arriving in an unfamiliar place asking directions, and rather than simply getting pointed in the right direction, receiving a warm offer from a local to lead us on, accompanied by a tale or two.

This guidebook tells the full story of this special place, from its origins as a timber-framed yeomans hall-house through to its 1920s restoration; a place that has continued to surprise and delight visitors since it was left to the National Trust nearly a century ago. Saved from destruction by Arts and Crafts scholar, Aymer Vallance, this medieval hall-house isnt quite what it seems. Starting life around 1480, Stoneacre was built from the ragstone quarry in which the house sits. Yet when Arts and Crafts scholar and disciple of William Morris, Aymer Vallance, bought Stoneacre in 1922 his wife remarked that it was practically a ruin. After years of neglect, Stoneacre had fallen into a state of disrepair. Together with his architect, Marshall Harvey, Vallance set about restoring the dilapidated house, and adding to it with parts from other local Tudor buildings and his own stained glass window designs. This guidebook tells the full story of this special place, from its origins as a timber-framed yeomans hall-house through to its 1920s restoration; a place that has continued to surprise and delight visitors since it was left to the National Trust nearly a century ago.

A series of meditations and prayers focusing on the spiritual history of 22 cathedrals around the UK.