Oxford Botanic Garden is the oldest surviving botanic garden in Britain and has occupied its site in central Oxford since 1621. Conceived as a place to grow medicinal plants, born in the turmoil of civil war and nurtured during the restoration of the monarchy, the garden has, unsurprisingly, a curious past. By tracing the work and priorities of each of the garden's keepers, this book explores its importance as one of the world's oldest scientific plant collections. It tells the story of the planting of the garden by its first keeper, Jacob Bobart, and his son, together with how they changed the garden to suit their own needs. The story develops during the eighteenth century as the garden grew exotic plants under glass and acquired a fine succulent collection but then experienced a downturn under the stewardship of the eccentric Professor Humphrey Sibthorp (famous for giving just one lecture in thirty-seven years). Finally, the narrative throws light on the partnership of gardener William Baxter and academic Charles Daubeny in the early nineteenth century, which gave the garden its glasshouses and ponds and contributed to its survival to the present day. This generously illustrated book is the first history of the garden and arboretum for more than a century and provides an essential introduction to one of Oxford's much-loved haunts.

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"The third edition of "Artwalks," substantially revised and updated with seven new walks, leads readers through various sections of the city, highlighting what the authors consider to be public art, whether seen outdoors or within the confines of museums and other buildings. With directions on how to get there by subway and car, plus excellent and easy-to-read maps, Artwalks has much to offer the art lover, including off-the-beaten-path suggestions like the Chinese Scholar's Garden at Snug Harbor on Staten Island ('not to be missed') and the Ukrainian Institute of America on East 79th Street. A helpful section, 'Choosing an Outing, ' lists walks by subject, such as parks or flower gardens.... [R]ecommended."
--"Library Journal"

"East side, west side, all around the townathis handy, pocket-sized guide is a great tool for the wanderer in search of those out-of-the-way treasures that New York is abundantly full of. Revised and updated, "Artwalks" is a must for the discerning curious.a
--"Art Times"

"Art enthusiasts who also love the big city will relish this third revised, updated edition."--"The Bookwatch"

"Opinions are freely given about the quality of work one will see, and there is real concern shown for such creature comforts as finding relief for sore feet after a visit to the Met. Historical and other background details are provided throughout each walk, which even the most inveterate New Yorker will find compelling."
--"American Reference Books Annual"

Praise for previous editions

"A sharp eye for art in unexpected corners. "Artwalks in New York" is bouncy, well written, and filled with goodtips."
--The New York Times

"Like two good cooks, the writers have mixed enough tasty nuggets to make this one scrumptious cookie of a read. It is an insider's guide ot the Apple for the visitor, and an eye opener for even the most jaded native New Yorker."
--Adrian Benepe, Commissioner, City of New York Department of Parks and Recreation

Completely updated, the new edition of this acclaimed guide brings us 33 tours of public art, covering the length of the island, from the Cloisters and Harlem in northern Manhattan, to Central Park and the museum mile, to Rockefeller Center and Chelsea, and all the way down to the southern tip at Battery Park City. This indispensable guide also covers the outer boroughs, from Snug Harbor, Staten Island to the Socrates Sculpture Park and the Noguchi Museum in Queens, from Wave Hill in the Bronx all the way to the botanical gardens in Brooklyn.

The perfect guidebook for residents and tourists alike, Harrison and Rosenfeld uncover nooks and crannies off the beaten track alongside favored treasures, reminding us all why New York City is the art capital of the world.

Artwalks in New York contains: Completely revised and updated entries, including seven new walks, reflecting the ever-changing city Includes over 25 walking tour maps, directions, and suggested visitation hours Listings of museums, art and auction galleries, art-filled public spaces, hotel lobbies, gardens, restaurants, subway stations, public sculpture and murals, and more Hundreds of interesting facts, anecdotes, and tidbits about New York City art from two expert guides

The Brain-Friendly Museum proposes an innovative approach to experiencing and enjoying the museum environment in new ways, based on the systematic application of cognitive psychology and neuroscience. Providing practical guidance on navigating and thinking about museums in different ways, the book is designed to help develop more fulfilling visitor experiences. It explores our cognitive processes and emotions, and how they can be used to engage with and enjoy the museum environment, regardless of the visitor's background, language, or culture. The book considers core cognitive processes, including memory, attention, and perception, and how they can successfully be applied to the museum environment, for example, in creating more effective displays. Using evidence-based examples throughout, the book advocates for a wellbeing approach improving visitor experience, and one that is grounded in research from psychology and neuroscience. This book is a must-read for all museum practitioners and psychologists interested in the relationship between cultural heritage, psychology, and neuroscience. It will also be of great interest to art therapists, neuroscientists, university students, museum stakeholders, and museum lovers.

First published in 2000, this is an examination of the collection of art works through an anthropological study of modes of exchange and the social roles of material culture. Focusing on the figure of Sebastiano Resta, Genevieve Warwick brings to light a shadowy, yet crucial chapter in the history of collecting, that of the great migration of art objects out of Italy to northern Europe in the early eighteenth century. Her study pins the history of collecting to broader changes in European economic history and analyzes the epistemological frameworks for viewing that accompanied this transfer of artistic wealth. Warwick also demonstrates how early modern art collecting was shaped by the social mores of elite 'arts of love'.

The BKB travel guide presents everything you need for your short stay in Essen including information on attractive city quarters, addresses for accommodation, shopping and of course entertainment. Highlights include the Philharmonic Concert Hall, Aalto Opera House, Essen Cathedral, the Golden Madonna, Villa Hugel, Museum Folkwang, the Zollverein Colliery, shopping and nightlife in Essen.

Archiving Cultures defines and models the concept of a cultural archives focusing on how diverse communities express and record their heritage and collective memory and why and how these often-intangible expressions are archival records. Analysis of oral traditions, memory texts and performance arts demonstrate their relevance as records of their communities. Key features of this book include definitions of cultural heritage and archival heritage with an emphasis on intangible cultural heritage. Aspects of cultural heritage such as oral traditions, performance arts, memory texts and collective memory are placed within the context of records and archives. Presents strategies for reconciling intangible and tangible cultural expressions with traditional archival theory and practice. Offers both analog and digital models for constructing a cultural archives through examples and vignettes. Audience includes archivists and other information workers who challenge Western archival theory and scholars concerned with interdisciplinary perspectives on tangible and intangible cultural heritage. Relevant to scholars involved with non-textual materials. Will appeal to a range of academic disciplines engaging with 'the archive'.

Dominating the city from its volcanic rock, Edinburgh Castle is one of the oldest fortified places in Europe. This natural stronghold has been occupied for thousands of years, shifting its shape as it was adapted for new uses and against new threats. The castle has long been a royal residence and a focus for national pride - a place of strength where kings and queens could enjoy relative safety in turbulent times, and national treasures could be securely stored. It has been at the heart of Scotland's major events, fought over, held and recaptured time after time. In fact, it is the most besieged place in Great Britain, and remained in military use well into the past century. Over the years Edinburgh Castle has attracted countless visitors with an interest in Scotland's dramatic history. This book invites visitors to explore the castle and learn about its extraordinary history and discover some of its fascinating secrets.

Paul Wood's brilliant and acclaimed London's Street Trees sold out three printings in its first edition, is a fixture in London's bookshops and museum and gallery gift shops, and was republished in Spring 2020 in a new, revised and expanded edition. One of its most popular features is the handful of 'tree walks' at the back, while the author is still leading his own guided 'street tree walks' every weekend somewhere in the capital. So now here is a whole book of tree walks around the capital - some for an hour or two, others for an afternoon, and several to while away a whole day. They take you to Ealing and Highgate, to see nineteenth-century London Planes lining the Embankment, newly-planted Persian Silk Trees in Brockley, and a whole Dawn Redwood forest at Canary Wharf - while pointing out the architecture and social and natural history along the way. You'll find trees taking you to the haunts of Seventies rock stars, in search of a long-buried circus elephant, and to some London's highest ground with the most stunning views over the capital.

Lighthouses and ghosts are two popular passions. Melded together by master storyteller and lighthouse expert Ray Jones, these tales of spirited lights are guaranteed to grab the attention of all readers. As an added bonus, practical information is given for those who wish to visit the featured lighthouses for themselves . . . if they dare.

Oxford's university buildings are world-famous. Over eight centuries, starting in the twelfth century, the University - the third oldest in Europe - gradually occupied a substantial portion of the city, creating in the process a unique townscape containing the Bodleian Library, the Sheldonian Theatre and the Radcliffe Camera. This book tells the story of the growth of the forum universitatis - as the architect Nicholas Hawksmoor called it - and relates it to the broader history of the University and the city. Based on up-to-date scholarship, and drawing upon the author's own research into Oxford's architectural history and the work of Christopher Wren, Nicholas Hawksmoor, James Gibbs and Giles Gilbert Scott, each of the eight chapters focuses on the gestation, creation and subsequent history of a single building, or pair of buildings, relating them to developments in the University's intellectual and institutional life, and to broader themes in architectural and urban history. Accessible and well-illustrated with plans, archival prints and specially commissioned photography, this book will appeal to anyone who wishes to understand and enjoy Oxford's matchless architectural heritage.

Harry Potter: A History of Magic is the official book of the record-breaking British Library exhibition, a once-in-a-lifetime collaboration between Bloomsbury, J.K. Rowling and a team of brilliant curators. As the spectacular show takes up residence at the New York Historical Society from October 2018, this gorgeous book - available in paperback for the first time - takes readers on a fascinating journey through the subjects studied at Hogwarts School of Witchcraft and Wizardry, from Astronomy and Potions through to Herbology and Care of Magical Creatures. Each chapter showcases a treasure trove of artefacts from the British Library and other collections around the world, beside exclusive manuscripts, sketches and illustrations from the Harry Potter archive. There's also a specially commissioned essay for each subject area by an expert, writer or cultural commentator, inspired by the contents of the exhibition - absorbing, insightful and unexpected contributions from Steve Backshall, the Reverend Richard Coles, Owen Davies, Julia Eccleshare, Roger Highfield, Steve Kloves, Lucy Mangan, Anna Pavord and Tim Peake, who offer a personal perspective on their magical theme. Readers will be able to pore over ancient spell books, amazing illuminated scrolls that reveal the secret of the Elixir of Life, vials of dragon's blood, mandrake roots, painted centaurs and a genuine witch's broomstick, in a book that shows J.K. Rowling's magical inventions alongside their cultural and historical forebears. This is the ultimate gift for Harry Potter fans, curious minds, big imaginations, bibliophiles and readers around the world who missed out on the chance to see the exhibition in person.

The Afterlife of the Leiden Anatomical Collections starts where most stories end: after death. It tells the story of thousands of body parts kept in bottles and boxes in nineteenth-century Leiden - a story featuring a struggling medical student, more than one disappointed anatomist, a monstrous child, and a glorious past. Hieke Huistra blends historical analysis, morbid anecdotes, and humour to show how anatomical preparations moved into the hands of students and researchers, and out of the reach of lay audiences. In the process, she reveals what a centuries-old collection can teach us about the future fate of the biobanks we build today.

Before there were guidebooks there were just guides--people in the community you could count on to show you around. I'll Take You There is written by and with the people who most intimately know Nashville, foregrounding the struggles and achievements of people's movements towards social justice. The colloquial use of 'I'll take you there' has long been a response to the call of a stranger: for recommendations of safe passage through unfamiliar territory, a decent meal and place to lay one's head, or perhaps a watering hole or juke joint. In the pages that follow, more than 100 Nashvillians 'take us there,' guiding us to places we might not otherwise encounter. Their collective entries bear witness to the ways that power has been used by social, political, and economic elites to tell or omit certain stories, while celebrating the power of counter-narratives as a tool to resist injustice. Indeed, each entry is simultaneously a story about place, power, and the historic and ongoing struggle toward a more just city for all. We hope the result is akin to the experience of arriving in an unfamiliar place asking directions, and rather than simply getting pointed in the right direction, receiving a warm offer from a local to lead us on, accompanied by a tale or two.

What do movable dolls' eyes have to do with a Catholic church? Where could you meet Plain Bob Maximus and Surprise Major? Why does just one person know where Oliver Cromwell's head is buried? And where is a dog a very large cat? The answers to all these questions lie in Cambridge, which combines the magnificence of a medieval university with the dynamism of a high-technology hub. Tens of thousands of visitors flock to Cambridge every year to see the colleges, go punting on the river, and shop. But there is much more to Cambridge than its university and Silicon Fen. Over the centuries, town and gown together have transformed this city, which was an inland port until the 17th century. Eccentricity is something of a Cambridge tradition, and the town seems to delight in taking its visitors by surprise, whether that's with a huge metal time-eating grasshopper, May Balls held in June, sculptures that dive into the ground feet first, or a museum that makes a feature of broken pottery. You will find these and many more curiosities in this book.

The speed and scale of urbanisation in India is unprecedented almost anywhere in the world and has tremendous global implications. The religious influence on the urban experience has resonances for all aspects of urban sustainability in India and yet it remains a blind spot while articulating sustainable urban policy. This book explores the historical and on-going influence of religion on urban planning, design, space utilisation, urban identities and communities. It argues that the conceptual and empirical approaches to planning sustainable cities in India need to be developed out of analytical concepts that define local sense of place and identity. Examining how Hindu religious heritage, beliefs and religiously influenced planning practices have impacted on sustainable urbanisation development in Jaipur and Indian cities in general, the book identifies the challenges and opportunities that ritualistic and belief resources pose for sustainability. It focuses on three key aspects: spatial segregation and ghettoisation; gender-inclusive urban development; and the nexus between religion, nature and urban development. This cutting-edge book is one of the first case studies linking Hindu religion, heritage, urban development, women and the environment in a way that responds to the realities of Indian cities. It opens up discussion on the nexus of religion and development, drawing out insightful policy implications for the sustainable urban planning of many cities in India and elsewhere in South Asia and the developing world.

The 'beauties' - women of note - who were welcomed to the National Portrait Gallery's early collection were those whose lives and portraits were recognized as significant to the 'civil, ecclesiastical and literary history of the nation'. This brief was interpreted to include figures as diverse as the devout Lady Margaret Beaufort, and the entertaining Lady Emma Hamilton. History's Beauties, the first detailed study of this collection, maps a culture of femininity that reframes the Victorian fascination with women's domestic and sentimental presence by locating it within a Parliament-centred 'national' culture. Including an essay on the Gallery's Trustees, the book traces the translation of their governors' culture to a public institution through discussions of three themes in the National Portrait Gallery's collection of women's portraits: portraits of the Royal family and the cult of legitimacy in antiquities and in national identity; the educated woman as model of domestic and national cultivation; and finally the role of female beauty in defining social and artistic power in nineteenth-century Britain. The first monograph study of gender in a major museum, History's Beauties engages themes of gender, national identity, class cultures, and aesthetics in Victorian England to interpret the National Portrait Gallery's fascinating collection.

This edited volume contributes theories and international examples for advancing conservation practice and providing best practice for the field that center people in conservation and collections care.