Heritage stones are those stones that have been used for many years, even centuries, to build the historic buildings and monuments of places around the world. Some of these stones are still being used for construction, but others are no longer used, either because quarries were exhausted or closed or because architects and constructors do not know about their particularities and importance. Several scientific papers discuss many of these stones, and a number of papers are currently being prepared, but this book is the first to emphasize the importance and significance of natural stone in the construction of a city, Salamanca, recognized as a World Heritage Site by UNESCO since 1988. In light of this recognition, Salamanca has a duty to preserve all historic buildings that make up the city by restoring those that are starting to deteriorate centuries after their construction. This book describes the buildings, the stones (all quarried centuries ago in the surrounding area), and the stone quarries, some of them inactive for many years, but that should still allow extraction of blocks on demand to restore and replace damaged specimens in the buildings, preserving the very character that saw the city receive recognition by UNESCO in the first place. There are many other places around the world that should follow this initiative and disseminate the importance of their heritage stones. This book will be of interest to professionals and academics in Geology, Engineering, architectural and artistic work in stone, both construction and conservation, but also to the general public.

The third International congress of Science and Technology for the Conservation of Cultural Heritage, TechnoHeritage 2017, was held in Cadiz, from 21 to 24 May 2017, under the umbrella of the TechnoHeritage network. TechnoHeritage is an initiative funded by the Spanish Ministry of Economy and Competitivity dedicated to the creation of a network which integrates CSIC and University groups, private companies and end users such as foundations, museums or institutions. The network's purpose is to foster the creation of transdisciplinary (and not only multidisciplinary) initiatives focused on the study of all assets, movable or immovable, that make up Cultural Heritage. A high-quality scientific programme was prepared, which includes new emerging topics on Cultural Heritage (1) Nanomaterials and other Products for Conservation, (2) New Technologies for Analysis, Protection and Conservation, (3) 20th Century Cultural Heritage, (4) Significance of Cultural Heritage. Policies for Conservation, (5) Deterioration of Cultural Heritage, (6) Biodeterioration: Fundamentals, Present and Future Perspectives and (7) Underwater Cultural Heritage. A special session "Biodeterioration: Fundamentals, present and future perspectives, a session in honour of Prof. Cesareo Saiz Jimenez" took place. Our intention was to recognise the work of Prof. Saiz Jimenez, who recently retired, and its impact on the Cultural Heritage conservation community, which he has helped to promote through numerous activities including, in 2011, the creation of the TechnoHeritage network. This volume publishes a total of eighty-three contributions which reflect the state of the art investigations on different aspects of cultural heritage conservation.

Crowdsourcing, or asking the general public to help contribute to shared goals, is increasingly popular in memory institutions as a tool for digitising or computing vast amounts of data. This book brings together for the first time the collected wisdom of international leaders in the theory and practice of crowdsourcing in cultural heritage. It features eight accessible case studies of groundbreaking projects from leading cultural heritage and academic institutions, and four thought-provoking essays that reflect on the wider implications of this engagement for participants and on the institutions themselves. Crowdsourcing in cultural heritage is more than a framework for creating content: as a form of mutually beneficial engagement with the collections and research of museums, libraries, archives and academia, it benefits both audiences and institutions. However, successful crowdsourcing projects reflect a commitment to developing effective interface and technical designs. This book will help practitioners who wish to create their own crowdsourcing projects understand how other institutions devised the right combination of source material and the tasks for their 'crowd'. The authors provide theoretically informed, actionable insights on crowdsourcing in cultural heritage, outlining the context in which their projects were created, the challenges and opportunities that informed decisions during implementation, and reflecting on the results. This book will be essential reading for information and cultural management professionals, students and researchers in universities, corporate, public or academic libraries, museums and archives.

During much of the twentieth century, film was often assumed to be a 'flat' pictorial art, more often compared with painting and graphic media than with sculpture. In the last few decades, however, film has come to be more closely associated with sculpture, and in recent years, it has largely been through gallery installations not only that the sculptural aspect of film and video has been demonstrated, but also the extent to which filmic representation enlarges our understanding of sculptural space. This collection thus comprises the first rigorous exploration of the relationship between sculpture and film, charted over ten essays. The contributors explore some of the ways in which cinema reshaped the landscape of art and specifically sculpture and sculptural practice during the twentieth century. They also examine how film has functioned as a 'sculptural' medium at crucial moments in various stages of its evolution. In this way, it is a book about both sculpture and film, and sculpture as film.

The sacred wisdom of the priests of ancient Egypt and the experiences of the soul after death: one of the most important books in Egyptian history. Includes full hieroglyphic text along with a transliteration of sounds, word-for-word translation, and a separate smooth translation.

Randall Arendt's work has shaped a generation of planners, designers, and landscape architects. In Envisioning Better Communities, he brings his insights to a broader public, with a profusely illustrated demonstration of how local officials, planning commissioners, and everyday citizens can work to make their communities more attractive, more habitable, and more sustainable. Despite the widespread acceptance of good design and planning principles throughout the professions, too many of our towns and rural areas remain needlessly ugly and inefficient. In side by side comparisons of similar places and kinds of buildings, Arendt shows that we need not live amid sprawling, characterless visual blight. Simple design choices and effective municipal decisions can have tremendous impacts on the quality of our communities. Written in Arendt's well-known clear, accessible, nontechnical style, this book creates a sense of hope for those who face the everyday challenges of working with developers and landowners to create places that make economic, environmental, and aesthetic sense.Arendt shows us that with diligence, thoughtfulness, and care, we can make our communities better in countless ways.

A familiar sight on the Thames at London Bridge, HMS Belfast is a Royal Navy light cruiser, launched in March 1938. Belfast was part of the British naval blockade against Germany and from November 1942 escorted Arctic convoys to the Soviet Union and assisted in the destruction of the German warship Scharnhorst. In June 1944 Belfast supported the Normandy landings and in 1945 was redeployed to the British Pacific Fleet. After the war she saw action in the Korean War and a number of other overseas actions. She has been part of the Imperial War Museum since 1978, with 250,000 visitors annually.

This fascinating book comprises a series of documents that give information on the building of the ship, her wartime service history and life on board.

Memory is a fundamental aspect of being and becoming, intimately entwined with space, time, place, landscape, emotion, imagination and identity. Memory studies is a burgeoning field of enquiry drawing from a range of social science, arts and humanities disciplines including human geography, sociology, cultural studies, media studies, heritage and museum studies, psychology and history. This book is a critically theorised practical exposition of how media and technology are used to make memories for museums, archives, social movements and community projects, looking at specific cases in the UK and Brazil where the authors have put these theories into practice. The authors define the protocol they present as social memory technology. Critically, this book is about learning to deal with our pasts and learning new methods of connecting our pasts across cultures toward a shared understanding and application of memory technologies.

With Rick Steves, central Italy is yours to discover! This slim guide excerpted from Rick Steves Italy includes: *Rick's firsthand, up-to-date advice on the best sights, restaurants, hotels, and more in central Italy's hill towns, plus tips to beat the crowds, skip the lines, and avoid tourist traps *Top sights and local experiences: Uncover Etruscan history in the beautifully preserved town of Voltera or relax while wine tasting in Montepulciano. Take a romantic stroll along Orvieto's ramparts, peruse medieval towers in San Gimignano, and indulge in delicious pici in Siena *Helpful maps and self-guided walking tours to keep you on trackWith selective coverage and Rick's trusted insight into the best things to do and see, Rick Steves Snapshot Hill Towns of Central Italy is truly a tour guide in your pocket.Expanding your trip? Pick up Rick Steves Italy for comprehensive coverage, detailed itineraries, and essential information for planning a countrywide trip.

Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of 'difficult histories'. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.

This important book assesses the current state of disaster management in archives, libraries and museums in the UK and around the world, and provides recommendations for addressing current and future threats. Following an introductory outline of the topic and terminology, the authors provide a short history of the development of disaster management in the cultural heritage sector. They illustrate a basic framework for effective disaster management by reviewing disaster control plan practice from around the world. Through examining and identify the key issues affecting disaster management in archives, libraries and museums, the authors discuss a priority structure for future implementation. This book will be key reading for scholars and students of archive studies, library and information and museum management. It will also be extremely useful for professionals and policy makers involved in disaster management planning at a local and national level.

This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.

Japan's World Heritage Sites presents the exquisite temples, shrines, gardens, castles and natural wonders found throughout Japan which have now been declared UNESCO World Heritage Sites. This new edition has more convenient size and includes many newly-designated UNESCO sites including: Christian Sites in Nagasaki that tell the extraordinary story of Japan's Christians who continued to practice their faith in secret under penalty of death during Japan's feudal era Meiji Industrial Sites which tell of the nation's rapid modernization during the Meiji period The Munakata Shrine to seafaring deities on a forbidding island The Tomioka Silk Mill which became a leader in Japan's export drive The National Museum of Western Art, an architectural gem designed by Le Corbusier Japan expert John Dougill personally traveled to each of these sites to research this book. He tells how his journey led him from the sub-Arctic island of Hokkaido to the sub-tropical islands of the Okinawan archipelago and beyond. Tag along as he describes each place in loving detail and talks about its special historical and cultural features, including: Mount Fuji, Japan's tallest and most sacred volcano. Located on Honshu Island near Tokyo, Mt. Fuji is considered the sacred center of Japan. Himeji Castle, a monument from Japan's long feudal history. Also known as Egret Castle, because it looks like a bird taking off in flight. Horu-ji Temple, the world's oldest surviving wooden structure--a center of Buddhist learning that still serves as a seminary and monastery The Hiroshima Peace Memorial or Atomic-Bomb Dome--one of the few structures to partially survive the atomic blast in 1945 The Ogasawara Islands, a remote archipelago of over 30 islands including Iwo Jima, that is home to rare wildlife and spectacular scenery. Readers will learn how Japan became involved with the World Heritage Sites program back in 1993, the importance of these designations, and their popularity in Japan and abroad today. Whether you are planning to travel to Japan or just enjoy learning more about this history of this unique land, Japan's World Heritage Sites is sure to inspire.

This guide describes every Historic Houses Association property open to the public. For each, it provides details of history and ownership, and places particlular emphasis on features of architectural interest and noteworthy art collections.

Museums and Sites of Persuasion examines the concept of museums and memory sites as locations that attempt to promote human rights, democracy and peace. Demonstrating that such sites have the potential to act as powerful spaces of persuasion or contestation, the book also shows that there are perils in the selective memory and history that they present. Examining a range of museums, memorials and exhibits in places as varied as Burundi, Denmark, Georgia, Kosovo, Mexico, Peru, Vietnam and the US, this volume demonstrates how they represent and try to come to terms with difficult histories. As sites of persuasion, the contributors to this book argue, their public goal is to use memory and education about the past to provide moral lessons to visitors that will encourage a more democratic and peaceful future. However, the case studies also demonstrate how political, economic and social realities often undermine this lofty goal, raising questions about how these sites of persuasion actually function on a daily basis. Straddling several interdisciplinary fields of research and study, Museums and Sites of Persuasion will be essential reading for those working in the fields of museum studies, memory studies, and genocide studies. It will also be essential reading for museum practitioners and anyone engaged in the study of history, sociology, political science, anthropology and art history.

Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century 'Gothic' villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This 'man of taste' created private resonances, pleasure and entertainment - a collusion of the historic, the visual and the sensory. Above all, it expresses the inseparable integration of house and setting, and of the architecture with the collection, all specific to one individual, a unity that is relevant today to all architects, landscape designers and garden and country house enthusiasts. Avoiding the straightforward architectural description of previous texts, this beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate 'The Pleasures of the Imagination' articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712). Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of 'Taste'. Using architectural quotations from Gothic tombs, Walpole expresses the mythical idea that it was based on monastic foundations with visual links to significant historical figures and events in English history. The book explains for the first time the reasons for its creation, which have never been adequately explored or fully understood in previous publications. The book develops an argument that Walpole was the first to define theories on Gothic architecture in his Anecdotes of Painting (1762-71). Similarly innovative, The History of the Modern Taste in Gardening (1780) is one of the first to attempt a history and theory of gardening. The research uniquely evaluates how these theories found expression at Strawberry Hill. This reassessment of the villa and its associated l

truck you haven't tried yet to the Hill Country getaway you keep meaning to plan, experience something new right here at home with Moon 52 Things to Do in Austin & San Antonio. Inside you'll find: * Cool things to do in and around the cities: Get to know more about East Austin's Black and brown roots, look for murals by local artists, and have old-fashioned fun at a drive-in theater. Learn about native Texas plants on a hike, cool off at a nearby swimming hole, or sample authentic sotol in the desert. Grab a cocktail on Rainey Street, listen to live jazz, or learn how to two-step from an expert. People-watch in San Antonio's hip Pearl neighborhood, bike the Mission Trail, and feast on tacos * Day trips and weekend getaways: Sample and sip on the Hill Country Wine Trail or dig in to a plate of barbecue in Lockhart. Cool off in Wimberley's Blue Hole, float the river in New Braunfels, or creep through the caves at Longhorn Cavern State Park * Experiences broken down by category: Find ideas for each season, activities with kids, outdoor adventures, late-night music, arts and culture, scenic drives, and more * A local's advice: Whether it's an art gallery or a historic landmark, local author Christina Garcia knows the ins and outs of Austin and San Antonio * Inspirational full-color photos throughout * Easy-to-scan planning tips: Addresses, time allotment, and tips for avoiding the crowds at popular attractions What are you doing this weekend? Try something new with Moon 52 Things to Do in Austin & San Antonio.

The material conditions in which the production and consumption of art takes place is a topic of increasing importance in art history. This title studies art as an industry and a public practice, looking at how nations, institutions and private individuals present art to the community and how art museums are shaped by cultural, social and political determinants.

The bustling metropolis of London is home to scores of unusual and unique places and spaces. In this feast of peculiarities, author David Long guides you off the beaten path and allows you under the skin of the hidden city that is modern-day London, revealing a new side to the capital you thought you knew.

Experience the scenic canals, colorful markets, and medieval history of the top cities in Belgium and the Netherlands. Inside Moon Amsterdam, Brussels & Bruges you'll find: Flexible itineraries for 1 to 5 days in Amsterdam, Brussels, and Bruges that can be combined into a longer trip Strategic advice for foodies, art lovers, history buffs, and more Top experiences and unique highlights: Cyclealong serene canals and narrow brick roads past baroque architecture, or stroll through Bruges's grand Markt Square. Marvel at the works of famed Dutch and Flemish painters, walk through history at the Anne Frank House, or remember the fallen in the cemeteries and memorials of Ypres The best local flavors: Sip on Amsterdam's specialty liquor at a jenever tasting room, or enjoy a glass of authentic Trappist beer produced in monasteries. Snack on Belgian frites, sample stroopwafel, and savor scrumptious local chocolates Ideas for side trips from each city, including Lisse, The Hague, Rotterdam, and more Expert insight from Karen Turner, an expat who's called the Netherlands home for years Full-color photos and detailed maps throughout Helpful resources on COVID-19 and traveling to Amsterdam, Brussels, and Bruges Background information on the landscape, history, and cultural customs of each city Handy tools such as visa information, Dutch, Flemish, and French phrasebooks, and tips for seniors, LGBTQ+ travelers, visitors with children, and more Experience the best of these three cities at your own pace with Moon Amsterdam, Brussels & Bruges. Exploring more of Europe's best cities? Check out Moon Rome, Florence & Venice or Moon Prague, Vienna & Budapest. About Moon Travel Guides: Moon was founded in 1973 to empower independent, active, and conscious travel. We prioritize local businesses, outdoor recreation, and traveling strategically and sustainably. Moon Travel Guides are written by local, expert authors with great stories to tell--and they can't wait to share their favorite places with you. For more inspiration, follow @moonguides on social media.

Fair Women was the Victorian equivalent of a 'blockbuster' exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.

The Welsh Folk Museum at St Fagans was the first large open-air folk museum in Britain. It was (according to himself) created by one man: Iorwerth C. Peate, poet, author, and scholar. This is the first book-length critical study of Peate as scholar and curator, written by one of his successors at St Fagans. Whereas previous commentaries have very largely relied on Peate’s own recollections and views, this book makes extensive use of Peate’s own papers and National Museum archives to inform a far more balanced view of his work, emphasising for the first time the National Museum policy context and its corporate wish to estsablish a national folk museum, and the critical role played by Peate’s boss and bête noir Sir Cyril Fox. This volume also introduces Peate’s relevant Welsh-language writings to anglophone readers.

Journey into history with a look at 28 tall ships-large, traditionally rigged sailing vessels-that traverse the Great Lakes and beyond. Seeing a tall ship under full sail is an unforgettable experience. It's like a trip back in time! From full-rigged ships that look like the pirate vessels of old to replicas of the sleek Baltimore schooners that helped win the War of 1812, tall ships still ply the waters of the Great Lakes. Each one carries its own incredible tales. Tall Ships presents 28 vessels in an amazing full-color book. Beautiful photographs of the ships-inside and out-are supplemented by details about their size, armament, construction history, and previous owners, not to mention amazing stories about famous voyages, accidents, and storms. Inside you'll find Information about 28 ships, such as the Brig Niagara, the Pride of Baltimore II, and the S/V Denis Sullivan, with an emphasis on those that have visited previous Tall Ship Festivals Sensational stories of the ships' most famous voyages, including their encounters with severe storms Full-color photos of the majestic ships and their interiors Contact information for each vessel, so you can inquire about participating in day sails, tours, or even serving on the crew This book by Kaitlin Morrison makes a wonderful gift or souvenir. So grab Tall Ships, and set sail for adventure!

This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting's subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums' modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.