Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community.

Designed for use with the Guitar Cards Chord Starter Pack, this pack of 55 cards gives you over 50 moveable chord shapes. Small enough to fit into your back pocket or guitar case, they are an easy way to learn new chords - suitable for beginners, songwriters and teachers.

Harry Styles’ rise to mega stardom is undeniable. From boy band heartthrob to global pop phenomenon, Styles has dominated both the music and fashion worlds for over 15 years and continues to break creative boundaries, and produce absolute bangers.

Beloved as much for his charisma as for his melodic vocals, Harry delivers hit after hit, and sells out stadiums the world over. Yet even with such wild success, he stays true to his humble roots.

The Essential... Harry Styles is his inspirational story in full. A must for all Stylers!

The Essential... series

Celebrating the world's best-loved popular icons and cultural luminaries, these are The Essential guidebooks, packed with facts, quotes, photos and stories.

Chess Record Corp A Tribute Chess Record Corp , A Tribute is the ultimate pictorial journey of one of the most iconic record labels in the history of music . Chess Records the foundation Rock n roll. See the faces that made Chess one of the most seminal record labels in the world. Virtually, every rock & pop artist in the 20 & 21th century can trace back to the influence and unique sounds of Chess Records artists. This high quality illustrated hard back features over 150 unique artist images from Blues,Gospel,Jazz, Rock & Soul as well as unique memorabilia images. Also includes complete R&B chart entry history of Chess Records and the Chess family archive contributions. A one of a kind 70th anniversary celebration of Chess Records for music fans worldwide. Foreword by Marshall Chess & Introductions by Richard Ganter.

The Look of Jazz "David's photographs perfectly illustrate the passion, creativity and commitment of these musicians, and distil the atmosphere of live jazz in dazzling detail." Helen Mayhew, Jazz Broadcaster The Look of Jazz is a collection of 90 photographs of musicians taken by photographer and musician David Harvey. The book includes exclusive interviews with 24 of the featured musicians in which they talk about their own stories, inspirations and views on jazz. The portraits include a cross section of musicians, several of whom are variously club owners, educators, journalists and contribute in different ways to the continuing development of the jazz scene. Among the American and European artists featured are Jerry Bergonzi, Kirk Lightsey, Don Weller, Emilia Martensson, Gareth Lockrane, Julian Siegel, Tristan Mailliot and Nikki Iles alongside other leading figures on the jazz scene. "I have also included some less well-known but amazing players in recognition of their contribution to the jazz tradition," says David. The Look of Jazz includes portraits from two exhibitions of David Harvey's work, In the Moment and One More Time... Journalist, broadcaster and musician Jay Rayner called the first of these "a very lovely exhibition of terrific photographs of jazz musicians."

This follow-up to the bestselling songbook Come All You People offers 40 previously unpublished songs of similar variety which have been sung in prisons, on pilgrimages, at open air festivals, by cathedral choirs, and teenage and in-house music groups. They are short songs, some from present day Scotland, some from the World Church. They help people to participate and move in worship in a way that conventional hymns cannot and can be used as a tool to help create innovative styles of worship. The book includes hints on using the material and an appendix of readings and prayers for use with the songs. Agnus Dei (Aidan)Alleluia (Duncan)Amen alleluiaAmeniBe still and know (i)Be still and know (ii)Bless the LordBring your best to their worstDeo gratias (PSC)First born of MaryGive thanks, worship and praise the LordGod's eye be within meGoodness is stronger than evilHalle, halle, halle (Caribbean)Hallelujah (Korea)In love you summon, in love I followJesus Christ, Jesus ChristKyrie eleison (Bridget)Kyrie eleison (Chad)Lo, I am with you (to the end of the world)Lord Jesus Christ, lover of allLord of life, we come to youLord, draw nearLord, in your mercy (hear our prayer)Lord, you can turn all mourning into dancingMagnificat (G min)MayenziweMy eyes are dim with weepingNight has fallenNothing in height or in depthO brother Jesus (where have we left you)O Lamb of God (Constantine)O Lamb of God (Moss)On God alone, I wait silentlySanctus (Aidan)Stand firmThe peace of the earth (be with you)There is one among usThis is the body of ChristWe will take what you offer

In a career that spanned nearly five decades, Dorothy Fields penned the words to more than four hundred songs, among them mega-hits such as "On the Sunny Side of the Street," "I Can't Give You Anything But Love," "The Way You Look Tonight," and "If My Friends could See Me Now." While Fields's name may be known mainly to connoisseurs, her contributions to our popular culture--indeed, our national consciousness--have been remarkable.
In I Feel a Song Coming On, Charlotte Greenspan offers the most complete, serious treatment of Fields's life and work to date, tracing her rise to prominence in a male-dominated world. Born in 1904 into a show business family--her father, Lou Fields, was a famed vaudeville comedian turned Broadway producer--Fields first teamed with songwriter Jimmy McHugh in the late 1920s and went on to a series of Hollywood collaborations with Jerome Kern, including the Fred Astaire-Ginger Rogers classic Swing Time. With her brother Herbert, she co-authored the books for several of Cole Porter's Broadway shows, as well as for Irving Berlin's phenomenally successful Annie Get Your Gun. More stage hits would follow, among them Redhead and Sweet Charity, as Fields remained active right up to her death in 1974. Fields's lyrics--colloquial, urbane, sometimes slangy, sometimes sensuous--won her high praise from later generation songwriters including Stephen Sondheim and Fred Ebb, and her stellar career opened a path for other women in her profession, among them Betty Comden, Dory Previn, and Marilyn Bergman.
Meticulously researched and filled with sharp insights, this lively biography not only illuminates Fields's life but also offers unique insights into the golden ageof popular song.

The Who defined a generation and rocked the world. "My Generation," "Pinball Wizard," and "Baba O'Riley" are some of the most well known tracks in rock history. The rock opera Tommy, the genre-defining Live at Leeds, and the classic Quadrophenia are just some of The Who's albums.

Their songs have been covered by acts as diverse as Ride, Boney M, and the Sex Pistols; they impressed Pete Townsend so much that he asked their guitarist to join the already successful Who; said guitarist pioneered the use of a bow on guitar strings--a trick later plagiarized by Jimmy Page; and they have been cited as an influence by the likes of Paul Weller and John Lydon. Yet The Creation never had a hit single or even made an album in their two-year recording career, from 1966-68. But nevertheless, they are cherished by generations of fans. This is their untold story.

A fascinating study of Brian Wilson's creative career as a composer, producer, performer, and collaborator that addresses all aspects of Brian's five-decade-long music career through his creative methods and processes. The cofounder and central figure of one of America's most successful vocal groups, The Beach Boys, Brian Wilson is a standout artist with an astonishing volume of diverse work spanning over half a century that serves as testament to his creative output and influence on modern music. Today, Wilson stands as a survivor of life challenges stemming from substance abuse and mental illness and enjoys a revitalized career in which he continues to create new works and perform around the world to enthusiastic audiences in sold-out venues. This unique book covers the breadth of Wilson's creative life as composer, producer, performer, and collaborator, not only as a Beach Boy, but also as a solo artist and collaborator with artists such as Jan and Dean, The Honeys, Spring, The Castells, and The Hondells. The book also surveys his less-examined work as a performer of the music of George Gershwin, of the songs from Disney films, and of children's books and movies. Because of its breadth, The Words and Music of Brian Wilson will appeal both to dedicated and casual fans alike of The Beach Boys and of Brian Wilson as well as to scholars in popular music and American studies. Presents the first complete and career-spanning biography of Brian Wilson and detailed examination of his musical career Considers Wilson's work with The Beach Boys and the many performers and bands with whom he collaborated as producer, songwriter, and performer in a chronological narrative instead of categorizing his work as "Beach Boys" and "Other" Discusses Wilson's diverse musical activities as comprising equal parts devoted to composition, production, performance, and collaboration Sorts through various conflicting narratives about Brian Wilson's career in order to provide an accurate account of his creative chronology