The colorful "Punk Professor", new-wave musician, and critic/filmmaker spins a dazzling survey of women in punk, from the genre's inception in 1970s London to the current voices making waves around the globe. As an industry insider and pioneering post-punk musician, Vivien Goldman's perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes-identity, money, love, and protest-to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain's first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song "Free Money," for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem "Identity," with the refrain "Identity is the crisis you can't see." Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.

Winner of the 2010 Non-Fiction National Book Award Patti Smith's definitive memoir: an evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe 'Sharp, elegiac and finely crafted' Sunday Times 'Terrifically evocative ... The most spellbinding and diverting portrait of funky-but-chic New York in the late '60s and '70s that any alumnus has committed to print' New York Times 'Render, harrowing, often hilarious' Vogue In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max's Kansas City, Scribner's Bookstore, Coney Island, Warhol's Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc. It was a heightened time politically and culturally; the art and music worlds exploding and colliding. In the midst of all this two kids made a pact to always care for one another. Scrappy, romantic, committed to making art, they prodded and provided each other with faith and confidence during the hungry years--the days of cous-cous and lettuce soup. Just Kids begins as a love story and ends as an elegy. Beautifully written, this is a profound portrait of two young artists, often hungry, sated only by art and experience. And an unforgettable portrait of New York, her rich and poor, hustlers and hellions, those who made it and those whose memory lingers near.

This book contains nine pieces from ABRSM's Grade 4 Piano syllabus for 2023 & 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer.The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. A version of this book with audio download is also available.

"Yungblud is like nothing you've seen before. That is, unless you've seen a smiley punk/alt rocker from Doncaster, UK who wears pink socks, black-lipstick, and a skirt, plays a mean guitar, has an endless amount of energy, and an interesting aura of sex appeal. Then, and only then, can you say you've seen someone like Yungblud." - musicinminnesota.com YUNGBLUD. A striking new musical voice has emerged for Gen-Z. Political, provocative and impassioned, Yungblud has in the space of three years become one of the UK's most recognisable artists through his unique blend of pop, punk and emo music - gaining one of the most die-hard fanbases on the planet in the process. From 21st Century Liability, where nothing was sacred - gun violence, psychosis, sex, drugs and suicide - to his sophomore album Weird!, an exploration of oddity and self-acceptance, YUNGBLUD challenges our zeitgeist as much as he channels it. This is the first fully authorised book, featuring photographs by his friend and closest collaborator Tom Pallant. Featuring an amazing selection of rare and unseen photographs, All My Friends Have Deserted charts Yungblud's journey from late 2019 as he toured his debut album across the world, right through releasing his second album during a global pandemic, scoring his first UK #1, returning triumphantly to Reading and Leeds festival mainstage and culminating in his biggest ever headline show, a sold-out Alexandra Palace in London. All My Friends Have Deserted shows YUNGBLUD as a man of multitudes: dominating the stage, screaming into the mic, laughing behind-the-scenes, enjoying quiet creative moments and pulling faces at the camera. The vicious energy of his performances carries onto the page. The result is a rollercoaster of a photo-essay that carries readers on a journey through the highs and lows of Gen-Z's most essential new rock star. "My generation is over being divided. Being divided is an old concept that is rapidly becoming obsolete. We are opinionated. We are full of contradictions. That's the beauty of it. Our intention is to make this world equal. No matter what size you are, what shape you are, what colour you are, what sexuality you are..." Underpinning it all is the message of empathy. Those who his lyrics resonate with are not alone. Authentic and electric, rebellious and irreverent, yet still utterly human, YUNGBLUD is the new face of punk. Here he presents himself through a series of exclusive and unseen photographs, taken by his friend and closest collaborator, photographer Tom Pallant.

Black Sabbath is currently on The End Tour," which they have proclaimed as their final concert tour . Iron Man chronicles the story of both pioneering guitarist Tony Iommi and legendary band Black Sabbath, dubbed The Beatles of heavy metal" by Rolling Stone . Iron Man reveals the man behind the icon yet still captures Iommi's humour, intelligence, and warmth. He speaks honestly and unflinchingly about his rough-and-tumble childhood, the accident that almost ended his career, his failed marriages, personal tragedies, battles with addiction, band mates, famous friends, newfound daughter, and the ups and downs of his life as an artist. Everything associated with hard rock happened to Black Sabbath first: the drugs, the debauchery, the drinking, the dungeons, the pressure, the pain, the conquests, the company men, the contracts, the combustible drummer, the critics, the comebacks, the singers, the Stonehenge set, the music, the money, the madness, the metal.

In "Beethoven", Edmund Morris, the author of three bestselling presidential biographies and a lifelong devotee of the great composer, brings him to life as a man of astonishing complexity and overpowering intelligence. A gigantic, compulsively creative personality unable to tolerate constraints, he was not so much a social rebel as an astute manipulator of the most powerful and privileged aristocrats in Germany and Austria, at a time when their world was threatened by the rise of Napoleon Bonaparte. But Beethoven's achievement rests in his immortal music. Struggling against progressive, incurable deafness (which he desperately tried to keep secret), he nonetheless produced towering masterpieces, such as his iconic Fifth and Ninth symphonies. With sensitivity and insight, Edmund Morris illuminates Beethoven's life, including his interactions with the women he privately lusted for but held at bay, and his work, whose grandeur and beauty were conceived 'on the other side of silence.'

Combining a student-friendly presentation with cutting-edge digital resources, Wright/Candelaria's LISTENING TO MUSIC, 9th EDITION, equips you with the tools to actively listen to and inspire a lifelong appreciation for music. Known for its clear, conversational style, LISTENING TO MUSIC, 9th EDITION, guides you -- even if you have no music background -- about what to listen for and why it is important to the piece. The music clips are curated and clipped to keep you focused and engaged on a few musical elements at a time. The text is organized chronologically and discusses musical examples from each era in its social context, describing the construction and culture of each piece. LISTENING TO MUSIC is fully integrated with MindTap to better help you develop your listening skills and maximize your course success. Online resources include interactive exercises, streaming music, Directed Listening Guides, chapter and listening quizzes.

Brass Mix is an original series of graded pieces that can be played by any brass instrument. Book 2 covers Grades 4 & 5 and contains 8 new pieces for solo brass and piano, specially commissioned from some of today's most dynamic composers for brass. The pieces showcase a diverse range of styles and align with ABRSM grade levels. Many are featured on the ABRSM 2023 Brass syllabus and in addition, all are ideal choices for Performance Grade exams.Key features:-one piece at each grade and list of the ABRSM 2023 Brass syllabus, for all instruments -distinctive and engaging repertoire from which to build a programme for a Practical or Performance Grade exam - a single student book that can be used by treble- and bass-clef brass including Eb Tuba -separate Bb, Eb and F piano accompaniment books -a downloadable part for Bb Tuba. Contents: Rapscallion [Andrea Price] Sunday at the Boulevard [Christopher Augustine] Horizon [Clare Elton] Cumbianita para Ti [Shanti Paul Jayasinha] Lethe [Callum Au] By the River [Shanti Paul Jayasinha] A Postcard from Wasdale [Florence Anna Maunders] Koli [Shri Sriram]

A blend of This Is Spinal Tap and Fear and Loathing in Las Vegas, the cult classic confessions of a debauched rock 'n' roller and his adventures in excess on the '80s hair-metal nostalgia tour through Middle America--available again, and now revised and updated.

Once upon a time at the start of the new century, the unheard-of Unband got a chance to drink, fight, and play loud music with '80s metal bands like Dio and Def Leppard. To the mix they brought illegal pyrotechnics, a giant red inflatable hand with movable digits, a roadie dubiously named Safety Bear, a high tolerance for liver damage, and an infectious love of rock & roll and everything it represents.

Unband bassist Michael Ruffino takes us on an epic joyride across a surrealistic American landscape where we meet mute Christian groupies, crack-smoking Girl Scouts, beer-drinking chimps, and thousands of head-bangers who cannot accept that hair metal is dead. Here, too, are uncensored portraits of Ronnie James Dio, Anthrax, Sebastian Bach, Lemmy of Motorhead, and others.

Adios, Motherfucker is gonzo rock storytelling at its finest--excessive, incendiary, intelligent, hilarious, and utterly original.

No Better Boy tells the story of a master of traditional Irish music: the legendary East Clare fiddler Paddy Canny, whose haunting music was remarkable for its virtuosity and sophistication. In the 1950's, when he was in his thirties, and at the pinnacle of his career, Paddy Canny became an international radio star, played solo in Carneige Hall, toured England with the renowned Tulla Ceili Band, and made a much-loved recording. All were extraordinary achievements for a man raised on a marginal farm, where the gramophone records that inspired him were accessible only through the good grace of neighbours. In richly evocative prose, Helen O'Shea distils stories of success and adversity that Paddy Canny told to family and friends, to radio interviews and historians. These stories illuminate the rural life in mid-twentieth-century Ireland, major social and economic changes, and the decline and revival of traditional music and dancing. A compelling story told with passion and insight, this is a book for readers with an interest in Ireland's social history and for music lovers everywhere. No Better Boy includes annotated transcriptions of music played by Paddy Canny and his contemporaries, sourced from archives and personal collections as well as commercial recordings.

Colm TOibIn on Joni Mitchell - James Wood on The Who - Stacey D'Erasmo on Kate Bush - Daniel Handler on Eurythmics - Lisa Dierbeck on the Pretenders - Clifford Chase on the B-52s . . . and other writers on the soundtracks of their lives

In "Heavy Rotation," twenty of our most acclaimed contemporary writers pay homage to the record albums that inspired them. Benjamin Kunkel remembers how the Smiths' "Queen Is Dead" transformed him into an adolescent Anglophile. Pankaj Mishra describes how a bootleg cassette of ABBA's "Super Trouper" evoked a world far from his small Indian village. Kate Christensen relives her years as an aspiring novelist in Brooklyn listening to Rickie Lee Jones's "Flying Cowboys." And Joshua Ferris recalls his head-banging passion for Pearl Jam's "Ten."

Exploring music from the Talking Heads to the "Hedwig and the Angry Inch" soundtrack, this extraordinary anthology is a moving, funny, uplifting, and unforgettable celebration of the unique and essential relationship between life and music.

From Ann Margret to Bob Dylan and George Jones to Simon & Garfunkel, Nashville harmonica virtuoso and multi-instrumentalist Charlie McCoy has contributed to some of the most successful recordings of country, pop, and rock music of the last six decades. As the leader of the Hee Haw "Million-Dollar Band," McCoy spent more than two decades appearing on the television screens of country music fans around the United States. And, as a solo artist, he has entertained audiences across North America, Europe, and Japan and has earned numerous honors as a result. Fifty Cents and a Box Top: The Creative Life of Nashville Session Musician Charlie McCoy offers rare firsthand insights into life in the recording studio, on the road, and on the small screen as Nashville became a leading center of popular music production in the 1960s and as a young McCoy established himself as one of the most sought after session musicians in the country.

As the creative force behind Berry Gordy Jr.'s Motown Records in the mid-Sixties, a writing credit from Holland Dozier Holland was virtually a guarantee of chart success. From Stop! In The Name Of Love to How Sweet It Is To Be Loved By You, they were the songwriting and production dream team responsible for some of the greatest songs of the twentieth century. In this compelling autobiography, brothers Eddie and Brian Holland share their story for the first time, starting with growing up in Detroit raised by a single mother and their grandmother, before shining a light on their early musical careers. A gifted lyricist, Eddie started out as a solo singer with Berry Gordy as his manager before partnering up with his brother Brian and Lamont Dozier, both talented arrangers and producers. When Holland Dozier Holland came together, they helped transform Motown Records from a local soul label into a worldwide hit factory, home to international superstars such as Marvin Gaye, Martha & The Vandellas, The Supremes, Smokey Robinson, The Miracles, The Four Tops and The Isley Brothers. After an awe-inspiring tenure they left Motown in 1968, continuing their successes at new labels and with new collaborators for years to come. Featuring honest and open first-hand accounts, Come and Get These Memories is more than just a behind-the-scenes look at Motown Records at its peak: Eddie and Brian set the record straight on both their personal and professional lives and offer a revealing slice of pop-music history.

Dana Gillespie, the award-winning first lady of the Blues has enjoyed an incredible life and career. Now, she has chronicled her exploits, and as anyone who knows Dana would expect, it is intelligent, insightful, outrageous, and funny. Detailing high points, low points and everything in-between, the book covers, amongst many other things, liaisons with David Bowie, Bob Dylan, Keith Moon, and the cream of 1960's rock royalty; Recording with Jimmy Page and Elton John; Performing as Mary Magdalene in the original London production of Jesus Christ Superstar, and as the Acid Queen in Tommy; Acting in films directed by Nicholas Roeg, Ken Russell and Mai Zetterling; Performing Shakespeare with Sir John Gielgud and Arthur Lowe; Topping the pop charts across Europe; Performing to an audience of one million people in India; And... oh yes... Being British junior waterski champion for 4 years!

Miami, 1963. A young boy from Louisville, Kentucky, is on the path to becoming the greatest sportsman of all time. Cassius Clay is training in the 5th Street Gym for his heavyweight title clash against the formidable Sonny Liston. He is beginning to embrace the ideas and attitudes of Black Power, and firebrand preacher Malcolm X will soon become his spiritual adviser. Thus Cassius Clay will become 'Cassius X' as he awaits his induction into the Nation of Islam. Cassius also befriends the legendary soul singer Sam Cooke, falls in love with soul singer Dee Dee Sharp and becomes a remarkable witness to the first days of soul music. As with his award-winning soul trilogy, Stuart Cosgrove's intensive research and sweeping storytelling shines a new light on how black music lit up the sixties against a backdrop of social and political turmoil - and how Cassius Clay made his remarkable transformation into Muhammad Ali.