Paul Harris: The Clarinet is the seminal guide to every facet of clarinet playing. In this comprehensive companion, acclaimed author Paul Harris shares his unique insights towards gaining mastery of the instrument, inspiring both students (from intermediate level) and professionals alike to develop an individual clarinet personality. In-depth, clear and universally relevant, The Clarinet is Paul Harris's complete philosophy of playing, equipping clarinettists with innovative ways to overcome the instrument's technical, musical and practical challenges and ultimately, enhance the enjoyment of their art. Chapter by chapter Harris reveals how each aspect of playing is interdependent, from posture and preparing to play to the science of sound production. Practical exercises target each area, covering breathing, embouchure, articulation and finger-work, and sit alongside a plethora of excerpts from the clarinet canon. An all-encompassing approach, Harris discloses his expert advice on stylistic performance through to instrument maintenance, supported by diagrams and illustrations. Including a unique map of clarinet dynasties, recordings and repertoire timings, The Clarinet leads the player on a path of limitless learning, from practice to performance. "This book is a wonderful addition to the clarinet community. Understanding the mysteries of the clarinet helps bring us closer to the instrument." Karl Leister, Clarinettist "This book is nothing short of essential reading for anyone learning the clarinet... when reading, you can easily imagine being in a lesson with a great teacher... This is the 'ultimate companion', and the level of detail matches this description." Paul Saunders, Music Teacher Magazine, July 2022

Play guitar with six of The Smiths' greatest songs. On the CD are two specially recorded 'soundalike' backing tracks of each song. Also included is a full demo with guitar, showing you how the song should sound and a backing track without the guitar for you to play along with on your own guitar. In the music book are music, chords and lyrics and learn the guitar part from the tab or the standard notation.

The colourful, personal story of an early jazz legend First published in 1971 and now lovingly reissued this autobiography is a valuable, entertaining, and sometimes risque firsthand account of early New Orleans jazz by one of the pioneers of the string bass. In transcribed interviews, Foster describes the milieu in which early jazz developed. With great attention to detail and an outspoken narrative style he puts the record straight, correcting many jazz critics and historians in the process. Colorful anecdotes bring to life legends of early jazz such as Jelly Roll Morton, Buddy Bolden, and King Oliver. A generous collection of rare photographs complement this dramatic and fascinating story.

New synths with unique features and layers of complexity are released frequently, with hundreds of different synths currently available in the marketplace. How do you know which ones to use and how do you get the most out of the ones you already own? The Musical Art of Synthesis presents synthesizer programming with a specific focus on synthesis as a musical tool. Through its innovative design, this title offers an applied approach by providing a breakdown of synthesis methods by type, the inclusion of step-by-step patch recipes, and extensive web-based media content including tutorials, demonstrations, and additional background information. Sam McGuire and Nathan van der Rest guide you to master synthesis and transcend the technical aspects as a musician and artist. Synths are presented using a multi-tiered system beginning with basic instructions for all common synth techniques. Historical information is included for each type of synth, which is designed to help you understand how each instrument relates to the bigger picture. Advanced level instruction focuses on modern implementations and on mobile devices, with special focus on performing and practical usage. The goal The Musical Art of Synthesis is to bring all of the different types of together in the same discussion and encourage you to see the similarities and differences that force you to gain a better overall understanding of the synthesis process. Key features of this title: * This book will teach you how to put synthesizers to use with easy-to-use synth patch recipes * Using a unique, multi-tiered approach applicable to the level of equipment in use, this publication introduces concepts that apply to a wide range of hardware/software synthesizers. * A robust companion website, featuring video demonstrations by synthesizer experts, further supports the book: www.focalpress.com/cw/mcguire

Johann Sebastian Bach dominates the field of organ music like no other composer dominates any other repertory. It comes as no surprise, therefore, that Bach's organ works have long attracted scholarly attention. Still, the subject has by no means been exhausted. The sheer number of Bach's surviving organ compositions will always prevent anyone from having the "last word" on the subjects, either the music's stylistic diversity, or its complexity. In addition, Bach's organ works have exerted a profound and lasting influence on later generations, including many of the greatest composers, performers, conductors, critics, and scholars in the whole history of music. In J. S. Bach at His Royal Instrument, author Russell Stinson delves into various unexplored aspects of these masterpieces. Drawing on previous research and new archival sources, he sheds light on many of the most mysterious aspects of this music and its reception. Beginning with a critique of the literature, Stinson questions recent hypotheses regarding authorship and provenance of several of Bach's most famous pieces. From there he discusses the music itself, revealing compositional procedures that not only illuminate key aspects of the chorales, but those of the composer's contemporaries and predecessors as well. From there, Stinson turns to reception. From Mendelssohn and Schumann to Emerson, Lake, & Palmer, Stinson shows how Bach's music has remained a part of Western culture for nearly three hundred years. J. S. Bach at His Royal Instrument casts new light on these foundational pieces of Western music, and is essential reading for students, scholars and fans of Bach, and "the king of instruments."

The zheng zither is one of the most popular instruments in contemporary China. It is commonly regarded as a solo instrument with a continuous tradition dating back to ancient times. But in fact, much of its contemporary solo repertory is derived from several different regional folk ensemble repertories of the mid-twentieth century. Since the setting up of China's modern conservatories, the zheng has been transformed within these new contexts of professional music-making. Over the course of the twentieth century, these regional folk repertories were brought into the performance traditions of modern regional zheng schools. From this basis, a large new zheng repertory was created by conservatory musicians, combining aspects of Western classical music with folk music materials. With the 'opening up' of China's economy since the 1980s, the zheng has been brought into the wider stage of international music-making which includes contemporary art music compositions by overseas based Chinese composers and commercial world music works by Western composers. Through a series of case studies, this book explores how the transformation of the Chinese zheng has constantly responded to its changing social context, critiquing the long-standing arguments concerning 'authenticity' in the development of tradition. This work arises out of, and reflects on, the research methodologies known as performance as research. As an insider to the tradition, brought up within China's zheng society, a trained and practising zheng performer, this study is largely drawn from the author's own experiences of practising and performing the music in question; her study also draws on fieldwork, as well as primary and secondary written sources in Chinese and English. This book is accompanied by downloadable resources which contain audio visual materials relating to the author's fieldwork and zheng performances by different zheng musicians.

In this second edition of Orchestral "Pops" Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2009, this work has proven critical to successful "pops" concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral "pops" concerts that is comprehensive, informative, and current. Manning's emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral "Pops" Music includes at least 1,000 new title listings. Orchestral "Pops" Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.

This amazing book is a must for every bass guitarist's library. It contains virtually every chord a player will be asked to produce. With clear, readable diagrams, it contains more than 500 chord shapes. What's more, it's designed to fit easily into your guitar bag so you never need be without it!

Piano Time Pieces 1 presents a sparkling selection of pieces in all styles. Here are classical and jazzy pieces, folksongs and specially written tunes, and songs and character pieces of all kinds. Practising the range of techniques and keys introduced in Piano Time 1, these pieces provide a wealth of enjoyable practice and repertoire material for all young pianists.

For over a century, drummers have been turning to a variety of percussive traditions as prompts for the creation of new expressive possibilities on the drumset. In this book, Simon Barker sets out in detail the developmental processes he has followed creating an improvisational language for the drumset utilizing Korean rhythm/sticking cells, aesthetic conceptions, improvisatory codes, and developmental procedures. Barker offers historical overviews of Korean traditional rhythmic forms, analysis of rhythmic structures appearing in a variety of styles, an analysis and chronological account of his development of a 'Koreanized' approach to the drumset, a methodology for performing p'ansori accompaniment on the drumset, an introduction to Korean extended techniques, and a large collection of drumset studies based on Korean traditional forms such as tasA rA m, ch'ilch'ae, and ritual music structures from Korea's East Coast. Barker also explores physical practices employed by Korean musicians which aid in the development of a relaxed, dynamic approach to performance. He creates a framework for creating an alternative approach to drumset education and performance through an engagement with Korea's extraordinary rhythmic and aesthetic traditions. The volume includes accompanying downloadable resources featuring recordings of developmental exercises, solo drumset improvisations, and ensemble performances, each track representing a subject of discussion within the volume.

This reference guide to the life and work of the prolific American wind band composer, Alfred Reed, includes a brief biography followed by detailed bibliography and discography sections. The biography traces Reed's life and those experiences that helped to shape his music and philosophies. Attention is given to Reed's popularity with and influences upon bands throughout the world and especially in Japan. A complete listing of Reed's more than 250 works and premiers are categorized by genre. The extensive discography section cites more than 400 recordings, and the bibliography section includes the many writings by and about Reed.

This unique reference will appeal to music scholars and band directors with an interest in Alfred Reed and in wind band music. As a useful research tool, each section of the volume is cross-referenced. Additionally, two appendices list Reed's compositions, one alphabetically and the other chronologically.

An approach based on self-learning and the recognition of rhythmic and melodic patterns.

This book will guide students through everything they need to know to become a confident sight reader, working up towards exam-standard practice tests. The accompanying CD demonstrates every piece in the book, offering spoken hints and encouragement along the way. It is designed to help students check and improve their own playing when they are working away from their teacher,and has been written and composed by two experienced teachers and examiners.

(Harmonica). If you're just getting started or a veteran looking to add more licks to your arsenal, this book/CD pack is for you. From basic 12-bar blues backing riffs to mojo-packed solo licks, Steve Cohen shares 100 time-tested licks to help you get the most out of your 10-hole diatonic harp. All examples are played on a C harp and are written in standard notation and harmonica tab. The CD contains demonstration tracks for all of the licks many with play-along tracks. Includes: cross harp and straight harp licks; boogie-woogie licks; stop-time licks; ascending & descending licks; funk licks; shuffle licks; horn-adapted licks; glissandro licks; octave licks; warble licks; over-blowing chromatic licks; turn-arounds and endings. Also include many riffs in the styles of Sonny Boy Williamson II, Little Walter, Howlin' Wolf, Jimmy Reed, James Cotton, and more

Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles.

Features

• Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument.
• Pedagogical features
• • In the Profession: Professional courtesies, considerations and expectations.
  • Building the Score: Step-by-step construction of an orchestration.
  • Scoring Examples: Multiple scoring examples for each instrument.
  • Exercises: Analyzing, problem solving, and creating orchestration solutions.
• Critical Thinking: Alternate approaches and solutions.

Bells have played a prominent role in our society since the earliest of civilizations, yet few realize the scope of objects encompassed by this broad heading. While all bells share certain qualities--like the ability to produce sound--they vary amazingly in terms of size, shape, style, and material. A flat round Chinese gong is as much a bell as the graceful figurine hiding a swinging clapper beneath her skirt or a strap of round metal "sleigh bells" from the nineteenth century. Featuring over 620 beautiful color photos, this absorbing and entertaining book showcases the wonderful diversity of collectible bells, from animal bells, call bells, and rattles to commemoratives, figurals, miniatures, and holiday bells. Here you will find bells made of different materials, bells with more than one purpose, bells with common motifs, and much more. Both antique and modern, well-known to unique, one of these bells is sure to grab your fancy! Values, an index, and a bibliography are all included.

The Exploring Piano Classics: A Masterworks Method for Developing Pianists series pairs motivating performance repertoire with thoughtful technical studies. Each level contains a Repertoire book with CD and a Technique book, both with convenient page-by-page correlation. When used together, the books give students a deep understanding of the art of music, performance practices, and the necessary skills to play the piano with technical ease. The Repertoire books include pieces from the major style periods, selected and graded based on festival, competition, and examination lists from the United States, Canada, and the United Kingdom. Background information on each style period, its instruments, composers, and the music itself is included.
The CD recordings of the repertoire, performed by internationally known clinician and teacher Nancy Bachus, provide an indispensable tool for appropriate musical interpretation. A graduate of the Eastman School of Music with an M.M. in Piano Performance and Literature, Nancy Bachus has performed solo recitals across the U. S., Canada, and Italy, and appeared in the original "Monster Concerts" in venues such as Lincoln Center and the White House. Titles: Air en Gavotte (Graupner) * Allegro in B-flat Major, K. 3 (W. A. Mozart) * Avalanche, Op. 45, No. 2 (Heller) * Bourr?e (Krieger) * Children's Song (Bart?k) * The Clown (Rebikov) * ?cossaise, Op. 18; D. 145 (Schubert) * Gavotte en Rondeau (Dandrieu) * German Dance, WoO 42, No. 4 (Beethoven) * Gigue ? l'Angloise (Telemann) * Gypsy Dance (Haydn) * A Little Song (Rhen?-Baton) * Minuet in G Major (B?hm) * Night Piece, Op. 39, No. 2 (Reinhold) * Old Tale (Tcherepnin) * Russian Dance (Glinka) * Sonatina, Op. 36, No. 1 (Allegro; Andante; Vivace) (Clementi) * Tambourin (Gossec) * Timid Little Heart, Op. 47, No. 5 (Fuchs) * Under the Tree (Bart?k) * Waltz, Op. 101, No. 11 (Gurlitt).

Superstart Violin is a break-through for beginner violinists, full of exciting music and fun activities from the very first lesson to inspire and stimulate pupils and teachers. Mary Cohen is one of Britain's leading string teachers and this new edition is a distillation of her many years of teaching and research - a core method now in one book. Complete violin technique is introduced from the start, providing a solid foundation and taking the player up to grade one level. Carefully structured, each unit covers a clear technical point through expertly written pieces, providing the student with a true musical experience at each tiny step. Mary takes an imaginative child-orientated approach throughout, encouraging interaction and the exploration of new sound worlds through a superb variety of music. The accompanying CD provides all the piano accompaniments, with unique cue entries to help beginners get started. A separate accompaniments book for violin is also available. For extra flexibility, most of the pieces in Superstart Violin, Superstart Viola and Superstart Cello book are compatible, making this a great resource for individual or group teaching. **ABRSM selected piece (Violin 2012-2015): Rondeau (Purcell)

(Guitar Method). Here's your complete guide to getting your guitars to play and sound their best In a convenient 6 x9 size, this full-color edition features step-by-step instructions and photos that teach you how to adjust the action, truss rod, bridge saddles, nut, intonation and more on electric and acoustic guitars. Basic electronic repairs are covered as well. If you've been timid about "looking under the hood" of your guitar but don't want to keep spending money at the repair shop, this book will get you started on the road to becoming your own guitar repair person

(Piano Solo Personality). Recorded in a remote monastery in Verona, Ludovico Einaudi's In a Time Lapse explores the concept of capturing emotions and experiences in a single moment in time. This exclusive matching piano folio presents all 14 tracks from the album plus five bonus pieces.

How To Play Jazz Saxophone is a fun and engaging introduction to jazz from composer and saxophonist Ned Bennett. Discover the exciting world of jazz, from its roots in ragtime to blues, bebop and beyond! Ideal for established beginners (approximately Grade 3+ standard), this book teaches methods of improvisation, how to play in swing time, syncopated rhythms and jazz scales and modes. It also presents suggested listening ideas and melodic 'phrase banks' based on typical jazz chords alongside plenty of great new pieces. Audio and piano accompaniments are available to download for both alto and tenor saxophone.