An expert's guide to the skills of the greatest conductors While Weber, Spohr, Mendelssohn, and Berlioz were all conductors of repute, it was the thoughts and practices of Richard Wagner that laid the foundation for the modern virtuoso conductor. Though he was more celebrated for his dramatic operas, Wagner's experience as a conductor brought a set of practices and principles that affected the interpretations of future generations, and conductors continue to pursue his example today. This book examines Wagner's conducting career and the principles of his musical performance. It then tracks the central European style through some of the greatest figures of modern music-Nikisch, Mahler, Richard Strauss, Weingartner, Furtwangler, Toscanini, Walter, Klemperer, Beecham, Boult, and others through to von Karajan, Bernstein, and George Szell. In each case Holden, himself a professional classical conductor, traces the rise from apprenticeship to international acclaim, comparing rehearsal technique, the baton, eye contact, repertoire, tempo, recordings, vision, style, and performance practice. The result is a deeply informative, intriguing, and highly readable portrait of the finest exponents of the conducting tradition.

Alfred's Ultimate Movie Instrumental Solos series arranged for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, cello, and optional piano accompaniment. All wind instrument arrangements are fully compatible, and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided, featuring each song as a live performance demo track followed by a play-along track. The CD also contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software.
Contains 60 songs, including: Cantina Band * Follow the Yellow Brick Road / We're Off to See the Wizard * Gollum's Song * Hedwig's Theme * James Bond Theme * Obliviate * Pink Panther Theme * Raiders March * Superman Theme * Wonka's Welcome Song * and many more.
Due to level considerations regarding keys and instrument ranges, the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

This lively and highly informative contribution to the Menuhin Music Guides covers all aspects of percussion - the instruments, the percussion section within the orchestra and the use of percussion in chamber music and as a solo instrument. James Holland is not afraid to attack composers, conductors and music publishers as he puts the percussionist's point of view. Among his comments on how to interpret a percussion score and lay out and play a vast array of complex instruments are detailed analyses of Walton's 'Facade' and works by Gerhard and Stockhausen.

The works of Sor, Guiliani and Cacassi have been selected for this book to provide the student with an invaluable guide for developing both left-and right-hand skills. Includes study and performance notes on each piece.

Here's a great three-movement work that can be performed as a suite or with the movements played independently. The Fanfare is brief, yet creates a brilliant opening with bright, fanfare-type rhythms ending with full chords. The Chaconne is a melodic movement primarily in 6/4 with a flowing melody accompanied by a moving left hand and a simple pedal part. The group ends with a full Sortie involving full chords and a rhythmic right hand. Triplet patterns lead to the full chords and full organ at the climatic conclusion.

The long-awaited, definitive book for lovers of the low-end. Willie G. Moseley, Senior Writer for Vintage Guitar Magazine, profiles more than 100 historic and unique electric bass models from such makers as Alembic, Danelectro, Fender, Gibson, Gretsch, Guild, Hamer, Kramer, Rickenbacker, and many others. Rare and legendary instruments, from the earliest attempts at amplified basses in the mid-1930s to the cutting-edge instruments of today, are presented in more than 250 color and period photos. The main feature of this book is the exclusive coverage of historic and one-of-a-kind basses owned and played by such famed musicians as Bill Black (Elvis Presley), Tim Bogert (Vanilla Fudge), Mark Egan (Pat Metheny Group), John Entwistle (the Who), Paul Goddard (Atlanta Rhythm Section), Bruce Hall (REO Speedwagon), Greg Lake (Emerson, Lake & Palmer), Benjamin Orr (the Cars), Tom Petersson (Cheap Trick), Carl Radle (Derek and the Dominos), Gene Simmons (Kiss), Steve Wariner, and others.

Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourteen tightly focused and multifarious essays on various aspects of Reich's work-ranging from analytical, aesthetic, and archival studies to sociocultural, philosophical, and ethnomusicological reflections-this edited volume reveals new insights, including those enabled by access to the growing Steve Reich Collection at the Paul Sacher Foundation archive, the premier institution for primary research on twentieth-century and contemporary classical music. This volume takes on the timely task of challenging the hegemony of Reich's own articulate and convincing discourses on his music, as found in his Writings on Music (OUP, 2002), and breaks new ground in the broader field of minimalism studies.

Keyboard Skills for Music Educators: Score Reading is the first textbook that provides the depth of material and insight of seasoned music educators necessary to equip future educators with the ability to play from an open score at the keyboard. Score reading can be a daunting prospect for even the most accomplished pianist, but it is a skill required of all choral and instrumental music instructors. Although most music education curricula include requirements to achieve a certain level of proficiency in open score reading, standard textbooks contain very little material devoted to developing this skill.

This textbook provides a gradual and graded approach, progressing from two-part reading to four or more parts in a variety of clefs. Each chapter focuses on one grouping of voices and provides many musical examples from a broad sampling of choral and instrumental repertoire ranging from Renaissance to contemporary works.

Creative Guitar 2 studies in depth the various techniques used by today's guitar stars in their playing, including eight-finger tapping, playing harmonics and the undiscovered world of emulating other instruments. With an accompanying CD full of riffs and examples to illustrate the exercises and techniques presented, this book aims to provide guitarists with a lexicon of new musical ideas and a performance style that sounds both easy and professional.

Complete Level 1 is a faster-paced version of Levels 1A and 1B that gets to staff reading more quickly. Perfect for a student who is 8 or older, or for a younger beginner with great musical aptitude. This course is most effective when used under the direction of a piano teacher or experienced musician.

Adagio is a Samuel Barber piece arranged for violin and piano by Jerry Lanning. It contains both score and part. This is a solo work of Barbe r's popular Adagio for Strings.

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900. Modern composers as diverse as Bela Bartok, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and theirnew approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of twenty leading authorities on quartets by twenty-one composers from eleven countries.Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music. Volume 1: Debussy and Ravel [Marianne Wheeldon]; Sibelius [Joseph Kraus]; Bartok [JosephN. Straus]; Hindemith [David Neumeyer]; Schoenberg [Matthew R. Shaftel]; Berg [Dave Headlam]; Webern [David Clampitt]; Villa-Lobos [Eero Tarasti]; Prokofiev [Neil Minturn] Volume 2: Shostakovich [Patrick McCreless]; Britten [Christopher Mark]; Ligeti [Jane Piper Clendinning]; Berio [Richard Hermann]; Xenakis [Evan Jones]; Scelsi [Eric Drott]; Cage (David W. Bernstein]; Babbitt [Andrew Mead]; Carter [Jonathan W. Bernard]; Mel Powell [Jeffrey Perry]; Shulamit Ran [Robert W. Peck]

The two volumes of Trott's widely used etudes are combined into one convenient, affordable volume.

The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features. The solo concerto, a vast and important repertory of the early to mid eighteenth century, is known generally only through a dozen concertos by Vivaldi and a handful of works by Albinoni and Marcello. The authors aim to bring thisrepertory to greater prominence and have, since 1995, been involved in a research programme of scoring and analysing over nine hundred concertos, representing nearly the entire repertory available in early prints and manuscripts.Drawing on this research, they present a detailed study and analysis of the first-movement ritornello form, the central concept that enabled composers to develop musical thinking on a large scale. Their approach is firstly to present the ritornello form as a rhetorical argument, a musical process that dynamically unfolds in time; and secondly to challenge notions of a linear stylistic development from baroque to classical, instead discovering composers trying out different options, which might themselves become norms against which new experiments could be made. SIMON McVEIGH is Professor of Music, Goldsmiths College, University of London; JEHOASH HIRSHBERG is Professor in the Musicology Department, Hebrew University of Jerusalem.

The Music and Life of Theodore "Fats" Navarro: Infatuation is the first comprehensive study of the jazz trumpeter Theodore "Fats" Navarro. It provides biographical and discographical information on this talented musician, whose premature death from tuberculosis at 26 robbed the jazz world of his brilliance. Through an analysis of his recorded legacy, this book offers new perspectives on Navarro's role in the history and emergence of Bebop. Through years of study and collecting ephemera, some of which is reprinted here, Leif Bo Petersen and Theo Rehak depict an inclusive history of Navarro and his music. Their information is based on interviews with musicians and people in the music business, contemporary newspaper and magazine articles, and the music itself, which has not been commonly known or described until now. The book features images, musical examples, and depictions of Navarro's recordings, and it provides several appendixes, including explanations of contemporary recording techniques and discographical terms, lists of Navarro's recordings and compositions, and a chronological overview of Navarro's performances, recording sessions, and engagements. Complete with a comprehensive list of sources and a full index, this volume presents a host of new and useful information for anyone interested in jazz and its history.

(Guitar Book). One of the most common questions Pat is asked by students is, "What kinds of things do you do to warm up before a concert?" Over the years, in many master classes and workshops around the world, Pat has demonstrated the kind of daily workout he puts himself through. This book includes a collection of 14 guitar etudes he created to help you limber up, improve picking technique and build finger independence.

Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches. Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life. This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian vernacular music on the formation of his musical style elucidate the roots of Joachim's identity. The later chapters focus on his personal and creative responses to the contentious and rapidly evolving cultural milieu in which he lived: his choice of instruments as his musical "voice," his performances as sites of (re)enchantment in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.

The second Oxford Book of Ceremonial Music for Organ is a practical collection of repertoire covering a wide range of uses, from formal public events to more private occasions. The music is stylistically varied, encompassing both flamboyant extravagance and restrained solemnity. Selected with players of intermediate to advanced ability in mind, the collection includes established favourites and attractive new arrangements of well-known works, alongside newly commissioned pieces.

Piano Progress Studies Book 2 is part of The Waterman/Harewood Piano Series, which displays the thoroughness, imagination and sense of discovery that are key features of teaching. The excellence of the musical material, the clear printing and the attractive presentation of the books have been universally acclaimed. The series is established as one of the foremost modern piano methods. Author Fanny Waterman is one of the most outstanding piano teachers of our time. Joint founder, with Marion Harewood, of the Leeds International Piano Competition, her ever growing list of prize-winning pupils has brought her international renown.

Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras. With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge. Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.

(Book). By age 16, Pat Martino was already working as a member of R&B star Lloyd Price's touring musical revue. By age 18, Martino moved to Harlem, where he quickly earned a reputation as a hard-bopping six-stringer with formidable chops through a series of apprenticeships with the likes of honking tenor saxophonist Willis "Gaitor Tail" Jackson and Hammond B-3 organ master Jack McDuff. Martino made his auspicious debut as a leader at age 22 with 1967's El Hombre on Prestige and followed with a string of potent recordings for the label that further established him as one of the most distinctive guitar voices on the jazz scene. Then, at the peak of his powers, the bottom fell out. In 1980, he underwent surgery as the result of a nearly fatal brain aneurysm. The surgery left him without any memory of the guitar or his musical career. From that point, Martino undertook the long process of recovery, eventually learning how to play the guitar again; but more important, learning to transcend the instrument itself and live his life completely in the moment. More than just the remarkable story of one of the most original and profoundly influential guitarists in jazz history, this extraordinarily revealing autobiography is also a survival manual, of sorts, in overcoming incredible adversity and learning to live in the here and now.

(Stylistic Method). Because rhythm and timing lie at the foundation of everything you play, its importance can't be underestimated. This series will give you that solid foundation you need. Starts with simple upbeat rhythms for the beginner and moves step by step into advanced syncopations - all demonstrated with seriously heavy metal examples that have practical applications to today's styles. Tablature. Music and examples demonstrated on CD.

The first English-language book on Czerny, and the broadest survey of his activity in any language. Within the history of European music, Carl Czerny (1791-1857) is simultaneously all too familiar and virtually invisible. During his lifetime, he was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music, which recent performances and recordings have shown to hold real musical interest. Beyond "The Art of Finger Dexterity" explores Czerny's multifaceted career and its legacy and provides the first broad assessment of his work as a composer. Prominent North American and European musicians and scholars explore topics including Czerny's life and its context; his autobiographical writings and efforts to promote his teacher, Beethoven; his activity as a pedagogue, both as teacher of Liszt and as the authority held up to innumerable amateur women pianists; his role in shaping performance traditions of classical music; the development of his image during and after his lifetime; and his work in genres including the Mass, the symphony, the string quartet, and the piano fantasy. This is the first English-language book on Czerny, and the broadest survey of his activity in any language. Contributors: George Barth, Otto Biba, Attilio Bottegal, Deanna C. Davis, James Deaville, Ingrid Fuchs, David Gramit, Alice M. Hanson, Anton Kuerti, Marie Sumner Lott, James Parakilas, Michael Saffle, Franz A. J. Szabo, Douglas Townsend, and John Wiebe. DavidGramit [University of Alberta] is the author of Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848.

No band would be complete without some kick-ass electric guitar. "How to Play Electric Guitar" contains everything the new or intermediate electric player needs to perfect their playing of this vital instrument. More than a simple how-to-play guitar book, this great new addition to a best-selling series also shows you how to use effects, how to adapt to stage and rehearsal amps, how to record the electric guitar at home on your computer and how to cope with cables, feedback and dodgy microphones while playing live on stage. The clear text is accompanied by illustrative photos and diagrams, and is complemented by some how-to-play basics, selected scales and modes and useful barre and power chords.

You can now teach yourself to play the piano, even though you have never taken a lesson. Teach yourself to play the piano and progress at your own pace! Covers the basic fundamentals of piano playing in a concise and logical fashion. Its appealing music will encourage you to play every day. Features: Rhythms made simple; How to form the most important chords; Finger aerobics help to make playing easier; Techniques of playing with feeling and expression; Step-by-step approach to learning the entire keyboard; Letter-notes provide and easy introduction to reading music. The Enhanced CD for this book contains great audio accompaniments you can play on your stereo and doubles as an interactive and fun multimedia learning tool that works on any Windows-compatible PC. The song player shows you exactly how each song should be played, lets you customize the audio levels, adjust playback tempo, and even record your own performance! CD-ROM is for Windows & Macintosh.