This carefully researched and definitive book recreates the magic of the greatest violinists in history.

In three centuries, the solo performer progressed from downtrodden private servant to revered public idol. The supreme artists Corelli, Vivaldi, Viotti, Paganini, Vieuxtemps, Joachim and Auer were pivotal figures in the history of violin playing, while more recent times have seen Sarasate, Ysaye and the virtuosi of the modern recording era. "The Great Violinists" reveals a range of personalities from the conventional to the eccentric.

In her coverage of the last hundred years, Margaret Campbell has interviewed many eminent musicians and had rich access to letters and private documents. Her book offers a vivid portrait of skills and traditions that have been handed down through generations. It is a book for string players, students, concert goers and music buffs - indeed, anyone who enjoys the sound of the violin.

This is a book to appeal to a wide range of readers - pianists of every level from beginner to professional, piano teachers, musicians of all kinds, and the broader community of music-lovers. In Speaking the Piano, renowned pianist Susan Tomes turns her attention to teaching and learning. Teaching music encompasses everything from putting a drum in a child's hands to helping an accomplished musician unlock the meaning and spirit of the classics. At every stage, some fundamental issues keep surfacing. In this wide-ranging book, Susan Tomes reflects on how her own experience as a learner, in different genres from classical to jazz, hasinfluenced her approach to teaching. She tells us how her performing career has given her insight into what young performers need to know, and how discussions with students have fed into her own practice. She describes the brilliant and intriguing teachers whose masterclasses opened her ears to the many ways in which music can be brought alive and communicated. This is a book to appeal to a wide range of readers - pianists of every level from beginnerto professional, piano teachers, musicians of all kinds, and the broader community of music-lovers. In a passionate contribution to the ongoing debate about the place of music in education, Susan Tomes argues that this most inspiring of arts can play a unique role in personal development. This is a lovely, wise, elegantly written book, filled with tips and anecdotes which could be helpful and encouraging for any pianist, whether a beginner or aprofessional. Above all it is a book in which one senses constantly the deep love the author has for music itself, for its ability to inspire, touch and, indeed, change lives. STEPHEN HOUGH SUSAN TOMES is a multi-award-winning pianist whose career encompasses solo, duo and chamber music playing; she has been at the heart of the internationally admired ensembles Domus, the Gaudier Ensemble and the Florestan Trio. Her lecture-recitals have enabled many listeners to engage with the classics on a new level. She is the author of four acclaimed books about performance: Beyond the Notes (Boydell Press 2004), A Musician's Alphabet (Faber, 2006), Out of Silence (Boydell Press, 2010), and Sleeping in Temples (Boydell Press, 2014).

Bert Weedon's Play in a Day remains one of the world's most successful guitar methods. It is as much of a legend as the stars who have learned from it, including Eric Clapton, Mike Oldfield, Paul McCartney, George Harrison, John Lennon, Sting, Brian May, Pete Townshend, and many others!

Play in a Day is easy to use and includes plenty of tips for selecting the right guitar, the correct amplifier, how to hold your instrument, and plenty of exercises and tunes to play!

(Faber Piano Adventures ). Level 3B continues to build musicianship with challenging and motivating pieces. Concepts include the octave, A minor and D minor scales (natural and harmonic minor), motive and sequence, all 12 major and minor triads, triad inversions, syncopation, and introduction to sixteenth notes. Contents include: Andante * Drummer at the Keyboard * Fiesta Espana * Gavotte * Highland Jig * House of the Rising Sun * Humoresque * Snowfall * Minuet in F * Pachelbel Canon * Phantom of the Keys * Rage Over a Lost Penny * Sea Chantey * Swing Low, Sweet Chariot * and more.

for SATB and four-piece ensemble Four-piece chamber ensemble accompaniment to Rutter's classic anthem. Pack includes full score and set of parts. Compatible with the SA, SATB, and TTBB vocal scores.

for SATB and four-piece ensemble (flute, oboe, harp, organ) Four-piece chamber ensemble accompaniment to Rutter's lively harvest anthem. Pack includes full score and set of parts. Compatible with both the English-only and dual-language vocal score.

Splendid compilation features a variety of the composer's best piano works, all reproduced from authoritative sources. Taking its title from the popular orchestral work "Danse Macabre" (presented here in the brilliant arrangement by Liszt), this collection also includes "Allegro appassionato," "Album" (consisting of six pieces), "Rhapsodie d'Auvergne," "Theme and Variations," plus six etudes, three waltzes, and six etudes for left hand alone. Introduction.

Lionel Tertis (1876-1975) stands in the company of YsaYe, Kreisler, Casals, Thibaud and Rubinstein as one of the greatest instrumentalists - and arguably the greatest viola player - of all time. Many composers, including Bax, Holst and Vaughan Williams, wrote significant works for him; he was a member of a number of prominent string quartets; and he was later to design and promote his own 'Tertis model' viola. Tertis is virtually synonymous with the increasing importance of the viola as a solo and recital instrument alongside the violin and the cello. This updated paperback edition tells how he rose from humble beginnings to become 'the father of the modern viola'. It explores in detail his long and distinguished career, persuading composers to write works for the viola, arranging existing works for the instrument, editing and performing, and teaching and coaching, notably at the Royal Academy of Music. JOHN WHITE is a prominent viola teacher and performer. He was a founder member of the Alberni String Quartet and later played with the London Philharmonic Orchestra and the Stadler Trio and collaborated with composers Alan Bush, Lennox Berkeley and Alan Richardson in performances of their works. White was Professor of Viola at the Royal Academy of Music for over thirty years and has chaired four international viola congresses in the UK since 1978. In recognition of his outstanding contributions to the viola, he was awarded the Silver Alto Clef for 2010 by the International Viola Society.

A humorous look at the accomplishments of America's Seventh Army Symphony during its 10-year, European tour-of-duty from 1952-1962. The United States once maintained a symphony orchestra, the Seventh Army Symphony, based in Stuttgart, Germany. Formed in 1952 as a public relations measure, it was intended to demonstrate to the Europeans, and the Germans in particular, that American soldiers were young men of culture capable of appreciating and performing the music of Beethoven, Brahms, and other great composers with feeling and understanding. In this the orchestra was extremely successful, touring repeatedly throughout (West) Germany, Denmark, France, Greece, Italy, and the United Kingdom. In spite of the great acclaim and enthusiasm with which it was received throughout Europe, the orchestra encountered difficulty and some outright hostility from the U.S. Army itself, which did not quite know what to do with a symphony orchestra in its midst. Therefore, in addition to paying tribute to the important work the orchestra did inthe field of cultural relations, this book chronicles the many humorous incidents that arose out of the perennial friction between the rather unmilitary orchestra and the "regular Army" personnel with whom it came in direct contact.

A collection of Joni Mitchell's finest songs, arranged for piano, voice and guitar.

Each piece in the Solo Books coordinates page-by-page with the Lesson Books, reinforcing newly learned concepts presented at the lesson. Includes adorable full-color illustrations that enhance each piece.

First Published in 1997. Born in Dresden Germany, in 1748 Franz Seydelmann was an active music composer. He is principally known for his operas and church music, however he also wrote twenty-three sonatas, including seven solo harpischord sonatas, a Capriccio with variations and the Six Sonatas for Two Persons at Keyboard.

Beginning with J.S. Bach's harpsichord concertos composed in the beginning of the eighteenth century, John Harris embarks on a musical tour that takes the reader from Germany and Austria through Europe, North America, South America, and Asia, tracing the history of music composed for harpsichord or piano and orchestra. The organization of the book follows the spread of the Baroque harpsichord concerto across countries. Divided into four parts, J.S. Bach to Mozart (the baroque era), Mozart through Beethoven (the classic era), After Beethoven through Brahms (the romantic era), and After Brahms through the Present (the twentieth century), each part begins with an examination of the works composed in Germany, followed by Italy. European countries east of the north-south line through Germany and Italy appear next, followed by countries west of that line. The consistent organization in each part allows a quick comparison of the growing number of concerted works for harpsichord or piano in each era. When data is available, Harris lists the composers' birth and death dates, as well as dates of the musical compositions. The work includes a discography, bibliography, 46 tables of additional composers listed by country, a list of pertinent abbreviations, and index of composers.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

This revised edition of Enjoy Playing Guitar: Tutor Book 1 is the ultimate resource for all beginner guitarists. It introduces the basics of classical guitar playing and musical concepts through an approach that is clear, progressive, and carefully paced. It includes tailored solos, duets, and trios in a range of styles, and it develops musicianship through activities in improvisation, playing by ear, and the art of accompanying. To consolidate learning, there are helpful reminders and quizzes covering musical knowledge, plus a CD with over 70 play-along tracks. Encouraging self-directed learning outside as well as during lessons, this is the perfect book for today's aspiring player.

for SATB and four-piece ensemble (flute, oboe, harp, organ) John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24). Compatible with SATB and SAB versions.

(Piano Solo Songbook). Method book with repertory for the beginning pianist by renowned teacher, arranger and musicologist, Denes Agay. CD tracks demonstrate how the pieces should sound and, in some cases, provide a piano part with which the student can play along.

The Suzuki MethodA(R) of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Suzuki Cello School materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Cassettes (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard) * Compact Discs (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard). Suzuki MethodA(R) Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

(Faber Piano Adventures ). Book 2 offers carefully sequenced instruction in notereading, music theory and piano technique for the adult student. Students explore pieces arranged in the keys of D and F Major, as well as D and E Minor. Keyboard harmony is taught using "lead sheets" with chord accompaniment patterns. Contents include: Cathedral Chimes * 'O Sole Mio * Sloop John B * Brahms' Lullaby * The Lion Sleeps Tonight * Hava Nagila * Give My Regards to Broadway * Scarborough Fair * Malaguena * Pachelbel's Canon * and more.

A method in how to play jazz and hot guitar.

As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach's music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood. He describes the joys of mastering some of the piano pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies and counterpoint that distinguish them. While exploring Bach's compositions he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music? What does it mean to know another human being?

Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.

A score embodying the best available musical text.

Historical background what is known of the circumstances surrounding the origins of the work, including (where relevant) original source material.

A detailed analysis of the music, by the editor of the volume or another well-known scholar.

Other significant analytic essays and critical comments, exposing the student to a variety of opinions about the music."

The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival's leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.

Originally published in 2003, Charles Edward Horn's Memoirs of His Father and Himself is an annotated collection of the memoirs of Charles Edward Horn. They include an account of Horn's father, Charles Frederick Horn, who arrived penniless in London in 1782 and rose to become music master to Queen Charlotte. Today he is most remembered for his pioneering publications of J.S. Bach's music in England. Charles Edward Horn's memoir covers his activities in England and Ireland and provide numerous details of English musical life in the Georgian era not previously known to scholars. They are supplemented in this book by transcripts of four other autobiographical accounts of the Horns, a summary of their extant correspondence and a chronology of their activities.