More than eighty years have passed since Edgard Varese s
catalytic work for percussion ensemble, "Ionisation," was heard in
its New York premiere. A flurry of pieces for this new medium
dawned soon after, challenging the established truths and
preferences of the European musical tradition while setting the
stage for percussion to become one of the most significant musical
advances of the twentieth century. This 'revolution', as John Cage
termed it, was a quintessentially modernist movement - an
exploration of previously undiscovered sounds, forms, textures, and
styles. However, as percussion music has progressed and become
woven into the fabric of Western musical culture, several divergent
paths, comprised of various traditions and a multiplicity of
aesthetic sensibilities, have since emerged for the percussionist
to pursue.
This edited collection highlights the progressive developments
that continue to investigate uncharted musical grounds. Using
historical studies, philosophical insights, analyses of performance
practice, and anecdotal reflections authored by some of today's
most engaged performers, composers, and scholars, this book aims to
illuminate the unique destinations found in the artistic journey of
the modern percussionist."
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