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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes
This book is a celebration of cyclamen, a genus of only 23 species
popular amongst gardeners, growers, botanists and enthusiasts
alike. Native to parts of Europe, western Asia and parts of North
Africa; cyclamen are also highly cultivated plants. Genus Cyclamen
covers the botany of all taxa, including taxonomic description,
flowering period, distribution and habitat based on scientific
studies and fieldwork by cyclamen experts. Information is provided
on cyclamen cultivation and propagation, with dedicated sections on
cultivation in North America, Japan and Australasia. Other chapters
cover the history of cyclamen, including a review of its use in
botanical art from 1st Century AD to present, cyclamen in
literature, and the use of cyclamen in ceramics, pottery,
glassware, stamps, jewellery and postcards.
From the lazy, fiddling grasshopper to the sneaky Big Bad Wolf,
children's stories and fables enchant us with their portrayals of
animals who act like people. But the comparisons run both ways, as
metaphors, stories, and images--as well as scientific
theories--throughout history remind us that humans often act like
animals, and that the line separating them is not as clear as we'd
like to pretend.
Here Martin Kemp explores a stunning range of images and ideas to
demonstrate just how deeply these underappreciated links between
humans and other fauna are embedded in our culture. Tracing those
interconnections among art, science, and literature, Kemp leads us
on a dazzling tour of Western thought, from Aristotelian
physiognomy and its influence on phrenology to the Great Chain of
Being and Darwinian evolution. We learn about the racist
anthropology underlying a familiar Degas sculpture, see paintings
of a remarkably simian Judas, and watch Mowgli, the man-child from
Kipling's "The Jungle Book," exhibit the behaviors of the beasts
who raised him. Like a kaleidoscope, Kemp uses these stories to
refract, reconfigure, and echo the essential truth that the way we
think about animals inevitably inflects how we think about people,
and vice versa.
Loaded with vivid illustrations and drawing on sources from Hesiod
to La Fontaine, Leonardo to P. T. Barnum, "The Human Animal in
Western Art and Science" is a fascinating, eye-opening reminder of
our deep affinities with our fellow members of the animal kingdom.
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