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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes
The fascination birds evoke in us continues unabated. Australian
artist and photographer Christian Spencer, living in the vicinity
of the Brazilian rainforest since 2001, has surrendered to it as
well. "The camera is my brush," is how he describes his style. His
photographs truly capture the poetry of nature, letting its beauty
speak for itself - which is why he forgoes any image editing. He
was the first to capture the breathtakingly fast beating of
hummingbirds' wings in the sunlight, which forms a rainbow in the
air. The world of birds unfolds before his lens in all its
colourful glory and elegance: in reflections on the water, between
blossoms and trees, and high above the treetops. Text in English
and German.
This book is a celebration of cyclamen, a genus of only 23 species
popular amongst gardeners, growers, botanists and enthusiasts
alike. Native to parts of Europe, western Asia and parts of North
Africa; cyclamen are also highly cultivated plants. Genus Cyclamen
covers the botany of all taxa, including taxonomic description,
flowering period, distribution and habitat based on scientific
studies and fieldwork by cyclamen experts. Information is provided
on cyclamen cultivation and propagation, with dedicated sections on
cultivation in North America, Japan and Australasia. Other chapters
cover the history of cyclamen, including a review of its use in
botanical art from 1st Century AD to present, cyclamen in
literature, and the use of cyclamen in ceramics, pottery,
glassware, stamps, jewellery and postcards.
Award-winning and hugely popular artist Rosie Sanders showcases the
beauty of the rose in her follow up to Rosie Sanders Flowers. Over
80 stunning paintings and sketches are shown for the first time.
The artist writes a personal letter on each of her rose paintings
(to be given unopened to the final recipient or buyer of the
painting). Many of these personal letters sit alongside the
paintings, as they explain the creative and emotional process she
went through to create it. The book is a revealing insight into the
artist's muse and the author's sketches and drawings are also
included to show the full artistic process. The book is introduced
by an extended essay on the resonance of the rose - all across the
world - in our art, literature, poetry, folklore and gardens. The
rose emblem is timeless and this book not only celebrates its
beauty in art but tells the story of the rose as one of nature's
most powerful motifs.
From the lazy, fiddling grasshopper to the sneaky Big Bad Wolf,
children's stories and fables enchant us with their portrayals of
animals who act like people. But the comparisons run both ways, as
metaphors, stories, and images--as well as scientific
theories--throughout history remind us that humans often act like
animals, and that the line separating them is not as clear as we'd
like to pretend.
Here Martin Kemp explores a stunning range of images and ideas to
demonstrate just how deeply these underappreciated links between
humans and other fauna are embedded in our culture. Tracing those
interconnections among art, science, and literature, Kemp leads us
on a dazzling tour of Western thought, from Aristotelian
physiognomy and its influence on phrenology to the Great Chain of
Being and Darwinian evolution. We learn about the racist
anthropology underlying a familiar Degas sculpture, see paintings
of a remarkably simian Judas, and watch Mowgli, the man-child from
Kipling's "The Jungle Book," exhibit the behaviors of the beasts
who raised him. Like a kaleidoscope, Kemp uses these stories to
refract, reconfigure, and echo the essential truth that the way we
think about animals inevitably inflects how we think about people,
and vice versa.
Loaded with vivid illustrations and drawing on sources from Hesiod
to La Fontaine, Leonardo to P. T. Barnum, "The Human Animal in
Western Art and Science" is a fascinating, eye-opening reminder of
our deep affinities with our fellow members of the animal kingdom.
Introducing the first collection of art books with detachable prints to decorate your walls. Everything you need to create your own private gallery at home!
Each book contains a curated selection of twenty-one high-quality reproductions that can be easily removed from the book, framed in a standard-size frame, and displayed in the home. Step-by-step tips for grouping the works to create a harmonious gallery add an interior designer’s touch to the ensemble. Graphic, colourful, or abstract; paintings, engravings, or drawings―each work of art is explained on the back of the print. Interesting details about the style of painting, the particular work of art, and biographical information about the artist are accompanied by a “frameable fact” that helps you understand the context of that particular work in the history of art. In addition, suggestions for where you can go to see additional examples of the artists’ works allow the reader to expand their experience and learning.
A collection of landscapes and representations of nature from the tropical paradise of Le Douanier Rousseau’s jungle to Monet’s water lilies. Artists include: Hokusai, Georgia O’Keeffe, Gustav Klimt, Rembrandt, Vincent Van Gogh, Paul Cézanne, Claude Monet, Paul Gauguin, and Edward Hopper.
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Vintage Yosemite
(Paperback)
Harold A. Taylor; Edited by Robert Elliott, Susan Entsminger
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R907
Discovery Miles 9 070
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Ships in 10 - 15 working days
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Works by Prosek and others are juxtaposed with natural objects in
an illuminating interrogation of the artificial boundaries we
create between art and nature Award-winning artist, writer, and
naturalist James Prosek (b. 1975) has gained a worldwide following
for his deep connection with the natural world, which serves as the
basis for his art and numerous popular books. In this
cross-disciplinary catalogue, Prosek poses the question, What is
art and what is artifact-and to what extent do these distinctions
matter? Drawing on the collections of the Yale University Art
Gallery and the Yale Peabody Museum of Natural History, Prosek
places man- and nature-made objects on equal footing aesthetically,
suggesting that the distinction between them is not as vast as we
may believe. In more than 150 full-color plates, objects such as a
bird's nest, dinosaur head, and cuneiform tablet are juxtaposed
with Asian handscrolls, an African headdress, modern masterpieces,
and more. Artists featured include Albrecht Durer, Helen
Frankenthaler, Vincent van Gogh, Barbara Hepworth, Pablo Picasso,
and Jackson Pollack, as well as Prosek himself, whose works depict
fish, birds, and endangered wildlife. Also included are an incisive
essay by Edith Devaney and texts by Prosek that explore the
magnificent productions of our wondrous interconnected world.
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