When Jane Gooch first camped at Lake O'Hara in 1975, she could not have foreseen how important the Rockies would become in her life. She travelled from her home in Vancouver many times during the summer months to hike in the mountains, and her love of the alpine landscape eventually inspired her to study the artists who have painted in the Rockies. Her great enjoyment of the outdoors and a lifelong interest in art were combined with her academic background in writing and research."Mount Robson: Spiral Road of Art" celebrates the centennial of Mount Robson Provincial Park with over a century of remarkable landscape paintings inspired by the Robson region in the Canadian Rockies. This volume includes an extensive Introduction with historical and cultural background to the 50 colour plates, all documented and described, illustrating artists' works in a variety of styles and media from 1907-2012. Early artists include A.P. Coleman, the first explorer, and Group of Seven members A.Y. Jackson and Lawren Harris. In addition, the works of 17 contemporary artists show that the Mount Robson area continues to stimulate landscape art up to the present. Only 10 of the images have been published before.

Todd Forsgren (born 1981) creates intimate portraits of birds at the moment of their capture in mist nets as part of scientific surveys and ornithological research. This monograph serves as an effective and original critique of our impulse to name, classify and quantify wildlife.

This is the first major critical study of the art of Cornish painter Kurt Jackson. Jackson's landscapes have been exhibited widely, and are becoming more popular.

Rudolph Zallinger's 110-foot (33.5-meter) fresca secco painting of The Age of Reptiles is one of the largest natural history murals in the world. Completed in 1947, it is an overview of prehistoric life told through the principal features and concepts of The Age of Reptiles. The mural has defined our view of the prehistoric world, and continues to teach, inform and spark the imagination of thousands of visitors that walk through the Yale Peabody Museum's Great Hall each year, as well as to admirers around the world over through countless reproductions in publications and textbooks. This second edition of the Peabody's guide to Zallinger's masterwork is a compilation of earlier material and new information-including Vincent Scully's classic essay on the mural's place in the history of art-contributed by the staff and scientists of the Yale Peabody Museum. Filled with full color illustrations throughout, the concealed spiral paperback includes updated descriptions and identifying illustrations of the animals and plants depicted in the mural keyed to a 12 page foldout full-color poster that is bound into the book. Distributed for the Yale Peabody Museum of Natural History

An illustrated, comprehensive guide to botanical painting written by the Society of Botanical Artists. In this new book the Society of Botanical Artists provides a comprehensive guide to the different styles and methods of botanical painting, harvesting the talent of both Members and Distance Learning Diploma Course students around the world, past and present. Botanical Painting features techniques and materials for all levels and demonstrates how these skills can be used to develop your own expertise. There are chapters on drawing with graphite and metal point, coloured pencil, body and watercolour in plant portraiture and illustration as well as 'The Mixed Bunch'. The inclusion of the historic methods used for egg tempera and metal point, as well as the technique required for working on vellum, makes this a valuable source of advice on subjects not readily available elsewhere. An inspirational gallery of paintings at the end of the book provides a guided walk around an SBA exhibition. The book is beautifully illustrated throughout, with comprehensive critiques on the artworks and step-by-step demonstrations. It will be an invaluable and inspirational addition to the library of the more experienced botanical painter.

Highlighting an enduring interest in natural history from the 16th century to the present, this gorgeous book explores depictions of the natural world, from centuries-old manuscripts to contemporary artists' books. It examines the scientific pursuits in the 18th and 19th centuries that resulted in the collecting and cataloguing of the natural world. It also investigates the aesthetically oriented activities of self-taught naturalists in the 19th century, who gathered flowers, ferns, seaweed, feathers, and other naturalia into albums. Examples of 20th- and 21st-century artists' books, including those of Eileen Hogan, Mandy Bonnell, and Tracey Bush, broaden the vision of the natural world to incorporate its interaction with consumer culture and with modern technologies. Featuring dazzling illustrations, the book itself is designed to evoke a fieldwork notebook, and features a collection pocket and ribbon markers. Published in association with the Yale Center for British Art Exhibition Schedule: Yale Center for British Art (05/15/14-08/10/14)

A rare invitation into the mysterious lives of owls around the world, with spectacularly revealing photographs and fascinating details Perhaps no other creature has so compelling a gaze as the owl. Its unblinking stare mesmerizes; its nocturnal lifestyle suggests secrets and mystery. This lavishly illustrated book celebrates owls from every corner of the world and offers abundant details on fifty-three of the most striking and interesting species, from the tiny Elf Owl of southwestern American deserts to the formidable Blakiston's Fish Owl, the largest of all owls. Mike Unwin has long studied and admired these remarkable birds from cold northern forests to tropical rivers and beyond. He explains how owls evolved into the supreme feathered predators of the night, and he examines their breeding and hunting behaviors, unusual calls, and the cultural myths and superstitions that surround different species. More than two hundred dramatic color photographs in the wild, taken or selected by David Tipling, capture the wondrous beauty of each owl and the drama of life in its own home region.

Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light. The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man. Text in English and French.

A celebration of the American painter's life and work in the region he loved best In 1883 American artist Winslow Homer (1836-1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him. This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings. Published in association with the Portland Museum of Art Exhibition Schedule: Portland Museum of Art(09/22/12-12/30/12)

'There is a certain feeling - standing between rows of richly dyed blue cloth - that you are within an enclave of protection, that within this ocean you can feel calm; a separation from the outside world.' One summer, a mother and daughter are reunited in the small village of Betws Gwerful Goch in North Wales following the death of a father and grandfather. Ellie returned from studying at university, while Jeanette had been studying the art of indigo dyeing in Japan. In this lyrical memoir, Ellie Evelyn Orrell transports readers to their hillside garden, reflecting on a summer spent learning to work with indigo, and witnessing the power of creativity in moments of mourning and recovery. In it, she weaves together stories of resettling in a once-familiar landscape; the healing powers of art; the historical, mythological and present day properties of indigo; and the presence of this indelible colour within the Welsh landscape. An Indigo Summer is an absorbing mediation on art, rural life and roots, grief, creativity and the artistic process.

This beginner's guide to drawing in graphite pencil uses step-by-step exercises to teach fundamental methods for rendering all aspects of the natural landscape, with additional lessons on using charcoal, colored pencil, pastel, and other media. Following in the footsteps of author, artist, and art instructor Suzanne Brooker's previous title The Elements of Landscape Oil Painting, this book pairs the most universally-pursued topic for artists (drawing) with the popular subject matter of the natural landscape. Brooker breaks down landscapes into their various elements--including the earth, water, air, and trees--to convey how the fundamentals of drawing are applied to capture each aspect. Using the graphite pencil as her baseline instrument, Brooker provides you with step-by-step lessons that help you improve your rendering skills and re-create the beauty of the world outdoors. Examples from art history and contemporary masters supplement these lessons. The end result is a drawing instruction book that provides artists with everything they need to render landscapes no matter their skill level.

Draw colorful subjects with bestselling author Lee Hammond. This book is loaded with fun lessons and projects from popular instructor Lee Hammond on drawing brightly colored nature subjects realistically--more easily than you ever thought possible! The book includes basic colored-pencil drawing instruction on materials, using a grid to transfer a preliminary drawing from a photo, values, color, shadows, blending, and other key lessons for beginners. Twenty+ demonstrations show how to draw subjects from three different viewpoints, and how to draw detail from far away to super close. It includes fruit, flowers, leaves, butterflies, and birds.

This practical introduction to botanical illustration is formed of ten graded lessons, where each teaches you new skills to build upon the last. From mushrooms to orchids to hawthorn berries and leaves; once you've completed these lessons in drawing and painting botanical subjects, you will have all the techniques you need in order to tackle far more complex arrangements. An experienced teacher of botanical illustration, Valerie Price shows even the uninitiated illustrator how to produce accurate and beautiful results, with her step-by-step instructions on how to tackle each individual project. With advice on topics including accurate drawing, measuring and recording your subject, right the way through to preparing a well-composed botanical plate, this book covers everything you need to know to get ahead in botanical illustration.

Wilhelm Kuhnert was a pioneer. He was one of the first European artists to travel to the largely unexplored savannahs and jungles of the German colonies in North and East Africa. Under hazardous conditi ons he documented at close quarters the fascinating animal and plant world and then created in his Berlin studio monumental paintings which were much sought - after on the art market. Like no other artist of his time Wilhelm Kuhnert (1865 - 1926) has moulded our image of Africa. In his seductively realistic drawings, watercolours and paintings he recorded with almost scientific accuracy the characteristics of the animals and their habitat. It is not surprising, therefore, that his pictures illustrated on the o ne hand legendary reference works like Brehms Tierleben and adorned on the other the popular collector cards of the chocolate manufacturer Stollwerck. The volume shows a comprehensive, exciting portrait of Kuhnert's unusual life and works and takes into account at the same time the current debate on attitudes to Germany's colonial past.

The first edition of this book, published in 1994, reshaped the direction of landscape studies by considering landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities. This second edition adds not only a new preface, but five new essays--from Edward Said, W. J. T. Mitchell, Jonathan Bordo, Michael Taussig, and Robert Pogue Harrison-extending the scope of the book in remarkable ways.