The sublime collection of 418 superbly detailed paintings of hummingbirds by the great artist John Gould, the 19th-century naturalist painter often referred to as the British Audubon, represents all the known species on the planet at the time and is the most complete ever produced. Like Audubon, Gould depicted the birds as they are in life, in their native habitats, which was still a revolutionary approach at the time. Yet Unlike Audubon, Gould travelled widely across the globe and the exquisite hummingbirds he painted so beautifully represent all the known species at the time and haled from the most remote and exotic ecosystems on the planet. In their essay for the book, co-writers Joel and Laura Oppenheimer tell the story of Gould s colourful life and place his work in the context of the times, when exploration of science and the world s natural wonders was at an all-time high. The Family of Hummingbirds will delight birdwatching hobbyists, fans of naturalist historical prints, and especially lovers of the avian Tinker Bell.

Relax - take a moment to breathe. This delightful painting book will help make space for your mind to calm down. It's filled with exquisite scenes from the natural world that will help children - and adults - focus on the here and now and let go of worries. Simply brush water over the tranquil black and white designs to reveal an inspiring array of beautiful colours. Includes an introductory page with tips on mindfulness.

This is the story in pictures of Atlantic City, the iconic American shore resort, as it emerges from its latest crisis. The city of 40,000 people has been through many transformations in its history: 19th-Century health retreat, Prohibition-Era speakeasy, mid-century nightclub hub and East Coast gambling Mecca. The near-depression of the late 2000s and increasing competition from the spread of gambling across the country upended many schemes of casino impresarios and other developers. Many blocks of the city were leveled for casinos that never opened. The rate of defaults on home loans was the highest in the nation for a time. At the lowest point of the financial crisis the State of New Jersey took over the city's finances. Now it seems the tables may have begun to turn. These pictures are an attempt to capture the city and the people who live there.

Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the ways these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, "The Rhetoric of Perspective" puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image.
Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Grootenboer demonstrates how these paintings--ones that are often marginalized by art historical discourse--skillfully articulate the complexities of the visual and, consequently, gain new relevance in the context of recent interest in visual theory.
Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception.

*An exciting approach to botanical illustration featuring exotic and extraordinary plant specimens. *Striking plants, flowers, fruits and vegetables provide new challenges in colour, texture and form. *Stunning finished paintings accompany simple instructions and step-by-step projects for a beautiful book that both guides and inspires.Strange and unusual specimens have never been more accessible - as more and more exotic fruit and vegetables appear regularly in our shopping baskets and our florists fill with flowers from every corner of the globe, this practical and beautiful guide to capturing strange and striking plants on paper has never been more timely. There is something for beginners and more experienced botanical illustrators alike, whether you wish to paint more familiar bananas, pineapples and other exotic fruits that are now widely available, or more complex orchids and even carnivorous plants.Acclaimed artists Rosie Martin and Meriel Thurstan (authors of the bestselling Contemporary Botanical Illustration and Botanical Illustration Course) run the popular botanical painting course at the Eden Project and are thus uniquely placed for this exciting take on the genre.The unusual colours and complex textures of exotic plants present a new challenge to the botanical artist, but this book guides you through each stage of the painting process with plenty of exercises and step-by-step projects. Fantastically illustrated with worksheets, colour swatches, sketches and stunning finished paintings this practical and inspirational guide is a must-have for botanical artists of all levels.

This fantastic book showcases the prestigious Embroiderers' Guild's huge collection of embroidered animals through the ages. Featuring photographs taken especially for the book, items are displayed in full along with detailed images that show off the stunning variety of creatures at their best. Dr Annette Collinge's informative extended captions for each of the pieces give information on the provenance where known, and evaluate the quality of, and variety in, each of the works from her expert perspective. Rarely exhibited in public, these beautiful and important embroideries that span the centuries are now available for everyone to see.

Jack Hamm makes drawing easier, offering simplified techniques accompanied by hundreds of illustrations and many hints, in this step by step manual.

First published as an oversized clothbound volume in 2009, Botanica Magnifica has received widespread acclaim from the scientific and artistic communities. In the words of an ARTnews critic, Singer's flowers and plants, photographed "in large scale and exquisite detail, emerge from the shadows in a manner evocative of Old Master paintings." Now Abbeville is to offer this masterwork of botanical photography as a pocket-sized hardcover book, in their trademarked Tiny Folio format. Mirroring the design of the larger edition, this little volume is organised into five alphabetically arranged sections: (I) Orchidaceae, presenting the full diversity of orchids; (II) Florilegium, portraying the complexity and beauty of flowers; (III) Proteus, illustrating plant forms perfectly adapted for survival; (IV) Zingiberaceae, a tribute to the fascinating ginger family and (V) Botanicus, a selection of beautiful and bizarre specimens from the Smithsonian's research collection. Each pictured plant is accompanied by a clear and accessible description of its botany, geography, history, and conservation. With its marvellous reproductions and fascinating text, the Tiny Folio of Botanica Magnifica is a charming miniature version of one of the most impressive volumes of natural history ever published.

This book debates the concept of landscape and explores particular periods and national traditions over the past 500 years of Western Landscape Art in painting, photography, garden design, Land Art, and other forms of expression. It aims to stimulate a rethinking of assumptions about landscape and art; it is partly a stock-taking, in reviewing and discussing recent theorization about landscape, and it highlights the extent to which landscape aesthetics involve a wide range of non art-historical disciplines.

Take your colouring to the next level by doing it with stickers instead of pencils! Each one of the 12 designs in this book has spaces for mosaic shapes that you fill in using the pages of different coloured stickers in the back, allowing you to create one-of-a-kind mosaic designs. Colour-by-sticker is a fun new way to express creativity and explore colour, and this series gives readers the freedom to create their own unique designs, no artistic ability required. Sticker Mosaics: Exotic Animals features 12 different beautiful ocean images to colour with the included 25 sheets of stickers. Whether you choose the brightly coloured macaws, a curious chameleon, or a friendly alpaca, you'll be creating a truly unique work of art that any animal lover will adore.

The End of Landscape in Nineteenth-Century America examines the dissolution of landscape painting in the late nineteenth-century United States. Maggie M. Cao explores the pictorial practices that challenged, mourned, or revised the conventions of landscape painting, a major cultural project for nineteenth-century Americans. Through rich analysis of artworks at the genre's unsettling limits-landscapes that self-destruct, masquerade as currency, or even take flight-Cao shows that experiments in landscape played a crucial role in the American encounter with modernity. Landscape is the genre through which American art most urgently sought to come to terms with the modern world.

This guide to painting watercolour landscapes is ideal if you want to learn to paint but are short on time. Broken down into 33 quick and easy paintings that take no more than 30 minutes to complete, this basic course will teach you all the skills you need to paint landscapes and their components, including trees in winter, sparkling water, hedgerows and gates, animals, human figures and buildings in the landscape. The 30-minute paintings are all worked at postcard size - ideal for a 6 x 4in (A6) watercolour pad, and tracings are included for those with limited drawing skills. Each small painting is a work of art in its own right, and can be stored in your portfolio for reference later, or framed and hung on the wall to impress your friends. The book is broken down into chapters that focus, respectively, on essential watercolour techniques including colour mixing and glazing; laying washes and creating skies and realistic-looking clouds; the rudiments of composition; trees and flowers in a landscape; water- still and moving, from stream to open sea; and the living landscape - human and animal figures, structures and buildings in the landscape. The final section of the book contains three complete paintings that demonstrate how to combine all the techniques and elements of painting landscapes, as gleaned from the preceding chapters. These paintings, too, are accompanied by actual-size tracings. There are 33 tracings in all to help you compose your own landscape paintings. Praise for the Ready to Paint in 30 Minutes series: "This is a genuinely exciting evolution of a popular series. You'll be guided through some simple exercises and on to complete paintings, gaining valuable insights that will develop and improve your skills." - Henry Malt, Artbookreview.net

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions. In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin. In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

Eagles hold a unique allure among birds for their combination of power, grace, and predatory prowess. Captivating the human imagination, these raptors have symbolized pride, freedom, and independence of spirit since humankind's earliest times. This book, unlike any previous volume, encompasses each of the world's sixty-eight currently recognized eagle species, from the huge Steller's Sea Eagle that soars above Japan's winter ice floes to the diminutive Little Eagle that hunts over the Australian outback. Mike Unwin's vivid and authoritative descriptions combined with stunning photographs taken or curated by David Tipling deliver a fascinating and awe-inspiring volume. Featuring chapters organized by habitat, the book investigates the lifestyle and unique adaptations of each eagle species, as well as the significance of eagles in world cultures and the threats they face from humans. A gorgeous appreciation of eagles, this book will dazzle both eye and imagination.

Nabil Anani is one of the most prominent Palestinian artists working today. A painter, ceramicist and sculptor, he has built an impressive catalogue of outstanding, innovative and unique art over the past five decades, pioneering the use of local media such as leather, henna, natural dyes, papier-mache, wood, beads and copper. Considered by many as a key founder of the contemporary Palestinian art movement, Anani's development as an artist has run in parallel with major events in recent Palestinian history. His work reflects the lived Palestinian experience, exhibiting distinctive responses to issues of exile, dislocation, conflict, memory and loss. Anani's artistic vision restores and celebrates a denied and often-forgotten reality, his work re-igniting memory. Bringing together more than 150 of Nabil Anani's works, this monograph also includes contributions from acclaimed Palestinian poet Mourid Barghouti as well as from leading Middle Eastern art historians, Rana Anani, Lara Khaldi, Bashir Makhoul, Nada Shabout, Housni Alkhateeb Shehadeh and Tina Sherwell.

Lucian Freud's portraits are known for their spectacular detail and unflinching gaze. Although Freud brought the same qualities to his paintings and drawings of plants, flowers, and landscapes, these are largely unknown. This elegant book shows how working with plants emboldened Freud to experiment with style and composition. Reproduced in sumptuous plates that allow readers to indulge in exquisite detail, seventy-five works - including Two Plants, Bananas, Cyclamen, The Painter's Garden, and Interior at Paddington - reveal Freud's singular approach to plant life. Readers unfamiliar with this aspect of Freud's work will find many similarities to his portraits - earthy palettes, unconventional rawness, and assiduous attention to detail. From the delicate realism of the cyclamens' petals to the bold brushstrokes that immortalize his overgrown garden, readers will appreciate Freud's ability to portray plants in new and personal ways. Comparative illustrations from throughout art history accompany essays on the history of plants in art and an appreciation of Freud's oeuvre. This monograph is a tremendous contribution to Freud's legacy, one that will enrich his admirers' discernment while also introducing his thoroughly original depictions of plants to a new audience.

The nineteenth century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Theodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers, and critics who surrounded the artist. Simon Kelly argues for the pioneering role of Rousseau, his patrons, and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book offers fresh insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's oeuvre, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.

A celebration of the American painter's life and work in the region he loved best In 1883 American artist Winslow Homer (1836-1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him. This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings. Published in association with the Portland Museum of Art Exhibition Schedule: Portland Museum of Art(09/22/12-12/30/12)

A colourful, illustrated celebration of wild plants around the world, and why we should love them not loathe them, with 50 graphic illustrations by Paul Farrell. To call a plant a weed is doing it a real injustice. It's simply a wild plant that is not deliberately cultivated, growing where it is not wanted. By this definition, virtually any plant outside a carefully tended garden is a weed. The intolerance of weeds is a mark of how we have turned our backs on nature and urbanized our land and lives. In this enlightening survey, illustrator Paul Farrell uncovers the wild beauty in weeds and explains the benefits of rewilding ourselves a little. Weeds can be medicine, food, and an important aid for wildlife. One person's weed is another's wild beauty. Paul's brilliant modernist illustration style shows us dandelions, thistles and feverfew in a whole new light. Each of the 50 weeds featured is accompanied by a quirky history and its uses in medicine, cooking, arts and even industry. Sample contents: US/Canada weeds: Dandelion; Daisy; Groundsell; Chickweed; Nettle; Wild carrot; Sumac. UK/Europe weeds: Foxglove; Deadly nightshade; Yarrow; Rosebay willowherb; Herb Robert; Scarlet Pimpernel; Violet; Wood Sorrel; Red valerian; Common knapweed

The fascination birds evoke in us continues unabated. Australian artist and photographer Christian Spencer, living in the vicinity of the Brazilian rainforest since 2001, has surrendered to it as well. "The camera is my brush," is how he describes his style. His photographs truly capture the poetry of nature, letting its beauty speak for itself - which is why he forgoes any image editing. He was the first to capture the breathtakingly fast beating of hummingbirds' wings in the sunlight, which forms a rainbow in the air. The world of birds unfolds before his lens in all its colourful glory and elegance: in reflections on the water, between blossoms and trees, and high above the treetops. Text in English and German.

The story of the canine has been fundamentally entwined with that of humanity since the earliest times, and this ancient and fascinating story is told in Susan McHugh's Dog, now available in B-format. The book unravels the debate about whether dogs are descended from wolves, and moves on to deal with canines in mythology, religion and health, dog cults in ancient and medieval civilizations as disparate as Alaska, Greece, Peru and Persia, and traces correspondences between the histories of dogs in the Far East, Europe, Africa and the Americas. Dog also examines the relatively recent phenomenon of dog breeding and the invention of species, as well as the canine's role in science fact and fiction; from Laika, the first astronaut, and Pavlov's famous conditioned dogs, through to science fiction novels and cult films such as A Boy and his Dog. Susan McHugh shows how dogs today contribute to human lives in a huge number of ways, not only as pets and guide dogs but also as sources of food in Asia, entertainment workers, and scientific and religious objects. Dog reveals how we have shaped these animals over the millennia, and in turn, how dogs have shaped us.