Our relationship with trees is a lengthy, complex one. Since we first walked the earth we have, at various times, worshiped them, felled them and even talked to them. For many of us, though, our first memories of interacting with trees will be of climbing them. Exploring how tree climbers have been represented in literature and art in Europe and North America over the ages, The Tree Climbing Cure unpacks the curative value of tree climbing, examining when and why tree climbers climb, and what tree climbing can do for (and say about) the climber's mental health and wellbeing. Bringing together research into poetry, novels, and paintings with the science of wellbeing and mental health and engaging with myth, folklore, psychology and storytelling, Tree Climber also examines the close relationship between tree climbing and imagination, and questions some longstanding, problematic gendered injunctions about women climbing trees. Discussing, among others, the literary works of Margaret Atwood; Charlotte Bronte; Geoffrey Chaucer; Angela Carter; Kiran Desai; and J.R.R. Tolkien, as well as work by artists such as Peter Doig; Paula Rego; and Goya, this book stands out as an almost encyclopedic examination of cultural representations of this quirky and ultimately restorative pastime.

Despite the famously uncooperative Irish weather, John Hinde's postcards of Ireland featured bright sunshine and blue skies, a country seemingly peopled entirely with redheads, happy donkeys carrying turf, and charming cottages that appeared to grow upward from the earth itself. Cars and sweaters were in primary colours, and scarlet rhododendrons sprang up in the unlikeliest of places. John Hinde had a clear vision: 'We need to be uplifted rather than depressed. To me pictures should always convey a positive, good feeling, something which makes people happy, which makes them smile, which makes them appreciate some tenderness.' In these postcards, the world is a sunnier, less complicated and more colourful place. Join Paul Kelly as he returns to John Hinde's Ireland on a photographic pilgrimage, capturing some places that have changed forever, and some that are just the same.

An illustrated flight across the Southeast Birdlife invites readers into the lives of birds we often meet in the southeastern United States. Writer, scientist, and illustrator Todd Ballantine presents the habits and habitats, colorings, migratory paths, and songs of nearly one hundred birds of the Southeast that he has come to know so well. He wings us across diverse landscapes, along the coasts of states from Virginia to Texas, and in elds and forests in between, providing keen insights and tips for recognizing birds on the branch, on the beach, or in the air. Along the coast and estuaries, you will meet the double-crested cormorant and the herring gull; near marshes and wetlands, the American coot and the great blue heron; in elds and open areas, the killdeer and the savannah sparrow. In the brush and at the wood's edge, you will encounter the dark-eyed junco and the white-eyed vireo, and in the forest-if you are lucky-you might hear the evocative call of the nocturnal Chuckwill's-widow. Birdlife delights with Ballantine's own artistic and precise illustrations, hand-lettered text, easy-to-follow presentations, and memorable descriptions. His black-and-white bird renderings provide easy identi cation of shape and form. A unique book to enjoy in nature's habitats, high and low, Birdlife is a must-have companion for birding enthusiasts and anyone intrigued by the lives of birds.

Roses have a special place in both art and culture across the world. Published in Association with Kew Gardens, this stunning book teaches you how to capture their character, colour and form in watercolour, and showcases both historical images from the Kew archives and the author's own extensive collection of inspiring paintings. Guided by watercolour artist and rose enthusiast Trevor Waugh, this book begins with clear explanations of essential watercolour techniques followed by a short project that allows the reader to explore the nature of watercolour in a practical way. Particular emphasis is placed on mixing colours cleanly in order to reproduce the purity and variety of this much-loved family of flowers. This is followed by sections on how to gather reference material; how to compose your own paintings; and how to inject your paintings with colour and light. All are accompanied by three further step-by-step projects, each culminating in a stunning painting of your own.

WILLA Literary Award Winner in Creative Nonfiction 2022 Spur Award Winner 2022 Top Pick in Southwest Books of the Year New Mexico-Arizona Book Awards Finalist in Cover Design Honorable Mention in the At-Large NFPW Communications Contest The Forgotten Botanist is the account of an extraordinary woman who, in 1870, was driven by ill health to leave the East Coast for a new life in the West-alone. At thirty-three, Sara Plummer relocated to Santa Barbara, where she taught herself botany and established the town's first library. Ten years later she married botanist John Gill Lemmon, and together the two discovered hundreds of new plant species, many of them illustrated by Sara, an accomplished artist. Although she became an acknowledged botanical expert and lecturer, Sara's considerable contributions to scientific knowledge were credited merely as "J.G. Lemmon & wife." The Forgotten Botanist chronicles Sara's remarkable life, in which she and JG found new plant species in Arizona, California, Oregon, and Mexico and traveled throughout the Southwest with such friends as John Muir and Clara Barton. Sara also found time to work as a journalist and as an activist in women's suffrage and forest conservation. The Forgotten Botanist is a timeless tale about a woman who discovered who she was by leaving everything behind. Her inspiring story is one of resilience, determination, and courage-and is as relevant to our nation today as it was in her own time.

Nature and Illusion is the first extended treatment of the portrayal of nature in Byzantine art and literature. In this richly illustrated study, Henry Maguire shows how the Byzantines embraced terrestrial creation in the decoration of their churches during the fifth to seventh centuries but then adopted a much more cautious attitude toward the depiction of animals and plants in the middle ages, after the iconoclastic dispute of the eighth and ninth centuries. In the medieval period, the art of Byzantine churches became more anthropocentric and less accepting of natural images. The danger that the latter might be put to idolatrous use created a constant state of tension between worldliness, represented by nature, and otherworldliness, represented by the portrait icons of the saints. The book discusses the role of iconoclasm in affecting this fundamental change in Byzantine art, as both sides in the controversy accused the other of "worshipping the creature rather than the Creator." An important theme is the asymmetrical relationship between Byzantine art and literature with respect to the portrayal of nature. A series of vivid texts described seasons, landscapes, gardens, and animals, but these were more sparingly illustrated in medieval art. Maguire concludes by discussing the abstraction of nature in the form of marble floors and revetments and with a consideration of the role of architectural backgrounds in medieval Byzantine art. Throughout Nature and Illusion, medieval Byzantine art is compared with that of Western Europe, where different conceptions of religious imagery allowed a closer engagement with nature.

Fill your home with original, professional art - and learn to paint at the same time. This innovative new series is a poster book, an art pad and a step-by-step painting book all rolled into one! Each of the five A3 posters are ready to pull out, frame and display. In addition, you can enjoy the calming pursuit of painting each of the pictures yourself using the pre-printed outlines - so no drawing required. The large, landscape format of the book allows each stage of painting to be clearly and comprehensively explained with an innovative annotation approach. Simply pull out the simple, stage-by-stage tutorial pages and pin them to your easel, then paint directly onto the watercolour outline for fantastic results. In this title, Country Scenes, learn to paint a range of inspiring landscapes: journey to a tranquil New Forest stream, a rolling Tuscan hillside and a snowy mountain river, and enjoy 5 masterclasses in landscape painting.

George Stubbs (1724-1806), now recognized as one of the greatest and most original artists of the eighteenth century, stands out from other practitioners in the field of animal painting. His most frequent commissions were for paintings of horses, dogs, and wild animals, and his images invariably arrest attention and frequently strike a deeply poetic note. Stubbs did not emerge as a painter until he was in his mid-thirties, but then his genius flowered astonishingly. He steadily celebrates English sporting and country life and reveals himself-in his "incidental" portraits of jockeys and grooms, for example-as a perceptive observer of different levels of social behavior. Among his many experiments with technique were his chemical experiments with painting in enamels, first on copper and later on earthenware "tablets," manufactured for him in Wedgwood's potteries. This is the first full catalogue of Stubbs's paintings and drawings. Along with the full catalogue entries, the book offers a lengthy study of Stubbs's art and career. Published for the Paul Mellon Centre for Studies in British Art

Unleash the creative power of Procreate to bring outdoor scenes to life on your iPad, from thumbnail designs to final images. In this book for newcomers to the software as well as more accomplished users, several renowned and experienced designers demonstrate plein air painting, sharing not only their professional tips and tricks, but also how the traditional painting process translates to Procreate. You will become fluent in using Procreate for all stages of outdoor painting - capturing the spirit and essence of a landscape, subject, or building by incorporating natural light, color, and movement into your works. The thorough Getting Started section spotlights the specific Procreate tools, such as Brushes, Layers, and Adjustments, that bring your paintings to life. Perfecting color and nuance of sky, land, and human subjects outdoors is vital, and the Quick Tips section lets you quickly locate and manipulate the tools you need. Take the opportunity to observe and practice the techniques as part of a real-world workflow, as professional artists demonstrate in seven step-by-step Projects how to use Procreate's tools to successfully evolve a plein-air painting from initial idea to final masterpiece. Whether or not you have used Procreate before, Beginner's Guide to Procreate: Plein Air ensures your passion for outdoor painting can be fully realized on the iPad screen.

By popular demand, this accessible new edition of the award-winning classic Buller's Birds of New Zealand: The Complete Work of JG Keulemans, presents the complete set of New Zealand's favourite ornithological paintings. New Zealand's birds are among the rarest and most fascinating in the world - and they come alive in luminous colour in Buller's Birds of New Zealand: The Complete Work of JG Keulemans. This beautiful new edition of the award-winning original presents the full set of these cherished nineteenth-century artworks created by JG Keulemans for A History of the Birds of New Zealand by Walter Buller. With a foreword by Stephen Fry and an introduction that traces the history of ornithological painting, and tells the story of Buller and his talented artist, this definitive book will appeal to all those who love New Zealand's unique avifauna.

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions. In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin. In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger order outside of oneself. Aspiring to the Landscape examines this persistent desire and how it is made manifest in contemporary landscape art. Four installations of large-scale paintings by Canadian artists Eleanor Bond, Susan Feindel, Stephen Hutchings, and Wanda Koop are the focus of Petra Halkes's study. The works vary widely in style and iconography but are drawn together by the way they invite a reflection on the troubled relationship between culture and nature and our contradictory and simultaneous longing to conquer and to succumb to nature. It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture.

An exciting new approach to flower painting with step-by-step demonstrations for creating contemporary flower portraits and landscapes that are truly unique.This is more than a 'how-to' on flower painting. It is a guide encouraging artists to explore new and exciting ways to create flower paintings bursting with individuality and moving towards a contemporary and impressionist style.Mixed-media artist Soraya French, well known for her gloriously vibrant flower paintings, shares the secrets of her work, with expert advice on all aspects of this endlessly rewarding subject. The book covers: *Colours, shapes, patterns and textures particular to various flowers through the seasons, from fresh green foliage in the spring to rich red and gold hues in the autumn. *How to incorporate flowers in both still life and landscape paintings, pictured in woodlands, seascapes, meadows and hedgerows as well as vases. *How to assemble the perfect palette for flower painting and how to mix vibrant secondary colours, subtle tints and natural greens. *The huge range of painting materials available today, from traditional watercolour to vividly coloured wax pastels to innovative textural mediums such as crackle paste and glass bead gel. *The secrets of good composition and how to lead the eye around a painting, giving a sense of rhythm and movement while maintaining unity and harmony.Packed with exciting new ideas and illustrated with stunning examples of Soraya's own work, this book will take your flower painting to a new level and help you find your unique visual voice.

The very best photographs from Bird Photographer of the Year. The Bird Photographer of the Year competition celebrates the artistry of bird photography, and this beautiful book reflects this. A celebration of avian beauty and diversity, it is a tribute to both the dedication and passion of the photographers as well as a reflection of the quality of today's modern digital imaging systems. The book includes the winning and short-listed images from the seventh year of this annual competition, showcasing some of the finest bird photography and with a foreword by birdwatcher and explorer, Steve Backshall. A proportion of the profits from the book goes directly to Birds on the Brink to support their conservation work. The advent of digital technology has revolutionised photography in recent years, and the book brings to life some of the most stunning bird photography currently on offer. It features a vast variety of photographs by hardened pros, keen amateurs and hobbyists alike, reflecting the huge diversity of bird enthusiasts and nature lovers which is so important in ensuring their conservation and survival.

This notebook features a beautiful cover illustration by acclaimed nature artist Jane Smith. It contains 192 pages of lined paper, head-and-tail bans, a ribbon marker and band to keep it securely fastened.

This fantastic book showcases the prestigious Embroiderers' Guild's huge collection of embroidered birds through the ages. Featuring photographs taken especially for the book, items are shown in full along with detailed images that show off the stunning birds at their best.

Victor Perard's concise guide for artists at every level features easy-to-follow steps for capturing the magnificence of trees. Shading techniques, composition, shadow and light methods, and outlining approaches are all aimed to help artists draw dozens of varieties with vitality and expression.

Chickadees amid cherry blossoms, peacocks nestled in wisteria branches, sleeping owls against a moonlit night sky and majestic cranes diving in the ocean waves-these are some of the transcendent pleasures offered in this exquisite collection of plates bound in an accordion style format that honors the Japanese bookbinding tradition. Every major artist of this genre is included-from Keisai, Keibun and Hokusai to Hiroshige and Koson-as the history of Japanese printmaking unfolds in stunning detail. An introductory booklet explores the centuries long role that nature has played in Japanese art, from Chinese influenced works of the Kano school, which depicted the bird as a Buddhist symbol, through to the ukiyo-e, when artists strove to capture fleeting moments of pure joy. Fans of Japanese art, lovers of birds, and anyone who enjoys beautiful depictions of the natural world will cherish this sumptuous, satisfying volume of earthly delights.

Winner, Canadian Museums Association's Outstanding Achievement in Research Award and IPPY Awards Silver Medal -- Fine Art CategoryA Toronto Star Holiday Gift Guide SelectionA Like Vision is a lavish celebration of the legacy of Tom Thomson and the Group of Seven, Canada's canonical landscape painters. The Group's depiction of the rugged beauty of the Canadian landscape -- from the coastal mountains of British Columbia to the north shore of Lake Superior, the villages of rural Quebec, and the rocky, windswept coves of Newfoundland -- charged Canadians to experience their country in a bold new light and changed the face of Canadian art forever. Through their vigorous and expressive painterly style and vibrant colours, the Group of Seven significantly contributed to Canada's sense of autonomy and identity as a modern state in the aftermath of the First World War. Featuring three hundred full-colour images, A Like Vision includes a lead essay by Ian A. C. Dejardin, Executive Director of the McMichael Canadian Art Collection, and contributions by a host of artists, curators, and writers. Among them are Indigenous art historian and curator Gerald McMaster, filmmaker Jennifer Baichwal, novelists David Macfarlane and Jane Urquhart, painters John Hartman and Robert Houle, and Inuk writer Tarralik Duffy. One hundred years on from the Group's first exhibition in 1920, A Like Vision is both a chance to review the Group's legacy and a tribute to these giants of Canadian art and culture.

In The Enlightenment's Animals Nathaniel Wolloch takes a broad view of changing conceptions of animals in European culture during the long eighteenth century. Combining discussions of intellectual history, the history of science, the history of historiography, the history of economic thought, and, not least, art history, this book describes how animals were discussed and conceived in different intellectual and artistic contexts underwent a dramatic shift during this period. While in the seventeenth century and the first half of the eighteenth century the main focus was on the sensory and cognitive characteristics of animals, during the late Enlightenment a new outlook emerged, emphasizing their conception as economic resources. Focusing particularly on seventeenth-century Dutch culture, and on the Scottish Enlightenment, Wolloch discusses developments in other countries as well, presenting a new look at a topic of increasing importance in modern scholarship.

This comprehensive guide to painting landscapes in watercolour features the expert tuition of six renowned watercolour artists. It covers all aspects of painting, from materials and techniques through to planning a painting, sketching and perspective. Learn the techniques of wet into wet, spattering, dry brushing, lifting out and using salt to create texture and interest, and follow the step-by-step demonstrations to create realistic water, skies, reflections and buildings, as well as mood and atmosphere. With nine beautiful projects to try, and numerous examples of the authors' work to inspire you, this is the ideal introduction to landscape painting for artists of all abilities. This book includes material previously published in the highly successful Step-by-Step Leisure Arts series and the Watercolour Tips and Techniques series.