Best known for his depictions of the human form, Schiele was also interested in portraying the beauty and structure of the world he inhabited. In fact, Schiele's paintings of the countryside and his native Vienna comprise a large proportion of his body of work. Nearly one hundred of the artist's landscapes are exquisitely reproduced in this handsome book and presented alongside photographs of the scenes he depicted, taken from the vantage point of the original works. This volume proves that Schiele's mastery extends beyond his radical renditions of the human figure and reveals themes that appear throughout his work. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting.

This dazzling collection showcases the very best of the British Wildlife Photography Awards, presenting over 150 of the winning, commended and shortlisted images from the 2017 competition. Featuring a range of photography from world-leading professionals as well as inspired amateurs, it is a book that captures the magnificent diversity of the British Isles. British Wildiife Photography Awards is divided into the competition's fifteen categories, from Animal Portraits through to the Young People's Awards. Every photograph is beautifully reproduced in a large format, with detailed technical information alongside the photographer's personal account, to appeal to both photographers and natural historians.

Very little is known about The Green Florilegium. Neither signed nor dated, it is generally attributed to the German painter Hans Simon Holtzbecker and originates from the library at Gottorp Castle in Schleswig, on the border of Germany and Denmark. The album now resides at the Statens Museum for Kunst in Copenhagen. Recently the book was painstakingly restored, allowing the delicate illustrations to come to new life in their original colors. This beautiful and affordable volume reproduces the original work of 400 botanical illustrations in its entirety. It also includes an introductory essay and captions with basic information on each flower. This lovely book is a must-have for lovers of botanical illustration and a sublime example of the art of conservation.

The Jockey Club and its remarkable collection are part of racing's heritage. Assembled over three centuries, the collection contains some of the best racing art in existence including paintings by George Stubbs, J.F. Herring, and Sir Alfred Munnings among many works by lesser artists. Taken as a whole the contents of the Club's premises in Newmarket are enough to fascinate anyone with even a passing interest in sporting pictures or racing. This catalogue much extends the previous one privately published in 2006; in this new publication all works are illustrated and arranged alphabetically by artist with short biographies. There are some 50 additions of which the most important are a particularly fine painting by John Ferneley and a portrait of The Queen with her Ascot Gold Cup winner, Estimate. The accompanying text by David Oldrey, the pre-eminent authority on racing art, provides detailed information about the works themselves and about the horses, owners, trainers and jockeys depicted.

Human beings have always been fascinated by the sea and have been navigating the seas, whether for trade or discovery, since the beginning of civilization. As a result, boats and the sea have been depicted from an early age in the visual arts. This volume offers numerous high-quality illustrations that trace the development of maritime art: from the beginnings as a backdrop to other themes, to the time when the Dutch were unrivalled masters of the seas, from the events on the sea depicted by the English, to the great studies of nature of the Impressionists.

In the richest collection of the State Hermitage we may find answers to many questions. Even to such as these: how did people of ancient civilizations imagine the sea? How did they express in myths and artworks their awe of the profound? What invariably attracts artists in it? The story how miracles could get along with practical considerations in the minds of ancient Greeks and Romans is told in the works of sculpture, jewellery and coins. Desire to achieve material success preserving at the same time one's moral bearings is expressed in the paintings that belong to the golden age of Holland. The art of the 19th-20th centuries eloquently shows the erasing of border between reality and creative insight. The album includes more than 250 illustrations with brief commentaries.

Canada borders the United States to the south and the Arctic Circle to the north. This results in a landscape diversity with endless forest areas in the south and ice and rock areas in the north, beyond the Arctic tree line. In more than 500 pictures, this volume shows the multifaceted wilderness of Canada. These include the Banff National Park in the Rocky Mountains, famous for its numerous lakes, and Niagara Falls on the border with the United States. The metropolises like Toronto, Vancouver on the west coast, as well as the French-speaking cities Montreal or Quebec, and the capital, Ottawa, are also included.

A wide-ranging study of the painted panorama's influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

The Zugspitze is the highest mountain in Germany, rising an impressive 2962 meters. Hundreds of thousands of visitors reach the cross on its summit every year, whether after a comfortable ride with the funicular or by tackling the steep ascent on foot. Hans Engels has undertaken the strenuous, but spectacularly beautiful climb and has chosen the alpine primordial landscape to be the protagonist of his incredible photographs. The photographer's view takes in both the idyllic simplicity of the landscape as well as great plays of nature. Engels' sublime photographs capture craggy rock formations or deep gorges cut through by springs. Nevertheless, traces of civilization in his photographs, like the mine in the Hoellental valley and the research station next to the ice fields on the glaciers, are often juxtaposed in fascinating contrast to an ostensibly untouched natural setting.

At a time when blank spots have by and large disappeared from maps, "wilderness" has returned in art. Expeditions as an artistic medium, visions of a post-human world, or renegotiations of the relationship between human beings and animals influence the work of many contemporary artists. The Schirn Kunsthalle Frankfurt has dedicated an extensive theme-based exhibition to this recurring fascination. The exhibition brings together paintings, photographs, video works, sculptures, and installations from 1900 to the present. Artists: Darren Almond, Karel Appel, Hicham Berrada, Auguste-Rosalie and Louis-Auguste Bisson, Julian Charriere, Ian Cheng, Marcus Coates, Constant (Constant Nieuwenhuys), Tacita Dean, Mark Dion, Jean Dubuffet, Max Ernst, Joan Fontcuberta, Luke Fowler, GUN (Group Ultra Niigata), Camille Henrot, Pieter Hugo, Asger Jorn, Per Kirkeby, Jacob Kirkegaard, Joachim Koester, Richard Long, Heinz Mack, Ana Mendieta, Helmut Middendorf, Richard Oelze, Georgia O'Keeffe, Gerhard Richter, Briton Riviere, Henri Rousseau, Lin May Saeed, Frank Stella, Thomas Struth, Carleton E. Watkins. Text in English and German.

The jewel-like watercolours of renowned Irish botanical artist Wendy Walsh portray a personal selection of about 100 plants that grow wild in Ireland or are cultivated in Irish gardens. Presented in 33 thematic sections,Walsh's subjects range from well-loved and distinctive native plants to exotic species introduced from the New World and Asia, unusual plants that grow in some of the most extreme environments in Ireland, and striking hybrids created by plant breeders. Lively and accessible horticultural descriptions by distinguished botanist E. Charles Nelson accompany the paintings, celebrating the story of each plant along with its natural beauty. The great gardens, famous plantsmen, fascinating journeys and natural phenomena that have shaped the flora of Ireland spring to life in Dr Nelson's engaging text. This elegant and unconventional guide will kindle the imagination of any plant lover or admirer of the Irish landscape.

Expanding on the philosophy and methods of The Laws Guide to Nature Drawing and Journaling, John Muir Laws and Emilie Lygren have developed the first-ever comprehensive book devoted to helping educators use nature journaling as an inspiring teaching tool to engage young people with wild places. In their workshops Laws and Lygren are often asked the how-tos of teaching nature journaling: how to manage student groups in the outdoors, teach drawing skills (especially from those who profess to have none), connect journaling to educational standards, and incorporate journaling into longer lessons. This book puts together curriculum plans, advice, and in-the-field experience so that educators of all stripes can leap into journaling with their students. The approaches are designed to work in a range of ecosystems and settings, and are suitable for classroom teachers, outdoor educators, camp counselors, and homeschooling parents. Full-color illustrations and sample journal pages from notable naturalists show how to put each lesson into practice. Field-tested by over a hundred educators, this book includes dozens of activities that easily support the Common Core and the Next Generation Science Standards-and, just as important, it will show kids and mentors alike how to recognize the wonder and intrigue in their midst.

From the artist behind the popular Pigeon Letters website, an easy, no-skills-necessary guide to drawing flowers, leaves, and cacti with 200 step-by-step prompts.

Line drawing is an easy-to-master art form featuring illustrative, doodle-like designs. It's used widely among artists of many types with both fine and bold lines, creating different variations. Botanical Line Drawing teaches you how to start with the simplest doodles, building into more elaborate, delicate illustrations. This book focuses on the extremely popular subject matter of the natural world and includes flowers, leaves, succulents, houseplants, trees, branches, mushrooms, and more. These simple line drawings will allow you to branch out and have fun with your own personal style, as well as inspire you to add flourishes to other projects.

Drawing animals is easy! Cute and cuddly, fuzzy and finned--animals come in all shapes and sizes, and this big book will teach you how to draw everything from dogs and cats to horses, lions and hammerhead sharks. No experience necessary! More than 90 easy to follow step-by-step demonstrations break down how to draw your favorite pets, wildlife and poses from start to finish. All you need is a pencil and paper to transform simple shapes and basic lines into realistic renditions of oodles of animals, with bonus tips and tricks for expanding your ability beyond the book. Great for beginners or anyone who likes to draw for fun!

Over the last two summers, Pigozzi has have been taking photographs of his young and very playful dogs. In 2016, he received from Hungary two Vizsla, that he called Charles and Saatchi, and he was immediately amazed by how crazy their playing was, so he started taking pictures of them that can sometimes look violent, but he can assure you this is all play. In 2017, another puppy arrived, who is also called Saatchi. She is a Rhodesian Ridgeback and she too played with Charles and Saatchi. He mainly took the pictures in black and white as it made them more intense and a bit more dramatic. This book, Charles and Saatchi. The Dogs , contains some of the best pictures Jean Pigozzi took of his dogs.

Lives of cats and men intertwined long ago. People worshiped cats like gods, full of superstition they were afraid of luminous eyes in the dark, asked for their help in protecting houses from rodents and adored them as their best friends, while painters and sculptors could not help admiring cat's grace which they considered perfect. The book gives a wide-ranging and detailed presentation of the "feline" exhibits in the Hermitage: Ancient Egyptian bronze, mediaeval European painting, Chinese and Japanese graphic art, Russian lubok prints of the 18th to 20th centuries, cats in the form of toys and much more.

The newest title in the Drawing Made Easy series pairs the lively, vibrant strokes of colored pencil with a stunning array of botanicals. From garden and tropical flower portraits to gorgeous floral still lifes, there is a project to suit every flower lover. Inside, accomplished artist Cynthia Knox teaches her method of developing a colored pencil through simple step-by-step demonstrations, with helpful tips and tricks sprinkled throughout. She also discusses basic flower shapes, anatomy, photographing references, and setting up dynamic still lifes.

Frederic Church (1826-1900), the most celebrated painter in the United States during the mid-19th century, created monumental landscapes of North and South America, the Arctic, and the Middle East. These paintings were unsurpassed in their attention to detail, yet the significance of this pictorial approach has remained largely unexplored. In this important reconsideration of Church's works, Jennifer Raab offers the first sustained examination of the aesthetics of detail that fundamentally shaped 19th-century American landscape painting. Moving between historical context and close readings of famous canvases-including Niagara, The Heart of the Andes, and The Icebergs-Raab argues that Church's art challenged an earlier model of painting based on symbolic unity, revealing a representation of nature with surprising connections to scientific discourses of the time. The book traces Church's movement away from working in oil on canvas to shaping the physical landscape of Olana, his self-designed estate on the Hudson River, a move that allowed the artist to rethink scale and process while also engaging with pressing ecological questions. Beautifully illustrated with dramatic spreads and striking details of Church's works, Frederic Church: The Art and Science of Detail offers a profoundly new understanding of this canonical artist.