Im Mittelpunkt dieser Untersuchung steht die umfassende Analyse der Seebilder Jacob van Ruisdaels. Dabei wird die kunstlerische Leistung Ruisdaels unter dem Einfluss sowohl der Natur- und Kunstauffassung als auch der gesellschaftspolitischen Entwicklungen des Goldenen Jahrhunderts (der Niederlande des 17. Jh.) berucksichtigt. Gleichzeitig bietet diese Betrachtung einen Loesungsansatz fur die Interpretation bestimmter Bildmotive auf feste Sinnbilder, die in den Meereslandschaften anzutreffen sind. Die Gemalde enthalten emblematische Motive, ahnlich einem Gleichnis, so dass die Bildinhalte und ihre Bedeutung auf vielfaltige Weise interpretiert werden koennen. Daruber hinaus werden weitere spezifische Charakteristika der ruisdaelschen Marinen an den Gemalden selbst exemplarisch herausgearbeitet.

The first book by wildlife photographer and writer Larry Laverty, Power and Majesty features extraordinary images and informative text that capture the life of African elephants. The book focuses on these majestic animals and features stunning photographs from the most remote corners of Africa, from the savannahs and deserts to the rivers and jungles. The text introduces various elephant habitats, explores the magical qualities of elephants, and underscores the immense challenges they face for survival in a world dominated by humans. The photographs and information showcased in this book will help increase our appreciation and understanding of the African elephant's significant place in the animal kingdom, and Larry Laverty will be donating all of his profits to this worthy cause. Their abilities to love, to remember, to function as families, and to survive under some of the harshest conditions will change the way we think about elephants, with the hope that this knowledge will encourage more people to help save those who remain in the wild.

Shells have captivated humans from the dawn of time: the earliest known artwork was made on a shell. As well as containers for food, shells have been used as tools, jewellery and decorations for dwellings, and to bring good luck or to ward off spirits. Many indigenous peoples have used shells as currency, and in a few places they still do. This beautifully illustrated book looks at the scientific and cultural history of shells, showing how their diverse colourful forms take shape. It examines pearls, the only gems of animal origin, as well as how shells have inspired artists throughout history. The book looks at shells used in architecture and ritual, but also how shells are indicators of changing environmental conditions.

The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siecle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt's Manette Salomon (1867), Emile Zola's Therese Raquin (1867), Jules Laforgue's "At the Berlin Aquarium" (1895) and "Impressionism" (1883), Octave Mirbeau's In the Sky (1892-1893) and Rachilde's L'Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the "artist-animal," an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.

A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers-and settlers-into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos to the immersive environments of Kent Monkman's dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' engagement not only with land and landscape but also with the history of representation itself.

A rich vein of the artist's mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cezanne (1839-1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cezanne's mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L'Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cezanne's other works; their critical interpretations; and their geological and corporeal associations. Faya Causey's essay examines the Provencal context of Cezanne's rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works. Distributed for the Princeton University Art Museum Exhibition Schedule: Princeton University Art Museum

This fun and easy-to-use nature drawing and watercolor guide is perfect for anyone inspired by nature to draw, doodle, ink, and paint colorful flora and fauna. Artist, author, and popular art instructor Peggy Dean presents this nature drawing guide that teaches you how to master drawing and watercolor techniques from sketching and shading to washes and blending. With Peggy's easy and energetic lessons, absolutely anyone--regardless of ability--can learn to draw the natural world. Beginning with delicate cherry blossoms, wildflowers, and lacy ferns, lessons build to composing stunning bouquets of flowers and majestic landscapes. You'll also discover how to draw animals such as colorful fish and birds in flight, as well as mammals like stoic camels and the mighty polar bear. Through the lessons on technique combined with clear, detailed instructions, you'll gain the expertise and confidence that will allow you to quickly build your skills, discover your own personal style, and achieve beautiful botanical and animal illustrations.

A woman ahead of her time, Maria Sibylla Merian (1647-1717) was an intrepid explorer, naturalist and scholar, as well as a magnificent artist. This lovely, impeccably designed book tells Merian's incredible life story alongside colourful reproductions of her engravings and watercolours of the butterflies she encountered during her lifetime in Germany and the Netherlands and her seminal trip to the Dutch colony of Surinam. The book recounts Merian's monumental expedition, her work as an advocate for the slave laborers of Surinam and her important studies of the anatomy and life cycle of the butterfly. Author Boris Friedewald employs Merian's favourite insect as a metaphor for the artist's own pioneering evolution from budding entomologist to educator, activist and artist. A visual treasure as well as a satisfying read, this exquisite volume is the perfect gift for anyone interested in Merian's amazing life and groundbreaking body of work.

From medieval manuscript to Japanese prints, from Steinlen's splendid drawings to 17th century prints, the author introduces the reader to the hundreds of books and manuscripts (belonging to the Bibliotheque Nationale de France in Paris) in which the lovely feline is represented. The cat has been the main character of many tales, but also the inhabitant of the most diverse books: from natural histories to household manuals, from medieval prayer books to famous writers' manuscripts. A wonderful selection for all who love cats and books! Contents: Preface by Pierre Rosenberg Chapter I, A History of the Cat Chapter II, Tales of Cats Chapter III, What a Lovely Cat! Chapter IV, Cats and the Feminine Chapter V, The Cat as a Muse

The island of Ireland is home to one of the world's great literary and artistic traditions. This book reads Irish literature and art in context of the island's coastal and maritime cultures, beginning with the late imperial experiences of Jack and William Butler Yeats and ending with the contemporary work of Anne Enright and Sinead Morrissey. It includes chapters on key historical texts such as Erskine Childers's The Riddle of the Sands, and on contemporary writers including Eilean Ni Chuilleanain and Kevin Barry. It sets a diverse range of writing and visual art in a fluid panorama of liquid associations that connect Irish literature to an archipelago of other times and places. Situated within contemporary conversations about the blue and the environmental humanities, this book builds on the upsurge of interest in seas and coasts in literary studies, presenting James Joyce, Elizabeth Bowen, John Banville, and many others in new coastal and maritime contexts. In doing so, it creates a literary and visual narrative of Irish coastal cultures across a seaboard that extends to a planetary configuration of imagined islands.

The photographs in Home Fires, Volume I: The Past were taken during the height of a crippling drought in the state of California. Bruce Haley, known for his hard-hitting war and documentary work, turns his camera homeward, to the agriculture-rich San Joaquin Valley where he spent his childhood. The resulting images, haunting and melancholy, play out against the larger framework of contentious water politics and land use issues. The writer Kirsten Rian provides the accompanying text.

In 1975, David Shepherd wrote The Man Who Loves Giants - an autobiography. Even though he was only forty-four, he had already achieved more than most could have in three lifetimes. In the intervening years, until his death in 2017, he painted a huge variety of subjects; founded the David Shepherd Wildlife Foundation; renovated and restored everything from steam engines to dolls' houses; and appeared on both radio and television. 'Being the extrovert I am,' he once said, 'I like things large and exciting ... especially elephants ...' However, this enthusiasm wasn't restricted to animals; it extended to his love and ownership of several full-sized steam engines, including locomotive number 92203, otherwise known as Black Prince. David's friends ranged from showbiz celebrities to well-known sportsmen and women; and British and European royalty to internationally influential politicians and presidents. He was awarded the Order of the Golden Ark by Prince Bernhard of the Netherlands for his services to conservation in Zambia, and the Order of Distinguished Service, First Class, by President Kaunda. Her Majesty The Queen presented David with the OBE and CBE. David's first gallery successes were not of the African wildlife for which he is now best known. London scenes, planes, boats and trains have long featured in his portfolio - as do English landscapes and bygone rural life. Since David's autobiography, no book has dealt so comprehensively with his life, painting, and conservation work as this biography by J. C. Jeremy Hobson, professional author and David's youngest son-in-law. With access to family archives and photographs, private diaries and reminiscences, this is a unique portrait of a remarkable man.

A beautiful book that argues artists were fascinated by still life painting considerably earlier than previously thought This eloquent and generously illustrated book asserts that artists were fascinated by and extremely skilled at still life significantly earlier than previously thought. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include radiant paintings from Renaissance greats such as Da Vinci, Durer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthelemy d'Eyck and Ortolano.

Individuals from all walks of life have devoted their time, energy, and money to restoring the state's lost wetlands. Clare Howard and David Zalaznik take readers into the marshes, bogs, waterways, and swamps brought back to life by these wetland pioneers. Howard's storytelling introduces grassroots conservators dedicated to learning through trial and error, persistence, and listening to the lessons taught by wetlands. They undertake hard work inspired by ever-increasing floods and nutrient runoff, and they reconnect the Earth's natural rhythms. Zalaznik's stunning black and white photos illuminate changes in the land and the people themselves. Seeds sprout after lying dormant for one hundred years. Water winds through ancient channels. Animals and native plants return. As the forgiving spirit of a wetland emerges, it nurtures a renewed landscape that alters our view of the environment and the planet. An inspiring document of passion and advocacy, In the Spirit of Wetlands reveals the transformative power of restoration.

Ranunculus offers advice on how to care for and propagate these colourful cultivated members of the buttercup family. Naomi Slade explores a wide range of ranunculus species and cultivars, all beautifully photographed by Georgianna Lane in their technicolour glory from palest pink to deep burgundy via white, orange, red and yellow. Pert as a rosebud and blousy as a dahlia, Ranunculus asiaticus is the flower of the moment. From ancestors that grew wild in the eastern Mediterranean, these Persian buttercups have been bred and selected to create fully double blooms; with layers of delicate, tissue-paper petals sculpted to perfection and available in a range of colours to suit any occasion. The buttercup family is a huge and diverse one, however, and the genus Ranunculus contains not just these exotic florists' darlings, but a whole range of their close relatives too. Some are familiar: when fields and lawns are sprinkled with golden meadow buttercups, we can be sure that spring has arrived. Yet there are also rare mountain blooms, perched on crags and fed by the melting snow, and forms of Ranunculus that thrive in pond margins or flourish in fast-flowing streams. Naomi Slade explores the world of buttercups, from their wild origins to their most successfully cultivated and most popular forms. Some are easy to grow, some less so, and this book offers tips and advice to help the reader embrace not just those near-wild forms that lend themselves to naturalistic planting schemes, and the exquisite, collectible alpines, but also the brilliant, desirable, Persian buttercups that are so perfect for cutting and arranging.

Image-transforming techniques such as close-up, time lapse, and layering are generally associated with the age of photography, but as Florike Egmond shows in this book, they were already being used half a millennium ago. Exploring the world of natural history drawings from the Renaissance, Eye for Detail shows how the function of identification led to image manipulation techniques that will look uncannily familiar to the modern viewer. Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century. "

Do you recognise these ingredients? 35 recipes as you've never seen them before. A gorgeous gift book as well as a cookery title, Dinner Deconstructed features 35 recipes as you've never seen them before, broken down into their individual ingredients and photographed in stylish still-life arrangements. Serried rows of vegetables and small heaps of flour turn into a comforting cauliflower bake, the ingredients of steak bernaise boil down to meat, peppercorns, eggs, butter and herbs, and key lime pie looks mesmerising before the ingredients are magically melded together in the kitchen. And after you've feasted your eyes on the dishes in their natural and aesthetically pleasing state, simply turn to the back of the book to get the recipes themselves, so you can turn the raw ingredients into the delicious dishes they were destined to be. Word count: 7,000

The "Art of Drawing Animals" focuses on how to draw domesticated animals - the tamed creatures that share our lives. Written by bestselling author J.C. Amberlyn, the book features everyone's favourite animals, ranging from the most popular breeds of dogs and cats to horses and other hoofed mammals, rodents, birds and reptiles. The focus is on realistic appraoch to drawing with an emphasis on anatomy/structure; the physical details of each species; and the action, facial and body expressions that give life to drawing. The book shows each type of animal in general and then goes into the various traits that make each breed distinctive.

Now available in paperback! Andrew Forkner's book provides you with all you need to paint a range of birds in acrylics; taking in birds of prey, songbirds and waterbirds from all over the world. It contains information on the materials and preparation you will need to capture the delicacy and majesty of the subjects.

This beautiful guide to indoor plants is a comprehensive compendium of succulents, cacti, flowering and foliage plants, with detailed instructions on how to care for each, alongside stunning full-page watercolour illustrations of each plant. Whether you are looking to cultivate an entire indoor garden, or simply wish to know more about your single cactus, you can be sure to find the right information for you amongst the more than seventy plants in this stylish guide. And the best bit? All the plants are easy to maintain so even the most timid of gardeners can enjoy turning their hand to this green-fingered pastime. Driven by the beautiful artwork of the phenomenally talented Maaike Koster, alongside insightful text from Emma Sibley, co-founder of London Terrariums, each entry offers a concise but complete guide to these plants, telling you their origins, how to care for them and where in your home they will thrive. Each plant is rendered in considered detail, taking up a full double page spread, with half of this space allotted to the illustration, facing a paragraph on the plant itself, care tips and any information about fellow species. The accessible text and simple instructions make this book just as well suited to those with no gardening experience as to those with years of practice. These plants can be grown in any in-door space and are easy to maintain, so you no longer need a large garden or hours of free time to maintain a vibrant collection of greenery in your home. These plants add interest, tranquility and colour to every corner of our lives, so embark on a verdant adventure with this beautiful and comprehensive guide!