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The Artist as Animal in Nineteenth-Century French Literature (Paperback, 1st ed. 2019)
Loot Price: R1,446
Discovery Miles 14 460
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The Artist as Animal in Nineteenth-Century French Literature (Paperback, 1st ed. 2019)
Series: Palgrave Studies in Animals and Literature
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Total price: R1,456
Discovery Miles: 14 560
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The Artist as Animal in Nineteenth-Century French Literature traces
the evolution of the relationship between artists and animals in
fiction from the Second Empire to the fin de siecle. This book
examines examples of visual literature, inspired by the struggles
of artists such as Edouard Manet and Vincent van Gogh. Edmond and
Jules de Goncourt's Manette Salomon (1867), Emile Zola's Therese
Raquin (1867), Jules Laforgue's "At the Berlin Aquarium" (1895) and
"Impressionism" (1883), Octave Mirbeau's In the Sky (1892-1893) and
Rachilde's L'Animale (1893) depict vanguard painters and performers
as being like animals, whose unique vision revolted against
stifling traditions. Juxtaposing these literary works with
contemporary animal theory (McHugh, Deleuze, Guattari and Derrida),
zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan,
Adams and Haraway), Claire Nettleton explores the extent to which
the nineteenth-century dissolution of the human subject contributed
to a radical, modern aesthetic. Utilizing these interdisciplinary
methodologies, Nettleton argues that while inducing anxiety
regarding traditional humanist structures, the "artist-animal," an
embodiment of artistic liberation within an urban setting, is, at
the same time, a paradigmatic trope of modernity.
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