This new book offers a single, encompassing view of the development of landscape painting, photography, and land art in Britain from the eighteenth through to the late twentieth century. It reveals the strong continuity between British landscape art of today and that of over 250 years ago, with works by J.M.W. Turner, John Constable, Thomas Gainsborough, John Piper, David Nash, and Richard Long, amongst many others.

Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.

Oliver Fairclough is Keeper of Art, National Museum of Wales.

This beautiful guide to indoor plants is a comprehensive compendium of succulents, cacti, flowering and foliage plants, with detailed instructions on how to care for each, alongside stunning full-page watercolour illustrations of each plant. Whether you are looking to cultivate an entire indoor garden, or simply wish to know more about your single cactus, you can be sure to find the right information for you amongst the more than seventy plants in this stylish guide. And the best bit? All the plants are easy to maintain so even the most timid of gardeners can enjoy turning their hand to this green-fingered pastime. Driven by the beautiful artwork of the phenomenally talented Maaike Koster, alongside insightful text from Emma Sibley, co-founder of London Terrariums, each entry offers a concise but complete guide to these plants, telling you their origins, how to care for them and where in your home they will thrive. Each plant is rendered in considered detail, taking up a full double page spread, with half of this space allotted to the illustration, facing a paragraph on the plant itself, care tips and any information about fellow species. The accessible text and simple instructions make this book just as well suited to those with no gardening experience as to those with years of practice. These plants can be grown in any in-door space and are easy to maintain, so you no longer need a large garden or hours of free time to maintain a vibrant collection of greenery in your home. These plants add interest, tranquility and colour to every corner of our lives, so embark on a verdant adventure with this beautiful and comprehensive guide!

The follow-up to the internationally bestselling sensation The Lost Words, The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.

Since its publication in 2017, The Lost Words has enchanted readers with its poetry and illustrations of the natural world. Now, The Lost Spells, a book kindred in spirit and tone, continues to re-wild the lives of children and adults. The Lost Spells evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers' minds. Robert Macfarlane's spell-poems and Jackie Morris's watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection.

To read The Lost Spells is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.

The book brings together and shows for the first time ever striking botanical art of Indian origin spanning a period of three hundred years, focussing in particular on the 18th and 19th centuries. Drawn mostly from original works held in the collections of the Royal Botanic Gardens, Kew, some of the paintings have never been published before. They showcase not only the wealth of the Indian sub-continent flora but the richness and variety of artworks, commissioned from mostly unknown Indian artists, who made a substantial contribution to the documentation of plants of economic, ornamental and cultural importance.

"The book is packed with step-by-step guides on drawing and painting techniques, colour mixing and clever compositions, it is an invaluable source of ideas for anyone wanting to develop their flower painting skills." - SAA Billy Showell's exquisite and technically brilliant watercolour flower portraits are beautifully presented in this highly informative, lavishly illustrated book. First published in 2009 and now back by popular demand in paperback, it provides the reader with valuable information on the brushes, paints, paper and other equipment they need, together with detailed guidance on drawing and painting techniques, colour mixing and composition. Learn how to paint white flowers, leaves and stems; add shadows; and create stamen, carpels, veins and texture. The book finishes with four stunning step-by-step projects to practice and consolidate your newly-acquired skills. This is an invaluable source of information and inspiration for anyone who wants to develop their flower painting skills.

The work of the artist couple Christo (1935-2020) and Jeanne-Claude (1935-2009) resists categorization. It is a hybrid of art, urban planning, architecture, and engineering, but above all an aesthetic uniquely their own: surreal and ethereal environmental interventions that have graced monuments, public parks, and centers of power alike. This compact book spans the complete career of the couple who were born on the very same day, met in Paris, fell in love, and became a creative team like no other. With rich illustration, it spans Christo and Jeanne-Claude's earliest projects in the 1950s right through to The Floating Piers, installed at Lake Iseo, Italy, in 2016. The book celebrates all of the couple's most famous environmental interventions, such as The Gates in New York's Central Park and the Wrapped Reichstag in Berlin, while also featuring early drawings and family photos unknown to the wider public. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Despite the famously uncooperative Irish weather, John Hinde's postcards of Ireland featured bright sunshine and blue skies, a country seemingly peopled entirely with redheads, happy donkeys carrying turf, and charming cottages that appeared to grow upward from the earth itself. Cars and sweaters were in primary colours, and scarlet rhododendrons sprang up in the unlikeliest of places. John Hinde had a clear vision: 'We need to be uplifted rather than depressed. To me pictures should always convey a positive, good feeling, something which makes people happy, which makes them smile, which makes them appreciate some tenderness.' In these postcards, the world is a sunnier, less complicated and more colourful place. Join Paul Kelly as he returns to John Hinde's Ireland on a photographic pilgrimage, capturing some places that have changed forever, and some that are just the same.

In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In "Albrecht Altdorfer and the Origins of Landscape," Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus--the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.

In 1788, nearly fifteen-hundred people on eleven sailing ships came ashore at Port Jackson in Australia after a gruelling eight month journey from England. This collection of vessels later became known as the First Fleet, and those who sailed in them were the community who established the first European colony in Australia. The Art of the First Fleet depicts the natural history of this extraordinary land, the people and culture of the local indigenous population and the events that marked these initial formative years. The collection, now housed in the Natural History Museum, provides an invaluable record of the wildlife and environment, people and events, as seen through the eyes of the colonists who laid the foundations for the European settlement of Australia. The artists' drawings of the people and culture of the Eora people, the local indigenous population of the area, provide the only lasting visual record of their lives. While images of plants and animals were not always technically accurate, they made a significant contribution to the development of science, allowing experts in Britain to be able to identify and name a large number of new species. They remain an invaluable record of the artists' attempts to make sense and order of this new land.

In the natural world, it benefits to have a friend. Teamwork, or an unexpected partner, could make all the difference to survival - whether it's warding off predators, removing parasites or aiding reproduction. This beautifully illustrated title explores organisms that have learnt to adapt and co-exist in the wild. From the monarch butterfly that only exists on one type of plant, to the majestic bobtail squid that acquires its illuminating glow from bacteria that live on its skin, take a closer look at some of nature's most fascinating symbiotic relationships. Stunning illustrations by debut artist Georgina Taylor capture these astonishing moments in the wild. The ideal gift for nature lovers.

A beautiful book that argues artists were fascinated by still life painting considerably earlier than previously thought This eloquent and generously illustrated book asserts that artists were fascinated by and extremely skilled at still life significantly earlier than previously thought. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include radiant paintings from Renaissance greats such as Da Vinci, Durer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthelemy d'Eyck and Ortolano.

Make nature inspired masterpieces with this friendly all-in-one guide to gouache. From ferns and flowers to seascapes and songbirds, create charming paintings alongside popular designer and illustrator Clare Therese Gray. This book is packed with stunning illustrations accompanied by detailed instructions so that readers can enjoy each step of the way in creating their own painted masterpieces. You will learn to capture the world around you with Clare's signature, whimsical style, ideal for gifts, invitations, greeting cards and more. Paint woodland mushrooms, beautiful botanicals or calming pastel landscapes; each project is broken into simple steps so you can enjoy the process and let go of perfection. Similar to watercolor yet easier to control, gouache is a fun and approachable medium for artists of any skill level. You'll find 25 unique tutorials for creating enchanting relaxing artwork. Pieces are organized from beginner-like a jam jar of wildflowers-to advanced-like a twilight owl scene-so you can grow in confidence and expertise as you paint through each chapter. The book includes a thorough introductory section covering everything you need to get started: choosing and mixing colors, handling paint, selecting brushes and mastering basic techniques. Let your creativity soar from riverbed to treetop and beyond with this gorgeous guide to gouache.

A practical guide to painting nature's flora and fauna from award-winning botanical painting authors Meriel Thurstan and Rosie Martin. Recording the wildlife that surrounds us is an age-old art. The authors, in collaboration with the Eden Project, show us how to accurately and beautifully capture the natural world on canvas and make the most of the revival of this art form. Step by step, they take you through the whole process of capturing the essence of some of the most beautiful things on earth. From dinosaur skeletons and fossils to birds, butterflies and frogs. Learn how to paint the subtle scales on a fish, the iridescence of a feather or the lustre on a shell. The authors take you through the full range of skills and techniques you need to undertake natural history drawing and painting. Key techniques are explained with practical step-by-step demonstrations. Beautiful illustrations by the authors are featured throughout and will inspire you and illuminate the techniques you are learning. Painting Nature's Details is a stunning book on an art form that is fast becoming the new botanical illustration.

Connecting Renaissance humanism to the variety of "critical posthumanisms" in twenty-first-century literary and cultural theory, Renaissance Posthumanism reconsiders traditional languages of humanism and the human, not by nostalgically enshrining or triumphantly superseding humanisms past but rather by revisiting and interrogating them. What if today's "critical posthumanisms," even as they distance themselves from the iconic representations of the Renaissance, are in fact moving ever closer to ideas in works from the fourteenth to the seventeenth century? What if "the human" is at once embedded and embodied in, evolving with, and de-centered amid a weird tangle of animals, environments, and vital materiality? Seeking those patterns of thought and practice, contributors to this collection focus on moments wherein Renaissance humanism looks retrospectively like an uncanny "contemporary"-and ally-of twenty-first-century critical posthumanism.