The book showcases 75 beautiful words evocative of the wild, from all around the world, that describe natural happenings in nature. It includes words that describe weather, or a feeling you have when in nature as well as sensory words that explain the smell or sound of a place. The words used to express what is seen in the world are vital to an appreciation of it - language is a key component in the call of the wild. As words vanish from a language, it follows that what they describe may disappear. Words deepen understanding of what is seen, and what is seen comes more vividly to life through the words used to describe it. As the natural world and the time spent in it diminish in the face of modern life, it's more vital than ever to recall it into being with the magic of language. Each of the 75 words will have a 100-word description, including its pronunciation, a geographical/historical/cultural background, as well as reflecting on the emotional/mindful response the natural phenomenon can inspire. Each word will be paired with an illustration Examples of words: Mangata. Sweden. Noun. The path of light that the moon makes on water. Sugar weather. Canada. Noun. A period of warm days and cold nights - the perfect weather to start the sap flowing in maple trees. Rudenja. Lithuania. The way nature begins to feel as autumn takes hold and the vestiges of summer disappear. Komorebi. Japan. Noun. Beams of sunlight filtering down through the trees.

The nineteenth century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Theodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers, and critics who surrounded the artist. Simon Kelly argues for the pioneering role of Rousseau, his patrons, and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book offers fresh insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's oeuvre, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.

In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753-1828) harnessed this newfound interest by assembling the most comprehensive illustrated guide to nature of his day.

"A General History of Quadrupeds," first published in 1790, showcases Bewick's groundbreaking engraving techniques that allowed text and images to be published on the same page. From anteaters to zebras, armadillos to wolverines, this delightful volume features engravings of over four hundred animals alongside descriptions of their characteristics as scientifically understood at the time. "Quadrupeds "reaffirms Bewick's place in history as an incomparable illustrator, one whose influence on natural history and book printing still endures today.

This is the story in pictures of Atlantic City, the iconic American shore resort, as it emerges from its latest crisis. The city of 40,000 people has been through many transformations in its history: 19th-Century health retreat, Prohibition-Era speakeasy, mid-century nightclub hub and East Coast gambling Mecca. The near-depression of the late 2000s and increasing competition from the spread of gambling across the country upended many schemes of casino impresarios and other developers. Many blocks of the city were leveled for casinos that never opened. The rate of defaults on home loans was the highest in the nation for a time. At the lowest point of the financial crisis the State of New Jersey took over the city's finances. Now it seems the tables may have begun to turn. These pictures are an attempt to capture the city and the people who live there.

Blue Ridge Dreaming celebrates the magic and drama of one of the most breathtaking landscapes in the United States. When New York native Mike Poggioli moved to Asheville, North Carolina, he traded in cityscapes for the towering peaks, lush forests, and sparkling rivers of the Blue Ridge Mountains. His moody, dreamy landscapes follow golden light and delicate fog through the changing seasons with his distinctive color palette of oranges and blues. Home to the country's two most popular national parks - the Blue Ridge Parkway and Great Smoky Mountains National Park - the Blue Ridge area has fascinated nature lovers for centuries with its beauty. Let Mike Poggioli and Blue Ridge Dreaming transport you to this gorgeous terrain.

This step-by-step guide shows aspiring artists how to capture the essence of their favourite animals from around the world using a range of drawing media and techniques. This book will guide artists towards their own style of animal drawing so that they become confident in their own abilities.

This beautifully illustrated book is the first practical step-by-step guide to using coloured pencils in botanical painting and is written by Ann Swan, one of the top exponents of the genre. Water-soluble and oil-based coloured pencils are becoming increasingly popular for botanical painting as they are easier to use than traditional watercolour and are more forgiving, yet they produce the same stunning effects. They are especially suitable for the accuracy needed to paint in the botanical style of illustration. In this book Ann Swan gives helpful advice on all aspects of working with coloured pencils, including the techniques you will have to master - underpainting, layering and burnishing. She also demontrates how to mix and build up colour, and how to add those finishing touches that will complete your painting successfully. Several full step-by-step demonstrations are included to show how these techniques are put into practice. The book concludes with a gallery of coloured pencil works by the author, students of botanical painting and other professional botanical painters, providing a wonderful source of reference and inspiration.

There is a vast collection of Indian natural history drawings in the Library of the Natural History Museum, London. Spanning a period of more than two hundred years, from the eighteenth to the twentieth centuries, they depict the rich variety of animals, birds and insects to be found in India and the magnificent flora of the different regions. The Art of India presents many of these beautiful images, from fine botanical and zoological illustrations through to depictions of colourful artefacts and trinkets purchased in local markets. The artworks originate from a variety of sources that include individual artists and collectors, as well as organised studies of Indian natural history in the pursuit of science, commerce and politics. They were produced by European and Indian artists who worked to advance the understanding of Indian natural history by recording, describing, classifying and naming the flora and fauna of the country.

A unique guide that will teach complete beginners how to paint a beautiful floral watercolour in just one weekend. Beginners recognise that they need to acquire basic painting skills - but at the same time they are eager to produce their first finished painting. This popular 'weekend' formula allows them to do both in a limited amount of time - to build skills gradually and to produce an attractive, frameable painting that they can hang on their walls by the end of the weekend. The author starts by introducing the materials required, and then leads readers through a series of watercolour technique exercises designed to provide a basic grounding in the skills needed for this subject area. This instruction is followed by six weekend projects for painting a range of popular floral subjects: a single flower; a group of white flowers; an indoors still life; an outdoors close-up; autumn flowers; and wild flowers in the landscape. Each course starts with practice exercises to be completed on the Saturday; readers are then ready to complete the full watercolour painting on the Sunday. Clear instructions accompany step-by-step photographs throughout, and technical information is given in special feature boxes.

Through words and photographs, environmental scientist Gretchen C. Daily and photographer Charles J. Katz describe how one relict tree-the magnificent Ceiba pentandra in Sabalito, Costa Rica-carries physical and spiritual importance. The people in the town of Sabalito call the tree la ceiba, a term said to be derived from a Taino word referring to a type of wood used for making canoes in the West Indies. Ceiba evokes times and places where people hollowed out the great cylindrical trunks and glided along languid rivers winding through lush tropical forest. Today the tree is known by different names in regions ranging from southern Mexico and the Caribbean to the southern edge of the Amazon Basin and in western Africa. The ceiba has survived what is probably the highest rate of tropical deforestation in the world. It is a legendary and vital tree in centuries-old forests in places like Costa Rica that were once almost completely forested (98 percent in the mid-twentieth century) and decades later have suffered devastating deforestation (34 percent by 1980). One Tree grew out of a conversation between photographer Chuck Katz and acclaimed ecologist Gretchen Daily about the relict tree-a single tree that remains standing in a pasture, for example, after the forest has been cleared from the land, and takes on iconic importance for the animals, plants, and people in the ecosystem. During a trip the authors took to Costa Rica, Katz focused his lens on the ceiba and a story was born. In descriptive language interwoven with scientific fact, Daily discusses the tree's historical and natural history and the ceiba species in general. She touches on the science of the Costa Rican rainforest and its deforestation and the cultural traditions, legends, and folklore of forests and relict trees. Katz's photographs of the massive tree and the village that takes care of it create an intimate work celebrating the visual and biological intricacies of trees.

This book contains lessons that are developed in a basic step-by-step process that builds in complexity. All demonstrations feature the delicate, exquisitely rendered, botanically accurate work of the author. A thorough immersion in the art of botanical drawing, this book will attract both aspiring and more experienced artists seeking scientific accuracy and the illusion of 3-dimension in their botanical artwork. Based on author Wendy Hollender's classroom demonstrations at the New York Botanical Garden, "Botanical Drawing in Color" is grounded in the basic principles of drawing as they apply to the botanical forms of plants and flowers. Coloured pencil techniques and colour theory are introduced to help artists create realistic forms and naturalistic colours. An emphasis is placed on close observation of plants and their life cycle, so that readers can deepen their understanding of the natural world.

Raphael Ritz (1829-1894) is one of the most important artists to have emerged from the Swiss canton of Valais. In the 1850s, Ritz, who later became famous as the "Raphael of the Alps," studied at the renowned Academy of Art in Dusseldorf, Germany, and perfected his technique in the genre of mountain painting, which focuses on the relationship between landscape and man. Ritz, who felt a strong connection to his roots, created landscape idylls in faraway Dusseldorf for an audience that appreciated regional peculiarities. At times with a touch of irony, he put his works at the service of a modern effort to illustrate the timeless character of everyday life. This new monograph looks at the work of the Valais-born artist beyond national borders and frames it in both the Swiss and international artistic contexts of the time. Ritz's correspondence with his father, Lorenz Justin Ritz, who was a painter as well, is also comprehensively examined for the first time: it constitutes an important testimony to his artistic self-discovery. Selected photographs by Swiss contemporary artists from the museum's collection show the Valais of today and establish a connection between Ritz's ethnographic view of his own origins and the present. Text in French and German.