A rich vein of the artist's mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cezanne (1839-1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cezanne's mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L'Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cezanne's other works; their critical interpretations; and their geological and corporeal associations. Faya Causey's essay examines the Provencal context of Cezanne's rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works. Distributed for the Princeton University Art Museum Exhibition Schedule: Princeton University Art Museum

This volume is dedicated to Bernardo Bellotto (1722-1780), grandson of Canaletto and protagonist of 18th century landscape painting. It explores the less investigated period of the Venetian painter's life, the one preceding the successful career undertaken in the European courts starting from 1747, the year in which he moved to Dresden. In the age of the Grand Tour, the eighteen year old Bellotto visited the great Italian art cities, leaving us with exceptional views that already reveal the peculiar characteristics and modernity of his painting. This book contains precious and rare works, among which are the ones related to the itinerary followed by the painter in Tuscany in 1740, and the series dedicated to the city of Lucca, coming from the British Library in London and the York Art Gallery, along with the views of Florence and Livorno. Edited by Bozena Anna Kowalczyk, one of the greatest scholars of Canaletto and Bellotto, the volume is divided into sections introduced by texts resulting from new and unpublished historical and archival research, and is completed by a documentary appendix, bibliography and indicies. Text in English and Italian.

In Birds, devout birder and ornithologist Roger J. Lederer celebrates the heyday of avian illustration in 40 artists' profiles, beginning with the work of Flemish painter Frans Snyders in the early 1600s and continuing through to contemporary artists like Elizabeth Buttersworth, famed for her portraits of macaws. Stretching its wings across time, taxa, geography, and artistic style - from the celebrated realism of American conservation icon John James Audubon, to Elizabeth Gould's nineteenth-century renderings of museum specimens from the Himalayas, to Swedish artist and ornithologist Lars Jonsson's ethereal watercolours - this book is a cornucopia of art and artists as diverse and beautiful as their subjects.

Let the art of nature and the magical kingdom of mushrooms inspire your own observations and writing with this beautiful softcover notebook. GREAT SIZE TO TAKE ON THE GO: With a 6" x 8" size, these portable notebooks are perfect use at home, school, the office, or on the go. INCLUDES 240 PAGES: Featuring collage art by Amy Ross, this high-quality notebook has plenty of space for you to collect your thoughts.

What is still life? We are familiar with the objects portrayed but have difficulty explaining the essence of this popular art form. Erika Langmuir examines the special fascination of still life, and what distinguishes it from other categories of painting. She discusses its evolution from the trompe l'oeil wall paintings of antiquity, through its revival in the age of Caravaggio and Velazquez, and again in the works of Cezanne and Picasso. Originally published as Pocket Guide Still Life, this eloquent survey benefits from a wider format, new reproductions, and updated references. Published by National Gallery Company/Distributed by Yale University Press

Mist and fog engender fascination and mystery, enticing with their wispy veils and vapourous moods, and they are the stuff of dreams and visions. 'The mists of time' and 'in a fog' are common expressions that substantiate the long association of mist and fog with the passage of time, the vagaries of memory and feelings of uncertainty. Mist and fog obscure, conceal and when they dissipate, reveal. Vapourous atmosphere in art and life masks evil and can elicit presentiments of death. It also has been used in art to convey the splendours of the spiritual world and the terrors of the supernatural. The metaphorical meanings that have accrued to mist and fog, encouraged by their indeterminate and transitory nature, and the emotions to which they give rise, are variously evident in the work of major artists and their contemporaries. This book focusses on mist and fog from the late eighteenth to the early twentieth centuries in the places they most proliferated. Examples of literature that employ mist and fog as metaphor and in allegory from antiquity to Joseph Conrad serve to amplify many of the paintings discussed.

How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region's creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542-1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel's encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel's writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.

Pepin Press Art Portfolios contain 8 high-quality art reproductions printed on 200 gsm watercolour paper or satin coated art paper. These papers are non-ageing, manufactured from chlorine-free pulp by FSC and PEFC certified mills. The prints are enclosed in hardback portfolio covers made of premium paperboard with inner end papers along with flaps for further protection. The portfolios have a high-quality cloth spine (made of rayon, a plant-based fiber) and a cotton ribbon closure. All images reproduced come from our own archives, except for the van Gogh and Monet volumes. In our selections we have sought to combine complimentary images, striking a balance between the familiar and those lesser known. Alongside traditionally famous images many uncommon but delightful drawings and prints can also be found.

Iceland's spectacular landscape is characterized by volcanism and abundance of water. Volcanoes, geysers, thermal springs, and lava fields are typical for the Nordic island state. This illustrated book shows over 350 images of glaciers, rugged peaks, weathered coastline, and Icelandic fjords.

The work of the artist couple Christo (1935-2020) and Jeanne-Claude (1935-2009) resists categorization. It is a hybrid of art, urban planning, architecture, and engineering, but above all an aesthetic uniquely their own: surreal and ethereal environmental interventions that have graced monuments, public parks, and centers of power alike. This compact book spans the complete career of the couple who were born on the very same day, met in Paris, fell in love, and became a creative team like no other. With rich illustration, it spans Christo and Jeanne-Claude's earliest projects in the 1950s right through to The Floating Piers, installed at Lake Iseo, Italy, in 2016. The book celebrates all of the couple's most famous environmental interventions, such as The Gates in New York's Central Park and the Wrapped Reichstag in Berlin, while also featuring early drawings and family photos unknown to the wider public. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

With the imagination of a writer and the eye of an artist, Michael Korda doodled on the backs of old manuscripts in his tackroom while his wife, Margaret, was out riding. They loved and acquired cats-a habit written about previously in their book, Cat People-and the few in residence at this time would serve as inspiration for the drawings. These are no ordinary cat illustrations, though. Korda's cats read newspapers and books; go ice skating in the small country town where they live; comfort Margaret's horse, Monty, after a stressful vet visit; sell fried mice at the Farmer's Market, and undertake (on paper, at least) whatever fanciful endeavours their keeper conjures up. The result is a collection of magical pieces, filled with joy, that represent a year in the life of a couple in love with one another, and certainly with their cats.

Join artist Sarah Simblet on an inspirational journey of discovery as she makes drawings of every type of plant. From the tiniest mosses to exotic flowers and majestic trees, this book shows how understanding botany will give your portraits of plants vibrancy and life. In Botany for the Artist, Sarah Simblet takes you on a personal tour of the kingdom of plants, encouraging you to observe them more closely and draw them more accurately. Complemented by beautiful photographs, Sarah's drawings reveal the structure of roots, stems, leaves, flowers, and fruits as she explains how plants breathe, feed, and produce fruits. If you have ever wondered how photosynthesis works, why leaves change colour in the autumn, or how seeds know when to grow, Botany for the Artist has all the answers. Step-by-step drawing classes and detailed pages from Sarah's sketchbooks guide you through all the techniques that you need to draw plants successfully. Masterclasses by famous artists - from Renaissance masters to contemporary illustrators - showcase different approaches to botanical illustration over the centuries. Botany for the Artist is a visual feast, not just for anyone wishing to master drawing plants, but for gardeners, photographers, and everyone who is passionate about plants and how they are portrayed in art.

Stylish retro travel posters bring to mind summer holidays, happiness and fun. Perennially popular as wall art, their strong designs and clean, flat colours are perfect for hobby artists to emulate. A complete guide to producing your own travel-poster art, this book includes guidance on composing a strong design, selecting colours to make sure your artwork pops, and adding lettering for a picture-perfect finished poster. Learn to create key poster elements such as clouds, skies, water and architecture, and discover how to add your own stylized lettering. There are six striking international projects to complete, or you can use your newfound skills to celebrate your own home town or treasured place. This book is packed with examples of Susie West's inspiring artwork and a short history of travel posters. Since 2015, Susie West has been working her way around the UK recreating the upbeat, retro charm of travel posters in the modern world. This book shares her techniques and secrets for producing fun, charming artwork. Suitable for beginners, this is a great way into art for those who want to develop their skills, or for experienced artists wanting to try something new.

A book of deeply personal and lush photographs, drawings, and writing, Blue Violet is Cig Harvey's celebration of the natural world and the senses. Blue Violet is a vibrant meditation on the procession of seasons, sensory abundance, and the magic in everyday life. Part art book, botanical guide, historical encyclopedia, and poetry collection, Blue Violet is a compendium of beauty, color, and the senses. Plants, flowers, and our experience of the natural world are the threads that tie this unique book together. Exploring the five senses, Blue Violet takes the reader on a personal journey through nature and the range of human emotions. As with her previous three titles - You Look At Me Like An Emergency, Gardening at Night, and You an Orchestra You a Bomb - this book invites the reader to pause, laugh, cry, create, and become more aware of the natural world. Images and text in a variety of forms (prose poetry, recipes, lists, research pieces, diagrams) focus on immediate experience to understand the vibrancy of the senses on memory and feelings.

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions. In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin. In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

Rudolph Zallinger's 110-foot (33.5-meter) fresca secco painting of The Age of Reptiles is one of the largest natural history murals in the world. Completed in 1947, it is an overview of prehistoric life told through the principal features and concepts of The Age of Reptiles. The mural has defined our view of the prehistoric world, and continues to teach, inform and spark the imagination of thousands of visitors that walk through the Yale Peabody Museum's Great Hall each year, as well as to admirers around the world over through countless reproductions in publications and textbooks. This second edition of the Peabody's guide to Zallinger's masterwork is a compilation of earlier material and new information-including Vincent Scully's classic essay on the mural's place in the history of art-contributed by the staff and scientists of the Yale Peabody Museum. Filled with full color illustrations throughout, the concealed spiral paperback includes updated descriptions and identifying illustrations of the animals and plants depicted in the mural keyed to a 12 page foldout full-color poster that is bound into the book. Distributed for the Yale Peabody Museum of Natural History