'This is a treasure ... Such a celebration of the wheel of the year' JACKIE MORRIS, CILIP Kate Greenaway winner of The Lost Words on The Hare and the MoonCatherine Hyde follows the journey of the bee and the sun in a calendar of glorious full colour paintings that celebrate the sensory delights of herbs and spices, seasoned with bee and plant lore. From the rising and setting of the Pleiades, from sunrise to sunset, the bee and the sun work in harmony, a miracle of nature, growth and new life. Beneath the shifting constellations, equinoxes and solstice markers, as the bee progresses from plant to flower, acclaimed artist Catherine Hyde pays tribute to the magic and mystery of nature. Snippets of ancient bee beliefs and plant folklore are complemented by paintings of ginger, cardamon, marjoram, vanilla, nutmeg, basil, juniper, lavender and many more delights. A book to treasure, and an ode to the wonder of nature.

You may be familiar with Old Master paintings; you may even be familiar with cats inserting themselves into Old Master paintings - but you've never seen them in three-dimensional pop-up form. Cats in Art: A Pop-up Book celebrates the work of Susan Herbert, whose paintings have been delighting the world since her very first collection, A Cats Gallery of Art, was published in 1990. Since then, her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from operas, Shakespearean plays and films, all with her trademark blend of humour and ability to capture those essential feline characteristics so instantly recognizable to cat lovers everywhere. In this new compilation of her work, six of the all-time best-known and loved works of art, spanning the 15th to the 19th centuries are transformed into three-dimensional form by renowned paper engineer Corina Fletcher. Each of these clever and charming feline tableaux is accompanied by engaging and lively text, telling a mini-story of the drama unfolding on the page.

Botanical and scientific illustration share many common themes - the meticulous observation, the crucial composition, the precision of rendering and the accuracy of colour are all intrinsic to this niche genre of art. In this beautiful book, Sarah Jane Humphrey explains the techniques of the botanical artist but also introduces ideas for scientific illustration, so that the illustrator has a fuller understanding when rendering the natural world. Detailed instruction on all aspects of illustration is given, from application and materials to research and field trips. There is practical advice on using monochrome and colour theory to bring your illustration to life. Illustrated with over 200 of the author's exquisite illustrations, it is an invaluable companion for both beginners and experienced artists, as well as a source of inspiration and joy.

"Whether you are an experienced birder or just learning natural history, this book will deepen your sense of place and open insights to beauty, wonder, and connection to the natural world."-John Muir Laws, author of The Laws Field Guide to the Sierra Nevada Now in paperback! This charming, full-color field guide to 25 birds easily found in Berkeley proves that even the city's avian residents are a little quirky. Meticulously detailed illustrations capture each bird's distinctive physicality and temperament. A Burrowing Owl faces you in a full head-on shot, perhaps having just raised its raspy, chattering alarm call as you trespass on its last remaining Bay Area foothold at the Marina. The Anna's Hummingbird gives you a coy backward glance to assess if you've properly admired its flashing throat feathers, maybe having just performed its signature J-shaped courtship dive. While descriptions of identification and vocalizations are straightforward, author-illustrator Oliver James takes a delightfully creative approach to his write-ups of each species. A joy to read and pore over, Birds of Berkeley will enchant readers far beyond the city limits with its findings gleaned from painstaking and patient wildlife observation.

This book explores American landscape painting today, its relevance in the contemporary art world, and its historic roots. This volume profiles sixty individual living artists whose contributions distinguish important aspects of the genre and address land use, nature appreciation, and ecology through landscape painting. Encompassing every style from traditional realism (with a contemporary edge) to abstraction and non-objectivity, these contemporary artists range from today's art stars to emerging or regionally recognized talent in the eastern, western, and southwestern regions of the nation. An additional chapter addresses urban landscapes nationally. The range of styles and reputations presented creates an encompassing survey of the trends and enduring elements in this genre of painting and the art market today.

A vibrant survey of visual culture in Golden Age Denmark (1801-1864) Following the disastrous outcome of the Napoleonic Wars and national bankruptcy, Denmark affected a remarkable cultural renaissance, spawning such major talents as Hans Christian Andersen, Soren Kierkegaard and Hans Christian Orsted. The Golden Age, roughly spanning the first half of the nineteenth century, produced defining images of a peaceful and ordered society as the emerging Copenhagen bourgeoisie asserted a taste for portraits, urban scenes and landscapes that embraced their lifestyles. Artists such as Christen Kobke and C. W. Eckersberg turned their attentions to the people, traditions and customs of their land, encapsulating the quintessence of this celebrated period of cultural richness. Danish Golden Age Painting examines the vital role played by the visual arts within the wider context of the era's social, political, intellectual, scientific, artistic and cultural achievements. Drawing on the best of established and contemporary Danish scholarship, it presents an innovative survey of Danish Golden Age art.

This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career Long celebrated as the quintessential New England regionalist, Winslow Homer (1836-1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas. Among these, The Gulf Stream (1899), often considered the most consequential painting of his career, reveals Homer's lifelong fascination with struggle and conflict. Recognizing the artist's keen ability to distill complex issues, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer's work resonates with the challenges of the present day. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 11-July 31, 2022) National Gallery, London (September 10, 2022-January 8, 2023)

A paleoartist is an illustrator who specialises in the science and art of reconstructing ancient animals and their world. In Dinosaur Art, ten of the top contemporary paleoartists reveal a selection of their work and exclusively discuss their working methods and distinct styles. Filled with breathtaking artwork - some never before seen - and cutting edge paleontology, this is a treasure trove for dinosaur enthusiasts, art lovers and budding illustrators.

Sacred presents photographs of locations cloaked in mysticism and imbued with a spiritual energy, exploring the meaning of the sacred in a global, multicultural context. Countless cultures have found it in the magnificence of nature and what can be called the divine gestures of the nature landscape. We looked to the majesty of snowcapped mountains, the glow of the full moon, the power of a magical waterfall, the endless sands of the Sahara Desert, the towering height of the tallest trees and the subtle essence of a lotus flower. We created remarkable buildings to the essence of what we felt to be sacred. What is sacred and what do cultures around the world consider sacred? What is sacred to a Muslim, a Tibetan monk, a Native American, a Christian elder, an atheist, a mountaineer, a poet or an artist? Chris Rainier has spent the last forty years in search of the sacred--from the peaks of Tibet to the icebergs of Antarctica, from the vibrant mysticism of India to the mysteries of the Silk Road, from the jungles of New Guinea to the druid stones of Scotland, and from the deserts of the Southwest United States to the rock art of aboriginal Australia and Africa. Rainier's photographs masterfully capture the wonder and awe inherent to all these sites. Sacred presents photographs from this lifelong journey. The collection offers spiritually driven glimpses of ancient monuments and haunting landscapes from around the world--each echoing with the energy of timeless and sacred power places. RENOWN PHOTOGRAPHER AND AUTHOR: Chris Rainier is a documentary photographer and National Geographic explorer who is highly respected for his documentation of endangered cultures and traditional languages around the globe. AWARD-WINNING PHOTOGRAPHY: Rainier was Ansel Adams last photo assistant and has contributed numerous photographs for the United Nations, UNESCO, Amnesty International, Conservation International, the Smithsonian Institution, CNN, BBC, NPR, National Geographic, TIME magazine, the New York Times, and LIFE magazine. CELEBRATED CONTRIBUTORS: Over twelve internationally recognized contributors discuss what sacred means to them and include British essayist and novelist Pico Iyer; ethnographer, writer, photographer, and filmmaker Wade Davis; and Pulitzer Prize winner and National Geographic Fellow Paul Salopek.

"Any landscape architect worth their soil should pick up The Architecture of Trees, an all-encompassing atlas of all things tree-related."-The Architect's Newspaper A 2019 Oprah's Favorite Things Pick A gorgeous, large format volume that shows each hand-drawn illustration in stunning detail. The Architecture of Trees is the result of over twenty years of dedicated study by landscape architects Cesare Leonardi and Franca Stagi. This new edition preserves the original magnificent illustrations and text, translated into English for the first time. Features more than 550 exquisite quill-pen drawings of trees. Each of the 212 tree species are drawn to a scale of 1:100, with and without foliage. Complete with tables of seasonal color variation and projections of shadows cast during the hours of daylight and season by season, no other tree book contains such detailed and scientific drawings. A legendary and unsurpassed botanical masterwork. Considered a standard in many landscape architecture firms, the drawings, essays, and detailed charts are essential for large scale landscaping projects and a helpful tool for backyard renovations. Landscape designers will think in new ways about the effect of seasons and the time of day on trees, and anyone interested in nature and trees will be captivated by the stunning illustrations. "This book could be considered the Bible for tree lovers."-Western Art & Architecture An incredible book for anyone interested in trees: * An oversized, captivating coffee table book for lovers of art and nature illustrations * A helpful tree identification book with accurate drawings of trees and detailed looks at branches, leaves, and fruit * A reference for students of landscape architecture, botany, dendrology, architecture, and illustration

Jarred by the 9/11 attacks, photographer Jack Spencer set out in 2003 "in hopes of making a few 'sketches' of America in order to gain some clarity on what it meant to be living in this nation at this moment in time." Across thirteen years, forty-eight states, and eighty thousand miles of driving, Spencer created a vast, encompassing portrait of the American landscape that is both contemporary and timeless. This Land presents some one hundred and forty photographs that span the nation, from Key West to Death Valley and Texas to Montana. From the monochromatic and distressed black-and-white images that began the series to the oversaturated color of more recent years, these photographs present a startlingly fresh perspective on America. The breadth of imagery in This Land brings to mind the works of such American masters as Edward Hopper, Grant Wood, Mark Rothko, and Albert Bierstadt, while also evoking the sense of the open roads traveled by Woody Guthrie and Jack Kerouac. Spencer's pictorialist vision embraces the sweeping variety of American landscapes-coasts, deltas, forests, deserts, mountain ranges, and prairies-and iconic places such as Mount Rushmore and Wounded Knee. Jon Meacham writes in the foreword that Spencer's "most surprising images are of a country that I suspect many of us believed had disappeared. The fading churches, the roaming bison, the running horses: Spencer has found a mythical world, except it is real, and it is now, and it is ours."

A bold, compelling, and original study of nonhuman life in Warhol. Like a Little Dog examines a dimension of Andy Warhol that has never received critical attention: his lifelong personal and artistic interest in nonhuman life. With this book, Anthony E. Grudin offers an engaging new overview of the iconic artist through the lens of animal and plant studies, showing that Warhol and his collaborators wondered over the same questions that absorb these fields: What qualities do humans share with other life forms? How might the vulnerability of life and the unpredictability of desire link them together? Why has the human/animal/plant hierarchy been so rigidly, violently enforced? Nonhuman life impassioned every area of Warhol's practice, beginning with his juvenilia and an unusually close creative collaboration with his mother, Julia Warhola. The pair codeveloped a transgressive animality that permeated Warhol's prolific career, from his commercial illustration and erotica to his writing and, of course, his painting, installation, photography, and film. Grudin shows that Warhol disputed the traditional claim that culture and creativity distinguish the human from the merely animal and vegetal, instead exploring the possibility of art as an earthy and organic force, imbued with appetite and desire at every node. Ultimately, by arguing that nonhuman life is central to Warhol's work in ways that mirror and anticipate influential texts by Toni Morrison and Ocean Vuong, Like a Little Dog opens an entirely unexplored field in Warhol scholarship.

The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media - paint, print, collage, textiles and ceramics. Work Book is the first collection of Hearld's beguiling art. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist's passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child's eyes.

Cats were first domesticated - or, more likely, noticed a warm fireside and chose to domesticate themselves - many thousands of years ago. Over the centuries they have performed a useful role as pest controllers, but much more as friends and companions of humans. Cats have always inspired writers and artists. They appear in Egyptian papyri and tomb paintings, in Roman mosaics, in Japanese prints, in Old Master drawings and engravings. At different times and places they have been worshipped, mummified, associated with superstition and black magic, and bred as domestic pets. This delightful illustrated anthology includes a selection of the many poems, anecdotes and quotations about cats which have been written over the centuries: the charming, the funny, the sad, the exasperated, and the heartfelt. In a fresh new paperback format with a selection of new images, this is an irresistible gift for anyone who likes cats.

When the gun smoke cleared, four men were found dead at the hardware store in a rural East Texas town. But this December 1934 shootout was no anomaly. San Augustine County had seen at least three others in the previous three years, and these murders in broad daylight were only the latest development in the decade-long rule of the criminal McClanahan-Burleson gang. Armed with handguns, Jim Crow regulations, and corrupt special Ranger commissions from infamous governors ""Ma"" and ""Pa"" Ferguson, the gang racketeered and bootlegged its way into power in San Augustine County, where it took up robbing and extorting local black sharecroppers as its main activity. After the hardware store shootings, white community leaders, formerly silenced by fear of the gang's retribution, finally sought state intervention. In 1935, fresh-faced, newly elected governor James V. Allred made good on his promise to reform state law enforcement agencies by sending a team of qualified Texas Rangers to San Augustine County to investigate reports of organized crime. In East Texas Troubles, historian Jody Edward Ginn tells of their year-and-a-half-long cleanup of the county, the inaugural effort in Governor Allred's transformation of the Texas Rangers into a professional law enforcement agency. Besides foreshadowing the wholesale reform of state law enforcement, the Allred Rangers' investigative work in San Augustine marked a rare close collaboration between white law enforcement officers and black residents. Drawing on firsthand accounts and the sworn testimony of black and white residents in the resulting trials, Ginn examines the consequences of such cooperation in a region historically entrenched in racial segregation. In this story of a rural Texas community's resurrection, Ginn reveals a multifaceted history of the reform of the Texas Rangers and of an unexpected alliance between the legendary frontier lawmen and black residents of the Jim Crow South.

Artists wishing to capture the excitement and power of the sea in their artwork will find this book invaluable. Judith Yates uses a mix of traditional and more experimental techniques to create her dynamic seascapes, all of which are explained in clear, step-by-step sequences, annotated examples and Judith's stunning artworks. With sections on colour, composition, and creating atmosphere, this book is a comprehensive approach to painting the tumultuous ocean with a mix of acrylics, watercolour and acrylic inks. Judith's varied, mixed media approach gives this book wide appeal to watercolour and acrylics artists looking to expand their creative horizons. This book demystifies all aspects of painting the sea, including details on the form and anatomy of a wave; bringing light, atmosphere and drama into the sky; and choosing colours to create a mood. It also provides a great source of inspiration to artists who are drawn to the sea as a subject for their own paintings.

In this interdisciplinary work, philosophers from different specialisms connect with the notion of the wild today and interrogate how it is mediated through the culture of the Anthropocene. They make use of empirical material like specific artworks, films and other cultural works related to the term 'wild' to consider the aesthetic experience of nature, focusing on the untamed, the boundless, the unwieldy, or the unpredictable; in other words, aspects of nature that are mediated by culture. This book maps out the wide range of ways in which we experience the wildness of nature aesthetically, relating both to immediate experience as well as to experience mediated through cultural expression. A variety of subjects are relevant in this context, including aesthetics, art history, theology, human geography, film studies, and architecture. A theme that is pursued throughout the book is the wild in connection with ecology and its experience of nature as both a constructive and destructive force.

*One of The Times Best Art Books of the Year* 'Looking to Sea is a remarkable and compelling book... I loved it.' Edmund de Waal 'In her first, transporting book, Lily Le Brun sweeps the beaches of the past century of British art, collecting treasures from sea, shingle and shore... A book to pack in your picnic basket for shivering dips, heatwave day trips and ice-cream Sundays' The Times An alternative history of modern Britain, Looking to Sea is an exquisite work of cultural, artistic and philosophical storytelling. Looking to Sea considers ten pivotal artworks, from Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s, which raised controversial questions of class. Each of the startlingly different pieces, created between 1912 and 2015, opens a window onto big ideas, from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. In this astonishingly perceptive portrait of the twentieth century, art critic Lily Le Brun brings a fresh eye to a vast idea, offering readers an imaginative new way of seeing our island nation. 'Le Brun's writing is at once bold and delicate, far-reaching and fine-tuned. Her book explores the inexhaustible variety of human perception.' Alexandra Harris 'A smart and clear-eyed set of meditations on marine gaze, made with a painterly touch worthy of the chosen artists. Empathy and intelligence lift memoir into cultural history.' Iain Sinclair

A longtime favourite getaway for America's most influential families, Cumberland Island, off the Atlantic coast of Georgia, offers breathtaking white-sand beaches, rolling dunes, old-growth oak forests, and salt marsh tidal estuaries. At the centre of it all is a population of horses that has thrived, untouched for generations, within this serene sanctuary. In Wild Horses of Cumberland Island, photographer Anouk Masson Krantz has captured the dramatic scenery and majestic horses as they have never been seen before. Her images show the remarkable animals in their naturally diverse ecosystems. A lone horse on a distant beach; four creatures peacefully grazing; a shy animal peering over its shoulder from a brushy thicket - Krantz's portfolio, built over the last decade, is an intimate reflection not only of Cumberland Island's exceptional beauty and spirited horses, but of the history and the safekeeping that have allowed both to flourish. This second edition includes many new images and showcases Krantz's expansive body of work that reflects the remarkable majesty of these horses as they continue to roam across this remote island landscape.

The British Museum's vast collections include wonderful images of birds from all over the world. Some are primarily decorative, whereas Thomas Bewick and the Japanese artist Kitagawa Utamaro chose to show birds in realistic detail, going about their daily lives. Other artists concentrate on scientific accuracy. The endless variety of birds, their freedom of sky, land and water, and especially their song have also inspired writers through the ages. Each striking image in this beautiful anthology is matched with a poem about the same species. Some were composed by our best-loved writers - including Shakespeare, Chaucer and Tennyson - and others have been selected from less familiar or even anonymous voices around the world. Now in a fresh new paperback format, this is an irresistible gift for anyone who loves birds.

The Story of Trees takes the reader on a visual journey from some of the earliest known tree species on our planet to the latest fruit cultivars.

The chosen trees have all had a profound effect on the planet and humankind. Starting with the Ginkgo biloba, fossils of which date back 270 million years, we learn about how trees came to be integral to the development of our species and how specific trees have become important religious, political and cultural symbols.

With beautiful illustrations by Thibaud Herem and fascinating botanical facts and figures, this book will appeal to tree lovers from all over the world.