Photographer Bill Lea?known for his artistic documentation of deer and bear behavior, the various moods of the Great Smoky Mountains, and southern ecosystems?has captured in stunning photographs the essence of Great Smoky Mountains wildlife. From rare red-cheeked salamanders, ruby-throated hummingbirds, and playful otters to graceful whitetails, regal elk, and inquisitive black bears, Great Smoky Mountains Wildlife Portfolio is more than a collection of beautiful wildlife photography; it is an inspired and sensitive tribute to one of the world's most spectacular landscapes and the wide variety of unique creatures that reside there.

The Impressionists are world renowned for their vibrant depictions of the atmospheric effects and shimmering beauty of the French countryside. These paintings, often produced in Paris, found an enthusiastic market in the city. The inhabitants of that hub of modernity had an apparently paradoxical interest in the mythologies of rural living. As the city became more and more the motive force of social change so the country was understood as the anchor of changelessness and nostalgia. The essayists in this volume examine the complex relationship between country and city. Their work draws widely on the contemporary culture exploring folklore and children's literature, anarchism and urbanism, and offers significant new insights into the work of major artists and writers including Courbet, Millet, Monet, Van Gogh and Zola.

Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry.

Renowned botanical artist and professional gardener, Carolyn Jenkins combines her love of art and gardening to create stunning compositions (often very different from traditional botanical painting) with vibrant colours that leap from the page.The first part of this book - Botanical: Grow - explores time well-spent in the garden and covers much of the traditional details of botanical painting, from observation to capturing light, colour and texture. The second part - Contemporary: Paint - explores how Carolyn works with photography, using the computer to help with crop and composition, achieving maximum impact and creating luminous paintings that shine from the page. Her stunning illustrations are full of vibrant colour, and her larger-than-life artworks have gained an enthusiastic following on Instagram.This practical guide contains all the techniques and practice you need to create beautiful botanical art, plus step-by-step photography, crop, composition and photoshop demonstrations, to bring luminous colours, textures and impact to your own work.

Draw Like an Artist: 100 Flowers and Plants is a must-have visual reference for student artists, botanical illustrators, urban sketchers, and anyone seeking to improve their realistic drawing skills. This comprehensive book features 600-plus step-by-step sketches depicting a vast array of beautiful botanicals, florals, plant structures, and more. Each begins with simple shapes and lines and builds on those forms, adding details like flower centers, leaf veins, and petal shading, and ending with a finished drawing. Helpful drawing tips are also included. Designed as a contemporary guidebook for artists who want to draw botanical forms, Draw Like an Artist: 100 Flowers and Plants shows flower blossoms, leaves, and plants from a variety of perspectives. By following the guides, artists will become more skilled and confident in their ability to draw any flower or greenery. Among the botanicals featured are: Tropical florals such as plumeria, protea, and African violet Hanging and vine blooms, including wisteria and morning glory Birch, white oak, gingko, and maple leaves Plants with interesting shapes, such as cactus, zebra grass, and bamboo Author Melissa Washburn is a skilled illustrator whose clear and elegant drawing style will make this a go-to sourcebook for years to come. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

These interdisciplinary essays focus on animals as symbols, ideas or images in medieval art and literature. Representing the broad spectrum of work in the field, contributors discuss how the bestiary mirrored values of medieval society, explore the the development of composite creatures in the bestiary, and examine the Greek text Physiologus in depth.

This is the definitive instructional guide to the art of botanical illustration, published in association with The Society of Botanical Artists and featuring detailed step-by-step demonstrations by members of the Society. Botanical illustration has been a popular art form for many centuries, with its appealing traditions of detail and beauty. This beautifully illustrated book covers all aspects of the subject and is an essential book for all serious students of botanical painting. The book includes useful information about materials, basic plant anatomy, flower and leaf shapes, and then explores the techniques for drawing and coloured pencil work, as well as painting with watercolour and gouache. Subjects include exotic and common plants, flowers, fruit and vegetables, as well as flowers in the garden. Packed with step-by-step demonstrations and stunning illustrations, this is an inspiring, practical guide, as well as a visual treat.

The secrets to creating stunning landscapes are at your fingertips with Digital Mayhem 3D Landscapes Techniques. Compiled by Duncan Evans, launch Editor of 3D Artist Magazine, Digital Mayhem features a variety of beautiful art from some of the finest digital artists working today. Inspiration and technique meet here as you learn how to create every type of landscape from harsh desert savannahs to icy tundra. Using a blend of showcase images, step-by-step and long-form tutorials, you will be guided through the featured artist's process so you can incorporate their techniques and workflow into your own projects. Not just another button-pushing manual or coffee table book, Digital Mayhem will help develop your critical eye for composition, choice of camera lens, lighting, rendering, and post production, allowing you to work more intuitively. With insight from some of the best digital artists in the world, Digital Mayhem will have you creating your own masterpiece in no time! Unique coverage on a variety of software allows you to hone your skills across different platforms. Illustrious and colorful artwork coupled with artist insight will both inspire and inform your creative decisions. Comprehensive companion website offers additional resources for you to further expand your skillset.

Identifying a beautiful image in nature is easy, but capturing it is often challenging. To truly seize the essence of a photograph shot out of the studio and in the world requires an artistic eye and impeccable set of photographic techniques. John and Barbara Gerlach have been teaching photographers how to master the craft of photographing nature and the outdoors through their workshops and best-selling books for more than twenty years. Now, equipped with brand new images to share and skills to teach, this celebrated photo team is sharing their latest lessons in the second edition of Digital Nature Photography. Notable revisions in this new edition include introducing the concepts of focus stacking and HDR, as well as expanded discussions of multiple exposure, wireless flash, RGB histograms, live view, shutter priority with auto ISO, hand-held shooting techniques, and the author's equipment selections. The inspiring imagery in this book covers a broader range of subjects than before including ghost towns, the night sky, animals, and sports, in addition to the classic nature photographs we expect from this very talented author team. This book is a comprehensive guide to one of the broadest subjects in photography, explained and dymystified by two respected masters.

Let the art of nature and the magical kingdom of mushrooms inspire your own observations and writing with this beautiful softcover notebook. GREAT SIZE TO TAKE ON THE GO: With a 6" x 8" size, these portable notebooks are perfect use at home, school, the office, or on the go. INCLUDES 240 PAGES: Featuring collage art by Amy Ross, this high-quality notebook has plenty of space for you to collect your thoughts.

A longtime favourite getaway for America's most influential families, Cumberland Island, off the Atlantic coast of Georgia, offers breathtaking white-sand beaches, rolling dunes, old-growth oak forests, and salt marsh tidal estuaries. At the centre of it all is a population of horses that has thrived, untouched for generations, within this serene sanctuary. In Wild Horses of Cumberland Island, photographer Anouk Masson Krantz has captured the dramatic scenery and majestic horses as they have never been seen before. Her images show the remarkable animals in their naturally diverse ecosystems. A lone horse on a distant beach; four creatures peacefully grazing; a shy animal peering over its shoulder from a brushy thicket - Krantz's portfolio, built over the last decade, is an intimate reflection not only of Cumberland Island's exceptional beauty and spirited horses, but of the history and the safekeeping that have allowed both to flourish. This second edition includes many new images and showcases Krantz's expansive body of work that reflects the remarkable majesty of these horses as they continue to roam across this remote island landscape.

This title was first published in 2003. Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 60s. A prominent St Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo; his work also has affinities with abstract expressionism. Lanyon's career started just as the study of drawing was being liberated from 19th-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this study, Margaret Garlake explores Lanyon's theory and practice of drawing; the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.

The Lark Ascending, Ralph Vaughan Williams' 'pastoral romance for orchestra' was premiered on 14 June, 1921. Over the course of the twentieth century this piece of music, perhaps more than any other, worked its way into the collective consciousness to seemingly define a mythical concept of the English countryside: babbling brooks, skylarks, hayricks. But the birth and legacy of the composition are much more complex than this simplified pastoral vision suggests. The landscape we celebrate as unsullied and ripe with mystique is a living, working, and occasionally rancorous environment - not an unaffected idyll - that forged a nation's musical personality, and its dissenting traditions.

On a chronological journey that takes him from postwar poets and artists to the late twentieth century and the free party scene which emerged from acid house and travelling communities, Richard King explores how Britain's history and identity has been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and The Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape.

Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.

Following in the success of internationally acclaimed artist Hunt Slonem, Butterflies is the third book in his art/nature series, following Bunnies and Birds (also published by G Editions). This is an extraordinary presentation in terms of the oversized format, vast amount of artworks included, five-color printing throughout, a ribbon marker, edging on the three exterior sides of the book block, and an acetate jacket that can be removed so that consumers can have a "painting" without text on their coffee table. It is important to note that Butterflies follows two very successful publications that are mainstay collaborations between author and publisher. According to Tank Magazine: "Hunt Slonem is unabashedly in love with his subjects...and it shows."

Birds & Words is a true reflection of Charley Harper, that rare species of a man with twinkling eyes and smile, with wit as infectiously keen and light-hearted as his paintings. Harper the humorist is as captivating in the self composed stories that accompany his serigraphs as Harper the artist. This boxed reissue of the highly collectible 1974 classic is perfect for every bird lover, art collector and Charley Harper fan alike. Specially made cloth wrapped boxes open to reveal a numbered cloth bound book and one of four beautiful silk-screen prints, each estate stamped and hand numbered. A perfect gift for any occasion.

Artists wishing to capture the excitement and power of the sea in their artwork will find this book invaluable. Judith Yates uses a mix of traditional and more experimental techniques to create her dynamic seascapes, all of which are explained in clear, step-by-step sequences, annotated examples and Judith's stunning artworks. With sections on colour, composition, and creating atmosphere, this book is a comprehensive approach to painting the tumultuous ocean with a mix of acrylics, watercolour and acrylic inks. Judith's varied, mixed media approach gives this book wide appeal to watercolour and acrylics artists looking to expand their creative horizons. This book demystifies all aspects of painting the sea, including details on the form and anatomy of a wave; bringing light, atmosphere and drama into the sky; and choosing colours to create a mood. It also provides a great source of inspiration to artists who are drawn to the sea as a subject for their own paintings.

Drawing with graphite and coloured pencils enables the artist to capture every detail of a plant, and to enjoy, study and celebrate their wonderful forms. Whether the illustration is a striking monotone or vibrant with colour, pencils give you absolute precision. The book, written and illustrated by an award-winning botanical artist, introduces and explains the drawing skills behind the art. Each chapter concentrates on a different aspect of the plant, working upwards from the root system to include the stem, leaves, flowers and fruit. Fungi have also been included due to their close association with plants. Topics covered include: techniques on using graphite and coloured pencils; practical help on lighting, posture and keeping plants fresh; instruction on composition, colour charts and mixing; advice on portraying texture and hairs, and achieving bloom on fruit and finally, simple explanations of botany to aid the artist's understanding. With tips and advice throughout, the techniques are supported by step-by-step projects, clear exercises and over 300 colour illustrations.

Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.

Focusing on three celebrated northern European still life painters"Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem"this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.

The Royal Botanic Garden Edinburgh is one of Scotland's most visited tourist attractions and has been cultivating and studying plants for over three centuries. Across its four garden sites, the Royal Botanic Garden's living plant collection contains over 13,500 species from 156 countries, including some that are extinct in the wild and others new to science. The ever-growing Herbarium currently contains over three million dried specimens and the Library houses Scotland's national collection of botanical and horticultural literature, including manuscripts dating back to the fifteenth century. The highlights illustrated in this book provide a personal insight into one of the world's greatest botanic gardens and reveals the invaluable contribution that it makes to the ongoing documentation and conservation of the world's diverse plant life.