In the history of art, animals were the very first subject, as evidenced by the nearly 20,000 year old cave paintings at Lascaux. The human impulse to depict and capture the essence of animals underscores the importance of animals to human lives. For some artists, the evolutionary link between humans and other mammals is most compelling, and their choice of mammals as subject speaks to each artist's personal concerns. From traditional works to the fantastical, from sporting art to kitsch, the nearly 100 U.S. and international artists included hope to combine their own magic with the natural spirit of animals in their work. Over 500 of their pieces are represented here in stunning, full-color photographs. This elegant collection honors the artistic connection and age-old totemic relationship between animal and human. Herein lies the conversation between the spirit of the animal and the mind of the maker.

Thomas Bewick wrote A History of British Birds at the end of the eighteenth century, just as Britain fell in love with nature. This was one of the wildlife books that marked the moment, the first 'field-guide' for ordinary people, illustrated by woodcuts of astonishing accuracy and beauty. But it was far more than that, for in the vivid vignettes scattered through the book Bewick drew the life of the country people of the North East - a world already vanishing under the threat of enclosures. In Nature's Engraver: The life of Thomas Bewick, Jenny Uglow tells the story of the farmer's son from Tyneside who revolutionised wood-engraving and influenced book illustration for a century to come. It is a story of violent change, radical politics, lost ways of life and the beauty of the wild - a journey to the beginning of our lasting obsession with the natural world. Nature's Engraver won the National Arts Writers Award in 2007. Jenny Uglow is the author of, among others, A Gambling Man: Charles II and the Restoration, which was shortlisted for the 2010 Samuel Johnson Prize, Lunar Men and In These Times. 'The most perfect historian imaginable' Peter Ackroyd

Susan Herbert's delightful feline reimaginings of famous scenes from art, theatre, opera, ballet and film have won her a devoted following. This unprecedented new compilation of her best paintings provides an irresistible introduction to her feline world. An array of cat characters take the starring roles in a variety of instantly recognizable settings. The masterpieces of Western art retain their distinctive styles while being cleverly filled with furry faces and pussycat tails. Cats then take to the stage in Shakespearean dramas and lavishly staged opera productions. The final stop is Hollywood, where cats are cast in everything from big-budget epics to cult classics, emulating the timeless glamour of the golden age of cinema. From Botticelli's Birth of Venus through Puccini's Tosca to James Dean and Lawrence of Arabia, Susan Herbert's brilliantly observed feline dramatis personae are a joy to discover.

In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources - including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs - Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.

In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven chapters, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the blurred boundaries between nature and the human. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk.

The jewel-like watercolours of renowned Irish botanical artist Wendy Walsh portray a personal selection of about 100 plants that grow wild in Ireland or are cultivated in Irish gardens. Presented in 33 thematic sections,Walsh's subjects range from well-loved and distinctive native plants to exotic species introduced from the New World and Asia, unusual plants that grow in some of the most extreme environments in Ireland, and striking hybrids created by plant breeders. Lively and accessible horticultural descriptions by distinguished botanist E. Charles Nelson accompany the paintings, celebrating the story of each plant along with its natural beauty. The great gardens, famous plantsmen, fascinating journeys and natural phenomena that have shaped the flora of Ireland spring to life in Dr Nelson's engaging text. This elegant and unconventional guide will kindle the imagination of any plant lover or admirer of the Irish landscape.

The very best photographs from Bird Photographer of the Year. The Bird Photographer of the Year competition celebrates the artistry of bird photography, and this beautiful book reflects this. A celebration of avian beauty and diversity, it is a tribute to both the dedication and passion of the photographers as well as a reflection of the quality of today's modern digital imaging systems. The book includes the winning and short-listed images from the seventh year of this annual competition, showcasing some of the finest bird photography and with a foreword by birdwatcher and explorer, Steve Backshall. A proportion of the profits from the book goes directly to Birds on the Brink to support their conservation work. The advent of digital technology has revolutionised photography in recent years, and the book brings to life some of the most stunning bird photography currently on offer. It features a vast variety of photographs by hardened pros, keen amateurs and hobbyists alike, reflecting the huge diversity of bird enthusiasts and nature lovers which is so important in ensuring their conservation and survival.

100 Japanese Gardens is an ambitious attempt to profile the finest gardens in Japan, while also highlighting lesser known, but equally accomplished landscapes in less-visited parts of the country. A celebration of Japanese landscape design, this book features gardens from Kyoto and Tokyo, as well as from the sub-arctic island of Hokkaido and the semi-tropical islands of Okinawa. Author Stephen Mansfield travelled the length and breadth of Japan on a quest to identify the most impressive gardens in this vast and culturally varied archipelago. His erudition and love of the Japanese garden shines through on every page, making this the perfect primer for travel to Japan or an enjoyable armchair read for gardening enthusiasts. Mansfield's insightful descriptions of each garden examine design concepts and principles, space management, compositional elements, and the iconographic and metaphysical role of Shinto and Buddhist influences. Through his exquisite visuals and engaging stories, we experience Japanese garden designs not merely as landscapes, but as large-scale art installations.

Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology, yet there has been little consensus about how to understand the relationship between landscape and art. This book brings together more than fifty scholars from these multiple disciplines to establish new ways of thinking about landscape in art.

Rousham in Oxfordshire was one of the first landscape gardens created in England and is, still, one of the most influential. Designed by William Kent in the late 1730s for the Cottrell-Dormer family (who are its owners today) it has become a place of pilgrimage for landscape architects and garden designers worldwide as well as garden lovers. Its magical glades and sculptural set-pieces have long intrigued Francis Hamel, who has lived and worked there for 25 years. Since the beginning of 2020 he has composed an extraordinary collection of paintings that capture the gardens and their magic. With essays by Tom Stuart-Smith, Joanna Kavenna and Christopher Woodward, the reader is led down its mysterious pathways; from tree-shaded walks peopled with statues of Pan, Venus and other immortals to sun-dappled meadows carpeted with wild flowers. It is just as Kent left it- a secret garden that is open to all.

In Neo-Impressionism and Anarchism in Fin-de-Siecle France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elisee Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

Learn how to make the most of nature in on-location drawings and paintings with artists and Urban Sketcher educators Gail L. Wong and Virginia Hein. In The Urban Sketching Handbook Spotlight on Nature, Gail and Virginia share their secrets for getting beyond basic greenery. Presenting a variety of approaches, including detailed step-by-step examples and quick, insightful tips, this book explains and clarifies important fundamentals for composition and color and inspires unique treatments and points of view. Whatever your skill level, you can bring nature to life on the page for urban parks as well as expansive landscapes with The Urban Sketching Handbook: Spotlight on Nature. The Urban Sketching Handbook series offers artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format-perfect to toss in your backpack or artist's tote.

Photographer Bill Lea?known for his artistic documentation of deer and bear behavior, the various moods of the Great Smoky Mountains, and southern ecosystems?has captured in stunning photographs the essence of Great Smoky Mountains wildlife. From rare red-cheeked salamanders, ruby-throated hummingbirds, and playful otters to graceful whitetails, regal elk, and inquisitive black bears, Great Smoky Mountains Wildlife Portfolio is more than a collection of beautiful wildlife photography; it is an inspired and sensitive tribute to one of the world's most spectacular landscapes and the wide variety of unique creatures that reside there.

The Impressionists are world renowned for their vibrant depictions of the atmospheric effects and shimmering beauty of the French countryside. These paintings, often produced in Paris, found an enthusiastic market in the city. The inhabitants of that hub of modernity had an apparently paradoxical interest in the mythologies of rural living. As the city became more and more the motive force of social change so the country was understood as the anchor of changelessness and nostalgia. The essayists in this volume examine the complex relationship between country and city. Their work draws widely on the contemporary culture exploring folklore and children's literature, anarchism and urbanism, and offers significant new insights into the work of major artists and writers including Courbet, Millet, Monet, Van Gogh and Zola.

Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry.

Renowned botanical artist and professional gardener, Carolyn Jenkins combines her love of art and gardening to create stunning compositions (often very different from traditional botanical painting) with vibrant colours that leap from the page.The first part of this book - Botanical: Grow - explores time well-spent in the garden and covers much of the traditional details of botanical painting, from observation to capturing light, colour and texture. The second part - Contemporary: Paint - explores how Carolyn works with photography, using the computer to help with crop and composition, achieving maximum impact and creating luminous paintings that shine from the page. Her stunning illustrations are full of vibrant colour, and her larger-than-life artworks have gained an enthusiastic following on Instagram.This practical guide contains all the techniques and practice you need to create beautiful botanical art, plus step-by-step photography, crop, composition and photoshop demonstrations, to bring luminous colours, textures and impact to your own work.

Draw Like an Artist: 100 Flowers and Plants is a must-have visual reference for student artists, botanical illustrators, urban sketchers, and anyone seeking to improve their realistic drawing skills. This comprehensive book features 600-plus step-by-step sketches depicting a vast array of beautiful botanicals, florals, plant structures, and more. Each begins with simple shapes and lines and builds on those forms, adding details like flower centers, leaf veins, and petal shading, and ending with a finished drawing. Helpful drawing tips are also included. Designed as a contemporary guidebook for artists who want to draw botanical forms, Draw Like an Artist: 100 Flowers and Plants shows flower blossoms, leaves, and plants from a variety of perspectives. By following the guides, artists will become more skilled and confident in their ability to draw any flower or greenery. Among the botanicals featured are: Tropical florals such as plumeria, protea, and African violet Hanging and vine blooms, including wisteria and morning glory Birch, white oak, gingko, and maple leaves Plants with interesting shapes, such as cactus, zebra grass, and bamboo Author Melissa Washburn is a skilled illustrator whose clear and elegant drawing style will make this a go-to sourcebook for years to come. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

These interdisciplinary essays focus on animals as symbols, ideas or images in medieval art and literature. Representing the broad spectrum of work in the field, contributors discuss how the bestiary mirrored values of medieval society, explore the the development of composite creatures in the bestiary, and examine the Greek text Physiologus in depth.

This is the definitive instructional guide to the art of botanical illustration, published in association with The Society of Botanical Artists and featuring detailed step-by-step demonstrations by members of the Society. Botanical illustration has been a popular art form for many centuries, with its appealing traditions of detail and beauty. This beautifully illustrated book covers all aspects of the subject and is an essential book for all serious students of botanical painting. The book includes useful information about materials, basic plant anatomy, flower and leaf shapes, and then explores the techniques for drawing and coloured pencil work, as well as painting with watercolour and gouache. Subjects include exotic and common plants, flowers, fruit and vegetables, as well as flowers in the garden. Packed with step-by-step demonstrations and stunning illustrations, this is an inspiring, practical guide, as well as a visual treat.

The secrets to creating stunning landscapes are at your fingertips with Digital Mayhem 3D Landscapes Techniques. Compiled by Duncan Evans, launch Editor of 3D Artist Magazine, Digital Mayhem features a variety of beautiful art from some of the finest digital artists working today. Inspiration and technique meet here as you learn how to create every type of landscape from harsh desert savannahs to icy tundra. Using a blend of showcase images, step-by-step and long-form tutorials, you will be guided through the featured artist's process so you can incorporate their techniques and workflow into your own projects. Not just another button-pushing manual or coffee table book, Digital Mayhem will help develop your critical eye for composition, choice of camera lens, lighting, rendering, and post production, allowing you to work more intuitively. With insight from some of the best digital artists in the world, Digital Mayhem will have you creating your own masterpiece in no time! Unique coverage on a variety of software allows you to hone your skills across different platforms. Illustrious and colorful artwork coupled with artist insight will both inspire and inform your creative decisions. Comprehensive companion website offers additional resources for you to further expand your skillset.

Identifying a beautiful image in nature is easy, but capturing it is often challenging. To truly seize the essence of a photograph shot out of the studio and in the world requires an artistic eye and impeccable set of photographic techniques. John and Barbara Gerlach have been teaching photographers how to master the craft of photographing nature and the outdoors through their workshops and best-selling books for more than twenty years. Now, equipped with brand new images to share and skills to teach, this celebrated photo team is sharing their latest lessons in the second edition of Digital Nature Photography. Notable revisions in this new edition include introducing the concepts of focus stacking and HDR, as well as expanded discussions of multiple exposure, wireless flash, RGB histograms, live view, shutter priority with auto ISO, hand-held shooting techniques, and the author's equipment selections. The inspiring imagery in this book covers a broader range of subjects than before including ghost towns, the night sky, animals, and sports, in addition to the classic nature photographs we expect from this very talented author team. This book is a comprehensive guide to one of the broadest subjects in photography, explained and dymystified by two respected masters.