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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes
Jao Tsung-i was China's last great traditional man of letters,
polymath, and pioneer of comparative humanistic inquiry during Hong
Kong's global heyday. Dunhuang is China's traditional northwest
frontier and overland conduit of exchange with the Old World. In
this volume, Jao proposes an entirely new school of Chinese
landscape painting, reconsiders Dunhuang's oldest manuscripts as
its newest research field, and explores topics ranging from
comparative religion to medieval multimedia.
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