Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. Lucy Innes Williams is a painter and illustrator with an artistic interest in highly ornate textiles, patterns, and the decorative arts of the early-mid twentieth century. She uses a combination of gouache, watercolour and printmaking.

"London in Landscape" can be properly described as a labour of love for young artist Karen Neale. Since June 2005 she has been braving all climates in order to capture, in her own extraordinary, inimitable style, the different faces of the country's capital, in all seasons. From Bow Street to Chinatown, from Buckingham Palace to Smithfield Market, from the Tate Modern to Trafalgar Square, Karen has brought her unique talent to bear on the landmarks of this great city and created a tremendous record of its everyday life. Amazingly, Karen draws entirely in biro on A5 sketchpads - hence the format of the book - carefully colouring afterwards. Each drawing can take her up to ten hours standing in situ to complete, and she has had many unusual experiences during the process.

This notebook features a beautiful cover illustration by acclaimed nature artist Jane Smith. It contains 192 pages of lined paper, head-and-tail bans, a ribbon marker and band to keep it securely fastened.

Scissors and glue stick at the ready... inject a wealth of botanical beauty into your creative projects with this sumptuous collection of images from the Royal Botanic Gardens Kew archive. Whether you're looking for vintage botanical ephemera to enhance your journal or scrapbook pages, want to make your own collage art, or simply have a range of botanical elements at your fingertips for gift-wrapping, card-making, vision-boarding and more - this stunning collection will give you over 500 images to cut out and create with, in whatever way you choose. Featuring over 500 images, this book presents a wide variety of botanical art across a range of chapters - from flowers to cacti, fruit and vegetables, and even fungi. The images are printed on one side only so that all images can be used, and each page is backed with lovely botanical patterns that can also be used as paper elements, so no scrap is wasted. Botanical art is as popular today as it has ever been, perhaps even more so, as we all realise the importance of connecting with nature in an increasingly fast-paced world. It has been scientifically proven that even looking at pictures of plants can have a calming effect on the mind, lowering stress levels and supporting relaxation. The same is true of making things by hand - away from screens and digital distractions - and so combining the traditional craft of collage with botanical art is an immensely mindful activity that will benefit all who have a go. Alongside the 500 images, you will find guidance on how to use the book, with collage ideas and tips and tricks for getting the most from this absorbing art form. Cut it up, stick it down and watch your creative projects blossom before your very eyes with this bumper book of botanical illustrations from Kew.

The Botanical Illustrator's Handbook takes a closer look at how to accurately portray the riches of the botanical world. It tackles and explains many of the difficulties that artists encounter so they can extend and expand their choice of subject matter. Written by a respected artist and drawing on her wealth of experience, it offers new insights and a fresh approach to the wonders of botanical illustration. Topics covered include: advice on the labelling and quality of paper, and choice of pencils, paints and brushes; techniques for the mixing and handling of greens; chapters on magnification, managing detail and using scale bars; and finally, instructions for using perspective techniques, and painting complex structures such as pine cones and umbellifers, and tricky details such as hairs.

Following the success of A Dog a Day (Pavilion, 2017), Sally Muir returns with a sea of new, but crucially old, faces. Several years ago Sally Muir began a Facebook project, 'A Dog a Day', posting dog art daily. Through the project she was introduced to endless people and their dogs, and the distinct personalities and complex emotions that owners attribute to them. More recently, Sally's project changed focus and she asked the public to send in photographs of their old dogs. Featuring grey muzzles, milky eyes and wobbly legs, as well as tender anecdotes picked up from a whole lifetime of companionship, Sally Muir's paintings of our more senior canines are collected here for the first time. Sally Muir is well known for her portrayal of dogs, with Elderly Dog featuring in the Royal Academy Summer Exhibition in 2018 and Hound following up in the Summer Exhibition in 2019. The popularity of Elderly Dog has fuelled Sally's desire to continue to paint older dogs, and celebrate the ageing process of our favourite pets in grace and style. From loose sketches and lithographs to potato prints and oil paintings, Old Dogs includes a range of mediums that Sally has become known for, and embraces dogs of all shapes and sizes: big, small, pedigree and cross breed.