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Books > Religion & Spirituality > Non-Christian religions
Shinto, Nature and Ideology in Contemporary Japan is the first
systematic study of Shinto's environmental turn. The book traces
the development in recent decades of the idea of Shinto as an
'ancient nature religion,' and a resource for overcoming
environmental problems. The volume shows how these ideas gradually
achieved popularity among scientists, priests, Shinto-related new
religious movements and, eventually, the conservative shrine
establishment. Aike P. Rots argues that central to this development
is the notion of chinju no mori: the sacred groves surrounding many
Shinto shrines. Although initially used to refer to remaining areas
of primary or secondary forest, today the term has come to be
extended to any sort of shrine land, signifying not only historical
and ecological continuity but also abstract values such as
community spirit, patriotism and traditional culture. The book
shows how Shinto's environmental turn has also provided legitimacy
internationally: influenced by the global discourse on religion and
ecology, in recent years the Shinto establishment has actively
engaged with international organizations devoted to the
conservation of sacred sites. Shinto sacred forests thus carry
significance locally as well as nationally and internationally, and
figure prominently in attempts to reposition Shinto in the centre
of public space.
This volume is written in the context of trauma hermeneutics of
ancient Jewish communities and their tenacity in the face of
adversity (i.e. as recorded in the MT, LXX, Pseudepigrapha, the
Deuterocanonical books and even Cognate literature. In this regard,
its thirteen chapters, are concerned with the most recent outputs
of trauma studies. They are written by a selection of leading
scholars, associated to some degree with the Hungaro-South African
Study Group. Here, trauma is employed as a useful hermeneutical
lens, not only for interpreting biblical texts and the contexts in
which they were originally produced and functioned but also for
providing a useful frame of reference. As a consequence, these
various research outputs, each in their own way, confirm that an
historical and theological appreciation of these early accounts and
interpretations of collective trauma and its implications,
(perceived or otherwise), is critical for understanding the
essential substance of Jewish cultural identity. As such, these
essays are ideal for scholars in the fields of Biblical
Studies-particularly those interested in the Pseudepigrapha, the
Deuterocanonical books and Cognate literature.
Throughout the history of research on the Dead Sea Scrolls, the
investigation of religious sacrifice has often been neglected. This
book examines the views of sacrifice in the non-biblical sectarian
Dead Sea Scrolls, through exploration of the historical and
ideological development of the movement related to the scrolls (the
DSS movement), particularly from the vantagepoint of the movement's
later offshoot group known as the Qumran community.
Ma?berot Immanuel is a collection of twenty-eight chapters in
Hebrew of rhymed prose and poetry written by the poet and amateur
philosopher Immanuel of Rome during an era of rapid political
change in late medieval Italy. The final chapter, Mah?beret
Ha-Tofet Ve-ha-'Eden (A Tale of Heaven and Hell), like Dante's
Commedia, depicts Immanuel's visits to hell and heaven. Bridging
Worlds focuses on the interrelation of Immanuel's belletristic work
and biblical exegesis to advance a comprehensive and original
reading of this final chapter. By reading Immanuel's philosophical
commentaries and literary works together, Dana Fishkin demonstrates
that Immanuel's narrative made complex philosophical ideas about
the soul's quest for immortality accessible to an educated
populace. Throughout this work, she explains the many ways
Mah?beret Ha-Tofet Ve-ha-'Eden serves as a site of cultural
negotiation and translation. Bridging Worlds broadens our
understanding of the tensions inherent in the world of late
medieval Jewish people who were deeply enmeshed in Italian culture
and literature, negotiating two cultures whose values may have
overlapped but also sometimes clashed. Fishkin puts forth a
valuable and refreshing perspective alongside previously unknown
sources to breathe new life into this extremely rich and culturally
valuable medieval work.
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