The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.

These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.

Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.

Solid artists' quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.

Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.

Supports: canvas, canvas boards, laminated panels, paper.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

Sennelier : Oil Stick : 38ml : Red Ochre

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The sticks are handmade in small batches, carefully milled and molded. Only the purest traditional materials are used: linseed oil, pure pigment, and natural waxes (beeswax & plant wax). R&F are the only brand of oil sticks that employ only natural waxes, which allows for a minimum amount of wax. This results in a lipstick-soft consistency and a greater paint film strength.

This is a 38ml R&F Pigment Stick in the following colour: Malachite Green III (263D).

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The sticks are handmade in small batches, carefully milled and molded. Only the purest traditional materials are used: linseed oil, pure pigment, and natural waxes (beeswax & plant wax). R&F are the only brand of oil sticks that employ only natural waxes, which allows for a minimum amount of wax. This results in a lipstick-soft consistency and a greater paint film strength.This is a 38ml R&F Pigment Stick in the following colour: Sienna Yellow Extra Pale II (262K).pdf=rfpigment.pdf Material Safety Data Sheetyoutube=ESKeGsnSwW8youtube=5yFjbe9AKL0

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The sticks are handmade in small batches, carefully milled and molded. Only the purest traditional materials are used: linseed oil, pure pigment, and natural waxes (beeswax & plant wax). R&F are the only brand of oil sticks that employ only natural waxes, which allows for a minimum amount of wax. This results in a lipstick-soft consistency and a greater paint film strength.

This is a 38ml R&F Pigment Stick in the following colour: Scarlet Extra Pale II (262J).

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength.R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you.Magenta Earth has a reddish brown almost mahogany top tone. Extended out, it reveals  a purplish plum colour. When rubbed it becomes  a delicate pinkish brown. Mix of Quinacridone Magenta and Stil de Grain.Opacity: SemiTransparentPigment Stick Drying Rate: FastColour Index: PV19 + PR101

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength. R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you. This odd mix of complementary violet/yellow with yellow iron oxide makes it appear yellowish, greenish, or brownish in the context of a painting. Mix of Cadmium Yellow, Ultramarine Violet and Stil de Grain. Opacity: Semi-TransparentPigment Stick Drying Rate: Medium

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength. R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you. Very electric light green. It is cooler, bluer, and less earthy than Cadmium Green Pale but paler and yellower than Veronese Green. Mix of Phthalo Green, Cadmium Yellow, and Titanium-Zinc White. Opacity: OpaquePigment Stick Drying Rate: Medium

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength. R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you. Not at all like Cerulean Extra Pale. The Raw Sienna makes it a very subtle pale earthy green. So close to Neutral Grey Pale in value and hue but see how different the two appear in colour relationships.  Mix of Cerulean Blue with Raw Sienna and Titanium-Zinc White. Opacity: Semi-TransparentPigment Stick Drying Rate: Medium

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength.R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you.Raw Sienna is a natural earth, so both its top and undertones are muted. Stil de Grain, being a synthetic iron oxide, has a clean top tone, and its undertone is golden yellow. The French name is a revival of the long obsolete impermanent colour made from buckthorn berries. Opacity: TransparentPigment Stick Drying Rate: FastColour Index: PR101

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength. R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you. The overpowering saturation of phthalos would make you think that their tints would pop next to other colours. But this very pale shade can be pulled toward yellow, green, or blue. Mix of Phthalo Green and Titanium-Zinc White. Opacity: OpaquePigment Stick Drying Rate: Slow

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength. R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you. Reducing the opulent violet-like undertone of Ultramarine Blue with white produces a tint that shuttles between violet, blue, and grey, depending on its neighboring colour. Mix of Ultramarine Blue and Titanium-Zinc White.  Opacity: OpaquePigment Stick Drying Rate: Medium

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength.R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you.This relatively modern colour is very unusual. Its top tone is a muted, almost brownish green. But its undertone, when used as a glaze, has the effect of an antique yellow patina. The yellow predominates over the green as the colour is extended out.Opacity: TransparentPigment Stick Drying Rate: MediumLightfastness: I - ExcellentClassification: Synthetic OrganicColor Index: PY129

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength. R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you. This colour gets its brown tinge from a tiny percentage of iron oxide that has not been refined out of the rutile ore in making Titanium White. Next to white or other light colours, it has the look of raw linen. Alongside dark colours, it can be a sedate whiteness that does not pop. Unbleached titanium is a single pigment off white colour.Opacity: OpaquePigment Stick Drying Rate: FastClassification: Synthetic InorganicColor Index: PW6