The catalogue for the groundbreaking exhibition at New York University's Institute for the Study of the Ancient World, Nomads and Networks presents an unparalleled overview of the sophisticated culture of pastoral nomadic populations who lived on the territory of present-day Kazakhstan from roughly the middle of the first millennium BCE to the early centuries CE. Focusing on material from the Altai and Tianshan regions, Nomads and Networks explores the specific conditions of mobile lifeways that resulted from particular ecological conditions in the steppes and high valleys of Inner Eurasia. Highlights of the exhibition are grave goods from the burial mounds at the site of Berel and gold mortuary ornaments from Shilikty, Zhalauli, and Kargaly. Attesting to a sophisticated decorative art flourishing among these nomadic populations, the objects skillfully combine older iconographic traditions of animal style in the steppe with more recent influences from foreign cultures--most notably Persia and China. Contributors include Nursan Alimbai, Nikolay A. Bokovenko, Claudia Chang, Bryan K. Hanks, Sagynbay Myrgabayev, Karen S. Rubinson, Zainolla S. Samashev, Soren Stark, and Abdesh T. Toleubaev. Cover photograph (c) Bruce M. White, 2016

Qing Encounters: Artistic Exchanges between China and the West examines how the encounters between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. The essays in the volume reveal the extent to which images, artifacts, and natural specimens were traded and copied, and how these materials inflected both cultures' visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople on both continents borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex hybrid creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period.

Some of the most ingenious and attractive modern motifs. 746 designs.

As an important part of Chinese culture, Lingnan culture, mainly those in Guangdong province, plays a key role in the world culture. Elegant Guangdong Series cover 5 subjects of the Lingnan cultural and traditional gems in South China. Each volume has used vivid and precious illustrations and portraits. Maolong Brush tells the origin, inventor, making, unique artistic characters and inheritance of this specialized grass brush in Lingnan region.

This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass.