Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Oriental art
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Chinese Ways of Seeing and Open-Air Painting (Hardcover)
Loot Price: R1,470
Discovery Miles 14 700
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Chinese Ways of Seeing and Open-Air Painting (Hardcover)
Series: Harvard East Asian Monographs
Expected to ship within 12 - 17 working days
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How did modern Chinese painters see landscape? Did they depict
nature in the same way as premodern Chinese painters? What does the
artistic perception of modern Chinese painters reveal about the
relationship between artists and the nation-state? Could an
understanding of modern Chinese landscape painting tell us
something previously unknown about art, political change, and the
epistemological and sensory regime of twentieth-century China? Yi
Gu tackles these questions by focusing on the rise of open-air
painting in modern China. Chinese artists almost never painted
outdoors until the late 1910s, when the New Culture Movement
prompted them to embrace direct observation, linear perspective,
and a conception of vision based on Cartesian optics. The new
landscape practice brought with it unprecedented emphasis on
perception and redefined artistic expertise. Central to the pursuit
of open-air painting from the late 1910s right through to the early
1960s was a reinvigorated and ever-growing urgency to see suitably
as a Chinese and to see the Chinese homeland correctly. Examining
this long-overlooked ocular turn, Gu not only provides an
innovative perspective from which to reflect on complicated
interactions of the global and local in China, but also calls for
rethinking the nature of visual modernity there.
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