According to the contributors to this volume, the relationship
of Buddhism and the arts in Japan is less the rendering of Buddhist
philosophical ideas through artistic imagery than it is the
development of concepts and expressions in a virtually inseparable
unity. By challenging those who consider religion to be the primary
phenomenon and art the secondary arena for the apprehension of
religious meanings, these essays reveal the collapse of other
dichotomies as well. Touching on works produced at every social
level, they explore a fascinating set of connections within
Japanese culture and move to re-envision such usual distinctions as
religion and art, sacred and secular, Buddhism and Shinto, theory
and substance, elite and popular, and even audience and artist. The
essays range from visual and literary hagiographies to No drama, to
Sermon-Ballads, to a painting of the Nirvana of Vegetables. The
contributors to the volume are James H. Foard, Elizabeth ten
Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan
Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler.
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
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important books while presenting them in durable paperback
editions. The goal of the Princeton Legacy Library is to vastly
increase access to the rich scholarly heritage found in the
thousands of books published by Princeton University Press since
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