Georges Florovsky (1893-1979) was one of the most prominent Orthodox theologians and ecumenists of the twentieth century. His call for a return to patristic writings as a source of modern theological reflection had a powerful impact not only on Orthodox theology in the second half of the twentieth century, but on Christian theology in general. Florovsky was also a major Orthodox voice in the ecumenical movement for four decades and he is one of the founders of the World Council of Churches. This book is a collection of major theological writings by George Florovsky. It includes representative and widely influential but now largely inaccessible texts, many newly translated for this book, divided into four thematic sections: Creation, Incarnation and Redemption, The Nature of Theology, Ecclesiology and Ecumenism, and Scripture, Worship and Eschatology. A foreword by Metropolitan Kallistos Ware presents the theological vision of Georges Florovsky and discusses the continuing relevance of his work both for Orthodox theology and for modern theology in general. The introduction by the Editors provides a theological and historical overview of Florovsky theology in teh context of his biography. The book includes explanatory notes, translation of patrisitc citations and an index.

JCSSS is a refereed journal published annually by the Canadian Society for Syriac Studies Inc. (CSSS), located at the Department of Near and Middle Eastern Civilizations, University of Toronto, Toronto, Ontario, Canada. JCSSS contains the transcripts of public lectures presented at the CSSS and possibly other articles and book reviews. JCSSS focuses on the vast Syriac literature, which is rooted in the same soil from which the ancient Mesopotamian and biblical literatures sprung; on Syriac art that bears Near Eastern characteristics as well as Byzantine and Islamic influences; and on archaeology, unearthing in the Middle East and the rest of Asia and China the history of the Syriac-speaking people: Assyrians, Chaldeans, Maronites and Catholic and Orthodox Syriacs. Modern Syriac Christianity and contemporary vernacular Aramaic dialects are also the focus of JCSSS. The languages of the Journal are English, French and German, and quotations from ancient sources are given in the original languages and in translation. The articles are interdisciplinary and scholarly; the Editorial Committee brings together scholars from four American, Canadian, and European universities. The CSSS that publishes JCSSS was founded in 1999 at the University of Toronto, Department of Near and Middle Eastern Civilizations, as part of the latter's academic programme in Aramaic and Syriac languages and literatures. It was incorporated under the Canada Corporations Act in January 23, 1999. This volume includes articles by Alain Desreumaux, Alexander Treiger, Reagan Patrick, Narmin Muhammad Amin 'Ali, Amir Harrak, and Sihaam Khan.

This book is a classic in the history of the Oriental Churches, which are sometimes portrayed as heretical in general church history books, if mentioned at all. Written by a Copt, it portrays the history of the faith of these non-Chalcedonian Churches with first-hand knowledge of their traditions. The author covers Alexandrine Christianity (the Copts and the Ethiopians), the Church of Antioch (Syriac Orthodox), the "Nestorian" Church of the East, the Armenian Church, the St. Thomas Christians of South India, the Maronite Church, as well as the Vanished Churches of Carthage, Pentapolis, and Nubia.

Chesterton's classic explanation of the essentials of the Christian faith and of his pilgrimage to belief. Written in 1908, it displays all the intellectual clarity and literary skill of one of this century's greatest and most thoughtful authors.

This is the second volume of a detailed and systematic exposition of the history, canonical structure, doctrine, moral and social teaching, liturgical services, and spiritual life of the Orthodox Church. The purpose of this series is to present Orthodox Christianity as an integrated theological and liturgical system, in which all elements are interconnected. Theology finds its expression and is shaped in the liturgical experience and church art-including icons, singing, and architecture. The services, in their turn, influence the ascetic practice and the personal piety of each Christian; they shape the moral and social teaching of the Church as well as its relation to other Christian confessions, non-Christian religions, and the secular world. The first volume provided an account of the historical arc of the Orthodox Church during the first ten centuries after Christ's nativity, then examined the canonical structure of the Orthodox Church. This volume examines the sources of Orthodox doctrine in Scripture and Tradition; its teaching on God in Trinity and Unity, in his essence and in his energies; on the world and man; on Jesus Christ, the incarnate God; on the Church, the body of Christ; on the Theotokos, Mary; and on eschatology, the last things.

Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, Chile, and to other parts of the world, to see how Christians of yesterday and today have experienced divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, and Andriy Chirovsky.

This is the fourth volume of a detailed and systematic exposition of the history, canonical structure, doctrine, moral and social teaching, liturgical services, and spiritual life of the Orthodox Church. The purpose of this series is to present Orthodox Christianity as an integrated theological and liturgical system, in which all elements are interconnected. Volume One focused on the history and canonical structure of the Orthodox Church; Volume Two on the fundamental teachings of the Church, grounded in Scripture and Tradition; Volume Three on the unique aspects of Orthodox art as expressed in its architecture, icons, and liturgical music. In Volume Four the history, structure, and meaning of the Church's liturgical services-including the daily, weekly, yearly, and festal cycles-are explored and explained. Both beginners and experts can benefit from this thorough examination of Orthodox worship and liturgical life. In the services of the Church, heaven and earth meet. As St Vladimir's envoys to Constantinople said, "We knew not whether we were in heaven or earth.... We only know that God dwells among men. We cannot forget that beauty."