JCSSS is a refereed journal published annually by the Canadian Society for Syriac Studies Inc. (CSSS), located at the Department of Near and Middle Eastern Civilizations, University of Toronto, Toronto, Ontario, Canada. JCSSS contains the transcripts of public lectures presented at the CSSS and possibly other articles and book reviews. JCSSS focuses on the vast Syriac literature, which is rooted in the same soil from which the ancient Mesopotamian and biblical literatures sprung; on Syriac art that bears Near Eastern characteristics as well as Byzantine and Islamic influences; and on archaeology, unearthing in the Middle East and the rest of Asia and China the history of the Syriac-speaking people: Assyrians, Chaldeans, Maronites and Catholic and Orthodox Syriacs. Modern Syriac Christianity and contemporary vernacular Aramaic dialects are also the focus of JCSSS. The languages of the Journal are English, French and German, and quotations from ancient sources are given in the original languages and in translation. The articles are interdisciplinary and scholarly; the Editorial Committee brings together scholars from four American, Canadian, and European universities. The CSSS that publishes JCSSS was founded in 1999 at the University of Toronto, Department of Near and Middle Eastern Civilizations, as part of the latter's academic programme in Aramaic and Syriac languages and literatures. It was incorporated under the Canada Corporations Act in January 23, 1999. This volume includes articles by Alain Desreumaux, Alexander Treiger, Reagan Patrick, Narmin Muhammad Amin 'Ali, Amir Harrak, and Sihaam Khan.

This book is a classic in the history of the Oriental Churches, which are sometimes portrayed as heretical in general church history books, if mentioned at all. Written by a Copt, it portrays the history of the faith of these non-Chalcedonian Churches with first-hand knowledge of their traditions. The author covers Alexandrine Christianity (the Copts and the Ethiopians), the Church of Antioch (Syriac Orthodox), the "Nestorian" Church of the East, the Armenian Church, the St. Thomas Christians of South India, the Maronite Church, as well as the Vanished Churches of Carthage, Pentapolis, and Nubia.

Georges Florovsky (1893-1979) was one of the most prominent Orthodox theologians and ecumenists of the twentieth century. His call for a return to patristic writings as a source of modern theological reflection had a powerful impact not only on Orthodox theology in the second half of the twentieth century, but on Christian theology in general. Florovsky was also a major Orthodox voice in the ecumenical movement for four decades and he is one of the founders of the World Council of Churches. This book is a collection of major theological writings by George Florovsky. It includes representative and widely influential but now largely inaccessible texts, many newly translated for this book, divided into four thematic sections: Creation, Incarnation and Redemption, The Nature of Theology, Ecclesiology and Ecumenism, and Scripture, Worship and Eschatology. A foreword by Metropolitan Kallistos Ware presents the theological vision of Georges Florovsky and discusses the continuing relevance of his work both for Orthodox theology and for modern theology in general. The introduction by the Editors provides a theological and historical overview of Florovsky theology in teh context of his biography. The book includes explanatory notes, translation of patrisitc citations and an index.

* This important work offers the most comprehensive and up-to-date account of the Orthodox Church available, providing a detailed account of its historical development, as well as exploring Orthodox theology and culture * Written by one of the leading Orthodox historians and theologians in the English-speaking world * Offers an in-depth engagement with the issues surrounding Orthodoxy's relationship to the modern world, including political, cultural and ethical debates * Considers the belief tradition, spirituality, liturgical diversity, and Biblical heritage of the Eastern Churches; their endurance of oppressions and totalitarianisms; and their contemporary need to rediscover their voice and confidence in a new world-order * Recipient of a CHOICE Outstanding Academic Title for 2009 award

Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliche, doctrine, or naive apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.

Despite the continued fascination with the Virgin Mary in modern and contemporary times, very little of the resulting scholarship on this topic extends to Russia. Russia's Mary, however, who is virtually unknown in the West, has long played a formative role in Russian society and culture. Framing Mary introduces readers to the cultural life of Mary from the seventeenth century to the post-Soviet era. It examines a broad spectrum of engagements among a variety of people-pilgrims and poets, clergy and laity, politicians and political activists-and the woman they knew as the Bogoroditsa. In this collection of well-integrated and illuminating essays, leading scholars of imperial, Soviet, and post-Soviet Russia trace Mary's irrepressible pull and inexhaustible promise from multiple disciplinary perspectives. Focusing in particular on the ways in which both visual and narrative images of Mary frame perceptions of Russian and Soviet space and inform discourse about women and motherhood, these essays explore Mary's rich and complex role in Russia's religion, philosophy, history, politics, literature, and art. Framing Mary will appeal to Russian studies scholars, historians, and general readers interested in religion and Russian culture.

The Xi'an Stele, erected in Tang China's capital in 781, describes in both Syriac and Chinese the existence of Christian communities in northern China. While scholars have so far considered the Stele exclusively in relation to the Chinese cultural and historical context, Todd Godwin here demonstrates that it can only be fully understood by reconstructing the complex connections that existed between the Church of the East, Sasanian aristocratic culture and the Tang Empire (617-907) between the fall of the Sasanian Persian Empire (225-651) and the birth of the Abbasid Caliphate (762-1258). Through close textual re-analysis of the Stele and by drawing on ancient sources in Syriac, Greek, Arabic and Chinese, Godwin demonstrates that Tang China (617-907) was a cosmopolitan milieu where multiple religious traditions, namely Buddhism, Zoroastrianism, Manichaeism and Christianity, formed zones of elite culture. Syriac Christianity in fact remained powerful in Persia throughout the period, and Christianity - not Zoroastrianism - was officially regarded by the Tang government as 'The Persian Religion'.Persian Christians at the Chinese Court uncovers the role played by Syriac Christianity in the economic and cultural integration of late Sasanian Iran and China, and is important reading for all scholars of the Church of the East, China and the Middle East in the medieval period.