This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dadakuada in Ilorin, and of Ilorin in Dadakuada the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dadakuada's relationship with Islam and discusses how the Dadakuada singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.

for SATB & piano/orchestra Here John Rutter uses oriental musical influences to create a highly original arrangement of the popular Christmas carol. The verses are dark and mysterious in character, with warmth and joy radiating from the choruses. This setting can also be found in Rutter's Christmas collection Joy to the World. Scores and parts for the orchestral accompaniment are available on sale.

This essay collection, devoted to exploring the richness of Christian musical traditions in the Americas, reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music, an association of scholars dedicated to exploring the intersections of Christian faith and musical scholarship. Now in our sixteenth year, we seek to celebrate our work in the world and bring it to a larger audience by offering a cross- section of the most outstanding scholarship from an international array of writers. The proposed collection follows a first collection published to celebrate the fifteenth anniversary of the Society (Exploring Christian Song, M. Jennifer Bloxam and AndrewShenton, editors, Lexington Books, 2017). That first volume focused on Christian song in a variety of different contexts. Our proposed collection surveys a broad geographical areaand demonstrates the enormous diversity of music-making and scholarship within that area. While there are some studies that focus on a single country or region and its sacred music (see the literature survey below), this will be the first collection to present a representative cross-section of the range of sacred music in the Americas and the approaches to studying them in context. The essays in this collection are ecumenical, reflecting the breadth of Christian traditions. The essays include several by distinguished senior scholars in the field (including David Music, Baylor University; and Jeff Warren, Quest University, Canada). Several essays are by noted specialists in the field (including Jesse Karlsberg, Emory University; and Cathy Ann Elias, DePaul University), and several by younger scholars (including Hannah Denecke, Florida State University; and Natasha Walsh, York University, Canada). SCSM is particularly keen to promote the work of students. The work of these rising stars thus appears alongside the work of veteran scholars working in the area of Christian sacred music, ensuring a stimulating mix of subjects, viewpoints, and methodologies.

A definitive look at how church music is changing in the 21st century. There is no lack of resources for the church musician focusing on particular skills or repertoire. But this is the first collection of essays created specifically for musicians working in parish ministry that imagines how those vocations will change along with the evolving church. Ponder Anew chronicles the rapid changes in the church music landscape in the last 20 years including the role of technology, education, relationships with clergy and choristers, and cultural presumptions. Contributors are parish musicians, professors, clergy, and bishops.

for SATB unaccompanied This gentle, lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the text and creates a devotional atmosphere perfectly suited to the psalmists' words.

Choral Music: A Research and Information Guide, Third Edition, offers a comprehensive guide to the literature on choral music in the Western tradition. Clearly annotated bibliographic entries guide readers to resources on key topics within choral music, individual choral composers, regional and sacred choral traditions, choral techniques, choral music education, genre studies, and more, providing an essential reference for researchers and practitioners. Covering monographs, bibliographies, selected dissertations, reference works, journals, electronic databases, and websites, this research guide makes it easy to locate relevant sources. Comprehensive indices of authors, titles, and subjects keep the volume user-friendly. The new edition has been brought up to date with entries encompassing the latest scholarship, and updated references and annotations throughout, capturing the continued growth of literature on choral music since the publication of the second edition.

This book can be used as an accompanying text for the collegiate marching band techniques course and to help build a successful marching band program at a high school. Topics include everything from developing a program handbook to student leadership and adult staffing, budgets, rehearsal techniques, sample forms, and basic information regarding the development process of a marching band show, as well as basic drill design techniques. It also addresses typical mistakes made by young teachers and offers suggestions on how to avoid/handle those mistakes. Finally, workbook-style activities at the end of each chapter help support and reinforce the material presented.

The Musical Matrix Reloaded proposes a striking new scenario for the music of Beethoven and Schubert in the contemporary world. It draws on the theory of Multiple Worlds in physics, and on sci-fi and movies, as powerful contemporary models of alternative realities to explain radical features of interpolation, dislocation, and ultimately of return. Confronting familiar assumptions about Beethoven's and Schubert's music as long-range consonance, the book proposes instead that musical action is predicated on an underlying disruptive energy, Nietzsche's Dionysian disruptive background re-interpreted in the contemporary world. When it breaks through the musical surface, it dislocates continuity and re-routes tonal narrative into new, unforeseen directions. These unforeseen paths enable us to glimpse in Beethoven's and Schubert's music the beautiful, and often haunting, reality of another world.

for SATB and piano This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three contrasting movements are contemporary yet accessible in style, with catchy melodies and jazz-inspired harmonies.

This book is an interdisciplinary analysis of an art form that is crucial to the understanding of Italian contemporary society: political music from the 1960s to today. The musical activities of left-wing and right-wing bands and singer-songwriters reveal deep rifts in a country which, even today, has not yet come to terms with fascism, the political hatred of the Years of Lead, nor the social division of the 2000s, which climaxed in the Genoa Group of Eight summit in 2001. This book aims to describe Italian political music, highlighting its relationship with important international genres like American folk music revival, the French chansonniers, punk, ska, reggae and alterlatino as well as traditional music from all over the world. These musical influences shed light on a connection to linguistic dynamics that particularly binds the Italian, Spanish, French and English languages. A case study based on a corpus of forty-one bands and singer-songwriters uses cultural, digital humanities and literary techniques to provide insights into the sociolinguistic aspects of Italian and reveal the linguistic patterns that are typical of politics and gender discourse. The book also presents a comparative study of the relationship between the lyrics of new popular musicians and literature across the globe.

A cycle of traditional carols for SSA voices with harp or piano accompaniment
Vocal scores are also available on hire.

A classic Episcopal hymnal which includes the Supplemental Liturgical Index and collection of service music from 1961.

What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.

for SATB unaccompanied Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.