High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on. This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache. Please note: the minimum order quantity for the paper in this range is 5 sheets.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

Ingres is a type of paper named after the Neoclassical French painter Jean-Auguste-Dominique Ingres. Its unique texture is formed on a cylinder mould machine by pressing the paper fibres between the cylinder mesh and the marking felt. This surface texture is known as a chain and laid line surface. Daler-Rowney’s Ingres paper provides excellent tooth for traditional pastel work. This pad contains 24 sheets of 160gsm acid-free pastel paper, in 6 assorted colours (4 of each) with interleaving sheets. Size: 16" x 12" / 406 x 305 mm

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

This is a Pastelmat top bound pad of 12 sheets of coloured card in anthracite black, the dark ground is guaranteed to emphasise the intensity and brightness of pastel paintings. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 30 x 40cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

This is a Pastelmat top bound pad of 12 sheets of coloured card in four different colours: dark green, light blue, dark blue and white. Each sheet is protected by an interleaf.Pastelmat is a premium 360 gsm card surface with a unique velvety texture made from a fine coating of cellulose fibres, which has the ability to grab and hold multiple layers of even the softest pastels.Pastelmat significantly reduces the need for fixative so that colours remain vibrant. It has the added bonus of being gentle on both fingers and blending tools. Though it was designed for pastellists, Pastelmat is suitable for all dry media, from pastel sticks and pencils to charcoal. It is also water resistant which means that it can be used with wet media such as acrylics or watercolour. It comes in a range of colours, all of which are acid free and lightfast.This pad measures 24 x 30cm.Clairefontaine actively participates in the development of French forests, by managing several hundred hectares of fir and spruce trees in the Vosges mountains. With regards to the paper mill itself in the Etival Clairefontaine region, it is still as dynamic 150 years after its conception. Self-sufficient for 80% of its own biological installations for water treatment, and has been rewarded a "Water trophy" by the State.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Brown.

Clairefontaine Ingres is a laid paper, which means that the surface of each sheet has a faintly ribbed texture, perfect for holding graphite and soft pastel colour. This surface is characteristic of the traditional hand-made papers of the pre-Industrial age, which were formed in sieve-like moulds of wire mesh which left impressions on the surface of the paper.This sheet is made of cotton and is naturally acid-free. It measures 50x65cm and is of the following colour: Black.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic. 1.5 x 10m roll

Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.

Hahnemuhle Velour is an artist-quality 260gsm pastel paper which is both acid-free and archival. It is composed of an acid-free backing sheet which has been coated with inert synthetic fibres. This gives the surface a velvety feel which has sufficient tooth to hold soft pastel, as well as oil pastel, charcoal or soft pencils.Because Velour can hold a lot of pastel, it is perfect for painterly pastel artists who create works with soft edges.This is a single sheet of Hahnemuhle Velour, measuring 50x70cm in the colour Yellow.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.