The Murano fine art paper range breathes new life into traditional coloured paper. The naturally textured surface and 45% cotton content give it a classic, luxurious feel, whilst the combination of 35 sophisticated and fashionable colours make it the ideal choice for artists and crafters alike. Weighing in at a substantial 160gsm. Murano is perfect for fine art applications such as pastel, pencil or charcoal, and creations such as card-making, memory book... or anything that takes your imagination.

This pad contains 30 sheets of lightly textured 160gsm acid-free coloured paper.

Colours: Haze, platinum, stone, rose grey, oatmeal, pale peach (5 sheets of each). Please note: colours and design may vary.

Size: 12" x 9" / 305 x 229 mm

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 8 Medium Grit Sheets in Italian Clay, each sheet measures 9x12in. 320 Grit, 145lb (310gsm)

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 8 Medium Grit Sheets in Terracotta, each sheet measures 9x12in. 320 Grit, 145lb (310gsm)

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel. Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. - Pack of 6 Medium Grit Sheets in Buff, each sheet measures 12x16in. 320 Grit, 145lb (310gsm)

Ingres is a type of paper named after the Neoclassical French painter Jean-Auguste-Dominique Ingres. Its unique texture is formed on a cylinder mould machine by pressing the paper fibres between the cylinder mesh and the marking felt. This surface texture is known as a chain and laid line surface. Daler-Rowney’s Ingres paper provides excellent tooth for traditional pastel work.This pad contains 24 sheets of 160gsm acid-free pastel paper, in 3 assorted whites (8 of each colour - white, light cream and dark cream) with interleaving sheets. Size: 9" x 6" / 229 x 152 mm

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

Ampersand : Pastelbord Panel : White : 8x8in

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel.Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. Pack of 6 Fine Grit Sheets in White, each sheet measures 12x16in. 400 Grit, 145lb (310gsm)

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

Ampersand : Pastelbord Panel : White : 9x12in

Sennelier Soft Pastel Card is an artist quality high tooth texture pastel card with a velvety grain surface. The range of pastel card available in a range of colours, all of which are acid-free and lightfast. Please note: not for use with liquids or wet media.

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

This Pastel Artist Panel has a proprietary ground formulation that is silk screened directly on to the panel to create a consistent working surface. The panel is lightweight yet rigid, non-warping, dimensionally stable and accepts water, mineral spirits and turpentine applications. The white surface is perfect for underpainting techniques. While primarily it is best used with pastels, this surface is compatible with oil sticks, oil media and coloured pencils. The thin and lightweight surface makes it perfect for plein-air.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Global Pastel Premier Paper is 100% Cotton/Archival quality that is double primed and coated with aluminium oxide to create the perfect surface for pastel painting. It is sealed which makes the surface ideal for withstanding scrubbing and reworking. Pastel Premier Paper works with a wide range of wet media as an underpainting and can support up to 25 layers of pastel.Textured paper is ideal for reworking, rubbing and manipulating pastels as it has the ability to resist without tearing. Pack of 8 Fine Grit Sheets in White, each sheet measures 9x12in. 400 Grit, 145lb (310gsm)

The Murano fine art paper range breathes new life into traditional coloured paper. The naturally textured surface and 45% cotton content give it a classic, luxurious feel, whilst the combination of 35 sophisticated and fashionable colours make it the ideal choice for artists and crafters alike. Weighing in at a substantial 160gsm. Murano is perfect for fine art applications such as pastel, pencil or charcoal, and creations such as card-making, memory book... or anything that takes your imagination.

This pad contains 30 sheets of lightly textured 160gsm acid-free coloured paper.

Contains 5 sheets of each neutral colour: Haze, platinum, stone, rose grey, oatmeal, pale peach. Contents may vary.

Size: 16 x 12in / 406 x 305mm

Canson Mi-Teintes Touch: the Ultimate sanded pastel paper has a micro-abrasive surface texture that allows pastels, charcoal, crayons and acrylic to perform beautifully. It retains pastel pigments which allows for multiple layers. Pad contains assorted colours.Lightfast & age-resistant, this sensational paper performs beautifully when layering pastel pigments, using wet in wet techniques and mixed media work.Pad contains three each of Black, Steel Grey, Tobacco & Cream. This pad contains 12 sheets. The pad measures 29.7 x 42.0cm.Weight: 350gsm

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Acid-free textured fine art paper, 45% cotton, weight 160gsm, size 50 x 65cms, suitable for pastel, pencil, charcoal and craft work.

Ampersand Museum Series Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper, except more durable and more versatile. It can be used with wet or dry traditional pastel techniques or with acrylics, and more. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface.