Performativity of Villainy and Evil in Anglophone Literature and Media studies the performative nature of evil characters, acts and emotions across intersecting genres, disciplines and historical eras. This collection brings together scholars and artists with different institutional standings, cultural backgrounds and (inter)disciplinary interests with the aim of energizing the ongoing discussion of the generic and thematic issues related to the representation of villainy and evil in literature and media. The volume covers medieval literature to contemporary literature and also examines important aspects of evil in literature such as social and political identity, the gothic and systemic evil practices. In addition to literature, the book considers examples of villainy in film, TV and media, revealing that performance, performative control and maneuverability are the common characteristics of villains across the different literary and filmic genres and eras studied in the volume.

Martial Culture, Silver Screen analyzes war movies, one of the most popular genres in American cinema, for what they reveal about the narratives and ideologies that shape U.S. national identity. Edited by Matthew Christopher Hulbert and Matthew E. Stanley, this volume explores the extent to which the motion picture industry, particularly Hollywood, has played an outsized role in the construction and evolution of American self-definition. Moving chronologically, eleven essays highlight cinematic versions of military and cultural conflicts spanning from the American Revolution to the War on Terror. Each focuses on a selection of films about a specific war or historical period, often foregrounding recent productions that remain understudied in the critical literature on cinema, history, and cultural memory. Scrutinizing cinema through the lens of nationalism and its "invention of tradition", Martial Culture, Silver Screen considers how movies possess the power to frame ideologies, provide social coherence, betray collective neuroses and fears, construct narratives of victimhood or heroism, forge communities of remembrance, and cement tradition and convention. Hollywood war films routinely present broad, identifiable narratives such as that of the rugged pioneer or the "good war" through which filmmakers invent representations of the past, establishing narratives that advance discrete social and political functions in the present. As a result, cinematic versions of wartime conflicts condition and reinforce popular understandings of American national character as it relates to violence, individualism, democracy, militarism, capitalism, masculinity, race, class, and empire. Approaching war movies as identity-forging apparatuses and tools of social power, Martial Culture, Silver Screen lays bare how cinematic versions of warfare have helped define for audiences what it means to be American.

When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared. Originally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author, rare-book dealers sell copies of this book for more than a thousand dollars. Now in both hardcover and paperback editions from Grove Press, this seminal work of photographic art and social history is once again available to the general public.

What was it that got you through the Covid-19 pandemic? For some it was long walks; others turned to home baking. For millions it was video games, a booming industry which exploded in popularity over the pandemic years. Confined to our homes and with the lines of reality becoming blurred as everyday life shifted to screens, perhaps it was no wonder that so many of us were desperate to be transported to different worlds. In Playing with Reality: Gaming in a Pandemic, journalist and presenter Alex Humphreys, a passionate gamer herself, investigates this extraordinary boom in the gaming industry. Charting its rise, Alex interviews players and developers, sharing a glimpse of what was going on behind closed doors as studios closed and games were finished from home. Playing with Reality explores exactly what it was that made gaming a lifeline for so many, and what the future holds as we look to the metaverse.

Female Olympian and Paralympian Events is a groundbreaking book that examines women's sports in the Olympic and Paralympic Games, which have long been underappreciated and under-analyzed. The book begins with a brief background on women's participation in the Olympic Games and their role relative to the International Olympic Committee, then introduces the underlying Gendered Critical Discourse Analysis theory used throughout the book's analysis before delving into a literature review of female Olympians and Paralympians' events. It includes a listing of noteworthy "firsts" in the field, followed by individual discussions of twenty-eight Summer and seven Winter events, analyzed according to their historical, rhetorical, and popular cultural representations. Women's unique role(s) in the various events are discussed, particular athletes and Paralympic events are highlighted, and original tables are also included. At the end of each section, affiliated organizations and resources are included in this invaluable referential volume.

Liverpool Football Club, in stark contrast to its competitors, remains locally owned, not a conglomerate or media business. Unlike its main rivals, the Liverpool club has been loathe to pursue global markets for merchandizing - though it attracts a huge fandom around the world - and its ambitions remain resolutely fixed on footballing success. No football club has ever had such an extended period of dominance in the English game, nor extended that dominance to Europe so effectively.
Many of the current crop of top young players are locally born and are a central feature of the city's nightlife, as well as national icons in pop/football/youth culture. But there are fears that the Club's great days have now passed. At the height of its powers in the 1980s, Liverpool FC was the site of two catastrophic crowd disasters, which effectively transformed the sport and added to wounding perceptions about the city's alleged sentimentality, fatalism and irreversible decline. The legacy of the Heysel and Hillsborough tragedies continues to shape the self-image of the Club and those who support it. A seething rivalry with nearby corporate giant Manchester United is a constant reminder of football's new order.
Addressing all of these concerns, as well as Liverpool's global reputation as the home of the Beatles and the 'Mersey sound', this book takes an original approach to the study of football by examining its links with other important popular culture forms, especially pop music, but also television and youth styles. In particular, however, it looks at the very special meaning of football in Liverpool.

View the Table of Contents. Read the Introduction.

Henry Jenkins at Authors@Google (video)

"Building on the tradition of social commentators such as Gilbert Seldes, Robert Warshow, and Susan Sontag, Henry Jenkins brings his outstanding insight and compassionate counsel to contemporary cultural phenomena. Here not only media, but affect, matters. A delightful and helpful collection on popular pleasures."
--Janet Staiger, author of "Media Reception Studies"

aOffers a lively, diligently researched, and well-written account of one scholaras engagement with the emotional punch of media.a--"PsycCRITIQUES"

Vaudevillians used the term "the wow climax" to refer to the emotional highpoint of their acts--a final moment of peak spectacle following a gradual building of audience's emotions. Viewed by most critics as vulgar and sensationalistic, the vaudeville aesthetic was celebrated by other writers for its vitality, its liveliness, and its playfulness.

The Wow Climax follows in the path of this more laudatory tradition, drawing out the range of emotions in popular culture and mapping what we might call an aesthetic of immediacy. It pulls together a spirited range of work from Henry Jenkins, one of our most astute media scholars, that spans different media (film, television, literature, comics, games), genres (slapstick, melodrama, horror, exploitation cinema), and emotional reactions (shock, laughter, sentimentality). Whether highlighting the sentimentality at the heart of the Lassie franchise, examining the emotional experiences created by horror filmmakers like Wes Craven and David Cronenberg and avant garde artist Matthew Barney, or discussing the emerging aesthetics of videogames, these essays get to the heart of what gives popular culture its emotional impact.

I was about to say that I had known the Celebrity from the time he wore kilts. But I see I shall have to amend that, because he was not a celebrity then, nor, indeed, did he achieve fame until some time after I had left New York for the West. In the old days, to my commonplace and unobserving mind, he gave no evidences of genius whatsoever. He never read me any of his manuscripts, which I can safely say he would have done had he written any at that time, and therefore my lack of detection of his promise may in some degree be pardoned. But he had then none of the oddities and mannerisms which I hold to be inseparable from genius, and which struck my attention in after days when I came in contact with the Celebrity. Hence I am constrained to the belief that his eccentricity must have arrived with his genius, and both after the age of twenty-five. Far be it from me to question the talents of one upon whose head has been set the laurel of fame When I knew him he was a young man without frills or foibles, with an excellent head for business. He was starting in to practise law in a downtown office with the intention of becoming a great corporation lawyer. He used to drop into my chambers once in a while to smoke, and was first-rate company. When I gave a dinner there was generally a cover laid for him. I liked the man for his own sake, and even had he promised to turn out a celebrity it would have had no weight with me. I look upon notoriety with the same indifference as on the buttons on a man's shirt-front, or the crest on his note-paper.

aOne of the best aspects of the text is the way that the contributors do not merely typecast fans as those interested in modern and popular culture, but also examine fans of mediums typically considered ahigh culture.a This makes the book much friendlier to pop-culture fans, whose practices are typically considered low-brow and fanatical when compared to someone who holds season tickets to the opera or visits an art gallery every weekend. As a fan, itas nice to see that the behavior is not reduced to unnecessary fanaticism and is examined on a more subjective level.a
--"M/C Reviews"

"Fandom pushes the boundaries of fan studies in bold directions, incorporating high culture fandoms, global fan cultures, fan technologies, and antagonistic anti-fandom, while rethinking the core tenets of fan studies concerning aesthetics, place, intellectual property, and interpretive communities -- all presented with a lively, accessible, and engaging writing style."
--Jason Mittell, Middlebury College

aIf you're an avid news reader, a holder of season's tickets to the symphony, a frequenter of used bookstores, or even if you've been known to scream at referees during televised games, you're a fan. In this exciting collection, we learn about why it is that certain media narratives, images, sounds, and events engage us emotionally, and what that engagement means for us personally and in our relationships with others in the increasingly global marketplace in which we live.a
--Lynn Schofield Clark, author of" From Angels to Aliens"

aA rich compendium of theory, argument, and observation of a wide variety of types of fandomafrom fans of cultural theory to fans of the Sopranos and ofChekhov, from presidents who are fans of country music to fans of the news. As the active aprosumersa of the digital mediaas niche markets come to be increasingly central to their operation, fan studies shows us the emerging dynamics of how the cultural industries are going to work in the future.a
--David Morley, Goldsmiths College, University of London

We are all fans. Whether we log on to Web sites to scrutinize the latest plot turns in "Lost," "stalk" our favorite celebrities on "Gawker," attend gaming conventions, or simply wait with bated breath for the newest "Harry Potter" novel-each of us is a fan. Fandom extends beyond television and film to literature, opera, sports, and pop music, and encompasses both high and low culture.

Fandom brings together leading scholars to examine fans, their practices, and their favorite texts. This unparalleled selection of original essays examines instances across the spectrum of modern cultural consumption from Karl Marx to Paris Hilton, "Buffy the Vampire Slayer" to backyard wrestling, Bach fugues to Bollywood cinemaA, and nineteenth-century concert halls to computer gaming. Contributors examine fans of high cultural texts and genres, the spaces of fandom, fandom around the globe, the impact of new technologies on fandom, and the legal and historical contexts of fan activity. Fandom is key to understanding modern life in our increasingly mediated and globalized world.

Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times and visited many studios and workplaces, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form.

As only Japanese comics output has received close and by now voluminous scrutiny, "Asian Comics" tells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam.

Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black & white illustrations and detailed information on comics of sixteen countries and regions--their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan.

The first overview of Asian comic books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, plus cartoon/humor magazines, "Asian Comics" brims with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists.

At the heart of Scriptures for a Generation are dozens of detailed entries discussing individual writers and the particular importance of their texts - bona fide '60s classics ranging from The Autobiography of Malcolm X and Kurt Vonnegut's Slaughterhouse Five to Carlos Casteneda's The Teachings of Don Juan and the Boston Women's Health Book Collective's Our Bodies, Ourselves. Represented as well are such works of revered elders as Hermann Hesse's Steppenwolf and Henry David Thoreau's Walden. Beidler's coverage also extends to works of the early '70s that are clearly textual and spiritual extensions of the '60s: the Portola Institute's Last Whole Earth Catalog, Annie Dillard's Pilgrim at Tinker Creek, Robert Pirsig's Zen and the Art of Motorcycle Maintenance, and others. An overview of reading and writing as both a product and prime mover of '60s culture precedes the main section. In his conclusion Beidler highlights the most notable efforts to document and interpret the era.

Since the earliest days of universities, students have told stories about their daily lives, often emphasizing extraordinary, surprising, and baffling events. This book examines the fascinating world of college and university legends. While it primarily looks at legends, it also gives some attention to rumors, pranks, rituals, and other forms of folklore. Included are introductory chapters on types of campus folklore, a collection of some 50 legends from a broad range of colleges and universities, an overview of scholarship, and a discussion of campus legends in movies, television, and popular culture. Since the earliest days of universities, students have told stories about their daily lives, often emphasizing extraordinary, surprising, and baffling events. Legends often dramatize certain hopes and fears, showing how stressful and exciting the college experience can be. From the stereotype of the absent minded professor to the adventures of spring break to the mysterious world of fraternities and sororities, campus legends have also become an important part of popular culture. This book provides a convenient, readable introduction to campus legends. While the volume focuses primarily on legends, it also explores rumors, pranks, rituals, and other related folklore types. The book begins with an overview of college and university folklore. This is followed by a discussion of particular types of legends and other folklore genres. The handbook then presents some 50 examples of college and university legends, including ghost stories, urban legends, food lore, drinking tales, murders and suicides, and many others. These examples are accompanied by brief comments. The book next surveys scholarship on campus folklore and discusses the place of college and university legends in films, television, literature, and popular culture. The volume cites numerous print and electronic resources.

This work presents 12 of the most volatile ethical issues facing the music industry. Real-life examples depict both sides of each controversy, and the list of resources provides tools for readers who wish to pursue the controversies further. Primary sources including court cases and excerpts from speeches help students build critical thinking skills in current issues, persuasive writing, and debate classes.

Among the controversies noted is the growing oligopoly of a few multinational music companies and the independent labels that are attempting to survive this market dominance. Drug abuse and violence depicted in music is discussed, as is its influence on young listeners. These issues and many more are discussed in detail as the authors outline the controversial topics of the music industry.

Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

History is filled with stories of the famous crashing to earth, whether through an ill-judged statement, an overweening arrogance, a lust for power or money, or simply a stroke of bad luck. Today, more than ever, the world of the successful is littered with 'banana skins' lying in wait for the unwary, as film stars, politicians, soldiers, scientists, business tycoons, royalty, criminals, sports idols and others make that fatal decision, gaffe or slip. It covers 220 fascinating entries. Packed in a gift size, it is highly illustrated in colour. It is ideal travel and present book. It tells the stories behind the stories. "The Hidden Secrets" - this beautifully illustrated book charts the hidden secrets behind some of the biggest 'banana skins' of all time - the riveting stories of 200 figures who fell from grace - some for ever, some for a while, some evoke sympathy, a great many do not.

A cultural history of fundamentalism's formative decades; Protestant fundamentalists have always allied themselves with conservative politics and stood against liberal theology and evolution From the start, however, their relationship with mass culture has been complex and ambivalent Selling the Old-Time Religion tells how the first generation of fundamentalists embraced the modern business and entertainment techniques of marketing advertising, drama, film, radio, and publishing to spread the gospel Selectively, and with more sophistlcation than has been accorded to them, fundamentalists adapted to the consumer society and popular culture with the accompanying values of materialism and immediate gratification. Selling the Old-Time Religion is written by a fundamentalist who is based at the country's foremost fundamentalist institution of higher education. It is a candid and remarkable piece of self-scrutiny that reveals the movement's first encounters with some of the media methods it now wields with well-documented virtuosity. Douglas Carl Abrams draws extensively on sermons, popular journals, and educational archives to reveal the attitudes and actions of the fundamental leadership and the laity. Abrams discusses how fundamentalists' outlook toward contemporary trends and events shifted from aloofiness to engagement as they moved inward from the margins of American culture and began to weigh in on the day's issues - from jazz to ""flappers"" - in large numbers. Fundamentalists in the 1920s and 1930s ""were willing to compromise certain traditions that defined the movement, such as premillennialism, holiness, and defense of the faith,"" Abrams concludes, ""but their flexibility with forms of consumption and pleasure strengthened their evangelistic emphasis, perhaps the movement's core."" Contrary to the myth of fundamentalism's demise after the Scopes Trial, the movement's uses of mass culture help explain their success in the decades following it. In the end fundamentalists imitated mass culture not to be like the world but to evangelize it.

The Cooperstown Symposium on Baseball and American Culture, 2009-2010 is an anthology of scholarly essays that utilize the national game to examine topics whose import extends beyond the ballpark and constitute a significant academic contribution to baseball literature. The essays represent sixteen of the leading presentations from the two most recent proceedings of the annual Cooperstown Symposium on Baseball and American Culture, held, respectively, on June 3-5, 2009, and June 2-4, 2010. The anthology is divided into five parts: Baseball as Culture: Dance, Literature, National Character, and Myth; Constructing Baseball Heroes; Blacks in Baseball: From Segregation to Conflicted Integration; The Enterprise of Baseball: Economics and Entrepreneurs; and Genesis and Legacy of Baseball Scholarship, which features an essay written by the co-creator of baseball scholarship, Dorothy Jane Mills.

Ten songs, from ""Bill Bailey, Won't You Please Come Home"" (1902) to ""You Made Me Love You"" (1913), ignited the development of the classic pop ballad. In this exploration of how the style of the Great American Songbook evolved, Michael G. Garber unveils the complicated, often-hidden origins of these enduring, pioneering works. He riffs on colorful stories that amplify the rising of an American folk art composed by innovators both famous and obscure. Songwriters, and also the publishers, arrangers, and performers, achieved together a collective genius that moved hearts worldwide to song. These classic ballads originated all over the nation-Louisiana, Colorado, Illinois, Michigan-and then the Tin Pan Alley industry, centered in New York, made the tunes unforgettable sensations. From ragtime to bop, cabaret to radio, new styles of music and modes for its dissemination invented and reinvented the intimate, personal American love ballad, creating something both swinging and tender. Rendered by Frank Sinatra, Ella Fitzgerald, and a host of others, recordings and movies carried these songs across the globe. Using previously underexamined sources, Garber demonstrates how these songs shaped the music industry and the lives of ordinary Americans. Besides covering famous composers like Irving Berlin, this history also introduces such little-known figures as Maybelle Watson, who had to sue to get credit and royalties for creating the central content of the lyric for ""My Melancholy Baby."" African American Frank Williams contributed to the seminal ""Some of These Days"" but was forgotten for decades. The ten ballads explored here permanently transformed American popular song.

Dandies: Fashion and Finesse in Art and Culture considers the visual languages, politics, and poetics of personal appearance. Dandyism has been most closely associated with influential caucasian Western men-about-town, epitomized by the 19th century style-setting of Oscar Wilde and by Tom Wolfe's white suits. The essays collected here, however, examine the spectacle and workings of dandyism to reveal that these were not the only dandies. On the contrary, art historians, literary and cultural historians, and anthropologists identify unrecognized dandies flourishing among early 19th century Native Americans, in Soviet Latvia, in Africa, throughout the African-American diaspora, among women, and in the art world.

Moving beyond historical and fictional accounts of dandies, this volume juxtaposes theoretical models with evocative images and descriptions of clothing in order to link sartorial self-construction with artistic, social, and political self-invention. Taking into consideration the vast changes in thinking about identity in the academy, Dandies provides a compelling study of dandyism's destabilizing aesthetic enterprise.

Contributors: Jennifer Blessing, Susan Fillin-Yeh, Rhonda Garelick, Joe Lucchesi, Kim Miller, Robert E. Moore, Richard J. Powell, Carter Ratcliffe, and Mark Allen Svede.

This book investigates a paradox of creative yet scripted play-how LEGO invites players to build 'freely' with and within its highly structured, ideologically-laden toy system. First, this book considers theories and methods for deconstructing LEGO as a medium of bricolage, the creative reassembly of already-significant elements. Then, it pieces together readings of numerous LEGO sets, advertisements, videogames, films, and other media that show how LEGO constructs five ideologies of play: construction play, dramatic play, digital play, transmedia play, and attachment play. From suburban traffic patterns to architectural croissants, from feminized mini-doll bodies to toys-to-life stories, from virtual construction to playful fan creations, this book explores how the LEGO medium conveys ideological messages-not by transmitting clear statements but by providing implicit instructions for how to reassemble meanings it had all along.

This book examines the most popular American television shows of the nineties-a decade at the last gasp of network television's cultural dominance. At a time when American culture seemed increasingly fragmented, television still offered something close to a site of national consensus. The Lonely Nineties focuses on a different set of popular nineties television shows in each chapter and provides an in-depth reading of scenes, characters or episodes that articulate the overarching "ideology" of each series. It ultimately argues that television shows such as Seinfeld, Friends, Law & Order and The Simpsons helped to shape the ways Americans thought about themselves in relation to their friends, families, localities, and nation. It demonstrates how these shows engaged with a variety of problems in American civic life, responded to the social isolation of the age, and occasionally imagined improvements for community in America.

This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life. Long before the war in Iraq and the economic crises of the early 21st century, Hollywood has depicted a grim view of life in the United States, one that belies the prosperity and abundance of the so-called American Dream. While the country emerged from World War II as a world power, collectively our sense of security had been threatened. The result is a cinematic body of work that has America's decline and ruin as a central theme. The author draws from popular films across all genres and six decades to illustrate how the political climate of the times influenced their creation. Projecting the End of the American Dream: Hollywood's Visions of U.S. Decline combines film history, social history, and political history to reveal important themes in the unfolding American narrative. Discussions focus on a wide variety of films, including Rambo, Planet of the Apes, and Easy Rider.

With well over one-hundred episodes, the podcast Welcome to Night Vale has spawned several international live tours, two novels set in the Night Vale universe, and an extensive volume of fan fiction and commentary. However, despite its immense popularity, Welcome to Night Vale has received almost no academic scrutiny. This edited collection of scholarly essays-the very first of its kind on a podcast-attempts to redress this lack of attention to Night Vale by bringing together an international group of scholars from different disciplines to consider the program's form, themes, politics, and fanbase. After a thorough introduction by the volume's editor, Jeffrey Andrew Weinstock, the eight contributors not only offer close analysis of Night Vale, but use the program as the impetus for broader explorations of new media, gender, the constitution of identity, the construction of place, and the human relationship to meaning and the non-human.

Football and fascism: the politics of popular culture in Portugal tells the hidden history of football and discusses its political, social and cultural foundations, during the longest running authoritarian regime in Europe. Theoretically grounded on Bourdieu's field theory, and using a multi-scalar methodology, this award-winning research explores the political tensions between the nationalization of sports envisaged by the Portuguese "New State" and the integration of national football in a globalized urban popular culture. Mobilizing unexplored archival sources, and a wide array of primary materials, this groundbreaking work offers new insight on the administrative structures of the corporativist state, the making of an authoritarian cultural program, and the relation between state institutions and civil society. Besides broadening the scope of existing transnational histories of football, this study also puts into question the conventional geographies and political chronologies adopted in sports history.