The concept of the game illustrates a collectively recognized representation of existence in American literature. This investigation explores the concealment of the function of division beneath the function of communication. The philosophical cornerstones of this investigation are Marshall McLuhan, Guy Debord, and Michel Pecheux. Inspired by Henry Miller, an innovative methodology is established that focuses on patterns of experience (symbol/sign), patterns of structure (myth), and patterns of language (metaphor). The concept of the game renders an essential social relation tangible (interpellation), and it epitomizes a commitment to the restoration of American spiritual values. It is a rejection of "a mistaken idea of freedom" and an advocate of "true freedom."

SOAP, SEX AND CIGARETTES examines how American advertising both mirrors society and creates it. From the first newspaper advertisement in colonial times to today's online viral advertising, the text explores how advertising grew in America, how products and brands were produced and promoted, and how advertisements and agencies reflect and introduce cultural trends and issues. The threads of art, industry, culture, and technology unify the work. The text is chronological in its organization and is lavishly illustrated with advertisements.

France's performance in the 2002 World Cup brought back painful memories of a time when France was a weak contender in world and European football -- a time when national or club teams rarely won, and the French were renowned for having little interest in the game. Today, football plays a unique role in French society. French players and coaches are highly sought after abroad and the national team has chalked up significant recent victories, including a World Cup and European Championship. This book is the first in English to examine the extraordinary cultural, economic, and political history behind French football's development throughout the twentieth century and up to the present day. It focuses on the past twenty years and concludes with a discussion of the fallout from the World Cup 2002.Imported from Britain by the middle classes in the late nineteenth century, football entered French national consciousness between the wars. As with everywhere else in Europe, the game helped to unite communities and forge new social identities. Although the State has generously supported youth coaching, the evolution of the professional sport has been slow due to tight community control, high taxes and lack of income from paying spectators. In a bid to compete successfully in Europe, the owners of France's big city clubs are seeking to commercialize the game, despite the resistance of central and local authorities.Hare traces the gradual evolution of traditional French football values and explores the impact of new and controversial business practices. Have French football's influential club chairmen sold out to business values and television? Why has the national team been so successful when clubteams have not? How are top clubs being re-branded to catch a national and international audience of consumers? What role does the modern supporter play, and what are the links between businessmen, politics and the commercialization of the sport? What is peculiarly French about French football, and what does football tell us about France? Hare also pays specific attention to issues relating to race and racism. He looks at racist attitudes among fans, and considers how the multi-cultural and multi-racial population of France is reflected in the national football team. This book not only provides a fascinating cultural history of French football, but also an engrossing account of how national identity and community values are being transformed and reshaped in the global marketplace.

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Let Jareth, Sarah, Hoggle, and other beloved characters from Jim Henson's Labyrinth guide your tarot practice with the official Labyrinth Tarot Deck. Characters from Jim Henson's beloved classic Labyrinth try their hand at tarot in this whimsical take on a traditional 78-card tarot deck, which reimagines Jareth, Sarah, Hoggle, and other denizens of Goblin City in original illustrations based on classic tarot iconography. Featuring both the Major and Minor Arcana, the set also comes with a helpful guidebook with explanations of each card's meaning, as well as simple spreads for easy readings. Packaged in a sturdy, decorative gift box, this stunning deck of tarot cards is the perfect gift for Labyrinth fans and tarot enthusiasts everywhere.

An ethnographic study of gender, place and belonging, Affective Intensities introduces readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan.

Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull-between segregationist cultural logics and music's disrespect of racially defined boundaries-is an animating force in twentieth-century American popular culture.

An examination of the development of local radio broadcasting and the trend for locally-owned, locally-originated and locally-accountable commercial radio stations to fall into the hands of national and international media groups. Starkey traces the early development of local radio through to present-day digital environments.

Passionate Friendship explores sh jo manga, romance comics for teenage girls, by reviewing Japanese girls' print culture from its origins in 1920s and 1930s girls' literary magazines to the 1970s "revolution" sh jo manga, when young women artists took over the genre. It looks at the narrative and aesthetic features of girls' literature and illustration across the twentieth century and discusses how these texts addressed and formed a reading community of girls, even as they were informed by competing political and social ideologies.

This book deals with all the well-know piano, violin, and cello concertos and is illustrated with a wealth of musical examples.

The quickest entry-point into most local cultures anywhere on earth is to be found in talking football. Historically, football is one of the great cultural institutions, and, like education and the mass media, has played a key role in shaping and cementing senses of national identity throughout the world. However, the nature of intra-nation hostility, which may be based in football or which may use the game as an arena for antagonisms, has yet to be analyzed. Football today is more global than ever before. Teams, clubs and regions increasingly establish cultural identities through rivalries and opposition. Such rivalries invariably have deep historical antecedents enforced by prejudice, myth or religious conflicts, economic inequalities, or, perhaps most profound, class and ethnic divisions.
Issues of disorder and violence are routine by-products of the game the world over, and aggression, or the threat of it, characterizes many matches both minor and major. In short, football at all levels can become a site for symbolizing and expressing a variety of tensions. This timely volume fills a gap in the current literature on sport as the most extensive and incisive collection yet published on issues relating to football around the world. It uncovers and investigates the conflicts apparent in football rivalry by gathering together a series of in-depth case studies that span the football world.

"Queer Voices" sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself.

Emotion Online: Theorizing Affect on the Internet takes stock of where we are emotionally with regards to the Internet in social and cultural terms. Online users are switching between personal, national, international and global modes of being and feeling that shape private and public experiences. Drawing upon the well-established discipline of media studies, the book travels theoretically through, across, in and between examples of traditional media as they merge and emerge online. Garde-Hansen and Gorton explore how we feel about, and how we feel in, our online media ecology in the context of global media platforms.

Red Hot Chili Peppers, Goo Goo Dolls, Nirvana, Green Day, Mariah Carey, Notorious B.I.G., Billy Ray Cyrus, Backstreet Boys... the list goes on. Meet all the 1990s' essential musical artists in one insightful volume. During the 1990s, musical genres became more commercialized than ever-and that was just one of the many changes that characterized the decade. Music of the 1990s offers a detailed and wide-ranging view of the important music of the '90s, identifying the artists and the important compositions-popular, classical, and jazz-that helped shape the period. The book focuses on key artists in specific genres in popular music, including pop, hard rock/heavy metal, rock, and country. Specialized genres are examined as well, in a chapter that discusses prominent artists and composers in musical theater, jazz, popular Christian music, and classical music. Among other topics, the book looks at the growth of urban-based rap and other popular music in the context of the rise of music television. Hard rock and heavy metal are also examined within the music video idiom. New trends in mainstream rock and country music are explored as well. Photographs A bibliography of sources on top musical trends in the 1990s

Based on firsthand interviews with directly involved sources, as well as on original research, this volume is a commentary on the personalities and the politics of a federal regulatory agency during a period of philosophical upheaval. This book carefully and authoritatively analyzes issues concerning the FCC's decision, filling a gap in the literature on deregulation's effect on federal regulatory policymaking. It will be of interest to policy analysts and government leaders inside and outside of communications.

Do Irish superheroes actually sound Irish? Why are Gary Larson's Far Side cartoons funny? How do political cartoonists in India, Turkey, and the US get their point across? What is the impact of English on comics written in other languages? These questions and many more are answered in this volume, which brings together the two fields of comics research and linguistics to produce groundbreaking scholarship. With an international cast of contributors, the book offers novel insights into the role of language in comics, graphic novels, and single-panel cartoons, analyzing the intersections between the visual and the verbal. Contributions examine the relationship between cognitive linguistics and visual elements as well as interrogate the controversial claim about the status of comics as a language. The book argues that comics tell us a great deal about the sociocultural realities of language, exploring what code switching, language contact, dialect, and linguistic variation can tell us about identity - from the imagined and stereotyped to the political and real.

"Cylons in America" is the first collection of critical studies of Battlestar Galactica (its 2003 miniseries, and the ongoing 2004 television series), examining its place within popular culture and its engagement with contemporary American society.With its fourth season due to air in January 2008, the award-winning Battlestar Galactica continues to be exceptionally popular for non-network television, combining the familiar features of science fiction with direct commentary on life in mainstream America. "Cylons in America" is the first collection of critical studies of Battlestar Galactica (its 2003 miniseries, and the ongoing 2004 television series), examining its place within popular culture and its engagement with contemporary American society.Battlestar Galactica depicts the remnants of the human race fleeing across space from a robotic enemy called the Cylons. The fleet is protected by a single warship, the Battlestar, and is searching for a "lost colony" that settled on the legendary planet "Earth." Originally a television series in the 1970s, the current series maintains the mythic sense established with the earlier quest narrative, but adds elements of hard science and aggressive engagement with post-9/11 American politics. "Cylons In America" casts a critical eye on the revived series and is sure to appeal to fans of the show, as well as to scholars and researchers of contemporary television.

Representing a detailed analysis of footballers' wives and their role in contemporary British culture, this books explores how the generic and stereotypical 'Wag' has been created by newspaper and magazine coverage, auto/biographies and influential television programmes.

Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.

What does it mean to be a woman in the 21st century? The feminist movement has a long and rich history, but is its time now passed? This edited collection is driven by the question, why is feminism viewed by some (we would add a majority) as outdated, no longer necessary and having achieved its goals, and what role have the media played in this?

In France, Belgium, and other Francophone countries, comic strips---called bande dessinee or "BD" in French---have long been considered a major art form capable of addressing a host of contemporary issues. Among French-speaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics.

The place that BD holds today, however, belies the contentious political route the art form has traveled. In "Drawing France: French Comics and the Republic," author Joel E. Vessels examines the trek of BD from it being considered a fomenter of rebellion, to a medium suitable only for semi-literates, to an impediment to education, and most recently to an art capable of addressing social concerns in mainstream culture.

In the mid-1800s, alarmists feared political caricatures might incite the ire of an illiterate working class. To counter this notion, proponents yoked the art to a particular articulation of "Frenchness" based on literacy and reason. With the post-World War II economic upswing, French consumers saw BD as a way to navigate the changes brought by modernization. After bande dessinee came to be understood as a compass for the masses, the government, especially Francois Mitterand's administration, brought comics increasingly into "official" culture. Vessels argues that BD are central to the formation of France's self-image and a self-awareness of what it means to be French.