"Be the best you can be" urge self-help books and makeover TV shows, but what kind of self is imagined as needing a makeover and what kind of self is imagined as the happy result? Drawing on recent sociology and psychology, this book explores the function of slummy mummies, headless zombies and living autopsies to creating an idea of self.

Music has always been central to the cultures that young people create, follow, and embrace. In the 1960s, young hippie kids sang along about peace with the likes of Bob Dylan and Joan Baez and tried to change the world. In the 1970s, many young people ended up coming home in body bags from Vietnam, and the music scene changed, embracing punk and bands like The Sex Pistols. In Sells Like Teen Spirit, Ryan Moore tells the story of how music and youth culture have changed along with the economic, political, and cultural transformations of American society in the last four decades. By attending concerts, hanging out in dance clubs and after-hour bars, and examining the do-it-yourself music scene, Moore gives a riveting, first-hand account of the sights, sounds, and smells of "teen spirit."

Moore traces the histories of punk, hardcore, heavy metal, glam, thrash, alternative rock, grunge, and riot grrrl music, and relates them to wider social changes that have taken place. Alongside the thirty images of concert photos, zines, flyers, and album covers in the book, Moore offers original interpretations of the music of a wide range of bands including Black Sabbath, Black Flag, Metallica, Nirvana, and Sleater-Kinney. Written in a lively, engaging, and witty style, Sells Like Teen Spirit suggests a more hopeful attitude about the ways that music can be used as a counter to an overly commercialized culture, showcasing recent musical innovations by youth that emphasize democratic participation and creative self-expression--even at the cost of potential copyright infringement.

In Intersectional Tech: Black Users in Digital Gaming, Kishonna L. Gray interrogates blackness in gaming at the intersections of race, gender, sexuality, and (dis)ability. Situating her argument within the context of the concurrent, seemingly unrelated events of Gamergate and the Black Lives Matter movement, Gray highlights the inescapable chains that bind marginalized populations to stereotypical frames and limited narratives in video games. Intersectional Tech explores the ways that the multiple identities of black gamers some obvious within the context of games, some more easily concealed affect their experiences of gaming. The normalization of whiteness and masculinity in digital culture inevitably leads to isolation, exclusion, and punishment of marginalized people. Yet, Gray argues, we must also examine the individual struggles of prejudice, discrimination, and microaggressions within larger institutional practices that sustain the oppression. These ""new"" racisms and a complementary colorblind ideology are a kind of digital Jim Crow, a new mode of the same strategies of oppression that have targeted black communities throughout American history. Drawing on extensive interviews that engage critically with identity development and justice issues in gaming, Gray explores the capacity for gaming culture to foster critical consciousness, aid in participatory democracy, and effect social change. Intersectional Tech is rooted in concrete situations of marginalized members within gaming culture. It reveals that despite the truths articulated by those who expose the sexism, racism, misogyny, and homophobia that are commonplace within gaming communities, hegemonic narratives continue to be privileged. This text, in contrast, centers the perspectives that are often ignored and provides a critical corrective to notions of gaming as a predominantly white and male space.

France's performance in the 2002 World Cup brought back painful memories of a time when France was a weak contender in world and European football -- a time when national or club teams rarely won, and the French were renowned for having little interest in the game. Today, football plays a unique role in French society. French players and coaches are highly sought after abroad and the national team has chalked up significant recent victories, including a World Cup and European Championship. This book is the first in English to examine the extraordinary cultural, economic, and political history behind French football's development throughout the twentieth century and up to the present day. It focuses on the past twenty years and concludes with a discussion of the fallout from the World Cup 2002.Imported from Britain by the middle classes in the late nineteenth century, football entered French national consciousness between the wars. As with everywhere else in Europe, the game helped to unite communities and forge new social identities. Although the State has generously supported youth coaching, the evolution of the professional sport has been slow due to tight community control, high taxes and lack of income from paying spectators. In a bid to compete successfully in Europe, the owners of France's big city clubs are seeking to commercialize the game, despite the resistance of central and local authorities.Hare traces the gradual evolution of traditional French football values and explores the impact of new and controversial business practices. Have French football's influential club chairmen sold out to business values and television? Why has the national team been so successful when clubteams have not? How are top clubs being re-branded to catch a national and international audience of consumers? What role does the modern supporter play, and what are the links between businessmen, politics and the commercialization of the sport? What is peculiarly French about French football, and what does football tell us about France? Hare also pays specific attention to issues relating to race and racism. He looks at racist attitudes among fans, and considers how the multi-cultural and multi-racial population of France is reflected in the national football team. This book not only provides a fascinating cultural history of French football, but also an engrossing account of how national identity and community values are being transformed and reshaped in the global marketplace.

SOAP, SEX AND CIGARETTES examines how American advertising both mirrors society and creates it. From the first newspaper advertisement in colonial times to today's online viral advertising, the text explores how advertising grew in America, how products and brands were produced and promoted, and how advertisements and agencies reflect and introduce cultural trends and issues. The threads of art, industry, culture, and technology unify the work. The text is chronological in its organization and is lavishly illustrated with advertisements.

Answering the eternal question... WHAT TO WATCH NEXT? Looking for a box set to get your adrenaline racing or to escape to a different era? In need of a good laugh to lift your spirits? Hunting for a TV show that the whole family can watch together? If you're feeling indecisive about your next binge-watching session, we've done the hard work for you. Featuring 1,000 carefully curated reviews written by a panel of TV connoisseurs, What To Watch When offers up the best show suggestions for every mood and moment.

An ethnographic study of gender, place and belonging, Affective Intensities introduces readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan.

The Cooperstown Symposium on Baseball and American Culture, 2009-2010 is an anthology of scholarly essays that utilize the national game to examine topics whose import extends beyond the ballpark and constitute a significant academic contribution to baseball literature. The essays represent sixteen of the leading presentations from the two most recent proceedings of the annual Cooperstown Symposium on Baseball and American Culture, held, respectively, on June 3-5, 2009, and June 2-4, 2010. The anthology is divided into five parts: Baseball as Culture: Dance, Literature, National Character, and Myth; Constructing Baseball Heroes; Blacks in Baseball: From Segregation to Conflicted Integration; The Enterprise of Baseball: Economics and Entrepreneurs; and Genesis and Legacy of Baseball Scholarship, which features an essay written by the co-creator of baseball scholarship, Dorothy Jane Mills.

Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull-between segregationist cultural logics and music's disrespect of racially defined boundaries-is an animating force in twentieth-century American popular culture.

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An examination of the development of local radio broadcasting and the trend for locally-owned, locally-originated and locally-accountable commercial radio stations to fall into the hands of national and international media groups. Starkey traces the early development of local radio through to present-day digital environments.

This book deals with all the well-know piano, violin, and cello concertos and is illustrated with a wealth of musical examples.

The quickest entry-point into most local cultures anywhere on earth is to be found in talking football. Historically, football is one of the great cultural institutions, and, like education and the mass media, has played a key role in shaping and cementing senses of national identity throughout the world. However, the nature of intra-nation hostility, which may be based in football or which may use the game as an arena for antagonisms, has yet to be analyzed. Football today is more global than ever before. Teams, clubs and regions increasingly establish cultural identities through rivalries and opposition. Such rivalries invariably have deep historical antecedents enforced by prejudice, myth or religious conflicts, economic inequalities, or, perhaps most profound, class and ethnic divisions.
Issues of disorder and violence are routine by-products of the game the world over, and aggression, or the threat of it, characterizes many matches both minor and major. In short, football at all levels can become a site for symbolizing and expressing a variety of tensions. This timely volume fills a gap in the current literature on sport as the most extensive and incisive collection yet published on issues relating to football around the world. It uncovers and investigates the conflicts apparent in football rivalry by gathering together a series of in-depth case studies that span the football world.

Passionate Friendship explores sh jo manga, romance comics for teenage girls, by reviewing Japanese girls' print culture from its origins in 1920s and 1930s girls' literary magazines to the 1970s "revolution" sh jo manga, when young women artists took over the genre. It looks at the narrative and aesthetic features of girls' literature and illustration across the twentieth century and discusses how these texts addressed and formed a reading community of girls, even as they were informed by competing political and social ideologies.

Pay tribute to your favorite show and transport yourself to the lovable northeastern town of Stars Hollow with this special kit. * SPECIFICATIONS: 3-1/2 x 3-inch light-up Stars Hollow sign with display stand * BOOK INCLUDED: 48-page book filled with essential information on Stars Hollow and featuring full-color photos from the show throughout * PERFECT GIFT: Must-have gift item for fans of the Gilmore Girls * FOR YOUR DESKTOP: Small size allows for fun anytime, anywhere and is perfect for a mantle or desktop * OFFICIALLY LICENSED: Authentic collectible

"Queer Voices" sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself.

Based on firsthand interviews with directly involved sources, as well as on original research, this volume is a commentary on the personalities and the politics of a federal regulatory agency during a period of philosophical upheaval. This book carefully and authoritatively analyzes issues concerning the FCC's decision, filling a gap in the literature on deregulation's effect on federal regulatory policymaking. It will be of interest to policy analysts and government leaders inside and outside of communications.

MAJOR PROBLEMS IN AMERICAN POPULAR CULTURE is part of a highly respected series of edited collections of primary documents and scholarly essays designed for use in history courses at the undergraduate level. The basic goal of these texts is to provide students and instructors with the most distinguished, readable, and stimulating writing available: essays centered on major historical questions, complemented by related primary source materials.

Let the citizens of Halloween Town guide your tarot practice with this sumptuously illustrated tarot deck inspired by Tim Burton's classic film The Nightmare Before Christmas. This gift set includes a tarot altar cloth, guided notebook for reflection, and pouch to hold your cards and booklet. Disney's iconic holiday film Tim Burton's The Nightmare Before Christmas is now an enchanting tarot set, offering a frightful-but-friendly take on the traditional 78-card deck. This set features all your favorite characters from Jack Skellington to Oogie Boogie to Sandy Claws himself in gorgeous original illustrations based on classic tarot iconography. Featuring both major and minor arcana, the set also comes with a helpful guidebook explaining each card's meaning, as well as simple spreads for easy readings. Packaged in a sturdy, decorative gift box, this hauntingly charming tarot deck is the perfect gift for Tim Burton's The Nightmare Before Christmas fan or tarot enthusiast in your life. This gift set includes: 78-card Tarot Deck 128-page Guidebook Tarot altar cloth Guided notebook for reflection Pouch to hold your cards and booklet. ORIGINAL ART: The booklet and each of the 78 cards in this deck feature gorgeous original Tim Burton's The Nightmare Before Christmas-themed art. TAROT READING GUIDE: This unique set includes a guidebook to help tarot practitioners of all skill levels perform fun and informed readings. GUIDED JOURNAL: Beautiful illustrations and intriguing prompts help guide your tarot practice and record memorable readings. ALTAR CLOTH: Set the stage for a fun, entertaining and meaningful reading with a beautiful altar cloth. CLOTH POUCH: Store your tarot cards in a deluxe drawstring cloth pouch. OFFICIAL DISNEY DECK: The only official Disney The Nightmare Before Christmas tarot deck and guide.