Vincent van Gogh's tumultuous final years were the climax of his career as a colourist. In France he reached a sustained height of expression and created a prodigious quantity of work, the importance of which is incontestable. In the landscapes, portraits and still lifes from this period the intensity and singularity of vision finds its apotheosis. Presented here is a comprehensive illustrated catalogue of Van Gogh's paintings executed between 1886 and 1890 in Paris, Arles, Saint-Remy and Auvers-sur-Oise. Each of some 580 works from that time is reproduced in full colour and appears in related scale to its original size. All known provenance is given. For the first time the paintings recorded in early documents like the 'Andries Bonger Inventory List' of 1890 and the 1905 Amsterdam Exhibition are fully identified. This book includes a wealth of new information of crucial importance to collectors, dealers, art historians and public institutions, while providing an extraordinary visual record of the most creative and productive period of Van Gogh's career. It promises to be one of the most significant and enduring contributions to the understanding of this artist.

A recently discovered plaster of Little Dancer, Aged Fourteen is critically challenging our understanding of Edgar Degas' most famous work. Documentary and technical evidence confirm that the plaster was cast from Degas' Little Dancer before the wax sculpture was extensively reworked after 1903. The plaster thus records Degas' wax as it appeared when it shocked the Parisian art world at the sixth Impressionist exhibition of 1881. It reveals a far more revolutionary work than the reworked Little Dancer wax and the posthumous Hebrard bronzes we know today. The plaster shows why Joris-Karl Huysmans, in 1881, raved that Degas' Little Dancer was "the only truly modern attempt I know of in sculpture" and why the work left Whistler in a state of near delirium. The plaster reveals Degas at his most innovative by introducing a radical idea of posing a lowly 'opera rat' as a revered figure by giving her an iconic pose, then locking her into a square vitrine, thus emphasizing her symmetrical, four-sided stance. It is now clear that in his Little Dancer Degas anticipated radical ideas that came to define key aspects of modern art, dramatically impacting his most noted peers, including Whistler, Manet, Seurat and Sargent. Even twentieth-century masterpieces by Duchamp, Giacometti, Oldenburg, Warhol and Hirst reflect, albeit indirectly, Degas' masterful innovations."

The Ash K. Prakash Collection of works by James W. Morrice offers an exciting journey into the personal and artistic explorations of the first Canadian painter who established an enviable career as an artist in Paris by the turn of the twentieth century. While living abroad for the rest of his life, Morrice also played a vital role in advancing modern artistic trends at the turn of the twentieth century in Canada. The in-depth collection of works will feature just over three decades of collecting by Mr. A.K. Prakash, and will weave the intricate story of the artist through the story of the collector and his ability to refine his collection and sustain his passion for the artist and his art.