Max Liebermann: Modern Art and Modern Germany is the first English-language examination of this German impressionist painter whose long life and career spanned nine decades. Through a close reading of key paintings and by a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion Deshmukh illuminates Liebermann's importance as a pioneer of German modernism. Critics and admirers alike saw his art as representing aesthetic European modernism at its best. His subjects included dispassionate depictions of the rural Dutch countryside, his colorful garden at the Wannsee, and his many portraits of Germany's cultural, political, and military elites. Liebermann was the largest collector of French Impressionism in Germany - and his cosmopolitan outlook and his art created strong antipathies towards both by political and cultural conservatives throughout his life.

Paul Cezanne - a solitary genius who overcame opposition from his family, friends and the official Salon - made painting the sole preoccupation of his life. He worked unceasingly to realize his vision of a 'harmony parallel to nature', investigating the logic of colours and re-creating space. Mocked by Parisian critics, he withdrew to Provence where he laboured quietly until a later generation hailed him as the father of a new art. Here is his story, told in his own words, in those of his friends, and in the accolades of great artists, philosophers and critics.

From humble beginnings in Nuenen and Antwerp to his last month in Auvers-sur-Oise, this captivating book on Vincent Van Gogh's life and works is the perfect introduction for all students and art lovers interested in late nineteenth-century and Post-Impressionist art. Featuring fifty of his finest works, each painting and drawing is described and analyzed in beautiful detail, within the context of the period, so that the reader can really understand what the artist was hoping to achieve with each work. Drawing from the many letters that Van Gogh wrote to his brother, friends and others, curator John Cauman provides an enthralling and accessible narrative about the artist and his work, introducing the milieu, key characters and themes and legacy that continues to this day. Among the fifty paintings featured, this book includes The Potato Eaters (1885), Pere Tanguy (1887), Self-Portrait in Front of the Easel (1888), Sunflowers (1888), Cafe Terrace at Night (1888), Bedroom in Arles (1888), Van Gogh's Chair (1888), Portrait of Joseph Roulin (1889), Irises (1889), The Starry Night (1889) and Wheatfield with Crows (1890).

Vincent van Gogh's tumultuous final years were the climax of his career as a colourist. In France he reached a sustained height of expression and created a prodigious quantity of work, the importance of which is incontestable. In the landscapes, portraits and still lifes from this period the intensity and singularity of vision finds its apotheosis. Presented here is a comprehensive illustrated catalogue of Van Gogh's paintings executed between 1886 and 1890 in Paris, Arles, Saint-Remy and Auvers-sur-Oise. Each of some 580 works from that time is reproduced in full colour and appears in related scale to its original size. All known provenance is given. For the first time the paintings recorded in early documents like the 'Andries Bonger Inventory List' of 1890 and the 1905 Amsterdam Exhibition are fully identified. This book includes a wealth of new information of crucial importance to collectors, dealers, art historians and public institutions, while providing an extraordinary visual record of the most creative and productive period of Van Gogh's career. It promises to be one of the most significant and enduring contributions to the understanding of this artist.

The Ash K. Prakash Collection of works by James W. Morrice offers an exciting journey into the personal and artistic explorations of the first Canadian painter who established an enviable career as an artist in Paris by the turn of the twentieth century. While living abroad for the rest of his life, Morrice also played a vital role in advancing modern artistic trends at the turn of the twentieth century in Canada. The in-depth collection of works will feature just over three decades of collecting by Mr. A.K. Prakash, and will weave the intricate story of the artist through the story of the collector and his ability to refine his collection and sustain his passion for the artist and his art.

A breath-taking masterpiece Cincinnati Art Museum's Undergrowth with Two Figures, is one of the twelve ambitious panoramic landscapes Vincent van Gogh created during the last, highly productive, weeks of his life in the summer of 1890, whilst staying at Auvers, just north of Paris. It has recently been restored and now provides the focus and the springboard for this book. Nine works by Van Gogh and a further fourteen by his contemporaries, including Claude Monet, Paul Gauguin, Camille Pissarro, Pierre-Auguste Renoir, Jean-Baptiste-Camille Corot, and Paul Cezanne, reveal how all of these artists attempted to capture the subtle and transient effects of light on foliage and the feeling of walking under the forest canopy, the "sous-bois".

Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of water lilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.