Drawn from an exhibition at Exit Art, a cultural center in New York City, Signs of change is a visual archive of more than 350 posters, prints, photographs, films, videos, music, and ephemera from more than twenty-five nations. Surveying the creative work of dozens of international movements, from the do-it-yourself graphics and media of the 1960s to today's instantaneous digital technologies, it investigates the themes and representations of global struggles for equality, democracy, freedom, and basic human rights. this groundbreaking work illustrates the extraordinary aesthetic range of radical movements during the past fifty years and explores the rise of powerful countercultures that evolve beyond traditional politics, creating distinct forms of art, lifestyles, and social organizations.

Most people view movie posters as an expensive form of expendable advertising. Others, however, see the posters as valuable art. If you are in the latter category, this is the work for you. All facets of collecting movie posters are covered in this guide book. The history of the movie poster is first presented, including a look at how the early studios influenced the development of posters. Next is a brief look at the world of movie art collecting. This is followed by a reference section that provides comprehensive explanations of the most commonly used terms in the field. Getting your collection started is the next topic, giving novice and more experienced collectors information on publications and materials available, where to go to purchase posters, where to go for help and other items. A concluding section details the proper care and handling of movie art materials, along with methods for restoration.

This book presents an analysis of how the processes described in Conceptual Blending Theory can be applied in practice, on the basis of Michal Batory's posters designed for artistic events. Therefore, it begins with an introduction of the origins of Conceptual Blending Theory, the very nature and elements of conceptual blending as a linguistic and mental phenomenon. It also provides an overview of the models and types of integration networks, which is followed by an analysis of vital relations that accompany the blending process. Importantly, the principles constraining Conceptual Blending Theory, together with the criticism levelled at Fauconnier and Turner's approach are put forward. The book then moves on to analyse Michal Batory's posters in terms of conceptual blending processes. The blended space is meticulously discussed and illustrated to show explicitly how two distinct notions are combined to create a new meaning that is non-computable from the two input spaces. The interaction that occurs between the inscriptions and images is very distinct in every single poster. The analysis highlights how Batory's artefacts influence people and convey the hidden message, with the use of strong visual and verbal elements that accompany the blending process.

A profusely illustrated survey of posters from the French Revolution to the present.

Posters are found in public places all over the world. They are usually visually striking, designed to attract the attention of passers-by and entice them to purchase a particular product or service, make them aware of a political viewpoint, or attend a specific event.

This remarkable study is an overview of posters throughout history, as well as a representative survey of mass culture from the time of the French Revolution to 2000. Over 450 posters are reproduced here, 250 in full color, selected for both their historical import and their beauty. Author Max Gallo's informative text recapitulates the social and political currents of the day and places each poster in its historical context. The book also includes an essay on the development of poster art by art critic Carlo Arturo Quintavelle. 200 color and 200 black-and-white illustrations.