The first compact history of the American poster with 80 full color reproductions and an essay on poster design. The "modern" American poster has figured prominently in virtually every major political, social, commercial, and cultural development in the country. With arresting images and text, these posters have informed and sold Americans on election campaigns, the nation's war efforts, protest movements, consumer products, travel, entertainment, etc. They also comprise a history of U.S. graphic design, reflecting dramatic changes in style, advertising theory, and printing, as well as the emergence of key graphic designers. The American Image provides a rare survey of this popular art, spanning more than one hundred years. Selected from the Resnick Collection, the book analyzes some 70 posters representative of every significant style and theme. They range from design masterpieces to works of historical value, from posters by renowned designers to those created anonymously, and from celebrated images to those never before published. This handsome book includes superb, full-color reproductions; an incisive essay on American poster design by R. Roger Remington; and a preface and authoritative commentary on each image by Mark Resnick. MARK RESNICK is currently Executive Vice-President, Business Affairs, for Twentieth Century Fox. He has assembled what is likely the foremost private collection of American posters spanning the 1890s to present. R. ROGER REMINGTON is the Massimo and Lella Vignelli Distinguished Professor in Design in the School of Design, Rochester Institute of Technology. He is the author of several books, the most recent of which is American Modernism: Graphic Design, 1920 to 1960.

The lowly placard, a quick and efficient device used to spread news or advertise goods, ascended to the level of a respected art form in the late 1800's in France. The `art poster' was born at the convergence of new aesthetic movements, technological advances and societal changes. Fine artists were swayed from their lofty perches to join the practical arts, influenced by the egalitarian spirit of the Arts and Crafts movement. Artist Jules Cheret, "Father of the Modern Poster," perfected a means of high-quality printing that produced large, colour saturated images. An emerging middle class was the ready target for the consumption of newly manufactured goods, literary publications, theatrical events and leisure time entertainment. A sea of gorgeous images added a "joie de vivre" to everyday life, introducing a period of French life now know as the Belle Epoque. These posters, although ephemeral in intent, have been collected and continually reproduced over the subsequent decades, a testament to their timeless beauty and emotional depth. This book chronicles the influence of the art poster in France and its rapid spread across Europe and United States and offers to the readers an artist's poster tour of the development of the art poster.

The volume is dedicated to Shepard Fairey (Charleston, 1970), one of the best known urban art artists in the world. Established under the pseudonym of OBEY thanks to a successful campaign of stickers spread in a viral way, depicting the face of wrestling champion Andre The Giant, the American artist has achieved international visibility thanks to the portrait of Obama, immortalised in the iconic 2008 'Hope' poster for his presidential campaign. In these pages the artist presents 30 recent unpublished graphic works (2019), which retrace 30 years of activity through his most famous icons: many social and political themes that inspired his production, from the struggle for peace and against racial violence, the defense of human and gender dignity up to environment protection. The graphics constitute a unique and unrepeatable concept, designed specifically for the Gallery of Modern Art in Rome, where they are put in dialogue with important works from the contemporary art collection of the Capitoline Superintendence, selected by the artist himself. The volume, with an intervention by Shepard Fairey and numerous critical texts, is completed by a biography and bibliographical apparatus. Text in English and Italian.

A larger-than-life figure in the design community with a client list to match, Paula Scher turned her first major project as a partner at Pentagram into a formative twenty-five-year relationship with the Public Theater in New York. This behind-the-scenes account of the relationship between Scher and "the Public," as it's affectionately known, chronicles over two decades of brand and identity development and an evolving creative process in a unique "autobiography of graphic design." New Yorkers, designers, and theater fans everywhere will be thrilled to find hundreds of Scher's posters, including those for Hamilton, Bring in 'da Noise, Bring in 'da Funk, and numerous Shakespeare in the Park productions, collected in this one-of-a-kind volume along with other printed and process-related matter. Essays by two of the theater's artistic directors, George C. Wolfe and Oskar Eustis, and design critics Steven Heller and Ellen Lupton contextualize Scher's dynamic typographic treatment.

Following on from Juan Ortiz's fabulous Original Series movie-poster collection, this latest treat for art-loving Trek fans features 178 posters that capture the essence of The Next Generation. Inspired by indie-film and black-light posters, comics and rock/punk culture and showcasing Ortiz's unique creative vision, this new instalment of original Trek art is sure to delight fans worldwide."

Exploring Shell's remarkable archive of advertising art, this book is the first to present a comprehensive overview of the company's artistic heritage. Examinations of the historical, political and social contexts of Shell art and advertising enable the authors to assess the work's broader cultural significance. By delving into the ways in which Shell's publicity was conceived, commissioned, produced and disseminated, the particular contributions made by artists and designers including Paul Nash, Graham Sutherland, Ben Nicholson and Edward McKnight Kauffer, are highlighted, while broader questions such as Shell's position within contemporary debates regarding the aesthetics and proper purpose of 'Commercial Art' are explored. Drawing primarily on Shell's extensive poster collection, as well as other contemporary sources, Shell Art & Advertising provides valuable insights into the development of commercial art in the UK. Featuring a wealth of fascinating images, this original publication will appeal to cultural historians, as well as fans of Modern British Art.

The Poster to Poster series is a nine-volume definitive collection of British railway posters which showcases many of the railway posters from the National Railway Museum at York and other museums and galleries. Each volume is a mixture of travel documentary, geographical and historical study, graphic artists' reference and poster database - all interlinked using the central theme of railway posters. This 9th volume, takes a journey from around the USA from the east to the west coast. The result is a stunning artistic guide to North American destinations and railway poster heritage. This is a high quality production and is fully illustrated with beautiful and memorable posters. it is a stunning book that should appeal to everyone, not just railway enthusiasts.

With his smooth, warm, ruddy face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People's Republic in 1949 and the early 1980s. Chairman Mao, portrayed as a stoic superhero (aka the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and "masculinized" women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together. This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk's vast collection of Chinese propaganda posters, many of which are now extremely rare.

This large-format poster book lets you decorate your walls with images from Katie Scott's Botanicum. Featuring plantlife of all kinds, from right around the world, it's a stunning celebration of all things botanical.

At the intersection of the visual, graphic, and cinematic arts, film posters are a unique and thrilling record of a particular cultural Zeitgeist. This book brings together 250 posters from the Soviet Union of the 1920s and early 1930s to explore the energy and invention of this period, before Soviet Realism became the official art doctrine. Drawn from the private collection of connoisseur Susan Pack, the selection includes the work of 27 different artists. From bold figuration to architectural elements, each artist displays a distinct style and aesthetic, as much as they collectively eschew the glamour of Hollywood for more stark, striking, even challenging images, often marked by unusual angles, dynamic compositions, and startling close-ups.

Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.

Winners of the annual international Graphis Design Awards Immerse in a powerful visual journey through the eyes of over 500 award-winning graphic designers from around the globe. In one of the most coveted industry award competitions, Graphis Design 2023 celebrates design excellence through the captivating and influential work of the past year from solo designers and global firms. Juried by acclaimed international designers, these works can be seen across animation, branding, books, entertainment, packaging, posters, product design and other disciplines. This inspiring collection of work revolves around all categories of graphic design, demonstrating once again the importance of design in culture, commerce, and lifestyle. Read about the creative process from Platinum and Gold Winners regarding their assignments and the approaches they took to reach their award-winning solutions. This book is essential for designers, art/creative directors, illustrators, design firms, advertising agencies, professors, students, and all creators alike who share a passion for design. Featuring fine art quality print, full-page images of Platinum and Gold Award-winning work, Silver Award-winning work and Honorable Mentions are also presented. Honorees include Platinum winners Mike Hughes (Mike Hughes Creative Direction + Design) from Canada, Vishal Vora (Sol Benito) from India, Hoon-Dong Chung (Dankook University) from South Korea, Ivan Bell (Stranger&Stranger) from the U.K. and U.S., and ARSONAL, Jim Ma (Bailey Lauerman), Carmit Makler Haller (Carmit Design Studio), Clinton Carlson (Clinton Carlson Design), INNOCEAN USA, Trevitt McCandliss and Nancy Campbell (McCandliss & Campbell/Wainscot Media), PepsiCo Design & Innovation, and Antonio Alcala (Studio A) from the U.S.

An extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century. Two of the most recognizable images of twentieth-century art are Pablo Picasso's "Guernica" and the rather modest mass-produced poster by an unassuming illustrator, Lorraine Schneider "War is Not Healthy for Children and Other Living Things." From Picasso's masterpiece to a humble piece of poster art, artists have used their talents to express dissent and to protest against injustice and immorality. As the face of many political movements, posters are essential for fueling recruitment, spreading propaganda, and sustaining morale. Disseminated by governments, political parties, labor unions and other organizations, political posters transcend time and span the entire spectrum of political affiliations and philosophies. Drawing on the celebrated collection in the Tamiment Library's Poster and Broadside Collection at New York University, Ralph Young has compiled an extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century: labor, civil rights, the Vietnam War, LGBT rights, feminism and other minority rights. Make Art Not War can be enjoyed on aesthetic grounds alone, and also offers fascinating and revealing insights into twentieth century cultural, social and political history.

Turn your nest into a happier home with instant framable wall art! Add beautiful style and happy energy to your home with this collection of ready-to-frame inspiring quote artwork-created by bestselling happiness author Karen Salmansohn-who's virtual quote posters regularly go viral on social media. Each of these beautiful illustrations and designs has been created in a range of colors and styles (by a group of talented artists hand selected by Karen)-so you're sure to find something you love for every room. Plus Karen specifically wrote some of these inspiring quotes to cleverly complement key areas of your home (kitchen, bathroom, bedroom, office, living room, etc). Each uplifting design is printed on sturdy art board and set up for easy removal from the book for quick framing. This stylish artwork is an affordable fun way to boost both your decor and your mood! 18 framable pieces and 2 stencils = 20 pieces of 7 x 9 art with clever, uplifting sayings, such as: Complain less. Giggle more. Don't shrink your dreams. Supersize your courage and abilities. Kind people are my kind of people. We are all different, and that's beautiful.

Hammer Films were almost as well known for the way in which they sold their films, as for the films themselves. The Art of Hammer is the first ever collection of the company's iconic movie posters, and is a celebration of movie art at its best. This large format, lavish hardback is NOW fully updated and brings together hundreds of rare posters from around the world, featuring Hammer's greatest films.

The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

Posters have the power to influence and inform - so how does a designer hone their creations to have the impact they need? With a special focus on conceptualization, internationally-acclaimed and award-winning designers Natalia Delgado and Scott Laserow takes you though planning, analyzing and creating posters that stop viewers in their tracks. Classic and contemporary examples from around the world show you what can be achieved at the cutting-edge of the medium - from protest and propaganda posters, through pop culture and Swiss style, to animated and interactive designs. Whether you need to promote the next president, advertise a brand or create awareness of a health crisis, Making Posters gives you the critical and practical skills to excel in one of the most widely seen forms of graphic design and make sure your work stands out from the crowd.

This large-format book of Soviet propaganda posters allows the reader to remove individual posters and is at once a revealing historical document and a sublime example of graphic art at its best. Dating from 1917 to the end of the Cold War, the posters in this book feature the work of groundbreaking Russian artists such as El Lissitzky and Alexander Rodchenko, alongside extraordinary works by their contemporaries. Presented in full color, printed on heavy paper, and in a large-format, the posters gathered here represent the pinnacle of Russian avant-garde design from the 20th century. They range in theme from the dangers of alcohol abuse and the creeping Nazi menace, to illustrations of utopian harmony and the Soviet industrial machine. A special feature of this book allows for the removal of the posters, which have been designed to fit standard frame sizes. A brief introduction offers a chronological overview of the period that produced such eloquent art, which has long been a major source of inspiration to artists and designers.

For more than 100 years, winter sports have been an integral part of the image of mountainous regions. Skiing in particular became the "in" activity for the rich and beautiful during the "roaring twenties". The sport was as much about competition as it was about an exclusive lifestyle. Since that time, winter sports destinations have adver tised their assets through artistically designed posters. Renowned Artists have used pencils and water colors to express the ideals of winter vacations in top Alpine locations such as St. Moritz, Chamonix and Groeden, as well as dream places like Vail and Whistler in the Rocky Mountains. The collection in this book documents the stylistic development while presenting in different chapters the most beautiful and exceptional posters of the era.

Few pieces of artwork have ignited the imagination and distilled the passion for Star Wars as much as the original posters created to publicise and market the franchise's films, television shows and video games. From Howard Chaykin's first advance poster, to Drew Struzan's striking, now-iconic paintings for all six films--Star Wars has enjoyed nearly four decades of poster art from some of the most renowned artists and designers working in movies. Now, the fifth and final book in the Star Wars Art series, Posters, collects the very best of this artwork, covering a wide range of styles and tones, for all six Star Wars theatrical releases, as well as the Droids and Clone Wars animated television series, gallery exhibitions, fan-club exclusives, video games and limited-edition posters. Reproducing for the first time, whenever possible, the artwork *as* art, sans type and logos, this collection also includes several previously unseen concept sketches for the original trilogy, uniting all of the action, artistry and drama into one lavishly produced tome.

His iconic take on Batwoman has left an imprint on comics, his fantastic works in Sandman have left us in awe, and the mythical Promethea, J.H. Williams III has created a name for himself in comics! Collected in amazing poster format, the boldest art from this comics legend!

In this lavishly illustrated work, Zeina Maasri tells the tumultuous story of the struggle for Lebanon through the poster wars which raged on its streets. From 1975 to 1990, different factions in Lebanon's civil conflict flooded the streets with posters to mobilize their constituencies, undermine their enemies, and create public sympathy for their cause. Showcased here for the first time, the posters display a dramatic clash of cultures, ideologies and meanings. Maasri shows how the iconography of the posters changed throughout the war, and links this to changing political identities and imagined communities. She explores the factions' different aesthetic influences; from modern Arab visual culture to Latin America and revolutionary Iran. Combining in-depth knowledge of the local context with fascinating insights into the semiotics of visual media, "Off the Wall" is a highly original contribution to our understanding of visual culture, civil conflict, and the politics of the Middle East.

A unique blend of graphic design, bold art or photography and cunning psychology, election posters are an unsung art form, stretching back to the dawn of the twentieth century. Exploiting the Conservative Party Archive held at the Bodleian Library which contains over 700 posters, this book charts the evolution of the Conservatives' election posters. Divided into chapters along political periods, the book highlights the changing fashions in and attitudes to advertising, political ideology, slogans, combativeness and above all, propriety. Each chapter includes a brief introduction discussing the major themes of the period as well as captions explaining specific issues related to the individual posters. Lavishly illustrated, 'Dole Queues to Demons' gives a fascinating insight into the issues and strategies of the Conservative Party throughout the twentieth century, and up to the present day. A foreword by advertising guru Maurice Saatchi discusses the posters from a communication and design perspective. This book will fascinate anyone interested in social and political history and modern communications. Published at a time when the advent of new media threatens to herald the end of traditional forms of mass communication, this book takes a timely retrospective look at this enduring feature of the British electoral landscape.

"He leads the field by a very long furlong, out on his own, making his own weather. He is Klimowski, unafraid."-Harold Pinter, Nobel Prize-winning playwright In the mid-1970s, Andrzej Klimowski's fearlessly original artwork caught the eye of leading Polish theater and film companies, for whom he designed some of the period's most iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art and Polish Surrealism, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama, and originality.