Known for their limitless passion and incredible ingenuity for film and television posters, Mondo turns their attention to the highly acclaimed show Batman: The Animated Series. The show first aired in 1992 and was instantly met with critical praise for its sophisticated writing and distinctive, noir-influenced art style, generating an intense following that still exists today. Over the years, Mondo has received global recognition for their astonishing artisanal posters, and their creations for Batman: The Animated Series are no exception. The studio has partnered exclusively with the award-winning artist at Phantom City Creative, Inc., Justin Erickson, in order to bring this show to life in a striking and unparalleled way. Filled with Erikson's slick graphic design as well as beautifully rendered illustrations, this Batman: The Animated Series art book is a one-of-a-kind tribute to one of the greatest animated shows of all time. Mondo is an art gallery and online store devoted to a passionate love of film, art, music, and collectibles. The company has received global recognition for bringing art back to movie poster design and has emerged as one of the leading curators of classic and contemporary film soundtracks on vinyl.

Over the years, Mondo has received global recognition for its incredible art posters that bring to life classic films, TV shows, and comics in a refreshing and utterly striking new way, offering a unique perspective on everything from Star Wars to Robocop, Back to the Future, Jurassic Park, Game of Thrones, Godzilla, Kill Bill, and many, many more. For the first time, The Art of Mondo will bring together this much sought-after art in one deluxe volume that showcases the incredible ingenuity of the studio's diverse stable of artists whose vastly different styles are united by one guiding principle: limitless passion for their subject matter. This richly imaginative work is fueled by a love of pop culture that fans recognize and identify with, giving Mondo's output a rare and valuable synergy with its audience. While these posters are normally produced in a limited quantity and sell out in minutes, The Art of Mondo will allow fans to explore the studio's remarkable back catalog, including Olly Moss's iconic Star Wars trilogy work, Laurent Durieux's brilliantly subtle Jaws poster, and Tyler Stout's Guardians of the Galaxy art. Other key Mondo artists such as Jock, Martin Asin, and Aaron Horkey will also feature. Definitive, visually stunning, and filled with art that celebrates some of the biggest and best-loved properties in pop culture, The Art of Mondo will be the ultimate book for cult art fans everywhere.

Featuring 20 exclusive, removable Adventure Time posters to delight and bewilder, this book collects a madcap array of lovingly crafted artwork by world-class artists and designers. Cover your walls with colourful visions from the land of Ooo. Pore over gorgeous, high-quality prints featuring all your favourite characters, including Finn the Human, Jake the Dog, Ice King, Marceline the Vampire Queen, LSP, and Princess Bubblegum!

Drew Struzan has created some of the most iconic movie poster images of the last 30 years, from "Raiders of the Lost Ark" to "Star Wars: Episode III". This is the first book to cover his movie work in depth. Featuring over 300 pieces of artwork, including previously unseen poster art for "Harry Potter and the Chamber of Secrets" and "Hellboy II", this is a treat for movie buffs and artists alike.

A Modern Master Robert E. McGinnis began his career in 1947 as a cartoonist, and produced his first cover illustrations for 1956 issues of the magazines True Detective and Master Detective. Then in 1958, he painted his first paperback book cover, and from that day forward his work was in demand. The emergence of the "McGinnis Woman" - long-legged, intelligent, alluring, and enigmatic - established him as the go-to artist for detective novels. His work appeared on Mike Shayne titles and the Perry Mason series, and he produced 100 paintings for the Carter Brown adventures. Yet McGinnis became famous for his work in other genres as well: espionage, romance, historicals, gothics, and Westerns. McGinnis's first major magazine assignments were for The Saturday Evening Post, and his work has graced the pages of Cosmopolitan, National Geographic, Good Housekeeping, Guideposts, and others. McGinnis women frequently cropped up in the men's magazines of the '60s and '70s. His first movie poster was for Breakfast at Tiffany's, with an iconic rendering of Audrey Hepburn. Almost instantly, his poster artwork could be seen everywhere - in theaters, on billboards, in newspapers, and even on soundtrack albums. His work for Hollywood became a who's-who, with posters for James Bond, The Odd Couple, Woody Allen, The Private Life of Sherlock Holmes, and many more. Some of his most ambitious works have been his gallery paintings, often depicting stunning American landscapes, vast Western vistas, and of course, beautiful women. The Art of Robert E. McGinnis collection reveals the full scope and beauty of the work of a true American master - one whose legacy continues today.

Up Against the Wall: Art, Activism, and the AIDS Poster offers nearly 200 examples of visually arresting and socially meaningful posters. Taken from more than 8,000 held in the collection in the University of Rochester's River Campus Libraries' Department of Rare Books, Special Collections, and Preservation. The collection, one of the largest of its kind in the world, was donated to the University of Rochester by Dr. Edward Atwater. The book accompanies an exhibition of AIDS education posters displayed at the Memorial Art Gallery of the University of Rochester, Rochester, NY. The posters, spanning the years from 1982 to the present, show how social, religious, civic, and public health agencies have addressed the controversial, often contested terrain of the HIV/AIDS pandemic within the public realm. Organizations and creators tailored their messages to audiences, both broad and very specific, and used a wide array of strategies, employing humor, emotion, scare tactics, simple scientific explanations, sexual imagery, and many other methods to communicate powerfully and effectively.

Drew Struzan has created some of the most iconic movie posters of the last 30 years, including Raiders of the Lost Ark, Star Wars: The Empire Strikes Back, Harry Potter and the Sorcerer's Stone and Blade Runner.
This sumptuous hardcover edition, with a foreword by George Lucas, features over 250 pieces of artwork, including all of Drew's most iconic movie images, as well as other highlights from his career, including album, book and comic book covers, stamps, trading cards, promotional artwork and very personal original works. The text will be written by his wife Dylan, providing an intimate look at the man and his legacy.
The definitive collection of Struzan's work; this is an absolute must-have for any movie buff and an unrivalled slice of both art and cinema history.

A stylish set of posters advertising glamorous getaways by railWhether it's messing about in boats on the Norfolk Broads, water-skiing at Felixtowe, reclining at the water's edge on a Welsh beach, or soaking up the culture of the Scottish capital, this delightful set of posters evokes the golden era of British rail travel. These advertisements for great holiday destinations will recreate the spirit of those halcyon summers. Destinations include Falmouth: "Equable climate all year round," Devon, Cromer: "Where the poppies grow," Colwyn Bay: "The Gateway to the Welsh Rockies," Felixstowe, The Cambrian Coast: "Miles of glorious sands," The Norfolk Broads: "200 miles of safe inland waterways," and Edinburgh.

Teleport yourself to the Forgotten Realms of Dungeons & Dragons with these licensed art posters! HIGH QUALITY POSTERS: Gorgeous 8x10-inch full-color posters featuring 12 cityscapes from the Forgotten Realms READY TO HANG: Easy removable sheets come ready to hang in your home, office, or anywhere PERFECT GIFT FOR THE D&D FAN: Share and show-off your love for Dungeons & Dragons with these unique posters OFFICIALLY LICENSED: An authentic Dungeons & Dragons product Dungeons & Dragons, D&D, their respective logos, and the dragon ampersand, are registered trademarks of Wizards of the Coast LLC. (c)2022 Wizards of the Coast. All rights reserved.

This retrospective brings insight into hundreds of stunning rock posters by Jim Phillips made over 40 years, from 1965 to 2005, and counting. Phillips tells his life story and how the posters record an evolution of Rock Age music. Containing iconic images that advertise concerts featuring both emerging and established musicians, this collection will delight and astound you. Jim's original, ground-breaking computer painted posters, along with his old-world style techniques are a real wonder sure to bring a smile. A bonus section presents Phillips' son Jimbo's rock posters. Rock musicians, fans, and hip audiences today all will pour over the fabulous images and lettering that set this work apart.

As the 1950s dawned, a new level of sexual openness developed in behavior and dress. In magazines and on beaches, women appeared in revealing two-piece bathing suits called bikinis. Bunny Yeager, model and commercial photographer, forged a unique role in 1952, photographing bikinis and the beautiful women who wore them. This collection of Bunny's work from the 1950s features 169 original photographs and featuring little known models and women she helped launch to fame, such as Betty Page. The bikinis they wore were often of Bunny's own creation, sewn with her own hands. She says, "My ability helped me sell photographs to men's magazines and compete with male photographers. They didn't know how to sew!" Many of her original designs still influence styles today. This collection of photographs, along with Bunny's reflections on her life and career, the models, and the era, make an insightful addition to the literature on this photographic pioneer.

This comprehensive overview of advertising design strategies helps students and professionals understand how to create ads that cut through the clutter. Design principles such as unity, contrast, hierarchy, dominance, scale, abstraction, and type-image relationships are thoroughly discussed. Chapters also cover: Researching your client and your audience What makes an ad successful Getting the audience's attention in a crowded marketplace Researching your client and your audience The importance of consistent branding and identity The difference between print advertising, billboards, the web, television, and radio Advertising design versus editorial design Also included is an extensive section on typography with essential information on how type is perceived by readers, typographic history, principles, and practice. Complete with over fifteen hundred examples and illustrations of outstanding advertising design from around the world, Advertising Design and Typography will change the way you develop visual ideas and train you to see in a more critical and accurate way that gets messages across more effectively. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Classic posters from the last 300 years and the stories behind them. Posters have always been designed to seek an immediate response. From the time when paper was first affordable, the poster has been used to provoke a direct reaction, whether a public appeal, a legal threat, a call to arms, or the offer of entertainment. Newspapers might have the advantage of ubiquity in spreading the word, but a poster could be tightly targeted by its location. Organized chronologically, 100 Posters That Changed the World charts the history of poster design from their earliest forms as a means of information communication to the more subtle visual communication of the 21st century. As printing became cheaper, posters were used for more than just promoting the capture of local villains or announcing government decrees. Advertisements took over, citing up-and-coming events, auctions, public meetings, political rallies, sports games, lectures and theatrical performances. The technological leaps from engraving to aquatints to lithography, chromolithography and the offset press, all had their impact on what could be advertised by poster, and the art form took off spectacularly in the late 19th century with the influence of Lautrec and the Paris nightclubs. From then on, the poster became a sophisticated means of visual communication. In the West it was used to sell products - in the East it was used to sell regimes and control behaviour. Along with historic moments in poster evolution, 100 Posters That Changed the World charts the most impactful designs of the last 300 years - images that communicate a message whether commercial or political, images that sell a film, a musical, a cause or used for decoration, inspiration, motivation and affirmation. The affirmation for teenagers in the 1970s that Farah Fawcett was looking at you.

In the late 1960s, IBM was one of the world's pre-eminent corporations, employing over 250,000 people in 100 countries and producing some of the most advanced products on earth. IBM President Thomas J. Watson Jnr. sought to elevate the company's image by hiring world-renowned design consultants, including Eliot Noyes and Paul Rand. As well as developing the iconic IBM logo and a corporate design guide, Rand also brought together a remarkable team of internal staff designers. One of the designers he hand-picked was Ken White, who, along with John Anderson and Tom Bluhm, headed up the design team at the IBM Design Center in Boulder, Colorado. Together, they initiated a poster program as a platform for elevating internal communications and initiatives within the company. These posters were displayed in hallways, conferences rooms and cafeterias throughout IBM campuses, with subject matter including everything from encouraging equal opportunity policies to reminders on best security practices to promoting a family fun day. Designers often incorporated figurative typography, dry humor, visual puns, and photography to craft memorable and compelling messages. Many of the posters won Type Directors Club awards and a large number were 're-appropriated' from walls by enthusiastic IBM employees. While Paul Rand's creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed. The poster designs by White, Anderson, and Bluhm included in this book represent some of the most creative examples of mid-century corporate graphic design, while offering a unique commentary into corporate employee communications of the period. They also embody the full extent to which Thomas J. Watson Jr.'s mantra, "Good Design is Good Business" permeated every facet of the IBM organization, and created a lasting influence on curated corporate design in America.

Picturing the Cosmos elucidates the complex relationship between visual propaganda and censorship in the Soviet Union in the Cold War period, focusing on the 1950s and 1960s. Drawing from a comprehensive corpus of rarely seen photographs and other visual phenomena narrating the Soviet Union's 1957 victory in the 'Race for Space', the author illustrates the media's role in cementing the way for Communism whilst retaining top-secret information. Each photo is examined as a deliberate, functioning part of a specific political, ideological and historical situation that helped to anchor the otherwise abstract political and intellectual concepts of the future and modernization.

Colour vintage posters of iconic Disney movies and Parks attractions in this official colouring book! Travel back in time and discover posters for classic Disney films through the ages. From original Mickey Mouse animations, Snow White and the Seven Dwarfs, and Bambi, to Sleeping Beauty, Alice in Wonderland and The Jungle Book. Marvel at illustrations from the Golden Age and beyond and bring the classic art to life. Plus, enjoy posters for beloved attractions from Disney Parks, including Cinderella Castle and The Haunted Mansion. With over 65 posters to recreate, this book will keep you entertained for hours! Also available: Disney Tim Burton's The Nightmare Before Christmas Colouring Book, Disney The Fashion Collection Colouring Book, Disney Hocus Pocus Colouring Book and Disney The Christmas Collection Colouring Book Coming soon: Disney 100 Years of Wonder Colouring Book

World War I was the first war in which the pictorial full color poster played a major propaganda role. The era's greatest illustrators and fine artists contributed their energies to produce hundreds of great and classic posters. A surprising number of these posters have survived and many are still found in attics and barns today. This book illustrates over 450 World War I posters that were produced in the United States, Canada, and Europe. Many great classics are featured, but numerous less dramatic posters are also included which still have much historic importance. The text discusses the history of World War I posters and how they were designed and printed by color lithography. The book also devotes considerable attention to issues relevant to collectors: condition, conservation, display, and value. World War I posters are increasing in recognition and value as new collectors discover the beauty and power of these historic artifacts.

Keep calm and carry on. In 1939, Britain s Ministry of Information produced this now-ubiquitous reminder to its citizens in the event of widely predicted air attacks. But in the six consecutive years before Germany s surrender to Allied forces, the British public would feel keenly both the physical and moral hardships of war. To boost morale and raise awareness of how citizens efforts might helpor hinderthe wartime effort, one of the most effective forms the British government had at its disposal was the poster. "British Posters of the Second World War" presents one hundred posters from this important period in world history. Some proclaimed in bold type that Victory of the Allies is assured and featured stalwart British soldiers alongside exaggerated enemy figures. Others, however, hung on the walls of bus and railway stations, town halls, and pubs, called for continued self-sufficiency, urging Britons to raise chickens and join pig clubs. As the threat of espionage came to be regarded as ever-present, another category of posters cautioned soldiers and civilians alike against talking about the war: Furtive Fritz is always listening warned one; another, Keep mumshe s not so dumb. Drawing on the Imperial War Museum s impressive collection of materials related to conflicts involving Britain in the twentieth and twenty-first centuries, "British Posters of the Second World War" explores these campaigns and many others with an introduction and explanatory text by the museum s senior curator, Richard Slocombe."

John Alvin's movie poster art is among the most iconic of the last 40 years, from Disney films such as Beauty and the Beast and Pinocchio, to Empire of the Sun, The Goonies, Blazing Saddles, Jurassic Park, and Star Wars Celebration posters. This book not only collects some of Alvin's finest work, but also includes previously unseen comprehensives and in progress sketches, accompanied by commentary from John's wife, and his colleagues and admirers.

Throughout the 1960s and 70s, London-based Big O Posters helped define the new and democratic art medium of the psychedelic poster, a vehicle for rebellion against the old order that went hand in hand with the music, literature, and film of the time. This is a comprehensive collection of works published by Big O artists, astonishingly creative folks whose artistry developed almost completely outside the influence of the art establishment. Included in more than 300 images are works by 19 artists, including Martin Sharp, Roger Dean, H.R. Giger, Robert Venosa, and Vali Myers, whose signature styles include sci-fi, fantasy, visionary, botanical, and surrealism. In addition to hundreds of original works, this book digs below the surface to offer insights and anecdotes about the era, the artistic process, and reveals connections to artists from the past (Aubrey Beardsley, Alphonse Mucha, Kay Nielsen) whose spirit chimed with the age of Big O Posters.

The three-volume set CCIS 1032, CCIS 1033, and CCIS 1034 contains the extended abstracts of the posters presented during the 21st International Conference on Human-Computer Interaction, HCII 2019, which took place in Orlando, Florida, in July 2019.The total of 1274 papers and 209 posters included in the 35 HCII 2019 proceedings volumes was carefully reviewed and selected from 5029 submissions. The 208 papers presented in these three volumes are organized in topical sections as follows: Part I: design, development and evaluation methods and technique; multimodal Interaction; security and trust; accessibility and universal access; design and user experience case studies. Part II:interacting with games; human robot interaction; AI and machine learning in HCI; physiological measuring; object, motion and activity recognition; virtual and augmented reality; intelligent interactive environments. Part III: new trends in social media; HCI in business; learning technologies; HCI in transport and autonomous driving; HCI for health and well-being.

Milani has selectively gathered a visual repertoire of nearly 200 posters by over 100 designers from around the world, that transcend the written word to deliver a unique perspective on social issues. No Words Posters is a collection of nearly 200 posters by over 100 designers from around the world. Milani has selectively gathered a visual repertoire of images that transcend the written word to deliver a unique perspective on social issues. ARMANDO MILANI is a member of the Alliance Graphique Internationale (AGI) and president of Milani Design, with offices located in Milan and Provence. His previously published books include: Double Life, From the Eye to the Heart: 50 logos/50 posters and 50 Poems of Lawrence Ferlinghetti and 50 Images of Armando Milani. In 2003, Milani's poster design War/Peace was selected for international distribution by the United Nations.