Turn your nest into a happier home with instant framable wall art! Add beautiful style and happy energy to your home with this collection of ready-to-frame inspiring quote artwork-created by bestselling happiness author Karen Salmansohn-who's virtual quote posters regularly go viral on social media. Each of these beautiful illustrations and designs has been created in a range of colors and styles (by a group of talented artists hand selected by Karen)-so you're sure to find something you love for every room. Plus Karen specifically wrote some of these inspiring quotes to cleverly complement key areas of your home (kitchen, bathroom, bedroom, office, living room, etc). Each uplifting design is printed on sturdy art board and set up for easy removal from the book for quick framing. This stylish artwork is an affordable fun way to boost both your decor and your mood! 18 framable pieces and 2 stencils = 20 pieces of 7 x 9 art with clever, uplifting sayings, such as: Complain less. Giggle more. Don't shrink your dreams. Supersize your courage and abilities. Kind people are my kind of people. We are all different, and that's beautiful.

The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

The volume is dedicated to Shepard Fairey (Charleston, 1970), one of the best known urban art artists in the world. Established under the pseudonym of OBEY thanks to a successful campaign of stickers spread in a viral way, depicting the face of wrestling champion Andre The Giant, the American artist has achieved international visibility thanks to the portrait of Obama, immortalised in the iconic 2008 'Hope' poster for his presidential campaign. In these pages the artist presents 30 recent unpublished graphic works (2019), which retrace 30 years of activity through his most famous icons: many social and political themes that inspired his production, from the struggle for peace and against racial violence, the defense of human and gender dignity up to environment protection. The graphics constitute a unique and unrepeatable concept, designed specifically for the Gallery of Modern Art in Rome, where they are put in dialogue with important works from the contemporary art collection of the Capitoline Superintendence, selected by the artist himself. The volume, with an intervention by Shepard Fairey and numerous critical texts, is completed by a biography and bibliographical apparatus. Text in English and Italian.

Since its launch in late 2011, DC Comics: The New 52 has delivered some of the most visually thrilling and creatively innovative comic book art in recent history. Featuring cover art from fan-favorites like Scott Snyder's Batman, Brian Azzarello's Wonder Woman, and Geoff Johns' Justice League, this high-quality poster book presents forty iconic covers from the most popular comics in The New 52. Rendered in a large-format size with vivid color and the highest possible print standards, DC Comics - The New 52: The Poster Collection brings this incredible cover art to life like never before. All related characters and elements are trademarks of and (c) DC Comics. (c) Warner Bros. Entertainment Inc.

Nothing is more evocative of the golden age of travel than the railway poster. Speed to the West shows some of the best railway posters used to promote the romance of holiday travel to the West Country, a region formed by Dorset, Somerset, Devon and Cornwall. There are stunning and iconic landscapes, immediately recognizable, painted in wonderful colors that bring together the excitement, spectacle and nostalgia of the golden age of train travel. The general history of holiday express train development is covered including a detailed history of the Atlantic Coast Express and Cornish Riviera Express together with other named trains that served the West Country. The result is a visually stunning collection of posters. It is a journey of nostalgia, displaying the best of British railway advertising of the past and present.

With his smooth, warm, ruddy face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People's Republic in 1949 and the early 1980s. Chairman Mao, portrayed as a stoic superhero (aka the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and "masculinized" women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together. This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk's vast collection of Chinese propaganda posters, many of which are now extremely rare.

A unique blend of graphic design, bold art or photography and cunning psychology, election posters are an unsung art form, stretching back to the dawn of the twentieth century. Exploiting the Conservative Party Archive held at the Bodleian Library which contains over 700 posters, this book charts the evolution of the Conservatives' election posters. Divided into chapters along political periods, the book highlights the changing fashions in and attitudes to advertising, political ideology, slogans, combativeness and above all, propriety. Each chapter includes a brief introduction discussing the major themes of the period as well as captions explaining specific issues related to the individual posters. Lavishly illustrated, 'Dole Queues to Demons' gives a fascinating insight into the issues and strategies of the Conservative Party throughout the twentieth century, and up to the present day. A foreword by advertising guru Maurice Saatchi discusses the posters from a communication and design perspective. This book will fascinate anyone interested in social and political history and modern communications. Published at a time when the advent of new media threatens to herald the end of traditional forms of mass communication, this book takes a timely retrospective look at this enduring feature of the British electoral landscape.

"He leads the field by a very long furlong, out on his own, making his own weather. He is Klimowski, unafraid."-Harold Pinter, Nobel Prize-winning playwright In the mid-1970s, Andrzej Klimowski's fearlessly original artwork caught the eye of leading Polish theater and film companies, for whom he designed some of the period's most iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art and Polish Surrealism, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama, and originality.

In the ambitious dream of a futurist reconstruction of the universe pursued by the movement founded by Filippo Tommaso Marinetti, which ranged from the arts to the most diverse aspects of life, the renewal of postal communication methods also found its place, with proposals that covered the entire sector, from postcards to letterheads and envelopes, from stamps to interpersonal correspondence. Futurism, in fact, has not limited itself to using the post office network to spread its ideas in every part of the world, but also created a new postal style, conceiving many solutions of modern graphics and even post-postal correspondence via computer and cell phone, made up of synthesis, laconicity, conventional symbolism and abbreviations. The book explores this little-known chapter of Futurism through the material of the Echaurren Salaris Collection, the richest in the world with regard to magazines, posters, books and futurist documents, as well as an indispensable reference for the knowledge of this movement. Text in English and Italian.

Few pieces of artwork have ignited the imagination and distilled the passion for Star Wars as much as the original posters created to publicise and market the franchise's films, television shows and video games. From Howard Chaykin's first advance poster, to Drew Struzan's striking, now-iconic paintings for all six films--Star Wars has enjoyed nearly four decades of poster art from some of the most renowned artists and designers working in movies. Now, the fifth and final book in the Star Wars Art series, Posters, collects the very best of this artwork, covering a wide range of styles and tones, for all six Star Wars theatrical releases, as well as the Droids and Clone Wars animated television series, gallery exhibitions, fan-club exclusives, video games and limited-edition posters. Reproducing for the first time, whenever possible, the artwork *as* art, sans type and logos, this collection also includes several previously unseen concept sketches for the original trilogy, uniting all of the action, artistry and drama into one lavishly produced tome.

His iconic take on Batwoman has left an imprint on comics, his fantastic works in Sandman have left us in awe, and the mythical Promethea, J.H. Williams III has created a name for himself in comics! Collected in amazing poster format, the boldest art from this comics legend!

Winners of the annual international Graphis Design Awards Immerse in a powerful visual journey through the eyes of over 500 award-winning graphic designers from around the globe. In one of the most coveted industry award competitions, Graphis Design 2023 celebrates design excellence through the captivating and influential work of the past year from solo designers and global firms. Juried by acclaimed international designers, these works can be seen across animation, branding, books, entertainment, packaging, posters, product design and other disciplines. This inspiring collection of work revolves around all categories of graphic design, demonstrating once again the importance of design in culture, commerce, and lifestyle. Read about the creative process from Platinum and Gold Winners regarding their assignments and the approaches they took to reach their award-winning solutions. This book is essential for designers, art/creative directors, illustrators, design firms, advertising agencies, professors, students, and all creators alike who share a passion for design. Featuring fine art quality print, full-page images of Platinum and Gold Award-winning work, Silver Award-winning work and Honorable Mentions are also presented. Honorees include Platinum winners Mike Hughes (Mike Hughes Creative Direction + Design) from Canada, Vishal Vora (Sol Benito) from India, Hoon-Dong Chung (Dankook University) from South Korea, Ivan Bell (Stranger&Stranger) from the U.K. and U.S., and ARSONAL, Jim Ma (Bailey Lauerman), Carmit Makler Haller (Carmit Design Studio), Clinton Carlson (Clinton Carlson Design), INNOCEAN USA, Trevitt McCandliss and Nancy Campbell (McCandliss & Campbell/Wainscot Media), PepsiCo Design & Innovation, and Antonio Alcala (Studio A) from the U.S.

Artist Tony Both worked in Liverpool during the early 1960s, just around the corner from The Cavern Club and close to the Beatles' manager Brian Epstein's office in Whitechapel. Tony's work caught Epstein's eye, and he would go on to produce posters, printed leaflets and a wide variety of publicity and display materials for Epstein's artists, most notably for a young four-piece beat combo called the Beatles. Alongside his work for Epstein, Tony produced hand-painted gig posters for many promoters, including Sam Leach, Allan Williams and The Cavern Club's DJ Bob Wooler, who also promoted many of the big events. Tony's original posters now fetch a considerable sum of money, and The Beatles in Posters features these as well as exact replicas of those that have been lost to time. This is the first book of its type and is a must-buy for all fans of the Fab Four and the Merseybeat scene.

Swissted takes rock concert posters of the '70s, '80s, and '90s and remixes and reimagines them through a Swiss modernist lens. The result is some of the coolest images you've ever seen! The book features 200 posters, all microperforated and ready to frame. Or keep them bound in one collection as an art book. The foreword is written by legendary designer Steven Heller. Posters are from legendary indie, alternative, and punk bands such as Jane's Addiction, Blondie, the Beastie Boys, the Clash, the Pixies, Green Day, the Ramones, Devo, the Sex Pistols, Dead Kennedys, Public Image Ltd., Sonic Youth, the Cure, Red Hot Chili Peppers, Husker Du, Danzig, the Replacements, Fugazi, the Lemonheads, Pearl Jam, Pavement, Superchunk, They Might Be Giants, Guided by Voices, Sugar, Sleater Kinney, Violent Femmes, Iggy Pop, Fishbone, Nirvana, and many, many more!

Awarded the Washington DC Book Publishers' design and effectiveness competition Honorable Mention in the category of Illustrated Text from a Small- to Medium-Size Nonprofit Publisher and Third Prize in the category of Illustrated Jacket or Cover from a Small- to Medium-Size Nonprofit Publisher Ballyhoo looks at the poster as a form of popular portraiture. These celebrity likenesses are dramatic--and often enormous--but in fact, what a poster communicates about an individual is usually secondary to its principal message: Barnum and Bailey announcing the arrival of their circus, the Woodbury Soap company using Veronica Lake to promote its Omatched make-up, O Greta Garbo advertising the Swedish version of Queen Christina, or Bette Midler publicizing her 1973 concert at the Palace Theater. By interweaving the three themes of poster art, celebrity promotion, and advertising, Ballyhoo suggests how a famous face can enhance the message of the poster and, conversely, how posters have defined and disseminated images of prominent Americans. Furthermore, posters provide an instructive glimpse of an era's prevailing ideals, prejudices, and presumptions. These images remind us of the ubiquitous presence of portrait images outside the world of fine art. Widely disseminated forms of popular portraiture, like the poster, remain a profound influence in our culture."

Following the huge success of our first Game of Thrones poster collection, Insight Editions presents this second selection of remarkable posters from the hit HBO show. Covering seasons three and four, this second collection will bring together incredible Game of Thrones character stills and promotional poster art in one dynamic volume. Featuring fan favorites like Tyrion Lannister, Brienne of Tarth, Oberyn Martell, Melisandre, Arya Stark, Daenerys Targaryen and many, many more, this collection of forty high-quality posters is the perfect way to celebrate this award-winning HBO original series. Each poster is easy to remove and perfect for displaying.

Nudity, lasciviousness, sensuality, provocation, shamelessness, or obscenity. During the 19th century, eroticism takes on a new place in Western visual culture, in particular thanks to the development of reproduction such as photography, press or lithography. Result of long and meticulous research, this book reviews the major reflections carried out on the theme of nudity in the field of art history and the history of sensibilities. It studies the reception of nudity in France, based on documentary and iconographic sources renewed (little-known works, drawings and photographs, newspapers, archives, texts of laws) and allows us to better understand this history of erotic art of the nineteenth century, long perpetuated by the sole taste of description. By placing the works in their context, by comparing expressions and aesthetics, and studying visual culture of time, Claire Maingon opens up new fields of reflection, while allowing to discover unknown or forgotten artists such as Broc, Gavarni, , Dubufe, Galimard, Ranft, Eakins, alongside the big names in the history of 19th century, David, Ingres, Delacroix, Courbet, Manet, Rodin. Text in French.

An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news-in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be literate in the twenty-first century-and even that they harmonize uniquely with human cognition. In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news-and resistance to its use-from eighteenth-century print culture to today's data journalism. He identifies six historical phases of infographics in popular culture: the proto-infographic, the classical, the improving, the commercial, the ideological, and the professional. Dick describes the emergence of infographic forms within a wider history of journalism, culture, and communications, focusing his analysis on the UK. He considers their use in the partisan British journalism of late eighteenth and early nineteenth-century print media; their later deployment as a vehicle for reform and improvement; their mass-market debut in the twentieth century as a means of explanation (and sometimes propaganda); and their use for both ideological and professional purposes in the post-World War II marketized newspaper culture. Finally, he proposes best practices for news infographics and defends infographics and data visualization against a range of criticism. Dick offers not only a history of how the public has experienced and understood the infographic, but also an account of what data visualization can tell us about the past.

This book is a visual survey of posters printed by the United States, the Allies, and the Axis, and offers an overview of the various categories of propaganda posters created in support of the war effort: recruiting, conservation, careless talk/anti-espionage, bond/fundraising, morale, and more. With posters from all combatants, here is a look at propaganda used as a tool used by all parties in the conflict and how similar themes crossed national borders.