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Books > History > Asian / Middle Eastern history > From 1900 > Postwar, from 1945
Following the release of Ridley Scott's Gladiator in 2000 the
ancient world epic has experienced a revival in studio and audience
interest. Building on existing scholarship on the Cold War epics of
the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this
original study explores the current cycle of ancient world epics in
cinema within the social and political climate created by September
11th 2001. Examining films produced against the backdrop of the War
on Terror and subsequent invasions of Iraq and Afghanistan, this
book assesses the relationship between mainstream cinema and
American society through depictions of the ancient world, conflict
and faith. Davies explores how these films evoke depictions of the
Second World War, the Vietnam War and the Western in portraying
warfare in the ancient world, as well as discussing the influence
of genre hybridisation, narration and reception theory. He
questions the extent to which ancient world epics utilise allegory,
analogy and allusion to parallel past and present in an industry
often dictated by market forces. Featuring analysis of Alexander,
Troy, 300, Centurion, The Eagle, The Passion of the Christ and
more, this book offers new insight on the continued evolution of
the ancient world epic in cinema.
A timely lesson in the perils of nation-building and a sobering
reminder of the limits of military power from the Costa Award
winning author of The Volunteer. In its earliest days, the
American-led war in Afghanistan appeared to be a triumph - a 'good
war' in comparison to the debacle in Iraq. It has since turned into
one of the longest and most expensive wars in recent history. The
story of how this good war went so bad may well turn out to be a
defining tragedy of the twenty-first century - yet, as acclaimed
war correspondent Jack Fairweather explains, it should also give us
reason to hope for an outcome grounded in Afghan reality. In The
Good War, Fairweather provides the first full narrative history of
the war in Afghanistan, from the 2001 invasion to the 2014
withdrawal. Drawing on hundreds of interviews, previously
unpublished archives, and months of experience living and reporting
in Afghanistan, Fairweather traces the course of the conflict from
its inception after 9/11 to the drawdown in 2014. In the process,
he explores the righteous intentions and astounding hubris that
caused the West's strategy in Afghanistan to flounder, refuting the
long-held notion that the war could have been won with more troops
and cash. Fairweather argues that only by accepting the limitations
in Afghanistan - from the presence of the Taliban to the ubiquity
of poppy production to the country's inherent unsuitability for
rapid, Western-style development - can we help to restore peace in
this shattered land. The Good War leads readers from the White
House Situation Room to Afghan military outposts, from warlords'
palaces to insurgents' dens, to explain how the US and its British
allies might have salvaged the Afghan campaign - and how we must
rethink other 'good' wars in the future.
In The Sum of Our Dreams, Louis P. Masur offers a sweeping yet
compact history of America from its beginnings to the current
moment. For general readers seeking an accessible, single-volume
account, one that challenges but does not overwhelm, and which
distills and connects the major events and figures in the country's
past in a single narrative, here is that book. Evoking Barack
Obama's belief that America remains the "sum of its dreams," Masur
locates the origin of those dreams-of freedom, equality, and
opportunity-and traces their progress chronologically, illuminating
the nation's struggle over time to articulate and fulfill their
promise. Moving from the Colonial Era, to the Revolutionary Period,
the Early Republic, and through the Civil War, Masur turns his
attention to Reconstruction, the Gilded Age, the Progressive Age,
World War One, the Great Depression, World War Two, the Cold War,
Civil Rights, Vietnam, and Watergate, and then laying out clearly
and concisely what underlies the divisiveness that has
characterized American civic life over the last forty years-and now
more than ever. Above all, however, Masur lets the story of
American tell itself. Inspired by James Baldwin's observation that
"American history is longer, larger, more beautiful and more
terrible than anything anyone has ever said about it," he expands
our notion of that history while identifying its individual
threads. The Sum of Our Dreams will be the new go-to single volume
for anyone wanting a foundational understanding of the nation's
past, and its present.
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