With specially commissioned artworks and dynamic combat ribbon diagrams, this volume reveals how the 'last of the gunfighters', as the F-8 was dubbed by its pilots, prevailed against the growing MiG threat of the Vietnamese People's Air Force. When the Vietnam War began, the F-8 was already firmly established as a fighter and reconnaissance aircraft. It entered combat as an escort for Alpha strike packages, braving the anti-aircraft artillery and surface-to-air missiles alongside the A-4 Skyhawk bombers and meeting MiGs for the first time on 3 April 1965. Although the Crusader was nicknamed 'last of the gunfighters', its pilots employed 'secondary' AIM-9D Sidewinder missiles in all but one of their MiG kills, with guns also used as back-up in three. Its 20 mm guns were unreliable as they often jammed during strenuous manoeuvres, although they were responsible for damaging a number of MiGs. However, in combat the F-8 had the highest 'exchange ratio' (kills divided by losses) at six-to-one of any US combat aircraft involved in the Vietnam War. Through the copious use of first-hand accounts, highly detailed battlescene artwork, combat ribbon diagrams and armament views, Osprey's Vietnam air war specialist Peter E. Davies charts the successful career of the F-8 Crusader over Vietnam.

This book revisits the American canon of novels, memoirs, and films about the war in Vietnam, in order to reassess critically the centrality of the discourse of American victimization in the country's imagination of the conflict, and to trace the strategies of representation that establish American soldiers and veterans as the most significant victims of the war. By investigating in detail the imagery of the Vietnamese landscape recreated by American authors and directors, the volume explores the proposition that Vietnam has been turned into an American myth, demonstrating that the process resulted in a dehistoricization and mystification of the conflict that obscured its historical and political realities. Against this background, representations of the war's victims-Vietnamese civilians and American soldiers-are then considered in light of their ideological meanings and uses. Ultimately, the book seeks to demonstrate how, in a relation of power, the question of victimhood can become ideologized, transforming into both a discourse and a strategy of representation-and in doing so, to demythologize something of the "Vietnam" of American cultural narrative.

In their initial effort to end the Vietnam War, Richard Nixon and Henry Kissinger attempted to lever concessions from Hanoi at the negotiating table with military force and coercive diplomacy. They were not seeking military victory, which they did not believe was feasible. Instead, they backed up their diplomacy toward North Vietnam and the Soviet Union with the Madman Theory of threatening excessive force, which included the specter of nuclear force. They began with verbal threats then bombed North Vietnamese and Viet Cong base areas in Cambodia, signaling that there was more to come. As the bombing expanded, they launched a previously unknown mining ruse against Haiphong, stepped-up their warnings to Hanoi and Moscow, and initiated planning for a massive shock-and-awe military operation referred to within the White House inner circle as DUCK HOOK. Beyond the mining of North Vietnamese ports and selective bombing in and around Hanoi, the initial DUCK HOOK concept included proposals for "tactical" nuclear strikes against logistics targets and U.S. and South Vietnamese ground incursions into the North. In early October 1969, however, Nixon aborted planning for the long-contemplated operation. He had been influenced by Hanoi's defiance in the face of his dire threats and concerned about U.S. public reaction, antiwar protests, and internal administration dissent. In place of DUCK HOOK, Nixon and Kissinger launched a secret global nuclear alert in hopes that it would lend credibility to their prior warnings and perhaps even persuade Moscow to put pressure on Hanoi. It was to be a "special reminder" of how far President Nixon might go. The risky gambit failed to move the Soviets, but it marked a turning point in the administration's strategy for exiting Vietnam. Nixon and Kissinger became increasingly resigned to a "long-route" policy of providing Saigon with a "decent chance" of survival for a "decent interval" after a negotiated settlement and U.S. forces left Indochina. Burr and Kimball draw upon extensive research in participant interviews and declassified documents to offer a history that holds important lessons for the present and future about the risks and uncertainties of nuclear threat making.

In Unbound in War?, Sean Richmond examines the influence and interpretation of international law in the use of force by two important but understudied countries, Canada and Britain, during two of the most significant conflicts since 1945, namely the Korean War and the Afghanistan Conflict. Through innovative application of sociological theories in International Relations (IR) and International Law (IL), and rigorous qualitative analysis of declassified documents and original interviews, the book advances a two-pronged argument. First, contrary to what some dominant IR perspectives might predict, international law can play four underappreciated roles when states use force. It helps constitute identity, regulate behaviour, legitimate certain actions, and structure the development of new rules. However, contrary to what many IL approaches might predict, it is unclear whether these effects are ultimately attributable to an obligatory quality in law. This ground-breaking argument promises to advance interdisciplinary debates and policy discussions in both IR and IL.

Beginning with the withdrawal of French forces from South Vietnam in 1955, the U.S. took an ever-widening role in defending the country against invasion by North Vietnam. By 1965, the U.S. had "Americanized" the war, relegating the Army of the Republic of Vietnam (ARVN) to a supporting role. While the U.S. won many tactical victories, it had difficulty controlling the territory it fought for. As the war grew increasingly unpopular with the American public, the North Vietnamese launched two large-scale invasions in 1968 and 1972-both tactical defeats but strategic victories for the North that precipitated the U.S. policy of "Vietnamization," the drawdown of American forces that left the ARVN to fight alone. This book examines the maturation of the ARVN, and the major battles it fought from 1963 to its demise in 1975. Despite its flaws, the ARVN was a well-organized and disciplined force with an independent spirit and contributed enormously to the war effort. Had the U.S. "Vietnamized" the war earlier, it might have been won in 1967-1968.

Before unmanned combat drones, there was the Grumman OV-1C Mohawk, a twin-engine turboprop fixed-wing reconnaissance aircraft loaded with state-of-the-art target detection systems. Crewed by a pilot and observer, it flew at treetop level by day, taking panoramic photographs. By night it scanned the landscape from 800 feet with side-looking airborne radar (SLAR) and infrared. This lively, detailed memoir recounts the author's 1968-1969 tour with the 1st Cavalry Division in Vietnam, serving as a technical observer (T.O.) aboard an unarmed Mohawk, searching for elusive enemy forces near the DMZ and along the Laotian and Cambodian borders, dodging mountains in the dark and avoiding anti-aircraft fire.

This book analyses the problematique of governance and administration of cultural diversity within the modern state of Afghanistan and traces patterns of national integration. It explores state construction in twentieth-century Afghanistan and Afghan nationalism, and explains the shifts in the state's policies and societal responses to different forms of governance of cultural diversity. The book problematizes liberalism, communitarianism, and multiculturalism as approaches to governance of diversity within the nation-state. It suggests that while the western models of multiculturalism have recognized the need to accommodate different cultures, they failed to engage with them through intercultural dialogue. It also elaborates the challenge of intra-group diversity and the problem of accommodating individual choice and freedom while recognising group rights and adoption of multiculturalism. The book develops an alternative approach through synthesising critical multiculturalism and interculturalism as a framework on a democratic and inclusive approach to governance of diversity. A major intervention in understanding a war-torn country through an insider account, this book will be of great interest to scholars and researchers of politics and international relations, especially those concerned with multiculturalism, state-building, nationalism, and liberalism, as well as those in cultural studies, history, Afghanistan studies, South Asian studies, Middle East studies, minority studies, and to policymakers.

To grasp the complicated causes and consequences of the Vietnam War, one must understand the extraordinary life of Ho Chi Minh, the man generally recognized as the father of modern Vietnam. Duiker provides startling insights into Ho's true motivation, as well as into the Soviet and Chinese roles in the Vietnam War.

The Korean War in Britain explores the social and cultural impact of the Korean War (1950-53) on Britain. Coming just five years after the ravages of the Second World War, Korea was a deeply unsettling moment in post-war British history. From allegations about American use of 'germ' warfare to anxiety over Communist use of 'brainwashing' and treachery at home, the Korean War precipitated a series of short-lived panics in 1950s Britain. But by the time of its uneasy ceasefire in 1953, the war was becoming increasingly forgotten. Using Mass Observation surveys, letters, diaries and a wide range of under-explored contemporary material, this book charts the war's changing position in British popular imagination and asks how it became known as the 'Forgotten War'. It explores the war in a variety of viewpoints - conscript, POW, protester and veteran - and is essential reading for anyone interested in Britain's Cold War past. -- .

In this heartfelt memoir, Dennis Blessing, Sr., shares his experiences as a grunt in the First Cavalry Division in 1966 and 1967. Blessing's story is drawn from his own remembrance and from the 212 letters that he wrote to his wife while deployed. Among his many combat experiences was the battle of Bong Son in May 1966, in which his platoon was nearly wiped out, going from 36 to only 6 troopers in just a few hours. Told with honesty and vulnerability, the book combines gripping combat with personal reflection, and the author hopes that his story will help other veterans escape the shadow of the war.

In 1968, twenty-one-year-old Fred McCarthy transitioned from the monastic life of a seminary student to that of a U.S. Army helicopter gunship commander in Vietnam. Despite preparation from a family tradition of decorated combat service, a strong sense of patriotism, a love for aviation, and a desire for adventure, he got far more than he bargained for. Written after 50 years of reflection, reading, and study, this memoir tells both a universal story about war, adventure, and perseverance and, also shares the intensely personal experience of the Vietnam War and its legacy for those who fought in it. McCarthy describes many of his missions, reflects on the nature of being a combat helicopter pilot, and processes the experience through his poetry, letters home, and reflective analysis.

Facing the possibility of being drafted and sent to Vietnam, Roger Durham secured a deferment when he enrolled in college. Devoting more time to anti-war protests than to studies, he became immersed in the late 1960s counterculture, flunked out and was drafted anyway. Deployed to Vietnam with the U.S. Army's 18th Engineer Brigade Headquarters, he was assigned to a helicopter base "behind the wire," far from the action. Or so he thought-the action came to him as the base drew mortar, rocket and sapper attacks. Durham's clear-eyed memoir relates an often untold experience of the Vietnam War-that of the counterculture soldier whose opposition to war did not end when he was inducted. Adjusting to life in-country, he finds a thriving drug culture and a brotherhood of like-minded warriors, who resist both the enemy and the culture of zealous militarism that prosecutes what they see as an immoral war, against American national interests. Durham undergoes changes in perspective, extending his tour of duty when the thought of going home fills him with anxiety and anticipation.

The captivating individual stories of 17 U.S. Navy corpsmen who served in Vietnam, told in their own words. Their accounts relate why they joined the Navy in wartime, why they became corpsmen--the enlisted medical specialists of the Navy and Marine Corps--along with many day-to-day, sometimes minute-to-minute recollections of caring for both the wounded and the dead under fire. They also reflect on the long-term effects the war had on them and their families.

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of "postmemory," this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women's documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

Drawing on reinterpretations of melancholia and collective remembrance, Memory, Reconciliation, and Reunions in South Korea: Crossing the Divide explores the multi-layered implications of divided Korea's liminality, or its perceived "in-betweenness" in space and time. Offering a timely reconsideration of the pivotal period following the inter-Korean Summit of June 2000, this book focuses on a series of emotionally charged meetings among family members who had lost all contact for over fifty years on opposite sides of the Korean divide. With the scope of its analysis ranging from regional geopolitics and watershed political rituals to everyday social dynamics and intimate family narratives, this study provides a lens for approaching the cultural process of moving from a disposition of enmity to one of recognition and engagement amid the complex legacies of civil war and the global Cold War on the Korean Peninsula.

Between 1964 and 1975, 2.6 million American personnel served within the borders of South Vietnam during the Vietnam War, of whom an estimated 1-1.6 million actually fought in combat. At the tip of the spear were the infantry, the "grunts" who entered an extraordinary tropical combat zone completely alien to the world they had left behind in the United States. In South Vietnam, and occasionally spilling over into neighboring Laos and Cambodia, they fought a relentless counterinsurgency and conventional war against the North Vietnamese Army (NVA) and Viet Cong (VC). The terrain was as challenging as the enemy - soaring mountains or jungle-choked valleys; bleached, sandy coastal zones; major urban centers; riverine districts. Their opponents fought them with relentless and terrible ingenuity, on a daily basis with ambushes, booby traps, and mines, then occasionally with full-force offensives on a scale to rival the campaigns of World War II. This pocket manual draws its content not only from essential U.S. military field manuals of the Vietnam era, but also a vast collection of declassified primary documents, including rare after-action reports, intelligence analysis, first-hand accounts, and combat studies. Through these documents the pocket manual provides a deep insight into what it was like for infantry to live, survive, and fight in Vietnam, whether conducting a major airmobile search-and-destroy operation or conducting endless hot and humid small-unit patrols from jungle firebases. The book includes infantry intelligence documents about the NVA and VC threats, plus chapters explaining hard-won lessons about using weaponry, surviving and moving through the jungle, tactical maneuvers, and applications of the ubiquitous helicopter for combat and support.

It is August 1990, and Iraq has just invaded Kuwait, setting off a chain reaction of events leading up to the first Gulf War. Vicki Cody's husband, the commander of an elite Apache helicopter battalion, is deployed to Saudi Arabia-and for the next nine months they have to rely on written letters in order to stay connected. From Vicki's narrative and journal entries, the reader gets a very realistic glimpse of what it is like for the spouses and families back home during a war, in particular what it was like at a time when most people did not own a personal computer and there was no Internet-no iPhones, no texting, no tweeting, no Facetime. Her writing also illuminates the roller coaster of stress, loneliness, sleepless nights, humor, joys, and, eventually, resilience, that make up her life while her husband is away. Meanwhile, Dick's letters to her give the reader a front row seat to the unfolding of history, the adrenaline rush of flying helicopters in combat, his commitment to his country, and his devotion to his family back home. Together, these three components weave a clear, insightful, and intimate story of love and its power to sustain us.

#1 New Release in Military & Wars Follow the Coming of Age Adventures of a U.S. Military Brat During the Early Vietnam War Years in Saigon.The early Vietnam war years through the eyes of a U.S. military brat: In May of 1962, Naval Chief Petty Officer Bryant Arbuckle flew to Saigon to establish a new Armed Forces radio station. Next to follow were his wife and three boys, Leslie among them. Saigon Kids is the candid, recondite slice of fourteen-year-old military brat Les Arbuckle's experience at the American Community School (ACS) during the critical months of the Vietnam War when events would, quite literally, ignite in downtown Saigon. In 1963, Saigon was beautiful, violent, and dirty and the most exciting place a fourteen-year-old American boy could live. Saigon offered a rich array of activities, and much to the consternation of their parents and teachers, Les and his fellow military brats explored the dangers with reckless abandon running from machine gun fire, watching a Buddhist monk burn to death, visiting brothels late at night or, trading currency on the black market. Coming of age in the streets of Vietnam War torn Saigon: When Les first arrives in Vietnam, he is a stranger in a strange land, expecting boredom in a country he doesn't know. But the American social scene is more vibrant than he expected. The American Community School is a blend of kids from all over the globe who arrived in Saigon as the fuse on Saigon was about to ignite. As the ACS students continue their American lifestyle behind barbed wire, Saigon unravels in chaos and destruction. In spite of this ugliness an ever-present feature of everyday life Les tells his story of teenage angst with humor and precocity. Coming of age tale with a twist: The events leading up to the Vietnam War provide an unusual backdrop for this coming-of-age tale with a twist. Saigon Kids will also make a perfect companion to the documentary film (sponsored by the New York Foundation for the Arts) currently in production. The film chronicles the lives of "military brats" living in Saigon in the volatile years from 1958 to 1964.

Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.

This book picks up where Passing Time: A Vietnam Veteran Against the War left off, and completes the trilogy begun with Vietnam-Perkasie: A Combat Marine Memoir. It begins with the Coast Guard raid on Ehrhart's oil tanker and ends with the conclusion of his trial for possession of "controlled substances," a span of time that corresponds almost exactly with the opening of the House Judiciary Committee's hearings on the impeachment of Richard Nixon and Nixon's resignation and pardon by Gerald Ford. Along the way, Ehrhart encounters a wise and sympathetic lawyer, an MG Midget, a local New Jersey cop who thinks he's Wyatt Earp, New York City detectives who arrest him for armed robbery of a liquor store, a forklift that can turn on a dime, a Coast Guard prosecutor who wants to teach Ehrhart a lesson, the Carranza Memorial, and three ghosts who are as real as you and me.

In recent years questions of ethical responsibility and justice in war have become increasingly significant in international relations. This focus has been precipitated by United States (U.S.) led invasions in Afghanistan and Iraq. In turn, Western conceptions of ethical responsibility have been largely informed by human rights based understandings of morality. This book directly addresses the question of what it means to act ethically in times of war by drawing upon first-hand accounts of U.S. war fighting in Iraq during the 2003 invasion and occupation. The book focuses upon the prominent rights based justification of war of Michael Walzer. Through an in-depth critical reading of Walzer's work, this title demonstrates the broader problems implicit to human rights based justifications of war and elucidates an alternative account of ethical responsibility: ethics as response. Putting forward a compelling case for people to remain troubled and engaged with questions of ethical responsibility in war, this work will be of great interest to students and scholars in a range of areas including international relations theory, ethics and security studies.

Developed specifically for the Vietnam War (and made famous by the 2004 presidential campaign), Swift Boats were versatile craft "big enough to outrun anything they couldn't outfight" but too small to handle even a moderate ocean chop, too loud to sneak up on anyone, and too flimsy to withstand the mildest of rocket attacks. This made more difficult an already tough mission: navigating coastal waters for ships and sampans smuggling contraband to the Viet Cong, disrupting enemy supply lines on the rivers and canals of the Mekong Delta, and inserting SEALs behind enemy lines. The stories in this book cover the Swift Boats' early years, which saw search-and-inspect operations in Vietnam's coastal waters, and their later years, when the Swift Boats' mission shifted to the Mekong Delta's labyrinth of 3,000 miles of rivers, streams, and canals. This is an intimate, exciting oral history of Swift Boats at war in Vietnam.