With the knowledge born of firsthand experience, James H. Willbanks tells the story of the 60-day siege of An Loc. In 1972, late in the Vietnam War, a small group of South Vietnamese held off three North Vietnamese divisions and helped prevent a direct attack on Saigon. The battle can be considered one of the major events during the gradual American exit from Vietnam. An advisor to the South Vietnamese during the battle, Willbanks places the battle in the context of the shifting role of the American forces and a policy decision to shift more of the burden of fighting the war onto the Vietnamese troops. He presents an overview of the 1972 North Vietnamese Easter Offensive, a plan to press forward the attack on U.S. and ARVN positions throughout the country, including Binh Long province and Saigon. The North Vietnamese hoped to strike a decisive blow at a time when most American troops were being withdrawn. The heart of Willbanks's account concentrates on the fighting in Binh Long province, Saigon, and the siege of An Loc. It concludes with a discussion of the Paris peace talks, the significance of the fighting at An Loc, and the eventual fall of South Vietnam.

Largely overshadowed by World War II's "greatest generation" and the more vocal veterans of the Vietnam era, Korean War veterans remain relatively invisible in the narratives of both war and its aftermath. Yet, just as the beaches of Normandy and the jungles of Vietnam worked profound changes on conflict participants, the Korean Peninsula chipped away at the beliefs, physical and mental well-being, and fortitude of Americans completing wartime tours of duty there. Upon returning home, Korean War veterans struggled with home front attitudes toward the war, faced employment and family dilemmas, and wrestled with readjustment. Not unlike other wars, Korea proved a formative and defining influence on the men and women stationed in theater, on their loved ones, and in some measure on American culture. In the Shadow of the Greatest Generation not only gives voice to those Americans who served in the "forgotten war" but chronicles the larger personal and collective consequences of waging war the American way.

'My Vietnam' is Dave Morgan's story. A typical 20 year old, he was forced into extraordinary circumstances in Vietnam. The Vietnam War would expose Dave to an omnipresent danger and sheer terror that would impact him forever. Dave's story focuses on his time as a soldier and his return psychologically exhausted to a divided nation.

In recent years questions of ethical responsibility and justice in war have become increasingly significant in international relations. This focus has been precipitated by United States (U.S.) led invasions in Afghanistan and Iraq. In turn, Western conceptions of ethical responsibility have been largely informed by human rights based understandings of morality. This book directly addresses the question of what it means to act ethically in times of war by drawing upon first-hand accounts of U.S. war fighting in Iraq during the 2003 invasion and occupation. The book focuses upon the prominent rights based justification of war of Michael Walzer. Through an in-depth critical reading of Walzer's work, this title demonstrates the broader problems implicit to human rights based justifications of war and elucidates an alternative account of ethical responsibility: ethics as response. Putting forward a compelling case for people to remain troubled and engaged with questions of ethical responsibility in war, this work will be of great interest to students and scholars in a range of areas including international relations theory, ethics and security studies.

From the award-winning co-author of I Am Malala, this book asks just how the might of NATO, with 48 countries and 140,000 troops on the ground, failed to defeat a group of religious students and farmers? How did the West's war in Afghanistan and across the Middle East go so wrong? Farewell Kabul tells how the West turned success into defeat in the longest war fought by the United States in its history and by Britain since the Hundred Years War. It is the story of well-intentioned men and women going into a place they did not understand at all. And how, what had once been the right thing to do had become a conflict that everyone wanted to exit. It has been a fiasco which has left Afghanistan still one of the poorest and most dangerous nations on earth. The leading journalist on the region with unparalleled access to all key decision makers, Christina Lamb is the best-selling author of 'The Africa House' and I Am Malala, co-authored with Nobel Peace Prize winner Malala Yousafzai. This revelatory and personal account is her final analysis of the realities of Afghanistan, told unlike anyone before.

When NATO took charge of the International Security Assistance Force (ISAF) for Afghanistan in 2003, ISAF conceptualized its mission largely as a stabilization and reconstruction deployment. However, as the campaign has evolved and the insurgency has proved to more resistant and capable, key operational imperatives have emerged, including military support to the civilian development effort, closer partnering with Afghan security forces, and greater military restraint. All participating militaries have adapted, to varying extents, to these campaign imperatives and pressures.
This book analyzes these initiatives and their outcomes by focusing on the experiences of three groups of militaries: those of Britain, Canada, Denmark, the Netherlands, and the US, which have faced the most intense operational and strategic pressures; Germany, who's troops have faced the greatest political and cultural constraints; and the Afghan National Army (ANA) and the Taliban, who have been forced to adapt to a very different sets of circumstances.

When NATO took charge of the International Security Assistance Force (ISAF) for Afghanistan in 2003, ISAF conceptualized its mission largely as a stabilization and reconstruction deployment. However, as the campaign has evolved and the insurgency has proved to more resistant and capable, key operational imperatives have emerged, including military support to the civilian development effort, closer partnering with Afghan security forces, and greater military restraint. All participating militaries have adapted, to varying extents, to these campaign imperatives and pressures.
This book analyzes these initiatives and their outcomes by focusing on the experiences of three groups of militaries: those of Britain, Canada, Denmark, the Netherlands, and the US, which have faced the most intense operational and strategic pressures; Germany, who's troops have faced the greatest political and cultural constraints; and the Afghan National Army (ANA) and the Taliban, who have been forced to adapt to a very different sets of circumstances.

Running Toward the Guns is an autobiographical story and an accounting of Chanty Jong's personal inner self-healing journey that lead to a successfully unexpected discovery. Jong survived the Cambodian genocide during the Khmer Rouge regime of 1975-1979, witnessing the horrors of the killing fields, torture, starvation and much more. His vivid narrative recounts the suffering under the Khmer Rouge, his perseverance to survive physically and emotionally and his perilous escape to America. His memoir relives the traumatic memories of his experiences and traces his arduous personal transformation toward a life of inner peace through intensive meditation.

'Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. Essential reading for every journalist and aspiring journalist the world over' John le Carre In the early 1950s, teenage Seymour Hersh was finishing high school and university - while running the family's struggling dry cleaning store in a Southside Chicago ghetto. Today, he is one of America's premier investigative journalists, whose fearless reporting has earned him fame, front-page bylines in virtually every newspaper in the world, a staggering collection of awards, and no small amount of controversy. Reporter is the story of how he did it. It is a story of slog, ingenuity and defiance, following Hersh from his first job as a crime reporter for the Chicago City News Bureau, through his Pulitzer Prize-winning freelance investigative exposes, to the heights of his reporting for The New York Times and the New Yorker. It is a tale of night-time encounters with great Civil Rights leaders, unauthorised meetings with Pentagon officials, raucous dinners with Canadian soldiers in Hanoi, tense phone calls with Secretaries of State, desperate to save face; of exposing myriad military and political wrongdoing, from My Lai to Watergate to Abu Ghraib, and the cynical cover-ups that followed in Washington and New York. Here too are unforgettable encounters with some of the most formidable figures from recent decades, from Saul Bellow to Martin Luther King Jr., from Henry Kissinger to Bashar al-Assad. Ultimately, in unfurling Seymour Hersh's life and career, Reporter tells a story of twentieth-century America, in all its excitement and darkness.

On July 29, 2009, Air National Guard major Mary Jennings 'MJ' Hegar was shot down while on a Medevac mission on her third tour in Afghanistan. Despite being wounded, she continued to fight and saved the lives of her crew and their patients. But soon she would face a new battle: to give women who serve on the front lines the credit they deserve. After being commissioned into the U.S. Air Force, MJ Hegar was selected for pilot training by the Air National Guard, finished at the top of her class, then served three tours in Afghanistan, flying combat search-and-rescue missions, culminating in a harrowing rescue attempt that would earn MJ the Purple Heart as well as the Distinguished Flying Cross with Valor Device. But it was on American soil that Hegar would embark on her greatest challenge- to eliminate the military's Ground Combat Exclusion Policy, which kept female armed service members from officially serving in combat roles despite their long-standing record of doing so with honor. In Shoot Like A Girl, MJ takes the reader on a dramatic journey through her military career: an inspiring, humorous, and thrilling true story of a brave, high-spirited, and unforgettable woman who has spent much of her life ready to sacrifice everything for her country, her fellow man, and her sense of justice.

On 25 June 1950 the invasion of South Korea by the Communist North launched one of the bloodiest conflicts of the last century. The seemingly limitless power of the Chinese-backed North was thrown against the ferocious firepower of the UN-backed South in a war that can be seen today as the stark prelude to Vietnam.

Max Hastings drew on first-hand accounts of those who fought on both sides to produce this vivid and incisive reassessment of the Korean War, bringing the military and human dimensions into sharp focus. Critically acclaimed on publication, with a brand new introduction, The Korean War remains the best narrative history of this conflict.

This book identifies some of the main lessons for civil-military interactions that can be derived from the experiences of Provincial Reconstruction Teams (PRTs) in Afghanistan.

A key underlying theme of the book is simply that the ways in which civil and military actors interact in theatres of operations such as Afghanistan "matter" for both those categories of actors, and for the ordinary people who their interactions serve. But a second, equally important, theme is that these interactions are invariably complex. A third, which arises specifically from the PRT experience in Afghanistan, is that such teams vary significantly in their roles, resourcing, and operational environments, so that if one is seeking to appraise the value of the PRT experience, it is necessary to unpack with some care the experiences of different PRTs, which the use of case studies allows one to do.

The volume comprises an introduction, identifying some key questions to which the PRT experience gives rise, and case studies of the experiences of the United States, United Kingdom, New Zealand, Canada, The Netherlands, Australia, Germany and France; chapters dealing with the roles played by NGOs and the UN system; a discussion from an Afghan perspective of the implications of civilian casualties; and a conclusion. It is the combination of the diverse cases discussed in this book with a focus on the broad challenges of optimising civil-military interactions that makes this book distinctive.

This book will be of much interest to students of the Afghan War, civil-military relations, statebuilding, Central Asian politics and IR in general."

Although US involvement in the Vietnam conflict began long before 1965, Lyndon Johnson's substantial large commitment of combat troops that year marked the official beginning of America's longest twentieth-century war. By 1969, after years of intense fighting and thousands of casualties, an increasing number of Americans wanted the United States out of Vietnam. Richard Nixon looked for a way to pull out while preserving the dignity of the United States at home and abroad, and at the same time, to support the anticommunist Republic of Vietnam. Ultimately, he settled on the strategy of Vietnamization—the gradual replacement of US soldiers with South Vietnamese forces. Drawing on newly declassified documents and international archives, Unwilling to Quit dissects the domestic and foreign contexts of America's withdrawal from the Vietnam War. David L. Prentice demonstrates how congressional and presidential politics were a critical factor in Nixon's decision to abandon his hawkish sensibilities in favor of de-escalation. Prentice reframes Nixon's choices, emphasizes Secretary of Defense Melvin Laird's outsized yet subtle role in the decision-making process, and considers how South Vietnam's Nguyen Van Thieu and North Vietnam's Le Duan decisively shaped the American exit. Prentice brings Vietnamese voices into the discussion and underscores the unprecedented influence of American civilians on US foreign policy during the Vietnamization era.

In March 2004, the unprovoked ambush, killing and desecration of the bodies of American civilian security contractors in Fallujah, Iraq, caused the National Command Authorities in Washington, DC. to demand that the newly arrived Marine Expeditionary Force there take action against the perpetrators and other insurgent forces. Planned Stability and Support Operations were cast aside as insurgent fighters dared the Marines to enter Fallujah. Marine infantrymen, tankers, helicopter crews, and amphibious vehicle drivers all pitched into high-intensity battles and firefights during the first fights of Fallujah in April 2004. Across the board cooperation and innovation marked these fighting Marines in combined arms fights that no one expected. Marines fought in the streets, conducted house-to-house searches, cleared buildings of enemy, and used tank main guns in direct support of urban environment operations. Helicopter crews supported operations on the ground with rockets and machine-gun fire, and Amtrac Marines transported forces to face enemy RPG and machine-gun fire. Marines from infantry squad members to a battalion commander were interviewed by Marine Corps field historians within days or weeks of the events at nearby combat outposts and camps. This book combines these interview notes and the words of the men themselves to create a unique narrative of Marines in this combat.

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

Outspoken, professional and fearless, Lt.Col.John Paul Vann went to Vietnam in 1962, full of confidence in America's might and right to prevail. He was soon appalled by the South Vietnamese troops' unwillingness to fight, by their random slaughter of civilians and by the arrogance and corruption of the US military. He flouted his supervisors and leaked his sharply pessimistic - and, as it turned out, accurate - assessments to the US press corps in Saigon. Among them was Sheehan, who became fascinated by the angry Vann, befriended him and followed his tragic and reckless career.

Korea used to be the 'forgotten war.' Now, however, experts widely view it as a pivotal moment in the history of the Cold War, while its legacy still scars contemporary East Asian politics. The sixtieth anniversary of the Korean War is a fitting time both to assess the current state of historiography on the conflict and to showcase new research on its different dimensions. This book contains six essays by leading experts in the field. These essays explore all aspects of the war, from collective security and alliance relations, to home front politics and historical memory. They are also international in scope, focusing not just on the familiar Western belligerents but also on the actions of the two Koreas, China and the Soviet Union. These stimulating essays shed new light on various aspects of the Korean War experience, as well as examining why the war remains so important to the politics of the region. This book was originally published as a special issue of Journal of Strategic Studies.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

Based on new archival research in many countries, this volume broadens the context of the U.S. intervention in Vietnam. Its primary focus is on relations between China and Vietnam in the mid-twentieth century; but the book also deals with China's relations with Cambodia, U.S. dealings with both China and Vietnam, French attitudes toward Vietnam and China, and Soviet views of Vietnam and China. Contributors from seven countries range from senior scholars and officials with decades of experience to young academics just finishing their dissertations. The general impact of this work is to internationalize the history of the Vietnam War, going well beyond the long-standing focus on the role of the United States.

The involvement of the United States in the Vietnam War has been the most polarizing issue within post-war American history. It was divisive at the time, both domestically and internationally, and debates continue to the present day. At the heart of the disputes has always been the question of 'failure' - why was the United States unable to achieve its objectives? Was failure inherent in the decision to go to war? Was it inherently an unwinnable war, or was failure the result of inept strategy, poor leadership, and a biased media? In Vietnam, Gary R. Hess describes and evaluates the main arguments of scholars, participants, and journalists, both revisionist and orthodox in their approach, as they consider why the United States was unable to achieve its objectives. While providing a clear and well-balanced account of existing historical debate, Hess also offers his own interpretation of the events and opens a dialogue about the usefulness of historical argument in reaching a deeper understanding of the conflict. This concise book is essential reading for students and teachers of the Vietnam War as both a clear and well-balanced account of existing historical debate and a thought-provoking look at the future of historical scholarship.

The follow-up to the internationally acclaimed The President's Gardens "Al-Ramli is a remarkable storyteller, and in Daughter of the Tigris he creates a dynamic, intricately plotted narrative, brimming with stories and a host of memorable characters" Susannah Tarbush, Banipal On the sixth day of Ramadan, in a land without bananas, Qisma leaves for Baghdad with her husband-to-be to find the body of her father. But in the bloodiest year of a bloody war, how will she find one body among thousands? For Tariq, this is more than just a marriage of convenience: the beautiful, urbane Qisma must be his, body and soul. But can a sheikh steeped in genteel tradition share a tranquil bed with a modern Iraqi woman? The President has been deposed, and the garden of Iraq is full of presidents who will stop at nothing to take his place. Qisma is afraid - afraid for her son, afraid that it is only a matter of time before her father's murderers come for her. The only way to survive is to take a slice of Iraq for herself. But ambition is the most dangerous drug of all, and it could just seal Qisma's fate. Translated from the Arabic by Luke Leafgren REVIEWS FOR THE PRESIDENT'S GARDENS 'Though firmly rooted in its context, The President's Gardens' concerns are universal. It is a profoundly moving investigation of love, death and injustice, and an affirmation of the importance of dignity, friendship and meaning amid oppression. Its light touch and persistent humour make it an enormous pleasure to read' Robin Yassin-Kassab, Guardian. The President's Gardens evokes the fantastical, small town feel of One Hundred Years of Solitude Tom Gordon, Financial Times 'No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting' Hassan Blasim, winner of the Independent Foreign Fiction Prize