In 1961, the U.S. government established the first formalized provisions for intercountry adoption just as it was expanding America's involvement with Vietnam. Adoption became an increasingly important portal of entry into American society for Vietnamese and Amerasian children, raising questions about the United States' obligations to refugees and the nature of the family during an era of heightened anxiety about U.S. global interventions. Whether adopting or favoring the migration of multiracial individuals, Americans believed their norms and material comforts would salve the wounds of a divisive war. However, Vietnamese migrants challenged these efforts of reconciliation. As Allison Varzally details in this book, a desire to redeem defeat in Vietnam, faith in the nuclear family, and commitment to capitalism guided American efforts on behalf of Vietnamese youths. By tracing the stories of Vietnamese migrants, however, Varzally reveals that while many had accepted separations as a painful strategy for survival in the midst of war, most sought, and some eventually found, reunion with their kin. This book makes clear the role of adult adoptees in Vietnamese and American debates about the forms, privileges, and duties of families, and places Vietnamese children at the center of American and Vietnamese efforts to assign responsibility and find peace in the aftermath of conflict.

In 1968, at the age of 22, Karl Marlantes abandoned his Oxford University scholarship to sign up for active service with the US Marine Corps in Vietnam. Pitched into a war that had no defined military objective other than kill ratios and body counts, what he experienced over the next thirteen months in the jungles of South East Asia shook him to the core. But what happened when he came home covered with medals was almost worse. It took Karl four decades to come to terms with what had really happened, during the course of which he painstakingly constructed a fictionalized version of his war, MATTERHORN, which has subsequently been hailed as the definitive Vietnam novel.

WHAT IT IS LIKE TO GO TO WAR takes us back to Vietnam, but this time there is no fictional veil. Here are the hard-won truths that underpin MATTERHORN: the author's real-life experiences behind the book's indelible scenes. But it is much more than this. It is part exorcism of Karl's own experiences of combat, part confession, part philosophical primer for the young man about to enter combat. It It is also a devastatingly frank answer to the questions '"What is it like to be a soldier?"' "What is it like to face death?"' and "'What is it like to kill someone?"'

OFFICIAL TIE-IN TO THE MAJOR MOTION PICTURE 12 STRONG, STARRING CHRIS HEMSWORTH On September 11th, 2001 the world watched in terror. On September 12th, 2001 they volunteered to fight. Twelve soldiers gave us a reason to hope. THE DECLASSIFIED TRUE STORY OF THE HORSE SOLDIERS. This is the dramatic account of a small band of Special Forces soldiers who entered Afghanistan immediately following September 11, 2001 and, riding to war on horses, defeated the Taliban. Outnumbered 40 to 1, they capture the strategic Afghan city of Mazar-e Sharif, and thereby effectively defeat the Taliban throughout the rest of the country. They are welcomed as liberators as they ride on horses into the city, the streets thronged with Afghans overjoyed that the Taliban have been kicked out. The soldiers rest easy, as they feel they have accomplished their mission. And then, the action takes a wholly unexpected turn. During a surrender of Taliban troops, the Horse Soldiers are ambushed by the would-be P.O.W.s and, still dangerously outnumbered, they must fight for their lives in the city's ancient fortress known as Qala-I Janghi, or the House of War . . . Praise for Doug Stanton:- 'A thrilling action ride of a book.' New York Times 'As gripping as the most intricately-plotted thriller.' Vince Flynn 'A riveting story of the brave and resourceful American warriors who rode into Afghanistan after 9/11 and waged war against Al Qaeda.' Tom Brokaw 'This reads like a cross between an old-fashioned Western and a modern spy thriller.' Parade Magazine 'Spellbinding...action-packed prose. The book reads more like a novel.' USA Today