A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy. Lorenz Boeninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccolo di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccolo established his business there and published a number of influential books. Among these were Marsilio Ficino's De christiana religione, Leon Battista Alberti's De re aedificatoria, Cristoforo Landino's commentaries on Dante's Commedia, and Francesco Berlinghieri's Septe giornate della geographia. Many of these books were printed in vernacular Italian. Despite his prominence, Niccolo has remained an enigma. A meticulous historical detective, Boeninger pieces together the thorough portrait that scholars have been missing. In doing so, he illuminates not only Niccolo's life but also the Italian printing revolution generally. Combining Renaissance studies' traditional attention to bibliographic and textual concerns with a broader social and economic history of printing in Renaissance Italy, Boeninger provides an unparalleled view of the business of printing in its earliest years. The story of Niccolo di Lorenzo furnishes a host of new insights into the legal issues that printers confronted, the working conditions in printshops, and the political forces that both encouraged and constrained the publication and dissemination of texts.

The book is part follow-on of Tyson’s easy to read and fascinating autobiography The Other Side – Behind the News 1 where the reader is taken on a vicarious, and often humorous, journey through the landmark South African and world events he witnessed on his watch. But it is much more than that, too. Unpacking the history of the printed press – and its imminent demise, hence the book’s title – and the challenges that have and always will face the Fourth Estate, this book is a must-read for any journalist or student of journalism. Tyson also expounds on his vision of the future of credible online journalism and stresses the importance of online news portals and content providers subscribing to the tried-and-tested credos and ethics of leading printed newspaper brands such as The New York Times.

'An entertaining and insightful human story of obsession about books.' Daily Telegraph 'A lively tale of historical innovation, the thrill of the bibliophile's hunt, greed and betrayal.' New York Times The never-before-told story of one extremely rare copy of the Gutenberg Bible, and its impact on the lives of the fanatical few who were lucky enough to own it. For rare book collectors, an original copy of the Gutenberg Bible - there are only forty-six in existence - is the undisputed gem of any collection. The Lost Gutenberg recounts five centuries in the life of one particular copy of the Bible from its very creation by Johannes Gutenberg in Mainz, Germany, to its ultimate resting place, in a steel vault under the protection of the Japanese government. Margaret Leslie Davis draws readers into this incredible saga, inviting them into the colourful lives of each of its fanatic collectors along the way. Exploring books as objects of desire across centuries, Davis will leave readers not only with a broader understanding of the culture of rare book collectors, but with a deeper awareness of the importance of books in our world.

Packaging plays a major role in the environmental footprints of products from any industrial sector, and thus is important to address the sustainability issues of packaging. Packaging and the packaging sector have to be eco-conscious as there are many types of packaging across various industrial sectors and so are their environmental impacts as well. Plastic packaging is one of the most common element and the packaging sector accounts for almost 40% of plastic pollution in the world. Sustainable packaging is the only way forward to alleviate the environmental devastations from the the packaging sector. This book presents case studies and discusses how to make packaging more sustainable for a better future.

Orietta Da Rold provides a detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. Looking beyond book production, Da Rold maps out the uses of paper and explains the success of this technology in medieval culture, considering how people interacted with it and how it affected their lives. Offering a nuanced understanding of how affordance influenced societal choices, Paper in Medieval England draws on a multilingual array of sources to investigate how paper circulated, was written upon, and was deployed by people across medieval society, from kings to merchants, to bishops, to clerks and to poets, contributing to an understanding of how medieval paper changed communication and shaped modernity.

Starting a South African digital media business in a time when nobody had a clue how to make money from online news was a bad idea. Doing it on a shoestring budget with a skeleton staff? Downright foolish.

A decade later, Daily Maverick has managed to establish itself as one of the country’s most influential and intelligent publications – but not without a disproportionate amount of death threats, grey hair and empty bank accounts. We Have A Game Changer lifts the lid on the often unbelievable efforts to keep the dream alive.

Marikana, Madiba, Mangaung, Nenegate, Nkandla, Oscar Pistorius, the rise of the EFF, the fall of SARS, 10 years of Zuma and, of course, the #GuptaLeaks: Daily Maverick covered it all with the depth and the signature wit that this plucky digital publisher has become known for. Tracking the biggest moments in South Africa over the last decade and the knock-on effect that they had on both the editorial and business endeavours, this is the story behind the stories. We Have A Game Changer tells what it was like to construct a first draft of history. And what a history that was.

This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence. It extends to broader issues concerning music and patronage in the city as they affected individual composers, patrons and institutions, and thence to the commerce of music printing and the book trade. It concludes with an attempt to suggest a broader view of these various issues as they impact upon musical life in the 'provinces' in Tuscany. There is a great deal of new documentary and other information here, but the aim is also to expand methodological horizons so as to prompt new ways of thinking about music in its contexts.

In his 1987 work Paratexts, the theorist Gerard Genette established physical form as crucial to the production of meaning. Here, experts in early modern book history, materiality, and rhetorical culture present a series of compelling explorations of the architecture of early modern books. The essays challenge and extend Genette's taxonomy, exploring the paratext as both a material and a conceptual category. Renaissance Paratexts takes a fresh look at neglected sites, from imprints to endings, and from running titles to printers' flowers. Contributors' accounts of the making and circulation of books open up questions of the marking of gender, the politics of translation, geographies of the text, and the interplay between reading and seeing. As much a history of misreading as of interpretation, the collection provides novel perspectives on the technologies of reading, and exposes the complexity of the playful, proliferating, and self-aware paratexts of English Renaissance books."

'A marvel of storytelling and a masterclass in the history of the book' WALL STREET JOURNAL The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings - the dazzling handiwork of the city's artists and architects. But equally important were geniuses of another kind: Florence's manuscript hunters, scribes, scholars and booksellers. At a time where all books were made by hand, these people helped imagine a new and enlightened world. At the heart of this activity was a remarkable bookseller: Vespasiano da Bisticci. His books were works of art in their own right, copied by talented scribes and illuminated by the finest miniaturists. With a client list that included popes and royalty, Vespasiano became the 'king of the world's booksellers'. But by 1480 a new invention had appeared: the printed book, and Europe's most prolific merchant of knowledge faced a formidable new challenge. 'A spectacular life of the book trade's Renaissance man' JOHN CAREY, SUNDAY TIMES

Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England.

This book was originally published in 1954. Robert Estienne was born in Paris in the early years of the sixteenth century, the son of a successful printer-bookseller. He became a printer himself, and one distinguished not only for the quality of his printing, but also for his scholarship. He was the most outstanding figure of the Parisian booktrade at the moment when that trade was one of the most important agencies of the various intellectual movements which we summarise as 'The Renaissance'. Estienne was not only a classical but also a biblical scholar and editor (he is remembered as much for his editions of the Bible as for the beauty of his Cicero or for his use of the Garamond Greek types). Mrs Armstrong gives a full-length historical study of an important and admirable figure.

This 1959 bibliography lists and describes everything that came from the press of John Baskerville of Birmingham, who was appointed Printer to the University of Cambridge in 1758. After an introduction in which Dr Gaskell describes the methods that he has adopted and the conclusions that he has drawn from the investigation, there are two main parts: Specimens, Proposals and other Ephemera, and Books. Each entry contains a quasi-facsimile transcription of the title page, and gives details of formula contents amongst several other things. This, which was the first full bibliography of Baskerville's work, will be an essential tool for Baskerville collectors and for historians of printing and typography as well as for bibliographers. There are twelve collotype plates, most of which illustrate unique copies of Baskerville's ephemera; and there is in addition a full-size facsimile of Baskerville's last type specimen.

An important phase in the American book trade's shift from colonial craft work to nineteenth-century big business took place in the early national period, as printers began to take on the risks of book publishing by creating and serving new markets. The focus of Printers and Men of Capital is a group of late eighteenth-century printers in Philadelphia who came of age during the years of the Revolution. While the new nation was being formed and defined, these men were seeking to build a publishing industry and establish themselves in their trade. In the 1780s and 1790s, men like Benjamin Franklin Bache and William Duane evolved from printing craftsmen to activist newspaper publishers. Other printers, including Mathew Carey, Thomas Dobson, and William Woodward, turned their sights on book publishing. Rosalind Remer focuses on the risk-taking strategies of these latter entrepreneurs and on the younger firms that learned from them. She shows how they combined many traditional eighteenth-century forms of business organization with newer methods of financing, sales, and distribution. Making use of the publishers' business records and correspondence, as well as the books they produced, Printers and Men of Capital makes a genuine contribution to our understanding of the development of a domestic economy and culture.

In this classic first volume of English Books and Readers, first published in 1952, H. S. Bennett covers in detail the history of books from Caxton down to the incorporation of the Stationers' Company, discussing the evidence for public literacy, the regulation of the book trade, the demand for books, the authors, translators, and printers of early books, and their methods. It is a history of society at the opening of the Art of Printing, without which civilization as we know it could hardly have taken shape at all - a chapter in the human story, unique in its significance and remarkably obscure before this book was first published.

In this second volume of his classic English Books and Readers, first published in 1965, H. S. Bennett continues the story down to the end of the reign of Elizabeth I. His purpose is to give an account of the total output of books and pamphlets in this period, irrespective of their qualities as literature. He reveals a picture of astonishing variety and fertility. The part of it which concerns the production of imaginative, philosophical and religious books is fairly well known; but by far the larger proportion of the output of the printing presses consisted of such diverse products as histories and geographies, moral treatises, translations from the Classics, legal and medical text-books, writings on sports and pastimes, seamanship, primers of instruction in languages and music, the great and famous corpus of travel books, volumes of ballads and verses, and cheap and sensational pamphlets on such topics as monstrous births, strange creatures, the evil practices of witches and the diabolical objectives of traitors. Besides showing how the printers, booksellers and their allies made this enormously diverse mass of material readily available to the Elizabethan reading public, the author examines as well the relations between writers and readers.

Food Packaging: Advanced Materials, Technologies, and Innovations is a one-stop reference for packaging materials researchers working across various industries. With chapters written by leading international researchers from industry, academia, government, and private research institutions, this book offers a broad view of important developments in food packaging. Presents an extensive survey of food packaging materials and modern technologies Demonstrates the potential of various materials for use in demanding applications Discusses the use of polymers, composites, nanotechnology, hybrid materials, coatings, wood-based, and other materials in packaging Describes biodegradable packaging, antimicrobial studies, and environmental issues related to packaging materials Offers current status, trends, opportunities, and future directions Aimed at advanced students, research scholars, and professionals in food packaging development, this application-oriented book will help expand the reader's knowledge of advanced materials and their use of innovation in food packaging.

Cynthia Cockburn's classic work began as a study on the human impact of technological change, but ended as an exploratiion in the making and remaking of men, showing how work and technology are used by men in maintaining their control over women. It continues to offer an unparalled insight into men and trade unionism from a feminist point of view.

How to take the lead with sustainable packaging design solutions
With initiatives like the Wal-Mart Scorecard in the U.S. and the E.U.'s Packaging Directive, delivering sustainable packaging is now an integral part of today's global competitive market. Written by experts from a wide variety of fields, here is a comprehensive, single source of actionable information that enables everyone involved in the design and development process to make smart, informed decisions, opening new possibilities for creating truly innovative solutions.
Wendy Jedlicka, CPP (Roseville, MN) is President of Jedlicka Design Ltd. and a member of the faculty at Minneapolis College of Art and Design's groundbreaking Sustainable Design Certificate Program. A Certified Packaging Professional, she serves as Upper Midwest Chapter Chair (o2umw.org), as well as U.S. co-coordinator for the o2 Global Green Design Network (o2.org), and contributes frequently to Packaging Design magazine's "Sustainability Update" feature column.

This book is a study of the first Ottoman/Muslim printer Ibrahim Muteferrika and his printing activity in the first half of the eighteenth century. By reviewing the existing views in narratives dating from the fifteenth through the nineteenth century and modern scholarly works, most of them quite critically discussing the relatively late introduction of Ottoman Turkish/Muslim printing, the book argues that the delay was mainly due to the lack of an appropriate printer who would be capable and eager enough to set a printing house and whom the Ottoman authority could trust. By focusing on Muteferrika's western-formed mindset the book detects the influence of his printing enterprise upon the transition from scribal tradition to print culture.

Orietta Da Rold provides a detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. Looking beyond book production, Da Rold maps out the uses of paper and explains the success of this technology in medieval culture, considering how people interacted with it and how it affected their lives. Offering a nuanced understanding of how affordance influenced societal choices, Paper in Medieval England draws on a multilingual array of sources to investigate how paper circulated, was written upon, and was deployed by people across medieval society, from kings to merchants, to bishops, to clerks and to poets, contributing to an understanding of how medieval paper changed communication and shaped modernity.

"Micropolitics and Canadian Business" explores the internal structure of industry politics in contemporary Canada. This "micropolitics" approach offers a revealing set of conceptual tools and models that illuminate the politics of everyday business at the industry, firm, and policy issue levels. It builds wider contexts in which the concrete particulars of business-government relations can be explored and understood in a systematic fashion.

The approach developed is a comparative one. The book examines three industries--paper, steel, and airlines--carefully chosen to represent a revealing cross-section of a vast economic field covering the primary (resource), secondary (manufacturing), and tertiary (service) sectors of the economy. In addition, one industry (pulp and paper) is primarily export-oriented, another (steel) focuses mainly on domestic sales, and the third (air transport) is strongly grounded in both.

The book applies to each a common set of questions and applies a similar set of methods. Separate chapters on each industry begin with a brief review of current industry concerns, followed by a historical and structural survey of that industry. Each chapter continues with studies of two leading firms, highlighting their internal politics and their strategic orientations. Since firms are the building blocks of industry, they tell us much about the larger structures of political power. Finally, each chapter examines two significant public policy controversies whose scope extends beyond core business boundaries.

"Micropolitics and Canadian Business" specifically analyzes three industries; however, the approach used may be applied to a much wider universe of companies and sectors. Throughout, this book furthers our understanding of the complex contexts of business politics. As such, it will be of interest to both students and practitioners of business and government relations.

In this absorbing narrative, Barry E.C. Boothman traces the history of Abitibi Power & Paper Limited alongside the rise and fall of the newsprint industry and the advent of Canadian corporate capitalism. In the first half of the twentieth century, Abitibi was Canada's biggest manufacturer - an apparent success story after the Wall Street crash of 1929 and a company deemed "too big to fail" - but the company eventually ended up at the centre of the longest and most controversial bankruptcy in Canadian history. Moving from the frontier areas of northern Ontario to the heart of the continental economy, Corporate Cataclysm shows how competitive strategies, industrial organization, corporate finance, and law combined with the empire-building dreams of entrepreneurs and the concerns of politicians to generate an economic disaster. It then chronicles the disputes and intense strife that plagued Abitibi's fourteen-year receivership.

Book History has emerged as one of the most exciting new interdisciplinary fields of study in the humanities. By focusing on the production, circulation and reception of the book in all its forms, it has transformed the study of history, literature and culture. From debates in textual scholarship to current discussions about digital media and the futre of the book, The Broadview Reader in Book History is the most complete and up-to-date introduction available to this area of study. The reader reprints edited versions of key essays in the field, grouped conceptually and provided with headnotes, explanatory footnotes, an introduction, a chronology and a glossary of terms.

In 1979 Elizabeth Eisenstein provided the first full-scale treatment of the fifteenth-century printing revolution in the West in her monumental two-volume work, The Printing Press as an Agent of Change. This abridged edition, after summarising the initial changes introduced by the establishment of printing shops, goes on to discuss how printing challenged traditional institutions and affected three major cultural movements: the Renaissance, the Reformation, and the rise of modern science. Also included is a later essay which aims to demonstrate that the cumulative processes created by printing are likely to persist despite the recent development of new communications technologies.