Packaging is a complex and wide-ranging subject. Comprehensive in scope and authoritative in its coverage, Packaging technology provides the ideal introduction and reference for both students and experienced packaging professionals.
Part one provides a context for the book, discussing fundamental issues relating to packaging such as its role in society and its diverse functions, the packaging supply chain and legislative, environmental and marketing issues. Part two reviews the principal packaging materials such as glass, metal, plastics, paper and paper board. It also discusses closures, adhesives and labels. The final part of the book discusses packaging processes, from design and printing to packaging machinery and line operations, as well as hazard and risk management in packaging.
With its distinguished editors and expert contributors, Packaging technology is a standard text for the packaging industry. The book is designed both to meet the needs of those studying for the Diploma in Packaging Technology and to act as a comprehensive reference for packaging professionals.
Provides the ideal introduction and reference for both students and experienced packaging professionalsExamines fundamental issues relating to packaging, such as its role in society, its diverse functions, the packaging supply chain and legislative, environmental and marketing issuesReviews the principal packaging materials such as glass, metal, plastics, paper and paper board

An integral overview of the theory and design of printheads, authored by an expert with over 30 years' experience in the field of inkjet printing. Clearly structured, the book presents the design of a printhead in a comprehensive and clear form, right from the start. To begin with, the working principle of piezo-driven drop-on-demand printheads in theory is discussed, building on the theory of mechanical vibrations and acoustics. Then the design of single-nozzle as well as multi-nozzle printheads is presented, including the importance of various parameters that need to be optimized, such as viscosity, surface tension and nozzle shape. Topics such as refilling the nozzle and the impact of the droplet on the surface are equally treated. The text concludes with a unique set of worked-out questions for training purposes as well as case studies and a look at what the future holds. An essential reference for beginning as well as experienced researchers, from ink developers to mechanical engineers, both in industry and academia.

The classic, bestselling guide to getting published

In the 20 years since it first appeared, hundreds of thousands of writers'professionals as well as beginners--have read, followed and benefited from How to Get Happily Published. This new edition adds material on making deals with publishers (and what's important), working with small publishers (and when that's preferable), capitalizing on contacts (and where to make them), deciding whether to self-publish (and how much that costs), using new electronic media (to publish; to get information, publicity, promotion and sales; and to connect with enthusiastic readers), and making your work sell better (whoever the publisher is).

Plus hundreds of new resources--books, magazines, newspapers, newsletters, groups, experts and Internet sites covering every step of the publishing process.

With the increasing use and penetration of digital information technologies throughout its processes and products, the publishing industry is undergoing a fundamental and irreversible transformation. Provided here is a comprehensive single-volume study of that transformation which demonstrates how publishing managers can best take advantage of the opportunities the profound changes will bring. In 15 clearly-written chapters, the seven key elements of publishing, the 7M's, are detailed. An enumeration of critical core concepts and over 30 figures and tables assist in this timely analysis that is essential reading for all stakeholders in the future of publishing.

This eloquent and masterful book details how the recent advancements in digital information technology mark a fundamental and irreversible transformation in the publishing industry. The clearly presented and highly readable text provides a much-needed, concise, easy-to-grasp introduction to this new world of digital publishing, the opportunities it presents, and what it means for managers in the industry, including the fundamental shift from format-based enterprises (e.g., book publishers) to firms that are developers and managers of intellectual properties in multiple forms which best meet their customers' information needs. Throughout the study, the author, a media executive who has held managerial positions in major book publishing, cable television, and software firms, focuses on the business strategies that both traditional print-based and new media publishing firms must implement to adapt and thrive in this rapidly evolving and complex environment.

After an introductory chapter that reviews the major symptoms of change in the current publishing industry environment, the author examines the Information Age and the new information industry as the foundation for his analysis. He then presents his new framework, the seven Ms of publishing, that serves both as the structural backbone and main thesis of the study. The central 11 chapters of the book detail these seven Ms: the five value-added Ms of "Material, Mode, Media, Means," and "Market"; and the two infrastructural Ms of "Management" and "Money." The author supports his analysis with over 30 figures and tables that vividly depict the key points of the study. He also delineates 45 core concepts of publishing in the Information Age within the seven Ms. The final chapter of the book presents the author's vision of the digital publishing enterprise and the paradigm of promise for managers and other stakeholders in the future of publishing.

This book reviews the solid core of fundamental scientific knowledge on laser-stimulated surface chemistry that has accumulated over the past few years. It provides a useful overview for the student and interested non-expert as well as essential reference data (photodissociation cross sections, thermochemical constants, etc.) for the active researcher.

This volume brings together John Oates studies on English printing, and the collection at Cambridge University Library, to which he devoted his career. It contains fifteen studies on English printing between the filteenth and the eighteenth centuries, and eleven studies on the collection of Cambridge University Library. Three further studies reflect his interest in Sterne, which began as a hobby, and on whom he formed a collection of international repute. The publication of these papers in collected form provides a fitting memorial to a lifetime s work on English printing, and a career as one of the great scholar-librarians of modem times in England. There is a preface by Dennis Rhodes, who has also contributed a bibliography of John Oates publications.

In 1450, all Europe's books were hand copied and amounted to only a few thousand. By 1500 they were printed, and numbered in their millions. The invention of one man -- Johann Gutenberg -- had caused a revolution. Printing by moveable type was a discovery waiting to happen.
Born in 1400 in Mainz, Germany, Gutenberg struggled against a background of plague and religious upheaval to bring his remarkable invention to light. His story is full of paradox: his ambition was to unite all Christendom, but his invention shattered it. He aimed to make a fortune, but was cruelly denied the fruits of his life's work. Yet history remembers him as a visionary. His discovery marks the beginning of the modern world.

Reactive inkjet printing uses an inkjet printer to dispense one or more reactants onto a substrate to generate a physical or chemical reaction to form a product in situ. Thus, unlike traditional inkjet printing, the printed film chemistry differs to that of the initial ink droplets. The appeal of reactive inkjet printing as a chemical synthesis tool is linked to its ability to produce droplets whose size is both controllable and predictable, which means that the individual droplets can be thought of as building blocks where droplets can be added to the substrate in a high precision format to give good control and predictability over the chemical reaction. The book starts by introducing the concept of using reactive inkjet printing as a building block for making materials. Aspects such as the behaviour of printed droplets on substrate and their mixing is discussed in the first chapters. The following chapters then discuss different applications of the technique in areas including additive manufacturing and silk production, production of materials used in solar cells, printed electronics, dentistry and tissue engineering. Edited by two leading experts, Reactive Inkjet Printing: A Chemical Synthesis Tool provides a comprehensive overview of this technique and its use in fabricating functional materials for health and energy applications. The book will appeal to advanced level students in materials science.

Symbolic Caxton is the first study to explore the introduction of printing in symbolic terms. It presents a powerful literary history in which the fifteenth century is crucial to the overall story of English literature. William Kuskin argues that the development of print production is part of a larger social network involving the political, economic, and literary systems that produce the intangible constellations of identity and authority. For Kuskin, William Caxton (1422-1491), the first English printer, becomes a unique lens through which to view these issues. Kuskin contends that recognizing the fundamental complexity inherent in the transformation from manuscript to print-the power of literature to formulate its audience, the intimacy of capital and communication, the closeness of commodities and identity-makes possible a clear understanding of the way cultural, bibliographical, financial, and technological instruments intersect in a process of symbolic production. While this book is the first to connect the contents of late medieval literature to its technological form, it also speaks to contemporary culture, wrestling with our own paradigm shift in the relationship between literature and technology.

William Caxton (c. 1421-1492) and the printers who immediately followed him, Wynkyn de Worde and Richard Pynson, dominated early English printing. Surprisingly, their ideological impact on English literary history - their transformation of a textual economy based in manuscript production, their strategic development of authorship, their collation of English literature - remains largely unrecognized, overshadowed by the work of later sixteenth-century printers and folded into the general transition from the Middle Ages to the Renaissance. This collection, the first such work on Caxton and his contemporaries, consists of ten original essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, translation, politics, and genre, to the modern fascination with Caxton's books. The contributors to this volume approach the study of the printed book as the study of literary culture, and so broaden the traditional terms of bibliography to argue that no full understanding of books is possible without consideration of the larger nature of cultural production and reproduction. reproducing preexisting production methods; on another, however, it argues that these printers introduce a significantly new relationship between material and symbolic forms. Thus, Caxton's Trace suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself. This collection will be valuable to scholars of the medieval and early modern periods and makes a significant contribution to the history of the book.

In "The Nature of the Book," a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas--commercial, intellectual, political, and individual.
"A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."--Alberto Manguel, "Washington Times"
"[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."--D. Graham Burnett, "New Republic"
"A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."--Merle Rubin, "Christian Science Monitor"
"The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."--John Sutherland, "The Independent"
"Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."--Ian Maclean, "Times Literary Supplement"

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. 3D and 4D metallic printing principles, practices, and real-world applications Designed to be a single source of information for the metallic printing industry, this practical guide provides the technical tools necessary to bridge the performance gap between conventionally produced and printed parts. The book covers the fundamentals of 3D and 4D metallic printing and offers complete details on evaluation of mechanical, physical, and metrological performance of printed objects. Additive Manufacturing of Metals: Fundamentals and Testing of 3-and 4-D Printing starts with the basics-from the evolution of additive manufacturing to the metals and production processes used. From there, you will get complete discussions on issues related to the lack of regulation and standardization, the mechanical behavior of printed parts, defects, measurements, and quality control. Clearly explains both 3D and 4D printing of metals in industrial processes Lays out the steps to measure the performance and quality of printed metal parts Written by a recognized expert and experienced educator

3D printing is a new craft technique that seems like science fiction. Objects appear to be created out of nothing - as if by magic. This book shows you the practice of 3D printing at home. It gives the reader an overview of the basics of this technique and the materials and the knowledge you need for a successful start in the use of 3D printing. The hardware and software you need is described, and tips and tricks for the practical application of 3D printing are given. If you aspire to use 3D printing for your hobby or for spare parts, this book is a guide for your first steps into a new future: - What is 3D printing? - The differences between 3D printers. - The way to your first print. - Software for construction, preparation of printing and the printing process. - Printing practice. - What can I do with my printer? - Printing at service providers.

The emergence of the book was not merely an event of world historical importance, but the dawn of modernity. In this much praised work, Lucien Febvre and Henri-Jean Martin mesh together economic and technological history, sociology and anthropology, with the study of consciousness itself to root the development of printing in the changing social relations and ideological struggles of Western Europe. Now that the printed page may become a thing of the past, "The Coming of the Book" is more pertinent than ever.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice - from fine art and furniture-design to film-making - Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

Relying on documents previously unavailable to both Western andChinese researchers, this history demonstrates how Westerntechnology and evolving traditional values resulted in the birth of aunique form of print capitalism that would have a far-reaching andirreversible influence on Chinese culture. In the mid-1910s, whathistorians call the "Golden Age of Chinese Capitalism" began,accompanied by a technological transformation that included the drasticexpansion of China's "Gutenberg revolution." Thisis a vital reevaluation of Chinese modernity that refutes viewsthat China's technological development was slowed by culture orthat Chinese modernity was mere cultural continuity.

This reference covers in detail the preparation and application of current and emerging organic materials used as xerographic photoreceptors, emphasizing the photo-electric properties of organic solids and evaluating their potential use in xerography.;Reviewing the development of xerography and the steps in the xerographic process, this volume: summarizes the properties, advantages and disadvantages of various classes of materials used as photoreceptors; describes the methods of characterizing the sensitometry of xerographic photoreceptors; examines the physics and chemistry of photogeneration and charge transport processes; and elucidates the sensimetry of different classes of organic materials.;Organic Photoreceptors for Imaging Systems is intended for imaging scientists, optical engineers and physicists, organic chemists, materials scienctists and students in these disciplines.