What has fifteenth-century England to do with the Renaissance? By challenging accepted notions of 'medieval' and 'early modern' David Rundle proposes a new understanding of English engagement with the Renaissance. He does so by focussing on one central element of the humanist agenda - the reform of the script and of the book more generally - to demonstrate a tradition of engagement from the 1430s into the early sixteenth century. Introducing a cast-list of scribes and collectors who are not only English and Italian but also Scottish, Dutch and German, this study sheds light on the cosmopolitanism central to the success of the humanist agenda. Questioning accepted narratives of the slow spread of the Renaissance from Italy to other parts of Europe, Rundle suggests new possibilities for the fields of manuscript studies and the study of Renaissance humanism.

This book provides a single-source reference to additive manufacturing, accessible to anyone with a basic background in engineering and materials science. Unlike other books on additive manufacturing that include coverages of things such as machine architecture, applications, business and present market conditions, this book focuses on providing comprehensive coverage of currently available additive manufacturing processes. All processes are explained with the help of various, original diagrams, useful for beginners and advanced researchers alike. Provides comprehensive coverages of all current processes available in additive manufacturing; Explains processes with the help of various original diagrams; Explains future process development at the last chapter, providing research outlook; Includes extensive references at the end of each chapter for further reading of original research.

Book, Text, Medium: Cross Sectional Reading for a Digital Age utilizes codex history, close reading, and language philosophy to assess the transformative arc between medieval books and today's e-books. It examines what happens to the reading experience in the twenty-first century when the original concept of a book is still held in the mind of a reader, if no longer in the reader's hand. Leading critic Garrett Stewart explores the play of mediation more generally, as the concept of book moves from a manufactured object to simply the language it puts into circulation. Framed by digital poetics, phonorobotics, and the rising popularity of audiobooks, this study sheds new light on both the history of reading and the negation of legible print in conceptual book art.

This book provides a thorough overview of the applications of 3D printing technologies to ubiquitous manufacturing (UM). UM itself represents an application of ubiquitous computing in the manufacturing sector, and this book reveals how it offers convenient, on-demand network access to a shared pool of configurable manufacturing resources, including software tools, equipment, and capabilities. Given its scope, the book will be of considerable interest to researchers in the areas of manufacturing, mechanical engineering, operations management, production control, ubiquitous computing, and sensor technologies, as well as practicing managers and engineers.

This handbook provides an indispensable overview of all essential aspects of industrial-scale inkjet printing. Inkjet printing, as a scalable deposition technique, has grown in popularity due to its being additive, digital, and contact-free. Given these advantages, the technology can now be used in stable and mature industrial-scale applications. As the mechanisms for inkjet printing have improved, so too have the versatility and applicability of this machinery within industry. The handbook's coverage includes inks, printhead technology, substrates, metrology, software, as well as machine integration and pre- and post-processing approaches. This information is complemented by an overview of printing strategies and application development and covers technological advances in packaging, security printing, printed electronics, robotics, 3D printing, and bioprinting. Important topics like standardisation, regulatory requirements, ecological aspects, and patents. Readers will find: The most comprehensive work on the topic with over 75 chapters and more than 1,500 pages relating to inkjet printing technology The inkjet-printing expertise of corporate development engineers and academic researchers in one manual A hands-on approach utilizing case studies, success stories, and practical hints that allow the reader direct, first-hand experience with the power of inkjet printing technology. The ideal resource for material scientists, engineering scientists in industry, electronic engineers, and surface and solid-state chemists, Inkjet Printing in Industry is an all-in-one tool for modern professionals and researchers alike.

In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.

From droplet formation to final applications, this practical book presents the subject in a comprehensive and clear form, using only content derived from the latest published results. Starting at the very beginning, the topic of fluid mechanics is explained, allowing for a suitable regime for printing inks to subsequently be selected. There then follows a discussion on different print-head types and how to form droplets, covering the behavior of droplets in flight and upon impact with the substrate, as well as the droplet's wetting and drying behavior at the substrate. Commonly observed effects, such as the coffee ring effect, are included as well as printing in the third dimension. The book concludes with a look at what the future holds. As a unique feature, worked examples both at the practical and simulation level, as well as case studies are included. As a result, students and engineers in R&D will come to fully understand the complete process of inkjet printing.

A Focus on SLM and SLS Methods in 3D Printing is an indispensable collection of articles for anyone involved in additive manufacturing - from academics and researchers through to engineers and managers within the manufacturing industry. The collection features examples of innovative research involving selective laser melting and selective laser sintering techniques applied across a range of contexts.

A Focus on 3D Printing for Healthcare Applications is an indispensable collection of articles for anyone interested in additive manufacturing and prosthetics. It includes insights and examples into 3D printing for:- Biomedical prototypes- Tissue engineering- Bone scaffold manufacturing- Dental applications 3D printing has huge potential to deliver tailored healthcare solutions. Find out some of the reasons why by reading this collection.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

The Baskerville Bible of 1763 is perhaps the most famous work published by Cambridge University Press, and Baskerville's own type punches are among its most treasured possessions. This short biography of John Baskerville (1706 75) was published in 1914 by Josiah Henry Benton (1843 1917), an American lawyer and author. Baskerville, born in Worcestershire, set up as a writing-master and letter-cutter in Birmingham, but later built up a business in 'japanning', the imitation of Japanese lacquer work, from which he made his fortune. He began working as a type-founder and printer around 1750, and made innovations not only in typefaces but also in paper, ink and printing machines. The quality of his books - not only the Bible, but also the Book of Common Prayer, an edition of Virgil, and Milton's Paradise Lost and Paradise Regained, among others - made them collectors' items: Benton provides an appendix listing his own Baskerville books."

This three-volume bibliography of printing was published between 1880 and 1886 by E. C. Bigmore (1838-99) and C. W. H. Wyman (1832-1909), who had, unknown to each other, been working on similar projects and were brought together by the antiquarian bookseller and publisher Bernard Quaritch. The scope of the work, which quickly became a classic, includes 'typographic, lithographic, copperplate printing, etc., with the cognate arts of type-founding, stereotyping, electrotyping, and wood-engraving', but excludes the topics of paper and bookbinding. The three volumes are arranged in alphabetical order of surname of author; anonymous works are ordered by the wording of the title. Compiled with the assistance of such historians of printing as William Blades and John Southward (several of whose works are available in this series), this authoritative work is of continuing value to bibliographers. Volume 1, published in 1880, contains an introduction and covers the letters A to L.

This three-volume bibliography of printing was published between 1880 and 1886 by E. C. Bigmore (1838-99) and C. W. H. Wyman (1832-1909), who had, unknown to each other, been working on similar projects and were brought together by the antiquarian bookseller and publisher Bernard Quaritch. The scope of the work, which quickly became a classic, includes 'typographic, lithographic, copperplate printing, etc., with the cognate arts of type-founding, stereotyping, electrotyping, and wood-engraving', but excludes the topics of paper and bookbinding. The three volumes are arranged in alphabetical order of surname of author; anonymous works are ordered by the wording of the title. Compiled with the assistance of such historians of printing as William Blades and John Southward (several of whose works are available in this series), this authoritative work is of continuing value to bibliographers. Volume 2, published in 1884, covers the letters M to S.

John Johnson (1777 1848) worked for a private press at Lee Priory, Kent, which published limited editions of poetry, prose and pamphlets, but was not financially successful. Moving to London in 1824, Johnson produced this two-volume work on printing, which had become a popular topic in the late eighteenth and early nineteenth centuries. As with Hansard's Typographia of 1825 (also available in this series), his knowledge of the history of printing is largely derived from secondary works, particularly those of Dibdin. The work was published in several formats, and contemporary reviewers noted Johnson's highly ornate typography and use of engravings more than the contents. Volume 1, in which Johnson was assisted by Richard Thomson, Librarian of the London Institution, covers the history of printing. It lists printers working in England up to the end of the sixteenth century, with bibliographical details of titles known to have been published by them.

John Johnson (1777 1848) worked for a private press at Lee Priory, Kent, which published limited editions of poetry, prose and pamphlets, but was not financially successful. Moving to London in 1824, Johnson produced this two-volume work on printing, which had become a popular topic in the late eighteenth and early nineteenth centuries. The work was published in several formats, and contemporary reviewers noted Johnson's highly ornate typography and use of engravings more than the contents. Volume 2 is useful to modern students of printing, as it deals with the practical aspects of the print trade. It includes numerous specimens of type in different alphabets, and explanations of type casting and imposition. It also describes how to manage a print shop, as well as the different kinds of press, including recent inventions such as the Stanhope, Columbian and Albion, and ends with a brief account of steam presses and stereotype.

First published in 1888, A Practical Treatise upon Modern Printing Machinery and Letterpress Printing by Wilson and Grey remains an important work for those interested in the Victorian mechanisation of printing. They list, with illustrations, all the different machines in use in the printing trade, in England and abroad. They outline the development of printing from the early hand presses, and discuss in detail the strengths and weaknesses of the different machines then in use. Information is provided on manufacturers and specifications of the multitude of machinery available for all stages of the printing and publishing process. The book contains valuable information on the development of colour printing, and covers book and newspaper printing as well as the needs of small jobbing firms. It will be of interest to historians of printing and publishing, printers, engineers and industrial archaeologists.

A wonderfully visual and imaginative collection of graphic design, featuring the work of individual designers, design projects, printing technology and the creation of brand identity using a variety of mediums. Original and unique, this volume presents a range of contemporary designs and provides ideas and inspiration for anyone looking to stand out in an increasingly competitive global market where creating an instantly recognizable brand identity is key.

The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who could strongly influence the interpretation and status of texts by determining the form and context in which they would be read. Brian Richardson examines the Renaissance production, circulation and reception of texts by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture.

The spread of printing to Renaissance Italy had a dramatic impact on all users of books. As works came to be diffused more widely and cheaply, so authors had to adapt their writing and their methods of publishing to the demands and opportunities of the new medium, and reading became a more frequent and user-friendly activity. Printing, Writers and Readers in Renaissance Italy focuses on this interaction between the book industry and written culture. After describing the new technology and the contexts of publishing and bookselling, it examines the continuities and changes faced by writers in the shift from manuscript to print, the extent to which they benefited from print in their careers, and the greater accessibility of books to a broader spectrum of readers, including women and the less well educated. This is the first integrated study of a topic of central importance in Italian and European culture.

"As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."-From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.

Cynthia Cockburn's classic work began as a study on the human impact of technological change, but ended as an exploratiion in the making and remaking of men, showing how work and technology are used by men in maintaining their control over women. It continues to offer an unparalled insight into men and trade unionism from a feminist point of view.