The volume presents a collection of articles on the use of 3D printing technology in mathematics education and in mathematics teacher training. It contains both basic research-oriented contributions as well as reflected descriptions of concrete developments for teaching. The authors of this compilation share a positive attitude towards the possibilities that the use of 3D printing technology (understood as an interplay of software and hardware) can unfold for mathematics education, but critically evaluate from a mathematics education research perspective when, where and how an application can enable an added value for the learning of a mathematical content.

The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance.
This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci's publishing decisions, and provides a detailed catalogue of editions and copies.
Stanley Boorman has made a study of the output of Petrucci's presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.

Orietta Da Rold provides a detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. Looking beyond book production, Da Rold maps out the uses of paper and explains the success of this technology in medieval culture, considering how people interacted with it and how it affected their lives. Offering a nuanced understanding of how affordance influenced societal choices, Paper in Medieval England draws on a multilingual array of sources to investigate how paper circulated, was written upon, and was deployed by people across medieval society, from kings to merchants, to bishops, to clerks and to poets, contributing to an understanding of how medieval paper changed communication and shaped modernity.

Book, Text, Medium: Cross Sectional Reading for a Digital Age utilizes codex history, close reading, and language philosophy to assess the transformative arc between medieval books and today's e-books. It examines what happens to the reading experience in the twenty-first century when the original concept of a book is still held in the mind of a reader, if no longer in the reader's hand. Leading critic Garrett Stewart explores the play of mediation more generally, as the concept of book moves from a manufactured object to simply the language it puts into circulation. Framed by digital poetics, phonorobotics, and the rising popularity of audiobooks, this study sheds new light on both the history of reading and the negation of legible print in conceptual book art.

This book provides a single-source reference to additive manufacturing, accessible to anyone with a basic background in engineering and materials science. Unlike other books on additive manufacturing that include coverages of things such as machine architecture, applications, business and present market conditions, this book focuses on providing comprehensive coverage of currently available additive manufacturing processes. All processes are explained with the help of various, original diagrams, useful for beginners and advanced researchers alike. Provides comprehensive coverages of all current processes available in additive manufacturing; Explains processes with the help of various original diagrams; Explains future process development at the last chapter, providing research outlook; Includes extensive references at the end of each chapter for further reading of original research.

The 'long twelfth century' (1075-1225) was an era of seminal importance in the development of the book in medieval Europe and marked a high point in its construction and decoration. This comprehensive study takes the cultural changes that occurred during the 'twelfth-century Renaissance' as its point of departure to provide an overview of manuscript culture encompassing the whole of Western Europe. Written by senior scholars, chapters are divided into three sections: the technical aspects of making books; the processes and practices of reading and keeping books; and the transmission of texts in the disciplines that saw significant change in the period, including medicine, law, philosophy, liturgy, and theology. Richly illustrated, the volume provides the first in-depth account of book production as a European phenomenon.

This book provides a thorough overview of the applications of 3D printing technologies to ubiquitous manufacturing (UM). UM itself represents an application of ubiquitous computing in the manufacturing sector, and this book reveals how it offers convenient, on-demand network access to a shared pool of configurable manufacturing resources, including software tools, equipment, and capabilities. Given its scope, the book will be of considerable interest to researchers in the areas of manufacturing, mechanical engineering, operations management, production control, ubiquitous computing, and sensor technologies, as well as practicing managers and engineers.

What has fifteenth-century England to do with the Renaissance? By challenging accepted notions of 'medieval' and 'early modern' David Rundle proposes a new understanding of English engagement with the Renaissance. He does so by focussing on one central element of the humanist agenda - the reform of the script and of the book more generally - to demonstrate a tradition of engagement from the 1430s into the early sixteenth century. Introducing a cast-list of scribes and collectors who are not only English and Italian but also Scottish, Dutch and German, this study sheds light on the cosmopolitanism central to the success of the humanist agenda. Questioning accepted narratives of the slow spread of the Renaissance from Italy to other parts of Europe, Rundle suggests new possibilities for the fields of manuscript studies and the study of Renaissance humanism.

Book, Text, Medium: Cross Sectional Reading for a Digital Age utilizes codex history, close reading, and language philosophy to assess the transformative arc between medieval books and today's e-books. It examines what happens to the reading experience in the twenty-first century when the original concept of a book is still held in the mind of a reader, if no longer in the reader's hand. Leading critic Garrett Stewart explores the play of mediation more generally, as the concept of book moves from a manufactured object to simply the language it puts into circulation. Framed by digital poetics, phonorobotics, and the rising popularity of audiobooks, this study sheds new light on both the history of reading and the negation of legible print in conceptual book art.

This text advances fundamental knowledge in modeling in vitro tissues/organs as an alternative to 2D cell culture and animal testing. Prior to engineering in vitro tissues/organs,the descriptions of prerequisites (from pre-processing to post-processing) in modeling in vitro tissues/organs are discussed. The most prevalent technologies that have been widely used for establishing the in vitro tissue/organ models are also described, including transwell, cell spheroids/sheets, organoids, and microfluidic-based chips. In particular, the authors focus on 3D bioprinting in vitro tissue/organ models using tissue-specific bioinks. Several representative bioprinting methods and conventional bioinks are introduced. As a bioink source, decellularized extracellular matrix (dECM) are importantly covered, including decellularization methods, evaluation methods for demonstrating successful decellularization, and material safety. Taken together, the authors delineate various application examples of 3D bioprinted in vitro tissue/organ models especially using dECM bioinks.

This handbook provides an indispensable overview of all essential aspects of industrial-scale inkjet printing. Inkjet printing, as a scalable deposition technique, has grown in popularity due to its being additive, digital, and contact-free. Given these advantages, the technology can now be used in stable and mature industrial-scale applications. As the mechanisms for inkjet printing have improved, so too have the versatility and applicability of this machinery within industry. The handbook's coverage includes inks, printhead technology, substrates, metrology, software, as well as machine integration and pre- and post-processing approaches. This information is complemented by an overview of printing strategies and application development and covers technological advances in packaging, security printing, printed electronics, robotics, 3D printing, and bioprinting. Important topics like standardisation, regulatory requirements, ecological aspects, and patents. Readers will find: The most comprehensive work on the topic with over 75 chapters and more than 1,500 pages relating to inkjet printing technology The inkjet-printing expertise of corporate development engineers and academic researchers in one manual A hands-on approach utilizing case studies, success stories, and practical hints that allow the reader direct, first-hand experience with the power of inkjet printing technology. The ideal resource for material scientists, engineering scientists in industry, electronic engineers, and surface and solid-state chemists, Inkjet Printing in Industry is an all-in-one tool for modern professionals and researchers alike.

In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.

A Focus on 3D Printing for Healthcare Applications is an indispensable collection of articles for anyone interested in additive manufacturing and prosthetics. It includes insights and examples into 3D printing for:- Biomedical prototypes- Tissue engineering- Bone scaffold manufacturing- Dental applications 3D printing has huge potential to deliver tailored healthcare solutions. Find out some of the reasons why by reading this collection.

A Focus on SLM and SLS Methods in 3D Printing is an indispensable collection of articles for anyone involved in additive manufacturing - from academics and researchers through to engineers and managers within the manufacturing industry. The collection features examples of innovative research involving selective laser melting and selective laser sintering techniques applied across a range of contexts.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This three-volume bibliography of printing was published between 1880 and 1886 by E. C. Bigmore (1838-99) and C. W. H. Wyman (1832-1909), who had, unknown to each other, been working on similar projects and were brought together by the antiquarian bookseller and publisher Bernard Quaritch. The scope of the work, which quickly became a classic, includes 'typographic, lithographic, copperplate printing, etc., with the cognate arts of type-founding, stereotyping, electrotyping, and wood-engraving', but excludes the topics of paper and bookbinding. The three volumes are arranged in alphabetical order of surname of author; anonymous works are ordered by the wording of the title. Compiled with the assistance of such historians of printing as William Blades and John Southward (several of whose works are available in this series), this authoritative work is of continuing value to bibliographers. Volume 1, published in 1880, contains an introduction and covers the letters A to L.

The Baskerville Bible of 1763 is perhaps the most famous work published by Cambridge University Press, and Baskerville's own type punches are among its most treasured possessions. This short biography of John Baskerville (1706 75) was published in 1914 by Josiah Henry Benton (1843 1917), an American lawyer and author. Baskerville, born in Worcestershire, set up as a writing-master and letter-cutter in Birmingham, but later built up a business in 'japanning', the imitation of Japanese lacquer work, from which he made his fortune. He began working as a type-founder and printer around 1750, and made innovations not only in typefaces but also in paper, ink and printing machines. The quality of his books - not only the Bible, but also the Book of Common Prayer, an edition of Virgil, and Milton's Paradise Lost and Paradise Regained, among others - made them collectors' items: Benton provides an appendix listing his own Baskerville books."

This three-volume bibliography of printing was published between 1880 and 1886 by E. C. Bigmore (1838-99) and C. W. H. Wyman (1832-1909), who had, unknown to each other, been working on similar projects and were brought together by the antiquarian bookseller and publisher Bernard Quaritch. The scope of the work, which quickly became a classic, includes 'typographic, lithographic, copperplate printing, etc., with the cognate arts of type-founding, stereotyping, electrotyping, and wood-engraving', but excludes the topics of paper and bookbinding. The three volumes are arranged in alphabetical order of surname of author; anonymous works are ordered by the wording of the title. Compiled with the assistance of such historians of printing as William Blades and John Southward (several of whose works are available in this series), this authoritative work is of continuing value to bibliographers. Volume 2, published in 1884, covers the letters M to S.

In this technology-driven era, conventional manufacturing is increasingly at risk of reaching its limit, and a more design-driven manufacturing process, additive manufacturing, might just hold the key to innovation. Offering a higher degree of design freedom, the optimization and integration of functional features, and the manufacturing of small batch sizes, additive manufacturing is changing industry as we know it. Additive Manufacturing Technologies From an Optimization Perspective is a critical reference source that provides a unified platform for the dissemination of basic and applied knowledge about additive manufacturing. It carefully examines how additive manufacturing is increasingly being used in series production, giving those in the most varied sectors of industry the opportunity to create a distinctive profile for themselves based on new customer benefits, cost-saving potential, and the ability to meet sustainability goals. Highlighting topics such as bio-printing, tensile strength, and cell printing, this book is ideally designed for academicians, students, engineers, scientists, software developers, architects, entrepreneurs, and medical professionals interested in advancements in next-generation manufacturing.

John Johnson (1777 1848) worked for a private press at Lee Priory, Kent, which published limited editions of poetry, prose and pamphlets, but was not financially successful. Moving to London in 1824, Johnson produced this two-volume work on printing, which had become a popular topic in the late eighteenth and early nineteenth centuries. As with Hansard's Typographia of 1825 (also available in this series), his knowledge of the history of printing is largely derived from secondary works, particularly those of Dibdin. The work was published in several formats, and contemporary reviewers noted Johnson's highly ornate typography and use of engravings more than the contents. Volume 1, in which Johnson was assisted by Richard Thomson, Librarian of the London Institution, covers the history of printing. It lists printers working in England up to the end of the sixteenth century, with bibliographical details of titles known to have been published by them.

John Johnson (1777 1848) worked for a private press at Lee Priory, Kent, which published limited editions of poetry, prose and pamphlets, but was not financially successful. Moving to London in 1824, Johnson produced this two-volume work on printing, which had become a popular topic in the late eighteenth and early nineteenth centuries. The work was published in several formats, and contemporary reviewers noted Johnson's highly ornate typography and use of engravings more than the contents. Volume 2 is useful to modern students of printing, as it deals with the practical aspects of the print trade. It includes numerous specimens of type in different alphabets, and explanations of type casting and imposition. It also describes how to manage a print shop, as well as the different kinds of press, including recent inventions such as the Stanhope, Columbian and Albion, and ends with a brief account of steam presses and stereotype.